by Green, John
I guess. And I had this secret.
You’ve mostly figured this out, but the truth is that I saw her that night. I’d stayed up late with Lara and some people, and then I was falling asleep and I heard her crying outside my back window. It was like 3:15 that morning, maybe, and I walked out there and saw her walking through the soccer field. I tried to talk to her, but she was in a hurry. She told me that her mother was dead eight years that day, and that she always put flowers on her mother’s grave on the anniversary, but she forgot that year. She was out there looking for flowers, but it was too early—too wintry. That’s how
I knew about January 10. I still have no idea whether it was suicide.
She was so sad, and I didn’t know what to say or do. I think she counted on me to be the one person who would always say and do the right things to help her, but I couldn’t. I just thought she was looking for flowers. I didn’t know she was going to go. She was drunk, just trashed drunk, and I really didn’t think she would drive or anything. I thought she would just cry herself to sleep and then drive to visit her mom the next day or something. She walked away, and then I heard a car start. I don’t know what I was thinking.
So I let her go, too. And I’m sorry. I know you loved her. It was hard not to.
Takumi
I ran out of the room, like I’d never smoked a cigarette, like I ran with Takumi on Barn Night, across the dorm circle to his room, but Takumi was gone. His bunk was bare vinyl; his desk empty; an outline of dust where his stereo had been. He was gone, and I did not have time to tell him what I had just now realized: that I forgave him, and that she forgave us, and that we had to forgive to survive in the labyrinth. There were so many of us who would have to live with things done and things left undone that day. Things that did not go right, things that seemed okay at the time because we could not see the future. If only we could see the endless string of consequences that result from our smallest actions. But we can’t know better until knowing better is useless.
And as I walked back to give Takumi’s note to the Colonel, I saw that I would never know. I would never know her well enough to know her thoughts in those last minutes, would never know if she left us on purpose. But the not-knowing would not keep me from caring, and I would always love Alaska Young, my crooked neighbor, with all my crooked heart.
I got back to Room 43, but the Colonel wasn’t home yet, so I left the note on the top bunk and sat down at the computer, and I wrote my way out of the labyrinth:Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the already-dead, so I came here looking for a Great Perhaps, for real friends and a more-than-minor life. And then I screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there’s no sugar-coating it: She deserved better friends.
When she fucked up, all those years ago, just a little girl terrified into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it in spite of having lost her.
Because I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know now that she forgives me for being dumb and scared and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here’s how I know:
I thought at first that she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something’s meal. What was her—green eyes, half a smirk, the soft curves of her legs—would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would heat their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere. I still think that, sometimes, think that maybe “the afterlife” is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just matter, and matter gets recycled.
But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska’s genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirely. There is a part of her greater than the sum of her knowable parts. And that part has to go somewhere, because it cannot be destroyed.
Although no one will ever accuse me of being much of a science student, one thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself—those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable, because we are as indestructible as we believe ourselves to be. When adults say, “Teenagers think they are invincible” with that sly, stupid smile on their faces, they don’t know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
So I know she forgives me, just as I forgive her. Thomas Edison’s last words were: “It’s very beautiful over there.” I don’t know where there is, but I believe it’s somewhere, and I hope it’s beautiful.
some last words on last words
LIKE PUDGE HALTER, I am fascinated by last words. For me, it began when I was twelve years old. Reading a history textbook, I came across the dying words of President John Adams: “Thomas Jefferson still survives.” (Incidentally, he didn’t. Jefferson had died earlier that same day, July 4, 1826; Jefferson’s last words were “This is the Fourth?”)
I can’t say for sure why I remain interested in last words or why I’ve never stopped looking for them. It is true that I really loved John Adams’s last words when I was twelve. But I also really loved this girl named Whitney. Most loves don’t last. (Whitney sure didn’t. I can’t even remember her last name.) But some do.
Another thing that I can’t say for sure is that all of the last words quoted in this book are definitive. Almost by definition, last words are difficult to verify. Witnesses are emotional, time gets conflated, and the speaker isn’t around to clear up any controversy. I have tried to be accurate, but it is not surprising that there is debate over the two central quotes in Looking for Alaska.
SIMÓN BOLÍVAR
“How will I ever get out of this labyrinth!”
In reality, “How will I ever get out of this labyrinth!” were probably not Simón Bolívar’s last words (although he did, historically, say them). His last words may have been “José! Bring the luggage. They do not want us here.” The significant source for “How will I ever get out of this labyrinth!” is also Alaska’s source, Gabriel García Márquez’s The General in His Labyrinth.
FRANÇOIS RABELAIS
“I go to seek a Great Perhaps.”
François Rabelais is credited with four alternate sets of last words. The Oxford Book of Death cites his last words as: (a) “I go to seek a Great Perhaps”; (b) (after receiving extreme unction) “I am greasing my boots for the last journey”; (c) “Ring down the curtain; the farce is played out”; (d) (wrapping himself in his domino, or hooded cloak) “
Beati qui in Domino moriuntur.” The last one, incidentally, is a pun,1 but because the pun is in Latin, it is now rarely quoted. Anyway, I dismiss (d) because it’s hard to imagine a dying François Rabelais having the energy to make a physically demanding pun, in Latin. (c) is the most common citation, because it’s funny, and everyone’s a sucker for funny last words.
I still maintain that Rabelais’ last words were “I go to seek a Great Perhaps,” partly because Laura Ward’s nearly authoritative book Famous Last Words agrees with me, and partly because I believe in them. I was born into Bolívar’s labyrinth, and so I must believe in the hope of Rabelais’ Great Perhaps.
For more information and source notes on the other quotes in the book, please visit my Web site: www.sparksflyup.com.
Turn the page for a preview of
John Green’s latest novel,
An Abundance of Katherines
( one)
The morning after noted child prodigy Colin Singleton graduated from high school and got dumped for the nineteenth time by a girl named Katherine, he took a bath. Colin had always preferred baths; one of his general policies in life was never to do anything standing up that could just as easily be done lying down. He climbed into the tub as soon as the water got hot, and he sat and watched with a curiously blank look on his face as the water overtook him. The water inched up his legs, which were crossed and folded into the tub. He did recognize, albeit faintly, that he was too long, and too big, for this bathtub—he looked like a mostly grown person playing at being a kid.
As the water began to splash over his skinny but unmuscled stomach, he thought of Archimedes. When Colin was about four, he read a book about Archimedes, the Greek philosopher who’d discovered that volume could be measured by water displacement when he sat down in the bathtub. Upon making this discovery, Archimedes supposedly shouted “Eureka!”2 and then ran naked through the streets. The book said that many important discoveries contained a “Eureka moment.” And even then, Colin very much wanted to have some important discoveries, so he asked his mom about it when she got home that evening.
“Mommy, am I ever going to have a Eureka moment?”
“Oh, sweetie,” she said, taking his hand. “What’s wrong?”
“I wanna have a Eureka moment,” he said, the way another kid might have expressed longing for a Teenage Mutant Ninja Turtle.
She pressed the back of her hand to his cheek and smiled, her face so close to his that he could smell coffee and makeup. “Of course, Colin baby. Of course you will.”
But mothers lie. It’s in the job description.
Colin took a deep breath and slid down, immersing his head. I am crying, he thought, opening his eyes to stare through the soapy, stinging water. I feel like crying, so I must be crying, but it’s impossible to tell because I’m underwater. But he wasn’t crying. Curiously, he felt too depressed to cry. Too hurt. It felt as if she’d taken the part of him that cried.
He opened the drain in the tub, stood up, toweled off, and got dressed. When he exited the bathroom, his parents were sitting together on his bed. It was never a good sign when both his parents were in his room at the same time. Over the years it had meant:1. Your grandmother/grandfather/Aunt-Suzie-whom-you-never-met-but-trust-me-she-was-nice-and-it’s-a-shame is dead.
2. You’re letting a girl named Katherine distract you from your studies.
3. Babies are made through an act that you will eventually find intriguing but for right now will just sort of horrify you, and also sometimes people do stuff that involves baby-making parts that does not actually involve making babies, like for instance kiss each other in places that are not on the face.It never meant:
4. A girl named Katherine called while you were in the bathtub. She’s sorry. She still loves you and has made a terrible mistake and is waiting for you downstairs.
But even so, Colin couldn’t help but hope that his parents were in the room to provide news of the Number 4 variety. He was a generally pessimistic person, but he seemed to make an exception for Katherines: he always felt they would come back to him. The feeling of loving her and being loved by her welled up in him, and he could taste the adrenaline in the back of his throat, and maybe it wasn’t over, and maybe he could feel her hand in his again and hear her loud, brash voice contort itself into a whisper to say I-love-you in the very quick and quiet way that she had always said it. She said I love you as if it were a secret, and an immense one.
His dad stood up and stepped toward him. “Katherine called my cell,” he said. “She’s worried about you.” Colin felt his dad’s hand on his shoulder, and then they both moved forward, and then they were hugging.
“We’re very concerned,” his mom said. She was a small woman with curly brown hair that had one single shock of white toward the front. “And stunned,” she added. “What happened?”
“I don’t know,” Colin said softly into his dad’s shoulder. “She’s just—she’d had enough of me. She got tired. That’s what she said.” And then his mom got up and there was a lot of hugging, arms everywhere, and his mom was crying. Colin extricated himself from the hugs and sat down on his bed. He felt a tremendous need to get them out of his room immediately, like if they didn’t leave he would blow up. Literally. Guts on the walls; his prodigious brain emptied out onto his bedspread.
“Well, at some point we need to sit down and assess your options,” his dad said. His dad was big on assessing. “Not to look for silver linings, but it seems like you’ll now have some free time this summer. A summer class at Northwestern, maybe?”
“I really need to be alone, just for today,” Colin answered, trying to convey a sense of calm so that they would leave and he wouldn’t blow up. “So can we assess tomorrow?”
“Of course, sweetie,” his mom said. “We’ll be here all day. You just come down whenever you want and we love you and you’re so so special, Colin, and you can’t possibly let this girl make you think otherwise because you are the most magnificent, brilliant boy—” And right then, the most special, magnificent, brilliant boy bolted into his bathroom and puked his guts out. An explosion, sort of.
“Oh, Colin!” shouted his mom.
“I just need to be alone,” Colin insisted from the bathroom. “Please.”
When he came out, they were gone.
For the next fourteen hours without pausing to eat or drink or throw up again, Colin read and reread his yearbook, which he had received just four days before. Aside from the usual yearbook crap, it contained seventy-two signatures. Twelve were just signatures, fifty-six cited his intelligence, twenty-five said they wished they’d known him better, eleven said it was fun to have him in English class, seven included the words “pupillary sphincter,”3 and a stunning seventeen ended, “Stay Cool!” Colin Singleton could no more stay cool than a blue whale could stay skinny or Bangladesh could stay rich. Presumably, those seventeen people were kidding. He mulled this over—and considered how twenty-five of his classmates, some of whom he’d been attending school with for twelve years, could possibly have wanted to “know him better.” As if they hadn’t had a chance.
But mostly for those fourteen hours, he read and reread Katherine XIX’s inscription:Col,
Here’s to all the places we went. And all the places we’ll go. And here’s me, whispering again and again and again and again: iloveyou.
yrs forever, K-a-t-h-e-r-i-n-e
Eventually, he found the bed too comfortable for his state of mind, so he lay down on his back, his legs sprawled across the carpet. He anagrammed “yrs forever” until he found one he liked: sorry fever. And then he lay there in his fever of sorry and repeated the now memorized note in his head and wanted to cry, but instead he only felt this aching behind his solar plexus. Crying adds something: crying is you, plus tears. But the feeling Colin had was some horrible opposite of crying. It was you, minus something. He kept thinking about one word—forever—and felt the burning ache just beneath his rib cage.
It hurt like the worst as
s-kicking he’d ever gotten. And he’d gotten plenty.
Turn the page for a reader’s guide to
LOOKING FOR ALASKA
SPEAKING WITH JOHN GREEN
Q. WHAT’S THE DIFFERENCE BETWEEN WRITING FICTION AND LYING?
A. To begin with, when you tell a lie, you generally do not admit up front that it’s a lie. Like, if I am lying to you about who stole the cookie from the cookie jar, I am not going to preface it by saying, “While I am about to convince you that John Doe stole the cookie from the cookie jar, the cookie was actually stolen by me.” But when you write fiction, as with Looking for Alaska, it says “a novel” right on the cover. Before a reader has even opened the book, the writer has acknowledged that this is a story, and that the story does not faithfully recount events that actually occurred.
The other big difference, I would argue, is that lies are attempts to hide the truth by willfully denying facts. Fiction, on the other hand, is an attempt to reveal the truth by ignoring facts. To paraphrase William Faulkner, I am much more interested in the truth than in the facts. One of the challenges in writing Alaska was learning not to overvalue facts. When I first started writing the book, I kept thinking I ought to include things that happened because they had happened. It took years before I was able to let go of the facts and focus on writing a true novel.
