Silence.
Not quite silence, Whitey realized after a while. There was a dripping sound, drip drip. He got to his knees, found the towel he’d been wearing, wiped blood from his eyes, picked shards of glass from his face, wiped more blood. The woman lay still, what was left of her. He wanted to kill her even though she was dead.
Time passed. Drip drip. Whitey gripped some piece of overturned furniture, pulled himself to his feet. He gazed around, reeled a little, made his slow way back around the L, through the dining room, living room, then even more slowly up the stairs. He went into the bathroom, sat on the toilet, put on clothes, took a breather, put on the rest of them. His watch was frozen at 5:33. He dropped it in the wastebasket.
Whitey went into the made-up bedroom, lowered himself to the floor, hands on the bed to support his weight. He checked under the bed: no painting. Garden, or whatever it was. No painting at all. He knelt there breathing for a while, then got up, went downstairs, back along the L, past the woman, out the door.
Still snowing. Whitey felt cold at once, much colder than he’d ever been. He walked as far as he could, two hundred feet or so, and sat down to rest with his back against one of those big trees.
While he rested, Whitey noticed that he’d left the lights on in the cottage. Was that smart? He tried to think-painting, divorce, Brinks truck, six-fifteen precisely- and got nowhere. Nothing added up. Didn’t matter anyway: maybe he had the strength to get back across the river; he didn’t have the strength to go back inside and close things down first. Where was that box cutter, by the way?
And other things. Whitey was trying so hard to think of other things he might have left behind that he almost didn’t notice a flash of headlights on the east side of the river, where the pickup was. A flash in a snow-filled sky, and then gone: his imagination again? What was this imagination all of a sudden? Then the pain started: no imagining that.
Whitey thought about getting up, almost did once or twice. That woman: he didn’t understand her at all, had never dreamed there could be a woman like that. She’d ruined him. Master of puppets I’m pulling your strings, twisting your mind and smashing your dreams. Whitey didn’t sing the words aloud, just mouthed them. That was a good thing because sometime later a figure came out of the shadows behind the house.
A tall figure, certainly a man this time, almost as tall as Whitey. He carried something in his hand and bent low as he went by the dining-room windows so he wouldn’t be seen from inside. A cunning kind of guy-Whitey could tell right away. The cunning guy crept around to the door. The porch light gleamed on what he had in his hand: an ax. The cunning guy slowly straightened, peeped quickly in through the round window. The next moment he whirled around and scanned the darkness. The porch light shone clear on his face: Roger. He was looking in Whitey’s direction but would never see him, not through all that falling snow, not in that darkness. Darkness was Whitey’s friend.
Raising the ax, Roger pushed the door open and went inside. Whitey forgot about his weakness and pain, stood up at once. He headed for home. High above, the owl hooted, or it might have been something new in the storm.
26
Snow, handled by Roger’s car with ease, but as he drove up the eastern side of the river-despite and because of what he’d told Whitey, Roger had no intention of crossing to the gate side until it was all over and time to call in the local constabulary-he began to think he’d had enough of northern winters, perhaps enough of America itself. Rome: mild in winter, homogeneous in culture, and how long would it take to learn the language? Two or three months? An expensive city, of course, but with the insurance settlement, plus whatever he retained from the sale of the house-and the market was improving at last-supplemented by his pension and Francie’s, there would be enough to meet his modest needs. Roma aeterna, Roma invicta. Latin had been one of his strongest subjects; therefore, he could assume that the vocabulary was already in place. Call it six weeks to moderate fluency, two months at most.
A necessary result of the execution of his plan, of course, would be some sort of contact with Brenda. She would probably attend the funeral; indeed, it would be his obligation to inform her of it. No doubt she would feel some sort of misplaced responsibility, given the involvement of her cottage. A drama easily foreseen: hand-wringing, if onlys, et cetera. He would absolve her. Thus they would have roles to play with each other, right from the start, his infinitely sympathetic. Simpatico.
Roger came to the lookout he had chosen, a treeless ledge on a rise almost opposite Brenda’s island, but on the east side of the river. It wasn’t a question of distrusting Whitey, but more that concepts like trust couldn’t fairly be applied to someone like him. Whitey responded to stimuli, a frog in a laboratory, and although Roger had done all that could be done to predetermine the stimuli Whitey was about to encounter, he could not, because of randomness, unpredictability, chaos theory, account for them all. Better, then, if the frog expects the scientist to approach from the left, to approach from the right.
Roger checked the time-5:40. On schedule, despite the snow, everything still according to plan. He used the singular for convenience, but to be accurate there were three plans: the plan as it was understood by Whitey, the plan as it would be executed by the participants, the master plan laid out in Roger’s mind like lines of programming language or a sequence of DNA. DNA, that was it-and Whitey not a frog, but a gene of the most mutable type, capable of warping whole chromosomes, of growing into a monster. A monster under Roger’s command: deployed in the unused bedroom, searching for a painting that wasn’t there-although it existed, would be disposed of in the denouement, when Roger resigned from the tennis club and cleaned out his locker, perfect reason to be there with a plastic garbage bag. Funny-creative, really-this use he’d made of the painting, like Picasso making a bull from bicycle parts. But a minor detail. Major detail: the monster trapped as Francie and her oyster boy came up the stairs. Would it happen right then, Whitey making some little mistake that gave away his presence, leading to panic, his and theirs? Or would they get safely to their little nest, begin doing the things they did, with Francie crying out her petty pleasures, and Whitey listening and listening until he could hear no more, bear no more; he would want some, too, lots and lots.
And all the time, Roger would be waiting in the woodshed at the back, arriving not after Whitey but before; not waiting at the gate, as Whitey expected, but coming inside, to react with horror.
“Whitey, what have you done?”
And Whitey makes his stupid reply.
And Roger, saving the day, commands, “We’ve got to get this cleaned up. Come quick.”
They run together, a team, to the woodshed, where the props stand ready.
“Hand me that mop, Whitey, in there.” Prop one.
Whitey reaches down, baring his neck for the ax. Prop two.
Lines of programming language.
How quiet it would be after that, a tranquil interlude for arranging bodies, adjusting evidence, driving over the river bridge, around to the gate, parking his car beside the others, dialing 911, waiting to tell his story. A story slightly different from the one he’d first outlined, changes necessitated by the addition of the lover-horrible oleaginous word, quite appropriate in this case-to the dramatis personae. A story that now went like this: A Christmas Eve surprise party, Officer, for Ned’s wife-she was so upset over that tennis match. The three of us were meeting here tonight to put up the decorations, with the idea of having everything ready when we brought her here on the twenty-fourth. A surprise, you see, to show how we all care, to cheer her up. But when I arrived, a little late, what with the snow and all, I found… [breaks down, composes self] And he saw me, Officer, and I–I panicked. I ran and ran. He chased me, caught me by the woodshed. We struggled, I remember falling, grabbing the ax; it’s all a jumble after that.
All a jumble, but beautifully organized, planned like a mini-Creation: Roger even had a bag of red decorations in the car. Merry Christ
mas, Noel, Joy to the World. Prop three.
Roger pulled off the road, parked in the lookout-and saw another car parked nearby. A pickup truck, actually, but so covered by the blown snow, it was hard to tell. Abandoned, perhaps, possibly for the duration of the storm, possibly forever. Putting on his hat and gloves, zipping up his parka, taking the decorations and his twelve-inch, heavy-duty flashlight from L.L. Bean, Roger got out of the car, locked it, started down toward the river, hunched against the wind. In its perfect, triple-helix form, the plan wound so beautifully in his mind that he almost didn’t notice, almost didn’t process an obvious sight in the middle of the river: lights shining on Brenda’s island.
Lights? Lights on the island? Hadn’t he been clear about the flash? Should he have supplied Whitey with one? No. He wanted Whitey to buy it himself, wanted the receipts for everything-taxi, flash, weapon-found on Whitey’s body: the master plan. Roger tore off a glove, read his watch: 5:49. Lights at 5:49? There were to be no lights at any time, and Whitey wasn’t to be inside until 6:15. Six-fifteen precisely, with Francie and lover arriving at 6:30. It was a two-bladed plan, timing and psychology snipping together like scissors. Timing had been the easy part. So why lights? Why lights at 5:49?
Roger hurried across the river, or tried to, but the snow was deep and light, and he sank to his waterproof, insulated-to-minus-forty-degree boot tops with every step. By the time he reached the island-lights glowing in every window of the cottage-he was breathing heavily.
Roger’s mind fired possible explanations at him: Francie and lover had arrived early, or one or the other; Whitey had arrived early, gone inside because of the storm, forgotten about the lights; someone else-repairman, tramp, Brenda! — was inside; a surge in the wires had activated some automatic timer. And other explanations waited like bullets in an ammunition belt, but by now he was at the woodshed, reaching in, grabbing the ax, moving swiftly toward the cottage.
Swiftly, but not without thought. Smarter than ever in a crisis, or potential crisis, as he corrected himself, Roger remembered to crouch low as he went by the windows, staying out of sight from within. He heard nothing from inside: no voices, no music, no movement. The electric surge-automatic timer explanation rose higher on the list. A simple matter to switch it off, restore darkness, hide as planned by the woodshed, continue as before, everything on schedule. He climbed onto the porch-and saw that the door wasn’t quite closed.
Almost, but not quite: snow packed in against the riser. Therefore? Roger straightened out of his crouch, peered through the window. And saw disorder, all a jumble, all a scramble, red, red, red, but The deed was done.
Deed done, deed done, deed done; there she was, laid out facedown beside the overturned table, in tennis shoes, one white, one red, and her hair a new color, red, red, red. From idea to reality, from conception to birth: his plan had borne fruit. But No Whitey. No Whitey to close the circle with, to write the last line of code, to make it perfect.
Roger whirled around, whirling with his body as his mind was already whirling inside, stared into the night, into the storm, saw nothing but night and storm. Red, so much red: she’d struggled, fought, perhaps hurt Whitey-even, oh what luck that would be! — killed him. Was it possible? Could he still be inside, dead or dying? What a simple revision that would be; in a second or two an amended plan took shape in Roger’s mind, complete. He shouldered the door open and went in, the ax in his hands.
Silence. Red in streaks, in drips, in pools; the cottage a shambles, the overused word never more fitting. Roger found a roll of paper towels on the counter, dried off the soles of his boots, mopped the damp tracks he’d already made, stuffed the paper towel in his pocket for later disposal- flake of dandruff falls off your head, you fry — and followed the red trail.
Dining room, living room: no Whitey. On the staircase: no Whitey. In the unused bedroom: cupboard drawers pulled out, mattress stuffing all over the floor, no Whitey in the closet, no Whitey under the bed. In the love-nest bedroom: red handprints on the duvet, a red row of penny-sized drops, almost perfectly straight, on the floor by the side of the bed, pink dust or powder here and there, perfumed air, no Whitey in the closet, no Whitey under the bed.
Roger tried the bathroom last: no Whitey curled up dying on the floor; a flashlight, not a body, in the shower. But someone had taken a shower-condensation still clung to the margins of the mirror. What else? More red: the tiles, the toilet, the sink; more perfumed powder-he realized the whole cottage was redolent of feminine scent; and a watch, Whitey’s watch-Roger recognized it-in the wastebasket. He picked it out with his gloved hand. It had stopped at 5:33. He checked his own watch: 6:15. Six — fifteen precisely. What had happened? Theories readied themselves in his mind, but what good were they? The deed was only half done and Whitey was on the loose. Roger saw himself in the mirror, eyes enormous, deep V-shaped notch between them, ax in one hand, Whitey’s watch in the other. He dropped the watch back in the wastebasket, started downstairs.
Down the stairs, through the living room, dining room, careful to avoid contamination with the red, mind working, working. Suppose-suppose the lover was on his way even now, due in twelve minutes? Suppose Whitey was lying out in the snow somewhere? Crawling toward the gate, perhaps, in hope of finding Roger. Ergo, what? Roger had no idea. No idea. That scared him. It wasn’t a matter of cognition, knowing that he was in a dangerous situation. It was a matter of feeling fear. Had he ever felt fear before? Not like this.
Roger went into the kitchen, his body trembling now. He stared out the window, holding tight to the ax handle. Never this afraid, but never had he failed to sort his way through suppositions, premises major and minor; never had he failed to think. What had gone wrong? Francie and Whitey had both arrived early, but why? Who had been first? And then? And then? His mind, powered by those 181 IQ points, came up with nothing but question marks. All problems were fundamentally mathematical, yes, but in this case there were too many unknowns. The chaos butterfly had fluttered its wings. Clutching the ax in both hands, Roger plummeted down and down into depths of fear he hadn’t imagined.
But that was nothing. Nothing, because the next moment, something caught his eye-a movement reflected in the glass. He whirled around, whirled again as he had whirled at the front door, again with his brain whirling inside: whirled around in time to see her raise her bloody head off the floor, see her turn toward him, see her look him right in the eye.
But not Francie. It was Anne.
27
Paralysis.
Roger knew paralysis for the first time in his life. He couldn’t move, couldn’t speak, couldn’t even think: paralysis physical and mental, paralysis complete. All he could do was accept sensory input-not process it, not analyze, syllogize, parse, deconstruct, induce, deduce, subdivide, ramify-merely accept. The worst part was that during this period of paralysis, however long it lasted, and of that he wasn’t sure, his eyes were locked on Anne’s, the whole long time.
And hers on him.
As he watched, the intensity of light in Anne’s eyes slowly changed, as though someone were adjusting the dimmer, turning it down. But not all the way. At one point, the dimming halted, and Anne opened her mouth and formed a word. No sound came out, but the word was clear: Help.
Roger didn’t move. He had his reasons, knew them without thinking, since he couldn’t think, a priori. First, this inexplicable paralysis. Second, he had no qualifications to provide help of the kind required. Third, he doubted it was in his interest. Of that he couldn’t be sure, not with so much data missing, but if forced to make an unsupported mental leap, he would have had to conclude that the survival of Anne would be of no help to him. So: help, no. He just couldn’t.
Roger didn’t tell her that, didn’t say no, because he couldn’t speak, but perhaps she understood anyway. The dimming control inside her began to turn again, down, down, down to nothing this time. Her head dropped to the floor-no, not dropped, she lowered it delicately, or since she couldn’t have had
the strength for that, it was lowered delicately, as though by some unseen, protective force. Impossible, of course, the existence of such a force, for reasons too manifold to list.
With that, with her eyes no longer locked on his, her eyes still open, eyes in every manner but the essential, and therefore no longer eyes at all, Roger’s paralysis lifted. His mind cried out at once for data, starved for it, writhing around inside him for the lack of it. Whitey and Anne: it made no sense. How would Anne ever have known about this place? Why would she have come here? Was it conceivable that she’d been conducting an investigation much like his, but from the other side? Roger didn’t know. He needed data. Still, he couldn’t quite ignore a feeling, not of satisfaction, because of the miscarriage of his plan, but of a related wistfulness, bittersweet, based on the realization that he had come so close. So close: some bug in the programming had upset the timing; some other factor, probably uncontrollable, was responsible for the presence of the wrong woman.
A Perfect Crime Page 22
