Slow River
Nicola Griffith
The Nebula Award Winner–1996
She awoke in an alley to the splash of rain. She was naked, a foot-long gash in her back was still bleeding, and her identity implant was gone. Lore Van Oesterling had been the daughter of one of the world’s most powerful families… and now she was nobody, and she had to hide.
Then out of the rain walked Spanner, predator and thief, who took her in, cared for her wound, and taught her how to reinvent herself again and again. No one could find Lore now: not the police, not her family, and not the kidnappers who had left her in that alley to die. She had escaped… but the cost of her newfound freedom was crime and deception, and she paid it over and over again, until she had become someone she loathed.
Lore had a choice: She could stay in the shadows, stay with Spanner… and risk losing herself forever. Or she could leave Spanner and find herself again by becoming someone else: stealing the identity implant of a dead woman, taking over her life, and creating a new future.
But to start again, Lore required Spanner’s talents—Spanner, who needed her and hated her, and who always had a price. And even as Lore agreed to play Spanner’s game one final time, she found that there was still the price of being a Van Oesterling to be paid. Only by confronting her family, her past, and her own demons could Lore meld together who she had once been, who she had become, and the person she intended to be…
Slow River
by Nicola Griffith
Chapter 1
At the heart of the city was a river. At four in the morning its cold, deep scent seeped through deserted streets and settled in the shadows between warehouses. I walked carefully, unwilling to disturb the quiet. The smell of the river thickened as I headed deeper into the warehouse district, the Old Town, where the street names changed: Dagger Lane, Silver Street, The Land of Green Ginger; the fifteenth century still echoing through the beginnings of the twenty-first.
Then there were no more buildings, no more alleys, only the river, sliding slow and wide under a bare sky. I stepped cautiously into the open, like a small mammal leaving the shelter of the trees for the exposed bank.
Rivers were the source of civilization, the scenes of all beginnings and endings in ancient times. Babies were carried to the banks to be washed, bodies were laid on biers and floated away. Births and deaths were usually communal affairs, but I was here alone.
I sat on the massive wharf timbers—black with age and slick with algae –and let my fingers trail in the water.
In the last two or three months I had come here often, usually after twilight, when the tourists no longer posed by ancient bale chains and the striped awnings of lunchtime bistros were furled for the night. At dusk the river was sleek and implacable, a black so deep it was almost purple. I watched it in silence. It had seen Romans, Vikings, and medieval kings. When I sat beside it, it didn’t matter that I was alone. We sat companionably, the river and I, and watched the stars turn overhead.
I could see the stars because I had got into the habit of lifting the grating set discreetly in the pavement and cracking open the dark blue box that controlled the street lighting. It pleased me to turn on the deliberately old-fashioned wrought-iron lamps whose rich, orangy light pooled on the cobbles and turned six centuries of brutal history into a cozy fireside tale; So few people strolled this way at night that it was usually a couple of days, sometimes as many as ten, before the malfunction was reported, and another week or so before it was fixed. Then I left the lights on for some random length of time before killing them again. The High Street, the city workers had begun to whisper, was haunted.
And perhaps it was. Perhaps I was a ghost. There were those who thought I was dead, and my identity, when I had one, was constructed of that most modern of ectoplasms: electrons and photons that flitted silently across the data nets of the world.
The hand I had dipped in the river was drying. It itched. I rubbed the web between my thumb and forefinger, the scar there. Tomorrow, if all went well, if Ruth would help me one last time, a tadpole-sized implant would be placed under the scar. And I would become someone else. Again. Only this time I hoped it would be permanent. Next time I dipped my hand in the river it would be as someone legitimate, reborn three years after arriving naked and nameless in the city.
* * *
The first thing she thought when she woke naked on the cobbles was: Don’t roll onto your back.
She lay very still and tried to concentrate on the cold stones under hip and cheek, on the strange taste in her mouth.
Drugs, they had given her drugs to make her stop struggling, after she had…
Don’t think about it.
She could not afford to remember now. She would think about it later, when she was safe. The memory of what had happened shrank safely back into a tight bubble.
She raised her head, felt the great, open slash across her trapezoid muscles pull and stretch. Nausea forced her to breathe shallowly for a moment, but then she lifted her head again and looked about: night, in some strange city. And it was cold.
She was curled in a fetal position around some rubbish on a silent, cobbled street. More like an alley. Somewhere at the edge of her peripheral vision the colors of a newstank flashed silently.
She closed her eyes again, trying to think. Lore. My name is Lore. A wind was blowing now, and paper, a news printout, flapped in her face. She pushed it away, then changed her mind and pulled it to her. Paper, she had read, had insulating qualities.
The odd, metallic taste in her mouth was fading, and her head cleared a little. She had to find somewhere to hide. And she had to get warm. Rain fell on her lip and she licked it off automatically, feeling confused. Why should she hide? Surely there were people who would love her and care for her, tend her gently and clean her wounds, if she just let them know where she was. But Hide, said the voice from her crocodile brain, Hide!, and her muscles jumped and sweat started on her flanks, and the slick gray memory like a balloon in her head swelled and threatened to burst.
She crawled toward the newstank because its lurid colors, the series of news pictures flashing over and over in its endless cycle, imitated life. She sat on the road in the rain in the middle of the night, naked, and bathed in the colors as if they were filtered sunlight, warm and safe.
It took her a while to realize what she was seeing: herself. Herself sitting naked on a chair, blindfolded, begging her family to please, please pay what her kidnappers wanted.
The pictures were like a can opener, ripping open the bubble in her head, drenching her with images: the kidnap, the humiliation, the camera filming it all. “So your family will see we’re serious,” he had said. Day after day of it. An eighteenth birthday spent huddled naked in a tent in the middle of a room, with nothing but a plastic slop bucket for company. And here it was, in color: her naked and weeping, a man ranting at the camera, demanding more money. Her tied to a chair, begging for food. Begging…
And the whole world had seen this. The whole world had seen her naked, physically and mentally, while they ate their breakfast or took the passenger slide to work. Or maybe drinking coffee at home they had been caught by the cleverly put-together images and decided, What the hell, may as well pay to download the whole story. And she remembered her kidnappers, one who had always smelled of frying fish, half leading, half carrying her out into the barnyard because she was supposed to be dopey with the drugs she had palmed, the other one rolling new transparent plasthene out on the floor of the open van. She remembered the smell of rain on the farm implements rusting by a wall, and the panic. The panic as she thought, This is it. They’re going to kill me. And the absolute determination to fight one last time, the way the metallic blanket had felt as it slid off her shoulde
rs, how she pushed the man by her side, dropped the cold, thin spike of metal into her palm and turned. Remembered the look on his face as his eyes met hers, as he knew she was going to kill him, as she knew she was going to shove the sharp metal into his throat, and she did. She remembered the tight gurgle as he fell, pulling her with him, crashing into a pile of metal. The ancient plough blade opening her own back from shoulder to lumbar vertebrae. The shouting of the other man as he jumped from the van, stumbling on the cobbles, pulling her up, checking the man on the ground, shouting, “You killed him you stupid bitch, you killed him!” The way her body would not work, would not obey her urge to run; how he pushed her roughly into the van and slammed the doors. And her blood, dripping on the plasthene sheet; thinking, Oh, so that’s what it’s for. Remembered him telling the van where to go, the blood on his hands. The way he cursed her for a fool: hadn’t she known they were letting her go? But she hadn’t. She thought they were going to kill her. And then the sad look, the way he shook his head and said: Sorry, but you’ve forced me to do this and at least you won’t feel any pain… And the panic again; scrabbling blindly at the handle behind her; the door falling open. She remembered beginning the slow tumble backward, the simultaneous flooding sting of the nasal drug that should have been fatal…
But she was alive. Alive enough to sit in the rain, skin stained with pictures of herself, and remember everything.
A taxi hummed past.
She did not call out, but she was not sure if that was because she was too weak, or because she was afraid. The taxi driver might recognize her. He would know what they had done to her. He would have seen it. Everyone would have seen it. They would look at her and know. She could not call her family. They had all seen her suffer, too. Every time they looked at her they would see the pictures, and she would see them seeing it, and she would wonder why they had not paid her ransom.
Her hair was plastered to her head. The rain sheeted down. She crawled into a doorway, realized she was whimpering. She had to be quiet, she had to hide. She had to lose herself. Think. What would give her away? She pulled herself up to her knees and tried to look at her reflection in the shop window, but the rain made it impossible. She scrabbled around in the corners of the doorway until the dirt there turned to mud on her wet hands. She smeared the mud onto her hair. After thirty days, the nanomechs coloring her head and body hair would be dying off and the natural gray would be showing. Only the very few, the very rich wore naturally gray hair. What else? Her Personal Identity, DNA and Account insert. But when she held out her left hand to the fiickers of light flashing in the doorway she saw the angry red scar on the webbing between her thumb and index finger. Of course—the kidnappers would have removed the PIDA on the first day to prevent a trace.
She was alone, hurt, and moneyless. She needed help but was afraid to find it.
It was almost dawn before she heard footsteps. She peered around the doorway. A woman, with dark blond hair tucked into the collar of a big coat, walking with a night step: easy, but wary. One hand in her pocket.
“Help me.”
Her voice was just a whisper and Lore thought the woman had not heard, but she slowed, then stopped. “Come out where I can see you.” The kind of voice Lore had never heard before: light and quick and probably dangerous.
“Help me.” It came out sounding like a command, and Lore heard for the first time the rounded plumminess of her own voice, and knew that she would have to learn to change it.
This time the woman heard, and turned toward the doorway. “Why, what’s wrong with you?” The hand shifted in its pocket, and Lore wondered if the woman had a weapon of some kind. “Stand up so I can see you.”
“I can’t.” Trying to imitate the slippery street vowels.
“Then I’ll just walk along home.” She sounded as though she meant it.
“No.” Lore tried again. “Please. I need your help.”
The woman in the long coat seemed suddenly to shrug off her caution.
“Let’s have a look at you, then.”
When she stepped closer to the doorway and saw Lore’s muddy hair and nakedness, she grinned. “You need to get rid of the boyfriend or girlfriend that did this to you.” But when the light fell on Lore’s bloody back, the woman’s tace tightened into old lines, and her eyes flashed yellow and wise in the sodium light. She fished something out of her coat pocket, slid it inside her shirt, and took off her coat. She held it out. “This might hurt your back, but it’ll keep you warm until I can get you home.”
Lore pulled herself up the metal and glass corner of the doorway, and stood. The woman caught her arm as she nearly fell.
“Hurt?”
“No.” It was numb now.
“It will.” That sounded as though it came from experience. “It’s too cold to stand around. Just put this on and walk.”
Lore took the coat. It was heavy, old wool. The lining was dark silk, still warm. “It smells of summer,” and there were tears in her eyes as she remembered the smells of sunshine on bruised grass, a long, long time before this nightmare began.
“Put it on.” The woman sounded impatient. She was glancing about: quick flicks of her head this way and that. Her hair, free of the coat collar now, swung from side to side.
Lore struggled with the coat. She flinched when the warm silk touched her back, but all she felt was a kind of stretched numbness like the opening of a vast tunnel. “My name…” Shock made her dizzy and vague. “Who…”
“Spanner.” Spanner was scanning the street again. It was noticeably lighter. Another taxi skimmed by. “Fasten the damn thing up. And hurry.”
On that first night it seemed to Lore to be miles and miles from the city center to Spanner’s flat. She learned later that it was barely a mile and a half. It was not that she had a hard time moving—on the contrary, she seemed to skim along the pavement without effort—it was more that the journey stretched endlessly and the false dawn blended with the sodium streetlamps to form a light like wet orange sherbet that always seemed just a moment away from fizzing, boiling off, leaving no oxygen. Lore knew she was ill. She remembered the blood, hers and his, the sharp plastic tick as it dripped onto the plasthene.
She had a vague impression of a shop window and railings, and then stone steps. The stairwell was made of unfinished brick. The mortar looked old. Spanner must have opened the door then, because she found herself inside.
Spanner did not turn on any lights; it was bright enough with the streetlights washing in through unshuttered windows. Lore swayed in the middle of an enormous L-shaped room. Several power points glowed at one end, like red eyes.
“You need to sleep,” Spanner said, “not talk. Here’s some water. Some painkillers.” Her voice sounded different in her own room, and she seemed to appear and disappear, reappearing with things—a glass, some pills; showing Lore the bathroom. It was like watching a jerky, badly edited film. “Here’s the mat.” A judo mat, by the west wall, under the windows opposite the curtained opening to the short limb of the L, the bedroom. “I’ll turn up the heat. You won’t be able to bear anything on that back for a while. I don’t think we can do much about it tonight. Looks like it’s scabbing over. I’ll get a medic for you in the morning, and we’ll talk then.”
Lore knew she must be saying things, responding in some way she assumed reassured Spanner, but she was not aware of it. Spanner touched a pad of buttons on the wall. “I’ve set the alarm. If you need anything, or want to leave, wake me.”
Then Spanner went into the bedroom and closed the curtain behind her.
Lore was alone. Alone in a room filled with shadows of furniture she had never seen before, things that belonged to a woman she did not know, in a city that was strange to her. Alone. A nobody with nothing, not even clothes. It was like being kidnapped again, but this time she had no escape to dream of, nowhere to run to. Her sister had killed herself. Her father was a monster who had lied to her, year after year after year.
She stood
in the middle of the room, aware of the strange smells and temperature, and knew clearly that she needed this woman Spanner; depended upon her, in a way that was shocking. Lore’s fear was sharp, undeniable as a knife pressed against her cheek. It woke her up a little from her dreamy shock state. She was thirsty.
The bathroom was enormous, its window bare; It was too dark outside to see much, but she thought there were perhaps walls, and the remains of a path. She did not want to put the light on, but she could make out a yellowing, old-fashioned tub and huge, cracked black and white tiles. The water ran from the bulbous taps under low pressure, twisting like crossed fingers. She let it pour over her fingers automatically, tasted with the tip of her tongue. Salty. Ions: probably chloride and fluoride and bromide… and suddenly she was crying.
Her fingers turned cold under the tap as she wept. She would have to drink this water that wheezed out from old lead pipes, would have to accept what she was given from now on, and she would have to like it.
When she had finished crying, she splashed her face with water and dried herself with a towel—Spanner’s water, Spanner’s towel—and went back into the living room.
In the street twenty feet below, a freight slide rumbled to a stop but everything else was quiet. She looked down at the judo mat and imagined trying to sleep on it, facedown, back toward the closed curtains of Spanner’s bedroom. Horribly vulnerable.
The judo mat probably weighed less than twenty pounds but it was awkward to handle. In the end she had to drag it behind her like a travois. Several things fell as she barged fifteen feet over to the east wall. She lay on her stomach facing the shadows. The freighter moved off again. She counted to two hundred and fifty-one before another passed. In the silence, she heard the creak of a tree limb rubbing up against the bricks of the outside wall.
As the streetlights faded and the sun came up, the red eyes glowed less insistently and the shadows before her shifted. An electronics workbench, she thought, and tools…
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