Brutus Lloyd was popular with Amazing Stories readers, and so two further novelettes were published over the next couple of years. But by the mid 1940s, Fearn was beginning to raise his sights from the US pulp magazines, and he began to move into new book-length markets in England.
Since Fearn was well-known as a science fiction author, he was obliged to adopt pseudonyms for his detective fiction, writing hardcover novels as ‘John Slate’ and ‘Hugo Blayn.’
As John Slate, he created the brilliant female detective “Black Maria,” who debuted in BLACK MARIA. M.A. (1944) and as Hugo Blayn he created “Dr. Carruthers” whose first adventure, FLASHPOINT appeared in 1950. All of their books have been reprinted in the UK in recent years, and a few of them were also issued by Wildside Press, most notably FLASHPOINT.
This was one of Fearn’s best-written, and most carefully plotted novels, and the character of Dr. Carruthers is brilliantly realized. This is not so surprising when one realizes that the book is one he had been working on for several years: Carruthers is, in fact, the very same character that Fearn had first conceived back in 1937, and who had been first developed as Brutus Lloyd.
Writing an introduction to OTHER EYES WATCHING, a science fiction novel published in England by Pendulum Publications in 1946 (reprinted from the U.S. pulp Startling Stories) Fearn revealed that his favorite mystery and detective writer was John Dickson Carr, famous as the master the ‘locked room’ mystery.
Fearn’s own detective novels are classics of the ‘locked room’ and ‘impossible crime’ genres, but because they were written under pseudonyms, he did not achieve in England the recognition in the detective field that he deserved.
Fearn decided to try writing mysteries for the Toronto Star Weekly under his own name. He knew he faced terrific competition in this genre: regular contributors included Margery Allingham, John Dickson Carr, Erle Stanley Gardner, Philip MacDonald, Ellery Queen, and Roy Vickers.
During the war, Fearn had worked for three years as a cinema projectionist in his home town of Blackpool, and he continued to be an avid filmgoer. He had seen the many great ‘film noir’ crime thrillers that Hollywood produced in the 1940s, with their atmosphere of menace and mystery. So he felt equal to the task.
His first ‘impossible crime’ novel for the Star Weekly was WITHIN THAT ROOM! (1946) published under his own name. However, so great was the success of his science fiction character “The Golden Amazon” in the same magazine, that Fearn again switched to pseudonyms for his next detective novels there, writing as ‘Thornton Ayre’ and ‘Frank Russell’.
Over the next ten years, Fearn’s Star Weekly detective novels included WITHIN THAT ROOM! (1946), THE CRIMSON RAMBLER (1947; as Thornton Ayre), SHATTERING GLASS (1947), and THE FOURTH DOOR (1948) both as by Frank Russell, and under his own name ROBBERY WITHOUT VIOLENCE (1957) this latter novel having a distinctly science fictional flavour.
Up until 1955, Fearn’s Toronto Star Weekly novels were also reprinted in various American newspapers near to the Canadian border, in the New York and Maine areas, including The Bangor News (later as Bangor Sunday Commercial), Newark Sunday Star Ledger, and Long Island Sunday Press. In recent years, all of Fearn’s Star Weekly mysteries have been reprinted in England and elsewhere, but no American book editions have ever been published. Until now!
Borgo Press will be reprinting all of Fearn’s Star Weekly mysteries, along with several of his best detective novels, including some posthumous works. This ambitious program was commenced with THE CRIMSON RAMBLER, written in the vein of John Dickson Carr.
No discerning collector of locked room and ‘impossible crime’ stories can afford to miss them!
Pattern of Murder Page 20
