They both nodded, and Cruz said, "I want you to say, "Yes," that you understand. We can't have any mistakes here."
"Yes," they both said.
"Okay. Now, I'm going to tell you what we're going to do…"
As she was talking, Cohn pulled the mask over his own face and walked over to the restaurant, where the two drunks were still talking. "Gentlemen, I have to ask you to come with me."
"Who're you?"
"I'm the robber who's sticking up the hotel," Cohn said. "If either one of you makes a single fucking noise, I'll kill you."
***
He took the two men into the chapel and made them stand in the aisle, facing the two desk clerks, as though they were about to be married.
He pointed the gun at the younger man, a chubby, apple-cheeked blond who'd started to sweat: "What's your name, and what do you do for a living?" Cohn asked.
"My name is Rob Benedict, and I'm a consultant at Schumer and White."
"What's Schumer and White?" Cohn asked.
"We're a law firm ' in Washington."
Cohn pointed at the older man, a heavyset, weather-beaten farmer-looking guy. "What about you?"
"I'm a farmer, from Nebraska."
"What're you doing here?" Cohn asked.
"I'm a delegate."
"How'd you two get together?" Cohn asked. "You queer?"
The farmer seemed about to object, but then said, "We were the last ones in the bar. They kicked us out. We were too cranked up to go to sleep."
"Okay," Cohn said. He considered for a moment, then shot the consultant in the forehead. As the consultant went down, the farmer jumped back, then half-turned away, waiting for the bullet, and the two women made soft screeching sounds in their throats until Cruz put a finger to her lips.
"Sit in the pew," Cohn said to the farmer.
The farmer sat in the pew. The dead man was stretched down the middle of the aisle, on his back.
"I don't actually like killing people, but I won't hesitate to do it," Cohn told the three of them. "I needed to make that point, and the consultant seemed like a more worthless piece of shit than a farmer. But, I got nothing against killing farmers or desk clerks or anyone else. That clear?"
They all nodded.
Cohn said, "Now, one of you girls is going with my friend. The other one will sit here with me. With me and the farmer. Which one of you two handles the safe-deposit boxes?"
One of the women glanced at the other, and Cruz picked it up. "Okay, Ann. You handle the boxes? You stay here. Karen, you come with me, like I told you."
***
Cruz and Karen walked out to the front door, and Cruz waved at Lane, who shut down the van and got the tool and weapons bag from the back.
He followed them inside, and Cruz put Karen back behind the desk, and took up a station in the hallway, behind her.
"Remember, dear, if you try to run, or if somebody comes in here and you give us away, I'll kill both you and them. Do you understand, Karen?"
"Don't hurt me; I have a daughter," Karen whimpered.
"We won't hurt you if you do what we tell you," Cruz said. "We shot that other man to make the point-we don't want a massacre here, but we want you to believe us. We'll kill you if we have to."
***
While she was giving the little lecture, Lane went back to the chapel, looked at Cohn, who nodded to Ann. Lane squatted in the aisle, his masked face a few inches from Ann's, and said, "Which are the biggest money boxes? Just judging what you think, from what people put in them."
"Oh, God," she said, her chin trembling. She glanced at the dead man. "Honest, I don't know many of them. I think-wait-sixty-six. And maybe, uh, forty-two. And one. I think one."
"Okay. I'm going to go open those," Lane said. "If they're empty, something bad might happen to you. If they're not empty, if they're good-well, you should try to think of more numbers before I get back."
"There might be something in two. An old man keeps stuff there, he keeps it in his hand in his pocket, so it's something, but I don't know what."
"Keep thinking," Lane said, and he touched her face with his gloved left hand, which made her flinch.
"Time's a-wastin'," Cohn said cheerfully. Lane picked up his bag, got the strong-room key from Cruz, who'd gotten it from Karen, and went inside.
The room was just as shown in Cruz's photos, with a wall of steel boxes set in a concrete wall. He put the bag down, picked up the oversized drill, plugged it in, and started on the lock on Box 2, the old man's box, just out of curiosity. He timed the cut.
Forty-eight seconds, and the lock cylinder was gone. "Excellent," Lane breathed. He could do all of them in an hour.
He flipped open the outer door, pulled the box-slowly, it was heavy, so heavy that he thought something was holding it in the slot. He stopped, and looked to see what was binding, saw nothing, and with some effort, pulled it the rest of the way out, and sagged with the weight of it. He put it on the floor, and popped the lid: and found, from front to back, a stack of small gold bars. Each was two inches wide, four or five inches long. They were laid three across, three down the length of the box. He dug them out: five deep. Forty-five bars that must weigh a couple of pounds each.
"Holy shit," he said. He put them in the tool bag, hefted the bag. He could carry it, he could even run with it, but not far. "Holy shit."
He went on to Box 1.
***
Cruz played the part of the late-night executive woman, a step up from an ordinary desk clerk; you saw them in all the better hotels. If she stayed back, lingering in the hall, nobody would pick up the mask. And she was close enough to control Karen. Karen was not holding up well, clutching at her hands, on the edge of weeping. Cruz was watching her closely, and the two men coming in from behind, down the stairwell, almost took her by surprise.
When she heard them, she instinctively stepped toward Karen, so the men wouldn't see the mask, walked behind the desk and then out the other side, and one of the men said to Karen, "Hey, is there anyplace we ' are you all right?"
Cruz turned and saw them, two guys in ruffled shirts and tux pants, one still wearing a cummerbund, the other without, and she pointed her gun at them and said, "If you move or make any noise I will kill you. This is a robbery…" and before they could react, she half-shouted, "Jim."
Lane popped out of the strong room behind them, and they turned, scared now, and saw Lane with the heavy black mask and the Uzi, and one of them said, "Oh, my gosh," and the other one, "Oh, Jesus," and Lane said, "Into the chapel. Right there, across the hall, into the chapel. You won't be hurt if you pay attention…"
They moved into the chapel and Cohn took them: "Glad to see you fellas. Notice the dead man lying in the aisle…"
***
Lane went back to his drill, and Cruz, back in the hall, with one eye on the stairway now, looked at her watch. Twelve minutes. Seemed like an eternity.
Karen started shaking again, and there was a gust of odor from her direction, and Cruz said, "Did you…"
Karen started crying and nodded and said, "I peed my pants."
"Ah, Jesus," Cruz said. "Get in the chapel. Get in the chapel."
"Don't shoot me…"
***
Karen was replaced by Ann, who seemed calmer.
"There's no reason to be afraid, as long as you do what we tell you," Cruz explained, with some asperity. "There was no reason for Karen to do that."
"She's scared," Ann said. She had a little accent, which made Cruz think she was from somewhere else, like Armenia or Russia. A peasant, like Cruz's own mother: peasants were tough, and needed watching. "There's nothing to be scared about."
"Then why's there a dead man in there?" Ann asked. A man and his wife, both in formal dress, pushed through the door.
Cruz said quietly, so only Ann could hear, "Good evening. Can we help you?"
Ann smiled at them and said, "Good evening," and Cruz moved back out of sight, and heard the man say, "Hi," and the two of
them went on past the desk and down the hall to the elevators. A minute later, they were gone.
"See, that was easy," Cruz said. She looked at her watch. Eighteen minutes. She said to the desk clerk, "Come here. Just to the strong-room door."
The woman followed her back, not too close, and Cruz pushed the door open with a foot and asked, "How are we doing?"
"I'm working in a fuckin' gold mine in here," Lane said. He was sweating over the drill, had rolled the mask away from his face. "I can't believe it. A fuckin' gold mine."
And he hit the next box with the drill.
Chapter 2 4
Lucas woke in the dark, disoriented, his neck twisted a little by the pillow propped against the arm of the couch. His pant legs and shirtsleeves were pulled up, and felt wrinkled and unclean, and his mouth tasted sour. He squinted through the dark at the red numbers of the alarm clock: 2:56. The alarm would go off in four minutes.
Not an easy sleep: he'd been disturbed by a sense of something undone, unrecognized, the running tail of a thought, but he couldn't quite catch it.
He sat up, in the light of a single lamp in the corner of the room, turned off the clock, picked up his shoes and then dropped them again, stretched and tiptoed down the hall through the master bedroom-Weather was breathing deeply, evenly, into her pillow- and into the bathroom. He shut the door, brushed his teeth by the light of a nightlight, splashed cold water in his face, and snuck back through the bedroom to the couch, and put on his shoes.
He stuck his face out the front door: the night was cool, almost cold. He relocked the door, got a light jacket from the front closet, and walked out to the car. The cool air felt good, fresh, and drove the sleep further back. He pulled out onto Mississippi River Boulevard, the lights of Minneapolis winking across the river valley, turned the corner and headed down to Cretin Avenue.
Mentally reviewed the evening before: the deployment of the troops, the search for Cohn, the discovery of the apartment. It was most likely, he thought, that Cohn had gone. At the moment, he could be rolling through Omaha, or Kansas City, or Chicago, on his way to a private plane ride to obscurity.
But why had he lingered as long as he had?
***
Cretin Avenue was essentially empty. In the mile or so out to I-94, he passed only a half-dozen other cars. The highway itself was busier, but mostly with long-haul trucks, going about their nocturnal businesses. He let the car out a little, and was downtown in a couple of minutes. He parked in a no-parking area out front of the condos, and called Shrake on his cell phone: "I'm out front."
"Be right there," Shrake said.
Shrake pushed open the glass door to let Lucas inside, and asked, "Everything okay with Letty?"
"She's fine-I goddamned near had a heart attack," Lucas said; and again he felt the mental bump.
What the hell. He looked querulously at Shrake, who asked, "What?"
And then he got it.
"Ah ' ah." He looked wildly around the condominium, turned back toward his car, said, "Ah…" and Shrake asked, again, "What?"
Letty had said something like, Maybe they're holding up the Republican Party.
Lucas said to Shrake, urgently, "Come on, come on ' We need some guys…"
"What?"
"They're holding up the Republican party," Lucas said. "The party-the goddamn ball. The dance. All those people on the streets, we saw them all night walking up there, diamonds all over them…"
Shrake was the tiniest bit skeptical: "They're holding up the party?"
"C'mon," Lucas said. "Get in the car. Get on the phone. It's gotta be either the St. Paul or the St. Andrews. Hell, maybe it's both."
Shrake shook his head but got in the car and called the duty man at the BCA and said, "Get onto St. Paul, right now, get some guys over in Rice Park, over behind that TV stand, over by the Ordway anybody you can get. If they got armor, it's better, don't let them be seen from the St. Paul Hotel or the St. Andrews. We think there could be a holdup going on ' The Cohn gang, yeah, get some guys…"
Lucas let him talk and concentrated on the driving: in a straight line, six blocks or eight or ten blocks, something like that. But the streets were all blocked off, and he didn't know exactly where the barricades were. He headed up the hill at speed, running every stoplight they came to, and they were all red, and around the north side of the blockades. Shrake was clutching his phone: "Easy, man, easy, man, Jesus Christ, you're gonna kill us before we get there."
The Porsche held on like it had claws until he pumped to a stop behind the old federal building. "Let's go," he said.
Shrake was on the phone: "Gotta get some guys ' I don't care, we gotta get some guys…"
There were two cops waiting, both from St. Paul. Lucas ran up, said, "I'm Davenport, with the BCA. This is Shrake. It's possible that either the St. Paul Hotel or the St. Andrews is being robbed exactly this minute-or maybe in a little while." He grinned at them. "Or maybe not at all. Shit, I don't know. But I think so. The thing is, if they're in there, we have to stop them. If they're still on the way in, we can't let them see us, because we need them to make their move. And maybe ' we're wasting our time."
A squad car turned the corner and pulled to the curb. Shrake jogged over and talked quietly to the cops inside, and they both got out, unconsciously hitching up their gun belts.
"What're we going to do?" one of the cops asked Lucas.
"Shrake and I will take a peek at the hotels. We want one of you with us, for the uniform, and we want a couple more blocking the back exit. We need at least one guy to run around and take the stairway up into the skyway…"
The cops from the squad had a shotgun and an Mbleaf in the trunk. Lucas put them back in the car: "Get around behind the hotels, fast as you can do it. I want you"-he pointed at the guy with the Mbleaf- "at the top of the stairway in the St. Paul. Don't let anybody through, but be careful with that thing, for Christ's sakes. Don't shoot any little old ladies."
The shotgun he wanted outside the back door.
Another cop car, directed by St. Paul communications, stopped behind Lucas's Porsche and two more cops got out. Lucas kept talking to the first four:
"Talk to your guys, get some backup behind you, but get into place. If they're in there, they could be coming out any minute."
It took longer to get organized than Lucas had hoped, because it was, technically speaking, a cluster-fuck. But with everybody on their way, with more St. Paul cops moving in, he nodded at Shrake and said, "Let's look at it."
***
The St. Paul Hotel was probably the oldest, and one of the two fanciest, in St. Paul. Lucas, Shrake, and the chosen St. Paul cop, a gray-haired sergeant whose name was Larkin, strolled down the sidewalk that ran past the side of the hotel, looking at the front entrance. The hotel cultivated a garden alongside the circular drive in front, and in the cold light from the street, the flowers looked pale and ghostly.
"Don't see anybody watching," Shrake said.
Lucas said, "Goddamnit. I fucked this up." He looked around him, in a circle, at the buildings surrounding the park: the central library, the old federal courthouse, the Ordway Music Theater. "We should have met somewhere else, but I didn't take the time. What if they're in the old courthouse? Or the library? That's where I'd be.
I'd have a lookout up there with a radio ' They might be looking right down at us, right now. C'mon."
Now he started jogging, down the street, up the driveway to the front of the hotel. He looked in. Two women behind the check-in counter, a guy in hotel livery, with a lunchbox next to his hand, talking to them, leaning on the counter. He looked real, but the box might hold a gun.
Before they'd started over, he'd told Larkin to take off his cop hat and put it under his arm-it was too readily identifiable at a distance. Now he told him to put it back on: "Get your hand on your gun, but keep it out of sight," Lucas said to Shrake. "Through the doors all at once." He pushed through the revolving door, with Shrake and Larkin going through the swin
g doors beside it.
***
The people at the desk looked down at them, and Lucas, one hand on the.45 under his jacket, held up his credentials. "Bureau of Criminal Apprehension and St. Paul Police. I'm a police officer, let me see your hands, please. Put your hands on the desk."
The guy said, "What?" but then put his hands on the desk. "What?"
Larkin asked, "Where's your safe?"
One of the women said, "Uh…" and looked to the side.
Nobody in the strong room: and Shrake checked their ID'S. All Minnesota driver's licenses.
Lucas said to Larkin, "Call the guy on the back door. I want him here, behind the desk, in case they come in. Move the other guys around behind the St. Andrews. I think there's a skyway exit, too, out to the parking ramps; we need somebody in the skyway…"
As Larkin called, Shrake said, "St. Andrews?"
Lucas nodded. "Let's go."
"Starting to feel like an idiot yet?" Shrake asked.
"About forty percent," Lucas said. "It seemed like a really good concept. Christ, years ago, when I was first on the Minneapolis force, there was a hotel that got knocked over down in Miami, and they took millions out. Millions. That was more than twenty years ago ' And there was no kind of thing like they had tonight'"
At the door, Lucas turned around and called to the women at the desk: "Did you guys have the big ball tonight? The Gold Key, or whatever they called it?"
One of them shook her head and said, "I don't know anything about that," but the other one said, "That was at the St. Andrews. I saw them all coming out when I was coming to work."
"What time was that?"
"One o'clock…"
***
Wicked Prey Page 29
