“The Creeleys, Joe and Helene, your mother and I were all pretty close for a while. Joe broke the engagement when he found Burton, his partner and closest friend, with Helene snuggled nice and tight below deck on Burt’s boat one night. It broke his heart, Tom. True, she had convinced Burton to will his stocks to her, but it sure wasn’t Joe who engineered that.” Wade moved again to the window. When he drew up the blinds, Shephard could see the drive-in far below, the trees around it swaying in the growing wind. The last of the cars waited at the exit.
“Of course Helene was disgraced. She was a beautiful, powerful woman, but she started to crack when the entire club found out what she had been doing. When Joe found them that night on the boat, he roughed up Burton pretty good. Helene, too. Some of the people around the club probably knew already, but they had two black eyes and a broken engagement as evidence. Still, Helene Lang wouldn’t let go. She stayed there at the Surfside, an outcast from Joe, an outcast from the life of the place. She drank. Made a spectacle of herself more than once. Then she cut her wrist one morning. The maid found her. It was Joe who took her downstairs and put her in his car for the hospital. The doctors didn’t have any trouble putting her back together, but they weren’t sure she was stable enough to let out. They kept her for observation. Which went into treatment. It never stopped. She still goes to a psychiatrist three times a week, or rather he goes to her. Joe Datilla pays for it. When she squandered all the money she had, she had to sell the stock and Joe bought it. That was years later. He didn’t have to, but he threw in a suite as part of the deal. He never could turn her out, Tom.”
Wade sat back down and poured more water. Shephard saw the pained look on his face, the row of tiny droplets above his lips. He had told his son—many years ago when he was a detective, too—that a cop’s job wasn’t to ponder human nature, just to understand it. Maybe those years of understanding the human animal had led him to God, Shephard thought.
“Tom, I’m sorry I didn’t tell you before, about Helene. I’m not sure why she would tell you what she did or didn’t do. Her doctors probably couldn’t tell you. She probably couldn’t either. Maybe she feels like it’s time to confess. Maybe to hurt Joe. Maybe she doesn’t feel anything I would even understand. But I’ll tell you this. I’m deeply sorry that she did. I’m deeply sorry that you fell into it. I know how bad you hurt after the shooting, and Louise. I wanted Laguna to be a fresh start for you. I’m sorry she brought this onto your shoulders. I apologize for her.” Wade’s voice was shaking as he spoke his next words. “It’s hard for me to talk about, son. It takes me back to a good time that turned out so bad for so many of us. I don’t know how you’re going to find out who killed Tim Algernon and Hope. You may never find out. But you’re not going to find it at the Surfside. Handle it your way. Do what you think is best. But don’t let the bitter heart of an old woman hurt you. She may be dangerous. And not only to herself.”
“She showed me a check that Joe had written to you,” Shephard said, staring down at the floor. “I don’t know why. She wouldn’t say why.”
When he looked back up, there was a wry grin on his father’s face again. Wade shook his head slowly. “I shouldn’t make light of anything that has happened here today,” he said. “And certainly not scoff at the strange imagination of a sick person. That was the down payment on the house I brought you up in, son. Joe had the cash, and his terms were easier than the banks could offer. Every interest point I could save was worth it, you know why?” Shephard honestly didn’t. “Because I was twenty-eight years old and I had a son on the way. I figured the least I could do was put a good roof over his hard little head. I knew you’d come out hard-headed.”
Wade moved behind him and began to rub his shoulders. Shephard marveled at his father’s ability to make him feel like a boy again, a boy in good hands. An entire congregation must feel the same way, he thought: Little Theodore and a thousand more.
Outside, the sun was fierce and the wind had stiffened into a bone-dry Santa Ana. A family left the chapel for their car, and a little girl lifted her dress to catch the gusts. She giggled while her mother scolded and dad looked on, smiling. A good roof over her hard little head, he thought.
The LaVerda jerked to life under him like an animal with a mind of its own. It carried him across the city to the Newport Freeway, which would lead him nearly to the steps of the Surfside Club. Shephard, the hard-headed driver, believing that lies have reasons.
TWENTY
Arthur Mink stepped from the guard house and approached the LaVerda, holding onto his hat in the swirling wind. The palm trees of the Surfside leaned drunkenly, their fronds sweeping toward shore, their trunks seemingly ready to snap. Mink’s bony vulture’s face gave way to a smile. “Nice bike,” he said.
“Thanks,” Shephard answered. “It works. I’m here for a ten o’clock appointment with”—and he almost said Helene Lang—“Miss Edmond.” Mink scanned the clipboard. “She sounded a little sauced when she called,” Shephard said, “I’m not sure if she even remembered to …”
“Never mind. If I kept out all the people she was too drunk to call in, she’d never get any visitors. Wind’s a strange one, eh?”
“Early in the year for a Santa Ana,” Shephard said.
“She’s in Suite Two-oh-seven, over B Dock on the water.”
The motorcycle rumbled past the Surfside convention room as Shephard headed for the guest lot once again. He paused a long moment beside the near tennis court, where a young couple still volleyed despite the treacherous wind. The woman’s scarf maintained a stiff starboard pitch, matched by her hair, which was as wavy and golden as Colleen’s. Her partner, a big sturdy man, could have been Wade thirty years ago, Shephard thought. And the racquets could have been wood and the couple on the next court Tim and Margie Algernon, Burton and Hope Creeley, or Joe and Helene. The woman chased an errant ball to the fence, looked at Shephard briefly, then turned away in a flurry of windblown gold.
Shot in her own home by a man who tried to rape her, he thought. I hope it never happens to you.
The halyards of the B Dock yachts banged against their masts, a communal plea to be turned loose into the sea rather than remain chained to land. They rose and fell chaotically, while behind them the open bay churned and heaved. Shephard turned his back to the ships and squinted at the room numbers on the apartment doors. He could hear the Hawaiian music from A Dock. The curtains on Suite 207 were drawn tight.
The stairs to the second story were at the back. Halfway up he stopped and watched a maid push her cart along the walk below, a white towel peeling from the stack and a brown hand snatching it in flight. On the second-floor walkway he paused again to enjoy the Surfside view. To the west, a huge American flag stood stiffly over A Dock, while below it the palm trees bowed as if in supplication. Shephard realized that with no people on the courtyard below him and no cars in sight, the view he now saw could have been the same as it was in 1951, the year of bad luck at the Surfside. The same buildings, the same palm trees, the same ocean in the near distance, green, white-capped, violent. For a moment the feeling was unnerving, as if he had slipped back in time with the mere climbing of stairs. Other remnants from the early days of the Surfside came to mind. The same owner. The woman not thirty feet away in Suite 207. A cop named Wade Shephard, who had probably once stood on this same balcony thinking perhaps of his son just as his son now thought of him. Hell, he thought; should have stayed in L.A. At least the skeletons in the closet were my own.
He knocked on the door and waited while a cat moaned from the other side, miserable but patient. A door that nobody is going to open sounds different, he thought. He tried the knob and found it unlocked.
“Miss Edmond? Yoo-hoo, Dorothy?”
Inside, the suite smelled unmistakably of cat dung. In the vague light he watched a thin white animal cross the floor, stretch, then angle against his leg.
“Miss Edmond? Miss Lang? Whoever you are today, are you home?” He flicked on a lig
ht. The cat pointed its nose tentatively at a bowl near the door, where a can-shaped glob of food was slowly diminishing under a swarm of ants. Enough food for a week, he thought. “Eat up, cat. Protein.” The cat, which Shephard noted was cross-eyed, moaned again.
He stepped over it and stood in the middle of the small living room. The suite was airless and nearly dark from the drawn curtains. He turned on a lamp and discovered that he was standing amidst thirty years of Surfside history, framed and dusty, hanging from the walls. Quite a social director, he thought; pictures of everything. Here was the cast that had become so familiar to him over the last week: Joe and Helene on the courts with Wade and Colleen; Burton and Hope Creeley at rest in the Surfside Lounge, martinis raised.
A home with nobody in it sounds like a door with nobody to open it, he thought. He raised his voice once more to confirm her absence, and it echoed briefly, unanswered. Gone for the weekend, and enough food for the cat. He noted that the litter box in the corner was well used. Outside, the wind buffeted the windows and the living room drapes lilted. When he opened the window, a gust of dry wind blew in. The cat moaned again.
Shephard leaned up close to a large photograph of Helene Lang and Joe Datilla sitting in a car. The car was a red convertible Cadillac. For a man who had “tried hard not to know her,” his attentive smile, relaxed expression, and the comforting arm he’d wrapped around Helene looked like not much of a try at all. Why had he even bothered to lie, Shephard wondered. It must be common knowledge.
The same car that was stolen last week. The same car now at the disposal of the Fire Killer. In spite of the heat, Shephard felt a chill register down his back. To the left of the picture was a smaller one, vintage black and white, of Wade and Colleen Shephard standing on A Dock. Wade was on the left with his arm around her. Colleen was smiling at the camera, a broad and delighted smile. Wade was looking at her, or perhaps at the other man who stood to her right, also with his arm wrapped around Colleen. His face was lost in shadow, but somehow familiar to Shephard. He searched his memory for an earlier encounter with the man, but found none.
The hallway of Helene Lang’s suite was covered with more pictures, dozens of them. As Shephard stopped to study them he noticed that her collection began in the living room and continued chronologically down the hallway. The last photograph before the closed bedroom door was of a group of people he had never seen, the new wave of Surfside members. Their dress was extravagant and obvious. Mid-sixties bellbottoms and miniskirts, too much jewelry, long hair.
When he pushed open the bedroom door and saw Helene lying comfortably in her bed, he knew that something wasn’t right.
“Helene, wake up,” he commanded. Moving across the bedroom in the dank half-light, he saw her peaceful face; the empty bottle of gin on the nightstand; the prescription bottle beside it, empty too; and now the cat, which had silently entered behind him and leaped onto the bed, purring and rubbing its head against the woman’s face. When Shephard reached down to shoo the cat away he looked into the half-open eyes of Helene Lang and knew that she had been dead for several hours.
The cat slunk to her face for another rub and Shephard slapped it away. He found her carotid and pressed it, uselessly. His ears were ringing, and he felt a bloated thumping in his chest.
Shephard saw that Helene had left an envelope resting on her chest. To Joseph was written on the outside in a calm and lovely script. He stood for a moment and tried to quiet his pounding heart, but the attempt was as futile as trying to find life in Helene Lang’s quiet artery. With a silent nod to his own ungodliness, Shephard took the envelope, shut the door behind him, and returned to the stale kitchen. He sat down, and heard Helene Lang’s whiskey voice as he read:
My Dear Joseph,
It was only a few days ago that I realized how long I’ve been waiting for this. Strangely, I am at peace now. I leave with much bitterness and regret, but I bargained for them both, as you well know. The real sadness about life is all the time it gives us to do what we can never undo. If I spent my time too close to the shadows I have no one to blame except myself. And what is it about those shadows that draws some of us, like moths to light? I suppose there is a sunny world somewhere, but it never much interested us, did it, Joe? For what we did to Burton I should burn twice in hell, and would do it gladly if it could bring him back and make things right. But that is childish, and we have been anything but children. Regret is a luxury that even I have outgrown. The one good thing I did on earth was love you, but Jesus, why does He give us the hands to do what we imagine? Finally, I will hurt you too, but the confession I made was for myself, and believe me I needed it badly. Even after all we have done I cannot be a part of what you do now. I have made arrangements to bring the proper people to the proper places, and should they fail and you succeed, no one will be wronged more than they have been wronged already.
I love you, Joe, but I wish I’d never been born to do it.
Peace to you someday, too,
Helene
The cat jumped onto Shephard’s lap and rubbed its nose against the corner of the letter. His nerves jolted and he pushed the animal back to the floor. The wind outside assaulted the windows and the glass shivered so vehemently that Shephard wondered if it might break and bring the whole storm into the suite. He smoked a cigarette and flushed the butt down the kitchen sink, then smoked another. If Helene Lang was just a crazy liar, she had played it right down to the end, he thought. A lot farther, it seemed, than anyone would have asked her to.
For the next hour, Shephard went through her suite. He again studied the photographs in the living room and hall. He carefully rifled the kitchen drawers. In the second room off the hallway, guest quarters, he inspected the closet and found it nearly empty, but lingered over a collection of personal papers and snapshots that were pushed far into the recesses of a dresser. Letters from Joe, innocent lover’s notes; a dried and ancient boutonniere with pin still intact; a baby picture unmistakably of Joe Datilla.
Back in the bedroom, which now seemed to smell of death, he worked his way through the large walk-in closet. Helene Lang’s wardrobe befitted the social animal: cocktail dresses, dinner dresses, business suits, all bunched along one wall, gay colors and fine fabrics. The clothes were pressed together without regard for wrinkles or freshness, some of the slinkier gowns having slid to an end of their hangers, which now dipped helter-skelter from the weight. Another wall was dedicated to sport clothes and sweaters. The floor of the closet looked like a sale bin in a discount store: it was littered with dozens of shoes, which formed a small hill of mismatched colors and shapes. A group of bathing suits lay in one corner, the top one still damp from a recent swim. The suits below lay in a heap that smelled of chlorine and mildew.
The bathroom was roomy but dominated by crud. Black mold stained the bottom of the shower door, the linoleum cracked and peeled upward in one corner, and a furry orange rug was wadded around the toilet base, either to stop a leak or warm the feet.
Helene Lang must have done her entertaining at the lounge, Shephard thought, if she did any entertaining at all. The sink dripped, and the mirror above was so smudged that it offered only a translucent approximation when he looked into it. He wondered if an approximation was all Helene had wanted.
In the bedroom proper he flipped on the light and regarded it fully for the first time. The room was large but sparsely furnished, giving off the same air of carelessness as the closet. A simple director’s chair sat by the far corner near the window, overhung by a lamp. To his left Shephard noted a potted palm, and above it on the wall hung an oversized rubbing of some Mayan deity, its mouth agape and filled with large round teeth, a rattle—or perhaps some weapon—clutched in its hand. A dresser stood beside the bed, drawers open and spilling underclothes of varying purpose. Beside the empty bottles on the nightstand stood a clock radio whose digital readout flipped to 10:14 A.M. as he watched.
Shephard found what he was looking for under the bed, that final catch-all o
f the bad housekeeper. At first the weight of it deceived him, seeming too heavy to contain the news clips that any social director would collect. But after he had worked the cumbersome blue trunk into the corner of the room and opened its solid lid, he saw that thirty years of Surfside history had been bound in leather volumes, one for each year. The covers were uniform navy blue, with gold lettering for the date and the words Surfside Club.
He sat down in the rickety director’s chair and turned on the lamp above him. Gazing across the room, he thought back to his late night walk on the beach—it was just two days ago, he counted, but it seemed more like a thousand—when he had felt the murder of Hope Creeley transforming from homicide into something even darker, less negotiable. As he had described it to Datilla, it was proportionless, without balance. Had the killer bothered to take even five dollars, an earring, a television, then at least some idea of form and shape would have been suggested. But he saw the case as utterly without reason. I have come closer only to remain far away, he thought. True, he had given the killer a face and fingerprints, a car, a talent, a set of coinciding descriptions fit for the Academy textbooks. But he still couldn’t answer the question, Why?
As he sat with the heavy trunk at his feet, Shephard remembered the strange feeling he’d had on the balcony only moments before, and it dawned on him that he was working a case in the present, when all indicators pointed toward the past. It was clear that the Surfside had been the stage for things beyond his understanding, and that all the players—Algernon and Creeley, Datilla and Helene, even Wade—were unfurling their bony fingers toward the trunk before him. He looked at the bed, wondering if she would have approved. And as he stared at her lifeless chest, hoping like a small boy that maybe she would come to life again, Shephard knew that Helene Lang had all but led him to this place, to her life and death.
Laguna Heat Page 21
