A light went on in the Carswell house.
I scrubbed mist off the driver's door window, peered through the wet glass. The big front window was alight over there, behind drawn curtains. That was a good sign: People don't usually put their living room lights on at four A.M. unless somebody plans to be leaving soon.
Five minutes passed while I sat chafing my gloved hands together and moving my feet up and down to improve circulation. Then another light went on the front porch light this time. And a few seconds after that, the door opened and somebody came out onto the stoop.
It wasn't Randolph Hixley; it was a young blonde woman wearing a trench coat over what looked to be a lacy nightgown. One of the Carswell daughters. She stood still for a moment, looking out over the empty street. Then she drew the trench coat collar up around her throat and ran down the stairs and over to Hixley's Mercedes.
For a few seconds she stood hunched on the sidewalk on the passenger side, apparently unlocking the front door with a set of keys. She pulled the door open, as if making sure it was unlocked, and then slammed it shut again. She turned and ran back up the stairs and vanished into the house.
I thought: Now what was that all about?
The porch light stayed on. So did the light in the front room. Another three minutes dribbled away. The rain slackened a little more, so that it was no longer sheeting; the wind continued to wail and moan. And then things got even stranger over there.
First the porch light went off. Then the door opened and somebody exited onto the stoop, followed a few seconds later by a cluster of shadow-shapes moving in an awkward, confused fashion. I couldn't identify them or tell what they were doing while they were all grouped on the porch; the tallest yucca palm cast too much shadow and I was too far away. But when they started down the stairs, there was just enough extension of light from the front window to individuate the shapes for me.
There were four of them, by God—three in an uneven line on the same step, the fourth backing down in front of them as though guiding the way. Three women, one man. The man—several inches taller, wearing an overcoat and hat, head lolling forward as if he were drunk or unconscious—was being supported by two of the women.
They all managed to make it down the slippery stairs without any of them suffering a misstep. When they reached the sidewalk, the one who had been guiding ran ahead to the Mercedes and dragged the front passenger door open. In the faint outspill from the dome light, I watched the other two women, with the third one's help, push and prod the man inside. Once they had the door shut again, they didn't waste any time catching their breaths. Two of them went running back to the house; the third hurried around to the driver's door, bent to unlock it. She was the only one of the three, I realized then, who was fully dressed: raincoat, rain hat, slacks, boots. When she slid in under the wheel I had a dome-lit glimpse of reddish hair and a white, late-thirties face under the rain hat. Anne Carswell.
She fired up the Mercedes, let the engine warm for all of five seconds, switched on the headlights, and eased away from the curb at a crawl, the way you'd drive over a surface of broken glass. The two daughters were already back inside the house, with the door shut behind them. I had long since unwrapped the blanket from around my legs; I didn't hesitate in starting my car. Or in trying to start it: The engine was cold and it took three whiffing tries before it caught and held. If Anne Carswell had been driving fast, I might have lost her. As it was, with her creeping along, she was only halfway along the next block behind me when I swung out into a tight U-turn.
I ran dark through the rain until she completed a slow turn west on Point Lobos and passed out of sight. Then I put on my lights and accelerated across Geary to the Point Lobos intersection. I got there in time to pick up the Mercedes' taillights as it went through the flashing yellow traffic signal at 48th Avenue. I let it travel another fifty yards downhill before I turned onto Point Lobos in pursuit.
Five seconds later, Anne Carswell had another surprise for me.
I expected her to continue down past the Cliff House and around onto the Great Highway; there is no other through direction once you pass 48th. But she seemed not to be leaving the general area after all. The Mercedes' brake lights came on and she slow-turned into the Merrie Way parking area above the ruins of the old Sutro Baths. The combination lot and overlook had only the one entrance/exit; it was surrounded on its other three sides by cliffs and clusters of wind-shaped cypress trees and a rocky nature trail that led out beyond the ruins to Land's End.
Without slowing, I drove on past. She was crawling straight down the center of the unpaved, potholed lot, toward the trees at the far end. Except for the Mercedes, the rain-drenched expanse appeared deserted.
Below Merrie Way, on the other side of Point Lobos, there is a newer, paved parking area carved out of Sutro Heights park for sightseers and patrons of Louis' Restaurant opposite and the Cliff House bars and eateries farther down. It, too, was deserted at this hour. From the overlook above, you can't see this curving downhill section of Point Lobos; I swung across into the paved lot, cut my lights, looped around to where I had a clear view of the Merrie Way entrance. Then I parked, shut off the engine, and waited.
For a few seconds I could see a haze of slowly moving light up there, but not the Mercedes itself. Then the light winked out and there was nothing to see except wind-whipped rain and dark. Five minutes went by. Still nothing to see. She must have parked, I thought—but to do what?
Six minutes, seven. At seven and a half, a shape materialized out of the gloom above the entrance—somebody on foot, walking fast, bent against the lashing wind. Anne Carswell. She was moving at an uphill angle out of the overlook, climbing to 48th Avenue.
When she reached the sidewalk, a car came through the flashing yellow at the intersection and its headlight beams swept over her; she turned away from them, as if to make sure her face wasn't seen. The car swished down past where I was, disappeared beyond the Cliff House. I watched Anne Carswell cross Point Lobos and hurry into 48th at the upper edge of the park.
Going home, I thought. Abandoned Hixley and his Mercedes on the overlook and now she's hoofing it back to her daughters.
What the hell?
I started the car and drove up to 48th and turned there. Anne Carswell was now on the opposite side of the street, near where Geary dead-ends at the park; when my lights caught her she turned her head away as she had a couple of minutes ago. I drove two blocks, circled around onto 47th, came back a block and then parked and shut down again within fifty yards of the Carswell house. Its porch light was back on, which indicated that the daughters were anticipating her imminent return. Two minutes later she came fast-walking out of Geary onto 47th. One minute after that, she climbed the stairs to her house and let herself in. The porch light went out immediately, followed fifteen seconds later by the light in the front room.
I got the car moving again and made my way back down to the Merrie Way overlook.
The Mercedes was still the only vehicle on the lot, parked at an angle just beyond the long terraced staircase that leads down the cliffside to the pitlike bottom of the ruins. I pulled in alongside, snuffed my lights. Before I got out, I armed myself with the flashlight I keep clipped under the dash.
Icy wind and rain slashed at me as I crossed to the Mercedes. Even above the racket made by the storm, I could hear the barking of sea lions on the offshore rocks beyond the Cliff House. Surf boiled frothing over those rocks, up along the cliffs and among the concrete foundations that are all that's left of the old bathhouse. Nasty night, and a nasty business here to go with it. I was sure of that now.
I put the flashlight up against the Mercedes' passenger window, flicked it on briefly. He was in there, all right; she'd shoved him over so that he lay half sprawled under the wheel, his head tipped back against the driver's door. The passenger door was unlocked. I opened it and got in and shut the door again to extinguish the dome light. I put the flash beam on his face, shielding it with my hand.
Randolph Hixley, no doubt of that; the photograph Puget Sound Investigations had sent me was a good one. No doubt, either, that he was dead. I checked for a pulse, just to make sure. Then I moved the light over him, slowly, to see if I could find out what had killed him.
There weren't any discernible wounds or bruises or other marks on his body; no holes or tears or bloodstains on his damp clothing. Poison? Not that, either. Most any deadly poison produces convulsions, vomiting, rictus; his facial muscles were smooth and when I sniffed at his mouth I smelled nothing except Listerine.
Natural causes, then? Heart attack, stroke, aneurysm? Sure, maybe. But if he'd died of natural causes, why would Anne Carswell and her daughters have gone to all the trouble of moving his body and car down here? Why not just call Emergency Services?
On impulse I probed Hixley's clothing and found his wallet. It was empty no cash, no credit cards, nothing except some old photos. Odd. He'd quit using credit cards after his divorce; he should have been carrying at least a few dollars. I took a close look at his hands and wrists. He was wearing a watch, a fairly new and fairly expensive one. No rings or other jewelry but there was a white mark on his otherwise tanned left pinkie, as if a ring had been recently removed.
They rolled him, I thought. All the cash in his wallet and a ring off his finger. Not the watch because it isn't made of gold or platinum and you can't get much for a watch, anyway, these days.
But why? Why would they kill a man for a few hundred bucks? Or rob a dead man and then try to dump the body? In either case, the actions of those three women made no damn sense. . . .
Or did they?
I was beginning to get a notion.
I backed out of the Mercedes and went to sit and think in my own car. I remembered some things, and added them together with some other things, and did a little speculating, and the notion wasn't a notion anymore—it was the answer.
Hell, I thought then, I'm getting old. Old and slow on the uptake. I should have seen this part of it as soon as they brought the body out. And I should have tumbled to the other part a week ago, if not sooner.
I sat there for another minute, feeling my age and a little sorry for myself because it was going to be quite a while yet before I got any sleep. Then, dutifully, I hauled up my mobile phone and called in the law.
They arrested the three women a few minutes past seven A.M. at the house on 47th Avenue. I was present for identification purposes. Anne Carswell put up a blustery protest of innocence until the inspector in charge, a veteran named Ginzberg, tossed the words "foul play" into the conversation; then the two girls broke down simultaneously and soon there were loud squawks of denial from all three: "We didn't hurt him! He had a heart attack; he died of a heart attack!" The girls, it turned out, were not named Carswell and were not Anne Carswell's daughters. The blonde was Bonnie Harper; the brunette was Margo LaFond. They were both former runaways from southern California.
The charges against the trio included failure to report a death, unlawful removal of a corpse, and felony theft. But the main charge was something else entirely.
The main charge was operating a house of prostitution.
Later that day, after I had gone home for a few hours' sleep, I laid the whole thing out for my partner, Eberhardt.
"I should have known they were hookers and Hixley was a customer," I said. "There were enough signs. His wife divorced him for 'sexual misconduct'; that was one. Another was how unalike those three women were—different hair colors, which isn't typical in a mother and her daughters. Then there were those sly young guys I saw with the two girls. They weren't boyfriends, they were customers too."
"Hixley really did die of a heart attack?" Eberhardt asked.
"Yeah. Carswell couldn't risk notifying Emergency Services; she didn't know much about Hixley and she was afraid somebody would come around asking questions. She had a nice discreet operation going there, with a small but high-paying clientele, and she didn't want a dead man to rock the boat. So she and the girls dressed the corpse and hustled it out of there. First, though, they emptied Hixley's wallet and she stripped a valuable garnet ring off his pinkie. She figured it was safe to do that; if anybody questioned the empty wallet and missing ring, it would look like the body had been rolled on the Merrie Way overlook, after he'd driven in there himself and had his fatal heart attack. As far as she knew, there was nothing to tie Hixley to her and her girls—no direct link, anyhow. He hadn't told her about the two parking tickets."
"Uh-huh. And he was in bed with all three of them when he croaked?"
"So they said. Right in the middle of a round of fun and games. That was what he paid them for each of the times he went there—seven hundred and fifty bucks for all three, all night."
"Jeez, three women at one time," Eberhardt paused, thinking about it. Then he shook his head. "How?" he said.
I shrugged. "Where there's a will, there's a way."
"Kinky sex—I never did understand it. I guess I'm old-fashioned."
"Me too. But Hixley's brand is pretty tame, really, compared to some of the things that go on nowadays."
"Seems like the whole damn world gets a little kinkier every day," Eberhardt said. "A little crazier every day, too. You know what I mean?"
"Yeah," I said, "I know what you mean."
La Bellezza Delle Bellezze
1.
That Sunday, the day before she died, I went down to Aquatic Park to watch the old men play bocce. I do that sometimes on weekends when I'm not working, when Kerry and I have nothing planned. More often than I used to, out of nostalgia and compassion and maybe just a touch of guilt, because in San Francisco bocce is a dying sport.
Only one of the courts was in use. Time was, all six were packed throughout the day and there were spectators and waiting players lined two and three deep at courtside and up along the fence on Van Ness. No more. Most of the city's older Italians, to whom bocce was more a religion than a sport, have died off. The once large and close-knit North Beach Italian community has been steadily losing its identity since the fifties—families moving to the suburbs, the expansion of Chinatown and the gobbling up of North Beach real estate by wealthy Chinese—and even though there has been a small new wave of immigrants from Italy in recent years, they're mostly young and upscale. Young, upscale Italians don't play bocce much, if at all; their interests lie in soccer, in the American sports where money and fame and power have replaced a love of the game itself. The Di Massimo bocce courts at the North Beach Playground are mostly closed now; the only place you can find a game every Saturday and Sunday is on the one Aquatic Park court. And the players get older, and sadder, and fewer each year.
There were maybe fifteen players and watchers on this Sunday, almost all of them older than my fifty-eight. The two courts nearest the street are covered by a high, pillar-supported roof, so that contests can be held even in wet weather; and there are wooden benches set between the pillars. I parked myself on one of the benches midway along. The only other seated spectator was Pietro Lombardi, in a patch of warm May sunlight at the far end, and this surprised me. Even though Pietro was in his seventies, he was one of the best and spryest of the regulars, and also one of the most social. To see him sitting alone, shoulders slumped and head bowed, was puzzling.
Pining away for the old days, maybe, I thought as I had just been doing. And a phrase popped into my head, a line from Dante that one of my uncles was fond of quoting when I was growing up in the Outer Mission: Nessun maggior dolore che ricordarsi del tempo felice nella miseria. The bitterest of woes is to remember old happy days.
Pietro and his woes didn't occupy my attention for long. The game in progress was spirited and voluble, as only a game of bocce played by elderly 'paesanos can be, and I was soon caught up in it.
Bocce is simple—deceptively simple. You play it on a long, narrow packed-earth pit with low wooden sides. A wooden marker ball the size of a walnut is rolled to one end; the players stand at the opposite end and
in turn roll eight larger, heavier balls, grapefruit-sized, in the direction of the marker, the object being to see who can put his bocce ball closest to it. One of the required skills is slow-rolling the ball, usually in a curving trajectory, so that it kisses the marker and then lies up against it—the perfect shot—or else stops an inch or two away. The other required skill is knocking an opponent's ball away from any such close lie without disturbing the marker. The best players, like Pietro Lombardi, can do this two out of three times on the fly—no mean feat from a distance of fifty feet. They can also do it by caroming the ball off the pit walls, with topspin or reverse spin after the fashion of pool-shooters.
Nobody paid much attention to me until after the game in progress had been decided. Then I was acknowledged with hand gestures and a few words—the tolerant acceptance accorded to known spectators and occasional players. Unknowns got no greeting at all; these men still clung to the old ways, and one of the old ways was clannishness.
Only one of the group, Dominick Marra, came over to where I was sitting. And that was because he had something on his mind. He was in his mid-seventies, white-haired, white-mustached; a bantamweight in baggy trousers held up by galluses. He and Pietro Lombardi had been close friends for most of their lives. Born in the same town—Agropoli, a village on the Gulf of Salerno not far from Naples; moved to San Francisco with their families a year apart, in the late twenties; married cousins, raised large families, were widowed at almost the same time a few years ago. The kind of friendship that is almost a blood tie. Dominick had been a baker; Pietro had owned a North Beach trattoria that now belonged to one of his daughters.
What Dominick had on his mind was Pietro. "You see how he sits over there, hah? He's got trouble—la miseria."
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