‘Lizzie is not herself, today.’
At those times, those irremediable times, she could have raised her muzzle to some aching moon and howled.
At other times, she watches herself doing her hair and trying her clothes on. The distorting mirror reflects her with the queasy fidelity of water. She puts on dresses and then she takes them off. She looks at herself in her corset. She pats her hair. She measures herself with the tape-measure. She pulls the measure tight. She pats her hair. She tries on a hat, a little hat, a chic little straw toque. She punctures it with a hatpin. She pulls the veil down. She pulls it up. She takes the hat off. She drives the hatpin into it with a strength she did not know she possessed.
Time goes by and nothing happens.
She traces the outlines of her face with an uncertain hand as if she were thinking of unfastening the bandages on her soul but it isn’t time to do that, yet: she isn’t ready to be seen, yet.
She is a girl of Sargasso calm.
She used to keep her pigeons in the loft above the disused stable and feed them grain out of the palms of her cupped hands. She liked to feel the soft scratch of their beaks. They murmured ‘vroo croo’ with infinite tenderness. She changed their water every day and cleaned up their leprous messes but Old Borden took a dislike to their cooing, it got on his nerves, who’d have thought he had any nerves but he invented some, they got on them, one afternoon he took out the hatchet from the woodpile in the cellar and chopped those pigeons’ heads right off, he did.
Abby fancied the slaughtered pigeons for a pie but Bridget the servant girl put her foot down, at that: what?!? make a pie out of Miss Lizzie’s beloved turtledoves? JesusMaryandJoseph!!! she exclaimed with characteristic impetuousness, what can they be thinking of! Miss Lizzie so nervy with her funny turns and all! (The maid is the only one in the house with any sense and that’s the truth of it.) Lizzie came home from the Fruit and Flower Mission for whom she had been reading a tract to an old woman in a poorhouse: ‘God bless you, Miss Lizzie.’ At home all was blood and feathers.
She doesn’t weep, this one, it isn’t her nature, she is still waters, but, when moved, she changes colour, her face flushes, it goes dark, angry, mottled red. The old man loves his daughter this side of idolatry and pays for everything she wants, but all the same he killed her pigeons when his wife wanted to gobble them up.
That is how she sees it. That is how she understands it. She cannot bear to watch her stepmother eat, now. Each bite the woman takes seems to go: ‘Vroo croo.’
Old Borden cleaned off the hatchet and put it back in the cellar, next to the woodpile. The red receding from her face, Lizzie went down to inspect the instrument of destruction. She picked it up and weighed it in her hand.
That was a few weeks before, at the beginning of the spring.
Her hands and feet twitch in her sleep; the nerves and muscles of this complicated mechanism won’t relax, just won’t relax, she is all twang, all tension, she is taut as the strings of a wind-harp from which random currents of the air pluck out tunes that are not our tunes.
At the first stroke of the City Hall clock, the first factory hooter blares, and then, on another note, another, and another, the Metacomet Mill, the American Mill, the Mechanics Mill . . . until every mill in the entire town sings out aloud in a common anthem of summoning and hot alleys where the factory folk live blacken with the hurrying throng: hurry! scurry! to loom, to bobbin, to spindle, to dye-shop as to places of worship, men, and women, too, and children, the streets blacken, the sky darkens as the chimneys now belch forth, the clang, bang, clatter of the mills commences.
Bridget’s clock leaps and shudders on its chair, about to sound its own alarm. Their day, the Bordens’ fatal day, trembles on the brink of beginning.
Outside, above, in the already burning air, see! the angel of death roosts on the roof-tree.
AMERICAN GHOSTS AND
OLD WORLD WONDERS
Lizzie’s Tiger
John Ford’s ’Tis Pity She’s a Whore
Gun for the Devil
The Merchant of Shadows
The Ghost Ships
In Pantoland
Ashputtle or The Mother’s Ghost
Alice in Prague or The Curious Room
Impressions: The Wrightsman Magdalene
Lizzie’s Tiger
When the circus came to town and Lizzie saw the tiger, they were living on Ferry Street, in a very poor way. It was the time of the greatest parsimony in their father’s house; everyone knows the first hundred thousand is the most difficult and the dollar bills were breeding slowly, slowly, even if he practised a little touch of usury on the side to prick his cash in the direction of greater productivity. In another ten years’ time, the War between the States would provide rich pickings for the coffin-makers, but, back then, back in the Fifties, well – if he had been a praying man, he would have gone down on his knees for a little outbreak of summer cholera or a touch, just a touch, of typhoid. To his chagrin, there had been nobody to bill when he had buried his wife.
For, at that time, the girls were just freshly orphaned. Emma was thirteen, Lizzie four – stern and square, a squat rectangle of a child. Emma parted Lizzie’s hair in the middle, stretched it back over each side of her bulging forehead and braided it tight. Emma dressed her, undressed her, scrubbed her night and morning with a damp flannel, and humped the great lump of little girl around in her arms whenever Lizzie would let her, although Lizzie was not a demonstrative child and did not show affection easily, except to the head of the house, and then only when she wanted something. She knew where the power was and, intuitively feminine in spite of her gruff appearance, she knew how to court it.
That cottage on Ferry – very well, it was a slum; but the undertaker lived on unconcerned among the stiff furnishings of his defunct marriage. His bits and pieces would be admired today if they turned up freshly beeswaxed in an antique store, but in those days they were plain old-fashioned, and time would only make them more so in that dreary interior, the tiny house he never mended, eroding clapboard and diseased paint, mildew on the dark wallpaper with a brown pattern like brains, the ominous crimson border round the top of the walls, the sisters sleeping in one room in one thrifty bed.
On Ferry, in the worst part of town, among the dark-skinned Portuguese fresh off the boat with their earrings, flashing teeth and incomprehensible speech, come over the ocean to work the mills whose newly erected chimneys closed in every perspective; every year more chimneys, more smoke, more newcomers, and the peremptory shriek of the whistle that summoned to labour as bells had once summoned to prayer.
The hovel on Ferry stood, or, rather, leaned at a bibulous angle on a narrow street cut across at an oblique angle by another narrow street, all the old wooden homes like an upset cookie jar of broken gingerbread houses lurching this way and that way, and the shutters hanging off their hinges and windows stuffed with old newspapers, and the snagged picket fence and raised voices in unknown tongues and howling of dogs who, since puppyhood, had known of the world only the circumference of their chain. Outside the parlour window were nothing but rows of counterfeit houses that sometimes used to scream.
Such was the anxious architecture of the two girls’ early childhood.
A hand came in the night and stuck a poster, showing the head of a tiger, on to a picket fence. As soon as Lizzie saw the poster, she wanted to go to the circus, but Emma had no money, not a cent. The thirteen-year-old was keeping house at that time, the last skivvy just quit with bad words on both sides. Every morning, Father would compute the day’s expenses, hand Emma just so much, no more. He was angry when he saw the poster on the fence; he thought the circus should have paid him rental for the use. He came home in the evening, sweet with embalming fluid, saw the poster, purpled with fury, ripped it off, tore it up.
Then it was supper-time. Emma was no great shakes at cookery and Father, dismissing the possibility of another costly skivvy until such time as plague struck, already pond
ered the cost-efficiency of remarriage; when Emma served up her hunks of cod, translucently uncooked within, her warmed-over coffee and a dank loaf of baker’s bread, it almost put him in a courting mood, but that is not to say his meal improved his temper. So that, when his youngest climbed kitten-like upon his knee and, lisping, twining her tiny fingers in his gunmetal watch-chain, begged small change for the circus, he answered her with words of unusual harshness, for he truly loved this last daughter, whose obduracy recalled his own.
Emma unhandily darned a sock.
‘Get that child to bed before I lose my temper!’
Emma dropped the sock and scooped up Lizzie, whose mouth set in dour lines of affront as she was borne off. The square-jawed scrap, deposited on the rustling straw mattress – oat straw, softest and cheapest – sat where she had been dropped and stared at the dust in a sunbeam. She seethed with resentment. It was moist midsummer, only six o’clock and still bright day outside.
She had a whim of iron, this one. She swung her feet on to the stool upon which the girls climbed down out of bed, thence to the floor. The kitchen door stood open for air behind the screen door. From the parlour came the low murmur of Emma’s voice as she read The Providence Journal aloud to Father.
Next-door’s lean and famished hound launched itself at the fence in a frenzy of yapping that concealed the creak of Lizzie’s boots on the back porch. Unobserved, she was off – off and away! – trotting down Ferry Street, her cheeks pink with self-reliance and intent. She would not be denied. The circus! The word tinkled in her head with a red sound, as if it might signify a profane church.
‘That’s a tiger,’ Emma had told her as, hand in hand, they inspected the poster on their fence.
‘A tiger is a big cat,’ Emma added instructively.
How big a cat?
A very big cat.
A dumpy, red-striped, regular cat of the small, domestic variety greeted Lizzie with a raucous mew from atop a gatepost as she stumped determinedly along Ferry Street; our cat, Ginger, whom Emma, in a small ecstasy of sentimental whimsy presaging that of her latter protracted spinsterhood, would sometimes call Miss Ginger, or even Miss Ginger Cuddles. Lizzie, however, sternly ignored Miss Ginger Cuddles. Miss Ginger Cuddles sneaked. The cat put out a paw as Lizzie brushed past, as if seeking to detain her, as if to suggest she took second thoughts as to her escapade, but, for all the apparent decision with which Lizzie put one firm foot before the other, she had not the least idea where the circus might be and would not have got there at all without the help of a gaggle of ragged Irish children from Corkey Row, who happened by in the company of a lean, black and tan, barking dog of unforeseen breed that had this much in common with Miss Ginger Cuddles, it could go wither it pleased.
This free-ranging dog with its easy-going grin took a fancy to Lizzie and, yapping with glee, danced around the little figure in the white pinafore as it marched along. Lizzie reached out to pat its head. She was a fearless girl.
The child-gang saw her pet their dog and took a fancy to her for the same reason as crows settle on one particular tree. Their wild smiles circled round her. ‘Going to the circus, are ye? See the clown and the ladies dancing?’ Lizzie knew nothing about clowns and dancers, but she nodded, and one boy took hold of one hand, another of the other, so they raced her off between them. They soon saw her little legs could not keep up their pace, so the ten-year-old put her up on his shoulders where she rode like a lord. Soon they came to a field on the edge of town.
‘See the big top?’ There was a red and white striped tent of scarcely imaginable proportions, into which you could have popped the entire house on Ferry, and the yard too, with enough room to spare inside for another house, and another – a vast red and white striped tent, with ripping naphtha flares outside and, besides this, all manner of other tents, booths and stalls, dotted about the field, but most of all she was impressed by the great number of people, for it seemed to her that the whole town must be out tonight, yet, when they looked closely at the throng, nowhere at all was anyone who looked like she did, or her father did, or Emma; nowhere that old New England lantern jaw, those ice-blue eyes.
She was a stranger among these strangers, for all here were those the mills had brought to town, the ones with different faces. The plump, pink-cheeked Lancashire mill-hands, with brave red neckerchiefs; the sombre features of the Canucks imbibing fun with characteristic gloom; and the white smiles of the Portuguese, who knew how to enjoy themselves, laughter tripping off their tipsy-sounding tongues.
‘Here y’are!’ announced her random companions as they dumped her down and, feeling they had amply done their duty by their self-imposed charge, they capered off among the throng, planning, perhaps, to slither under the canvas and so enjoy the shows for free, or even to pick a pocket or two to complete the treat, who knows?
Above the field, the sky now acquired the melting tones of the end of the day, the plush, smoky sunsets unique to these unprecedented industrial cities, sunsets never seen in this world before the Age of Steam that set the mills in motion that made us all modern.
At sunset, the incomparably grave and massive light of New England acquires a monumental, a Roman sensuality; under this sternly voluptuous sky, Lizzie abandoned herself to the unpremeditated smells and never-before-heard noises – hot fat in a vat of frying doughnuts; horsedung; boiling sugar; frying onions; popping corn; freshly churned earth; vomit; sweat; cries of vendors; crack of rifles from the range; singsong of the white-faced clown, who clattered a banjo, while a woman in pink fleshings danced upon a little stage. Too much for Lizzie to take in at once, too much for Lizzie to take in at all – too rich a feast for her senses, so that she was taken a little beyond herself and felt her head spinning, a vertigo, a sense of profound strangeness overcoming her.
All unnoticeably small as she was, she was taken up by the crowd and tossed about among insensitive shoes and petticoats, too close to the ground to see much else for long; she imbibed the frenetic bustle of the midway through her nose, her ears, her skin that twitched, prickled, heated up with excitement so that she began to colour up in the way she had, her cheeks marked with red, like the marbling on the insides of the family Bible. She found herself swept by the tide of the crowd to a long table where hard cider was sold from a barrel.
The white tablecloth was wet and sticky with spillage and gave forth a dizzy, sweet, metallic odour. An old woman filled tin mugs at the barrel spigot, mug after mug, and threw coins on to other coins into a tin box – splash, chink, clang. Lizzie clung on to the edge of the table to prevent herself being carried away again. Splash, chink, clang. Trade was brisk, so the old woman never turned the spigot off and cider cascaded on to the ground on the other side of the table.
The devil got into Lizzie, then. She ducked down and sneaked in under the edge of the tablecloth, to hide in the resonant darkness and crouch on the crushed grass in fresh mud, as she held out her unobserved hands under the discontinuous stream from the spigot until she collected two hollowed palmfuls, which she licked up, and smacked her lips. Filled, licked, smacked again. She was so preoccupied with her delicious thievery that she jumped half out of her skin when she felt a living, quivering thing thrust into her neck in that very sensitive spot where her braids divided. Something moist and intimate shoved inquisitively at the nape of her neck.
She craned round and came face to face with a melancholy piglet, decently dressed in a slightly soiled ruff. She courteously filled her palms with cider and offered it to her new acquaintance, who sucked it up eagerly. She squirmed to feel the wet quiver of the pig’s curious lips against her hands. It drank, tossed its pink snout, and trotted off out the back way from the table.
Lizzie did not hesitate. She followed the piglet past the dried-cod smell of the cider-seller’s skirts. The piglet’s tail disappeared beneath a cart piled with fresh barrels that was pulled up behind the stall. Lizzie pursued the engaging piglet to find herself suddenly out in the open again, but this time in an abr
upt margin of pitch black and silence. She had slipped out of the circus grounds through a hole in their periphery, and the dark had formed into a huge clot, the night, whilst Lizzie was underneath the table; behind her were the lights, but here only shadowy undergrowth, stirring, and then the call of a night bird.
The pig paused to rootle the earth, but when Lizzie reached out to stroke it, it shook its ears out of its eyes and took off at a great pace into the countryside. However, her attention was immediately diverted from this disappointment by the sight of a man who stood with his back to the lights, leaning slightly forward. The cider-barrel-spigot sound repeated itself. Fumbling with the front of his trousers, he turned round and tripped over Lizzie, because he was a little unsteady on his feet and she was scarcely to be seen among the shadows. He bent down and took hold of her shoulders.
‘Small child,’ he said, and belched a puff of acridity into her face. Lurching a little, he squatted right down in front of her, so they were on the same level. It was so dark that she could see of his face only the hint of moustache above the pale half-moon of his smile.
‘Small girl,’ he corrected himself, after a closer look. He did not speak like ordinary folks. He was not from around these parts. He belched again, and again tugged at his trousers. He took firm hold of her right hand and brought it tenderly up between his squatting thighs.
‘Small girl, do you know what this is for?’
She felt buttons; serge; something hairy; something moist and moving. She didn’t mind it. He kept his hand on hers and made her rub him for a minute or two. He hissed between his teeth: ‘Kissy, kissy from Missy?’
She did mind that and shook an obdurate head; she did not like her father’s hard, dry, imperative kisses, and endured them only for the sake of power. Sometimes Emma touched her cheek lightly with unparted lips. Lizzie would allow no more. The man sighed when she shook her head, took her hand away from the crotch, softly folded it up on its fingers and gave her hand ceremoniously back to her.
Burning Your Boats Page 43
