CHAPTER 2
HOUSTON
The first time he saw her was through the clear, moonstone colors of water. Suddenly she entered his peripheral vision, gliding past him in the opposite direction, her long legs close together and scissoring gently, trailing an unstrung necklace of tiny silver bubbles.
She wore a black, membrane-sheer suit, and her dark hair, pulled back from her face and held in place by a single band at the nape of her neck, spread out behind her like a billow of ink let loose in the water. Though she wore a small pair of swimming goggles that partially obscured her eyes, he could see from the shape of her face and mouth that she was Asian.
That morning she got out of the pool only a few minutes before he did. By the time he had completed his last lap and pulled himself from the water, she was nearly finished drying off, bending to towel between her thighs, her wet hair pulled to one side and draped over her shoulder. Without acknowledging him, she turned and walked away beside the pool toward the women’s dressing room, nonchalant, as though they had done this together for decades, leaving a code of damp footprints behind her.
• • •
At seven o’clock in the morning the Olympic-size lap pool at the River Oaks Swimming Club is deserted. The water is glass still. The fresh early light, entering obliquely through the upper windows, refracts off the arched angles of the lofty groined ceiling and plunges into the water, penetrating all the way to the pale floor of the pool. It is quiet.
Every day for nearly four years Harry Strand had come here to swim, well before even the earliest club member appeared at eight o’clock. It was a routine he had interrupted only once, for a period of three weeks, when his wife died. That had been eleven months ago. Her death had shaken him more deeply than anything that had ever happened to him. She had come to him late and had left him too soon, a flash of clarity in a life tangled with obscurities. He was approaching fifty when she died, and she had been eleven years younger. Though they were not in their youth anymore, they had no reason to believe that time was short. Her sudden death had sent him reeling, wobbling to the far edges, where he had teetered precariously, dangerously close to breaking down, before wobbling back toward a holding pattern, to the old, anxious tensions of former times.
For the three rare years of his marriage to Romy, he had actually felt as though he had accrued some real measure of an elusive emotional equanimity. She had redeemed him from a lifetime of dissembling and increasing self-dissatisfaction and had taught him to believe in the simple reality of virtue. Then she was gone.
The morning swim was one of the things he did to keep his brain from flying apart. It was a place and a way to begin the day with a reliable rhythm, an affirmation of purpose on a small scale and of peace at the heart of the universe. The aquatic ritual had been Romy’s idea, a regimen deliberately put into play to contravene nearly twenty years of obfuscation. She had said, only half-joking, that the daily immersion would cleanse him, a circadian baptism to remind him that his life had changed.
So, after the funeral, after the horrible, soul-consuming afterbirth of death had passed and he was left with the silence and the solitude, he had returned to the rhythms of the water and the light to try to steady himself all over again. Even in Romy’s absence, he found himself turning to her for help, to her idea of a proper ceremony for rebirth and a new beginning.
• • •
The woman in the black Lycra tank suit came to swim laps beside him in the long empty pool every day for twelve consecutive days. She swam exactly half an hour. Sometimes she was there when he arrived, though she seemed to have preceded him by only minutes, and left while he was still swimming. Sometimes she came after he was already well into his laps, and she was still there when he left. Either way, for nearly two weeks they shared the same water and the same silence and the same light.
During those days it had happened a few times, by sheer chance, that they would swim for a while in tandem, and as he turned his head to the side with every other stroke of his arm, he would see her long, sleek body slipping through the water as smoothly as it had ever been done, perhaps as smoothly as it could be done. Her form was impeccable. Then, gradually, his longer strokes would separate them again, and he would see her only in passing.
The twelve days they swam together were odd in just about every respect. Inevitably during that time their eyes connected briefly, but neither of them ever acknowledged the other. They never spoke. Yet by the twelfth day Strand had grown comfortable with her company, something he would not have expected. If he had been told in advance that another person would begin swimming with him at the exact same hour, he would have resented the intrusion immensely. It would have ruined everything that he sought in that particular hour of the day.
As it turned out, that hadn’t happened. Very quickly, by the fifth day, he had begun to accept that she was going to be there. She possessed a discernible serenity that easily counterbalanced what he would otherwise surely have considered a disruption. She blended remarkably well into the equation he sought in those sequestered mornings.
Then she stopped coming. That had been over a month ago, and he hadn’t seen her since.
He had inquired about her. The swimming club was private and very discreet. The only thing he could learn about her was that her name had been listed as Mara Song, recently arrived in Houston from Rome. No address, of course, and no telephone number were available to him. For an instant he thought about leaving a message for her at the club, in the event that she had begun swimming at another time of day, then immediately rejected that as being far too overt. In fact, he didn’t know why he wanted to meet her at all. Just about everything argued against it. If he wanted companionship, if he wanted to begin seeing someone, it didn’t have to happen like this. He knew a number of women who were respectfully keeping their distance—some keeping less of a distance than others, to be sure—waiting for him to decide to resume his life.
He was also aware of the irony of what he wanted. He could easily have spoken to her a dozen times—literally—during the two weeks she had joined him in the water, but he hadn’t. Now that he couldn’t, he wanted to.
So, with some effort, he tried to put the prospect of meeting Mara Song out of his mind. It didn’t really make any sense. But he never swam now without thinking of her, thinking that at any moment she might suddenly be there, slipping through the light-illumined water, a dizzy trail of bubbles shimmering behind her like a visible scent.
CHAPTER 3
After leaving the club, Strand went slightly out of his way home to a small neighborhood bakery with a dozen tables under a rattan-covered patio surrounded by catalpa trees. Every morning Strand was the first of a loyal clientele to arrive.
He always sat at the same table in the patio, the nearest to a large and unusual outdoor aquarium watched over by a pair of small, brilliantly colored macaws that looked as though they had flown through a freshly painted rainbow. He ate breakfast—the only meal served at the bakery—and read the newspaper while the macaws scolded and cajoled the fish and each other, and anything that moved, sometimes inching to the near end of their perch to read over Strand’s shoulder.
Around nine o’clock he pulled into the porte cochere at home and went straight to the kitchen to make a pot of coffee. Harry Strand lived and worked in a two-story home in the museum district, an expensive address just a few streets off Bissonnet. The home was old, with Mediterranean influences and made of stolid, gray limestone. The minute he and Romy had seen it they had loved it and bought it within a week of arriving in Houston. They had lived in Vienna before they were married, and the warm and fertile Mexican Gulf coast was an exotic and welcome change for them.
The house was on a quiet, narrow lane that meandered among other aged and behemoth domiciles, most of them only partially visible behind a well-groomed wilderness of oaks and palms, azaleas and laurel, boxwood, quince, and bougainvillea. Encompassing stone or brick walls shrouded in vines were de rigueu
r, and privacy was as precious as time itself.
Built on all four sides of a central courtyard, the home sheltered a large carved stone fountain at its heart. Semitropical plants filled the courtyard, and their care and cultivation had been Romy’s abiding passion. Often Strand would watch her from the windows by his desk as she dawdled among the tiled paths, pinching a faded blossom here, monitoring a pale new shoot there, checking the progress of the long awaited efflorescence of a favorite species.
She had been content here, in this home and its environs, and Strand had frequently reminded himself that their shared happiness was uncommon good fortune. It wasn’t anything he had ever experienced before, and he had told himself that he would be a fool if he ever, even for a moment, took for granted the wonderful balance they had managed to achieve together.
He had also known that balance, by its very definition, was fragile.
Meret Spier, Strand’s assistant, had become irreplaceable after Romy’s death. She had begun working for them two years earlier, when their workload had increased to the point that they couldn’t handle it between them. Fresh out of graduate school at the University of Chicago, Meret had recently returned to Houston after failing to find a position with the museums in the Chicago area. After Romy’s death, Meret simply became indispensable. Strand paid her very well and even increased her salary significantly when she had to take over so many of Romy’s responsibilities. She was worth every dime of it. Aside from her impeccable scholarship, she was intelligent and low-key, facile at reading between the lines, and perceptive when assessing personalities, all invaluable attributes when dealing with art collectors, who could be as eccentric as the artists they collected.
The rooms that formed Strand’s offices also served as the showrooms for the drawings he owned and sold. They occupied the entire left wing of the house as seen from the front entry. Most of these rooms were accessible from the peristyle that surrounded the courtyard. The porch of the peristyle was deep, providing a buffering shade from the summer heat and reducing the glare from the sunny courtyard.
Strand’s office was the first in order from the front of the house to the back. It opened onto the broad front entry hall as well as into the courtyard, with a third door communicating with the library that separated Strand’s office from Meret’s. The walls of both offices were covered with framed drawings and a few paintings. In the library a long antique walnut table used for research sat squarely in the center of the room and was usually cluttered with recently consulted volumes, slips of paper protruding from their pages. All of these rooms were generous spaces with sitting areas and comfortable furnishings, and each of them communicated with the others through a short arched passageway with a wrought-iron gate the height of the passageway placed midway. The gates were covered on one side with plate glass to muffle sound for privacy when the gates were closed. A fourth room was for storage, where rows of thin, vertical shelving for paintings and drawings lined the walls. This was also a work area for packaging artwork to be shipped and for receiving.
Every morning at nine-thirty Meret let herself into the front entry of the house and went straight through to the peristyle. This morning, like many others, Strand saw her enter the colonnade with an armload of documents and walk around to her office door, where she let herself in. While she was settling in, he stepped out into the courtyard and crossed to the other side to the kitchen. He prepared two cups of coffee and took them back around the colonnade to Meret’s door. She was already standing there, holding it open for him.
“Perfect,” she said, taking her cup at the door. “There are a few things you ought to deal with straightaway,” she began. Meret was organized, and there were limits to the amount of time she would allow a loose end to remain loose. Strand increasingly took advantage of this, letting unessential details go unattended, knowing that if they were even potentially important, Meret would catch them and bring them to his attention.
“Such as . . .”
“Such as these,” she said, snatching a pink Post-it off her desk and waving it at him. She kept “to do” things on the bright adhesive squares, and sometimes the whole left side of her desk blushed with ranks of reminders.
Strand settled into an armchair beside the sofa where Meret presided during their morning conversations. She sat down, her legs and feet together, and stuck the pink note on the hem of her skirt, which left more than half her leg exposed. Meret was not a petite young woman, but she knew instinctively how to dress to her best advantage. The stylish short skirts and revealing blouses that she favored were worn with a sexy intelligence that told you immediately that she knew what she was doing. Degas or Maillol would have asked her to take off her clothes in a minute. She would have done it, relishing the adventure and the humor of it, though she would have charged them by the quarter hour and wanted her payment in cash. On top of that, she would have had a highly educated opinion of the artist’s efforts.
“Leaman Stannish,” she began, holding her cup and saucer like a duchess. “The matter of his Gérome studies.”
“What do you think?”
“I thought we’d agreed they were too weak.”
“That’s what I remembered.”
“Then you have to let him know we’re passing.”
“I’ve been putting that off . . .”
Meret looked at him with her best “that’s the point of this conversation” expression.
“. . . but he’s got those fine, those very fine, Carpeaux drawings, the sculpture studies . . .”
“And you don’t want to piss him off,” she said.
“Right.”
“What he’s saying is, You want my Carpeaux? Take my Gérome first.”
“That’s right.”
“You shouldn’t play that game.”
Strand sipped his coffee. “I know. Write him and tell him we can’t do it.”
Meret stiffened. “You’ve got to write him, Harry. Stannish is a pain in the ass, but you can’t afford to alienate the guy. He knows he’s being unfair, and he’s also very much aware of your reputation as an ethical dealer. He’d much rather operate under that cloak of respectability than work in the market without it. He’ll come around.”
Strand nodded. “I’ll let him know.” He had already decided what to do, but it was good to hear Meret’s opinions coinciding with his. It had gotten to the point that he was no longer testing her to see how her judgment and instincts were maturing; now he was actually relying on her counsel to confirm his own instincts.
“I’ll mail it this afternoon,” Meret said pointedly, putting him on notice that he was expected to do it today.
Strand nodded again.
Meret glanced at her lap. “You got another fax late yesterday from Denise Yarrow in San Francisco. She wants to add the Eakins collection to her ‘reconsider’ list.”
“She’s going to wear me out.”
“She always does this, but . . . she always comes through, too.” Meret was consistently optimistic. She was upbeat. She did not believe in fate’s negative side, and Strand found it surprising how many times she was rewarded for her bright expectations.
“First,” she said, “Aldo Chiappini called yesterday and wants to know when you’ll be coming to Rome. He wants a specific date. I think he’s got someone else interested in the Fuselis.” She raised her eyes at him expectantly. “They’re worth the trip. That many together . . . fine quality.”
“You’re right. I don’t want to lose those. I’ll check my calendar later this morning and give you a date. I’ll call Aldo, too. Smooth his feathers.”
“Next, this,” Meret said, holding up the pink note by the tips of her tapered fingers. “A woman called yesterday who said she had a collection of drawings she wants to sell and wants to know if you would handle it. Said you were recommended to her by Reynolds Truscott in New York.”
“Good old Reynolds.”
“Says she has Maillol, Klimt, Delvaux, Ingres, Balthus.”
&nb
sp; Strand gave her a skeptical look.
Meret raised a testimonial hand, an eager expression on her face.
“That’s an odd grouping. What’s her name?”
“Mrs. Mitchell Reinhardt.”
“First name?”
Meret shrugged, sipping her coffee.
“Did you look her up in the collector’s catalog?”
Meret nodded. “Not listed.”
“Did she say anything else?”
“Uh . . . as soon as possible.” She leaned over and handed Strand a second piece of pink paper with the address on it.
“I’m going to call Reynolds first,” he said. “Get some idea of what I’m getting into.”
The prospect of seeing drawings by these artists whose works seldom came available on the market anymore prompted Strand to call Reynolds Truscott within the hour. But Truscott was of little help. He did not know the woman personally, he said, he had gotten her name from a dealer friend of his in London who specialized in twentieth-century British paintings. This man had mentioned her almost incidentally in a conversation, said he knew a woman who had recently moved to the United States, to Texas, who had an interesting little collection of drawings. Then one day Mrs. Reinhardt herself had called Truscott, using the British dealer as a reference, and asked if he knew any reputable dealers in her area. Thus Strand. That’s all Truscott knew about her.
“There aren’t that many of you concentrating on drawings,” Truscott said. “She was surprised to find someone in Houston.”
“If she’s a collector, she should have known about me.”
“Hello—modesty? Well, the fact is I don’t think she is a collector,” Truscott said, lowering his voice in a tone of confidentiality. “I think this is a divorce thing.”
CHAPTER 4
When Strand called Mrs. Reinhardt to make an appointment, she gave him an address in Tanglewood, an upscale neighborhood near the posh Post Oak shopping district in West Houston. The address did not live up to the reputation of its environs. La Violetta Terrace was a cluster of old town houses tucked deep into a wood of dark pines and aged water oaks whose ponderous boughs were draped with verdigris beards of Spanish moss that hung limp in the warm spring air. The motley brick facades of the town houses had acquired a rusty patina of neglect, and the tight little meander of a lane that fronted the small gardens of each address had the faded air of a disregarded byway.
The Color of Night Page 2
