by Eric Nylund
He was about to say they couldn’t do anything, because it was Infernal property.
But sure they could. They could fill the secret stairway to the Night Train Station with concrete-technically not touching any of the Infernal property, but nonetheless making it inaccessible. Or, if Eliot knew the thoroughness of the League, they might cause an earthquake and shift an entire tectonic plate over the site.
“I get it,” he said to Cee. “So once there, how are we going to get back?”
Streetlamps flickered on Pacific Avenue as the sunset faded and the eastern horizon darkened. Two crows landed on top of lampposts and stared at him.
Cee took Eliot by the crook of his elbow, sped up, and surprisingly pulled him along with her.
“You are an Infernal Lord now, Eliot. It is time you started thinking like one. You will find a way back if desire it. You will make your own way if necessary!”
Eliot didn’t know about that. Crossing dimensions was something only. . only what? Only something fallen angels could do? Only the mighty Titans and gods had ever managed?
In his blood pulsed all those mingled lineages.
He was strong. He would find a way.
“And here’s something that will help.” Cee stopped, reached into one of the carpetbags, and pulled out an object wrapped in brown paper. She handed it to Eliot.
As he took it, Eliot felt that the thing possessed a gravity all its own. He felt a thrum of power within the paper and he heard a distant music, echoing and calling to him.
He unwrapped it.
A fist-sized gleaming sapphire nestled within the paper, and hundreds of water blue facets reflected his amazed face back at him. A tiny silver loop clutched the top of the stone, and a cord of leather snaked through it.
Eliot knew this thing. The last time he’d seen it, Fiona had pulled it through Beelzebub’s neck-decapitating that monster and saving them both.
“Every Infernal lord has a talisman,” Cee told him, as if that explained everything. “But hide it well. Even your mother does not know I took it. It is dangerous. But I believe it is absolutely necessary if you are to claim your rightful place.”
Eliot touched the stone. It felt cold, but warmed quickly under his fingertips. The dazzling blue tinged to midnight dark and then a coal black.
He made a fist about the stone.
It was now his-the power within, along with responsibilities he had yet to fathom.
He was Eliot Post, Master of the Burning Orchards, and Infernal Lord and Prince of the Lower Realms.
He undid the leather cord, pulled it through, and tossed it. There is no way he’d ever wear this thing around his neck.
“Let’s catch that train,” Eliot said, “or it’s going to be a long walk. We have a lot to do before school starts next year.”
The Mortal Coils series continues soon with
Book III: What Fools These Mortals.
74. Rheinardia ocellata, also the crested argus pheasant, is best known for its wild tuft of feathers spiking up from its head and its long (up to six feet) tail feathers. -Editor.
READER’S GUIDE
In the second book of the Mortal Coils series, Eliot and Fiona enroll in the Paxington Institute, a most unusual high school for the children of the gods, Infernals, and the mortal magical families. Here more of the legendary world is revealed-filled with high-stakes politics, intrigue, and magic as well as the normal high school social dynamics that any teenager must survive.
[Warning: if you haven’t read the book yet, there are definite spoilers in this section!]
1. One of the concepts drilled in at the Paxington Institute is to win at any cost. Is winning at any cost justified under any circumstances? Is there a difference between winning in gym class and winning on a real battlefield?
2. At Paxington there are definite social layers based on which family the students come from. Why do you think Jezebel, an Infernal, is set so high in the social order? Why do you think that when Fiona’s origins are revealed Eliot’s social standing doesn’t change?
3. Name as many things as you can that seem unfair to you about the Paxington Institute. Is/was your high school in any way similar? Given the chance, would you want to go to such a school?
4. While some Paxington instructors have been explicitly identified, two have not: the Headmistress, Miss Lucille Westin, and the music instructor, Ms. Erin DuPreé. Who do you think their mythical counterparts are?
5. When Fiona wounds Mr. Ma, Robert tells her that everyone is afraid that this is an omen of Armageddon. Is there any evidence that this might be true?
6. In Mortal Coils, Sealiah’s Twelve Towers is a large but otherwise ordinary villa. In All That Lives Must Die, the villa has transformed into a formidable castle. How is this possible? What does it imply about the Infernal rulers and their domains in hell?
7. At the end of the war, Eliot is offered a reward for his assistance, while Fiona is not. Why? If she was offered a reward, would she have taken it?
8. Why does Fiona consider Mitch’s offer to join him at the end. . even after he had deceived her? What would you have done?
9. There seem to be three “sides” in the upcoming conflict: the League of Immortals, the Infernal clans. . and a different third group of individuals. Who’s on this side? What are their goals? How does the “win at any cost” lesson learned at Paxington apply here?
10. What would you have done about Jeremy and Sarah Covington after they betrayed you? Would you have believed Sarah?
11. Do you think Amanda’s reaction to the twins at the end of the book is justified?
12. Who is more powerful, the League of Immortals or the Infernal clans? On a modern battlefield who do you think would win?
13. Eliot and Fiona end up on very different paths at the end of this book. Would you have made the same choices?
For more information on Eric Nylund and the Mortal Coils series, visit www.ericnylund.net, which includes a biography on the author and additional information about his novels.
Примечания
1
Verruciform: having the shape of a wart. -Editor.
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2
Vermiform: worm shaped. -Editor
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3
The Door of Four Paths and the Post residence were some of the few structures to miraculously survive the devastation that flattened the San Francisco peninsula in the War of Last Judgment. The four windows depict (or some claim are) doorways to the Middle Realms. This artifact from the Fifth Celestial Age continues to undergo intense and cautious study. For humanity, these windows remain symbols of mystery, wonder, and hope. Gods of the First and Twenty-first Century, Volume 11, The Post Family Mythology. Zypheron Press Ltd., Eighth Edition.
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4
Fragments of one Towers set were found in the Neolithic hunter-gatherer settlement, Göbekli Tepe (southeast Turkey c. 9000 B.C.E.). This makes Towers the oldest (nontrivial) game, predating Chinese Go and Egyptian Senet by more than four thousand years. A Towers board is circular. Lines radiate outward to make thirty-two spaces of alternating color on the circumference, a second tier closer of sixteen spaces, a third tier with eight spaces, and a single circular space in the center. Placed on the board are sixteen white cubes and sixteen black. A simple checkers mechanism was assumed, but in 1753, a set was discovered in Pompeii preserved in the middle of a game. Cubes were stacked into towers (of increasing size) on the inner circles, while others remained as single stones, indicating a complexity of rules that experts agree no Neolithic hunter-gathers could have developed. Gods of the First and Twenty-first Century, Volume 1, Earliest Myths.
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5
In the late twentieth and early twenty-first centuries, inspectors from the State, Fire, and School Accreditation Boards easily found the Main Gate entrance of the Paxington Institute, but when reporters or tourists attempted to locate the entrance, they failed. This migh
t simply be the nature of San Francisco’s convoluted street geometry. In old satellite images, the original Paxington campus does appear exactly where school officials claim (adjacent Presidio Park). Similar modern accounts, however, of the school’s “selectively appearing entrance” have been claimed of the new Paxington Institute on the San Francisco Archipelago. Inquiries made to the Institute result in a detailed set of directions. . which ultimately prove useless. Gods of the First and Twenty-first Century, Volume 6, Modern Myths. Zypheron Press Ltd., Eighth Edition.
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6
Middle Realms (noun). Archaic usage refers to the Purgatory lands betwixt Heaven and Hell (sometimes Earth, depending on the context). Modern usage expanded to mean all realms between the Pearly Gates of Heaven and the First Fathomless Abyss of Hell (considered the upper and lower boundaries of the known worlds). Lexicon Primus. Paxington Institute Press LLC, San Francisco.
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7
Freshman team selection at Paxington originates from the gladiatorial arenas of the Roman Empire. Slaves who won their freedom could leave or continue as paid gladiators. Such free fighters would often participate in re-creations of famous battles, but unlike slave gladiators, they were allowed to form their own teams. The victorious teams were glorified throughout the Empire (much like modern-day sports teams), bearing names like Hunting Wolf, Golden Eagle, and the Bloodied Hand. Your Guide to the Paxington Institute (Freshman Edition). Paxington Institute Press LLC, San Francisco.
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8
The Bifröst Bridge connected Earth (Midgard) with the realm of the gods (Asgard). It was defended by the god Heimdallr (aka Heimdall, who will alert the Immortals to Ragnarök). Early myths depict the Bifröst Bridge as a shimmering rainbow that can appear and vanish. Modern interpretations suggest a dimensional shift. The theory lends credence to the rumor of the bridge being destroyed and the remnants used in the walls of the San Francisco Paxington Institute (which anecdotally seems to move in and out of phase with this world). Gods of the First and Twenty-first Century, Volume 6, Modern Myths. Zypheron Press Ltd., Eighth Edition.
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9
Scarab beetles bury dung balls for later use, which is invaluable, as this removes pest habitat and returns nutrients to the soil. The scarab in hieroglyphics translates as “to come into being,” conveying ideas of transformation and resurrection in ancient Egyptian religion and art. Given that the freshman year of the Post twins is cited as their key transformative year, mythohistorians have debated the symbolism, and the coincidence, of their having the scarab as their team symbol. Gods of the First and Twenty-first Century, Volume 11, The Post Family Mythology. Zypheron Press Ltd., Eighth Edition.
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10
Emperors Constantine and Licinius in 313 C.E. created the Edict of Milan, declaring the Roman Empire neutral to all religions (this to reverse persecution of early Christians). The Edict was later ignored as Constantine heavily favored Christians with his policies, laws, and appointments. Gods of the First and Twenty-first Century, Volume 2, Divine Inspirations. Zypheron Press Ltd., Eighth Edition.
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11
The Ludus Magnus was the name of the Great Gladiatorial Training School unearthed in 1937 C.E. adjacent the famous Roman Colosseum, said to have trained countless professional killers. -Editor.
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12
Kino La Croix (aka Baron Samedi and alternate Voodoo personas, Baron Cimetière, and Baron La Croix. Note: Samedi is French for “Saturday.”) He is depicted in a white top hat, black tuxedo, and dark glasses. Only rarely seen outside Haiti and other tropical locations. Haitian dictator, Duvalier François, reputedly dressed like Baron Samedi to increase his air of mystery-although some mythohistorians claim the two were the same person (for a while). According to Voodoo practitioners, Baron Samedi stands at the crossroads, where the souls of dead humans pass to the nether realms. Gods of the First and Twenty-first Century, Volume 5, Core Myths (Part 2). Zypheron Press Ltd., Eighth Edition.
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13
Ye Borderlands be not claimed by good or evil, or anything but whisper and void. Be the wend and winds through the Middle Realms. Shortcut, maze, and dangerous path. Filled with wonders beatific and demonic. Dream and nightmare. Even lost with ye proper guide. Be warned. Mythica Improbiba (translated version), Father Sildas Pious. ca. thirteenth century.
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Little Chicken Gate is a rickety structure often mistaken for an abandoned garden or a long-forgotten graveyard. Appearing at random throughout mythohistorical accounts, the gate allows the dead one-way passage to the crossroads that lead them to their ultimate destinations. For living travelers, however, these rules of transit may be bent, and passage to the nether realms is permitted (although perhaps not desirable), and there is the possibility of two-way travel. Extreme caution is urged. The gate can disappear as quickly as it appears. A Primer on the Middle Realms, Paxington Institute Press, LLC.
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15
Soma is a ritual drink associated with divinity among early Vedic and Persian cultures, thought to have been prepared from an (as yet) unknown rare mountain plant. Soma is analogous to the mythological Greek ambrosia-what the gods drank and what made them deities (which also appears to have addictive properties). While mortals have struggled for millennia to find the correct plant(s) to brew Soma, and others, most notably the alchemists of the Ancient China and Middle Age Europe, have tried to invent the famed Elixir of Life, none have succeeded. It remains an open question if the correct formula can be discovered-or if it has been discovered but does not have the desired effect on mortals. Gods of the First and Twenty-first Century, Volume 4, Core Myths (Part 1). Zypheron Press Ltd., Eighth Edition.
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16
Vombatus ursinus, the common or “coarse-haired” wombat. The wombat is a marsupial indigenous to the cooler, wetter regions of Australia. They gestate a single offspring (a joey), which spends nine to eleven months within its mother’s pouch. -Editor.
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17
Cronos the Titan is often differentiated from the Chronos, the Greek deity and personification of Time. Modern mythohistorians, however, now believe they were the same entity, this later persona created for Cronos when he joined his offspring in their rebellion against the ancient Titans. Gods of the First and Twenty-first Century, Volume 4, Core Myths (Part 1). Zypheron Press Ltd., Eighth Edition.
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18
The three Moerae, the Norns, or the Fates are Clothos, the youngest Fate, who spins the thread of a person’s life; Lachesis, the middle Fate, who measures the length of a person’s life; and Atropos, the oldest Fate, who cuts the thread of life. Their origin is unclear. In many accounts, they are the daughters of Zeus; in others, they are the daughters of Nyx (the primordial Goddess of Night). As Norns, the three are described as maiden giantesses who simply arrived in the hall of the gods in Asgard and marked the end of the golden reign of those gods. Whatever their source, it was soon proved that they held the (not-so) metaphorical threads of fate for both mortals and Immortals. Even the gods feared the Fates. Gods of the First and Twenty-first Century, Volume 4, Core Myths (Part 1). Zypheron Press Ltd., Eighth Edition.
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19
There are two dozen major, and a score of lesser, mortal magical families. Among many interests, they control global pharmaceutical conglomerates, diamond mines, crime syndicates, and political infrastructures. Although nowhere near as powerful as the Infernals, or as influential as the League of Immortals, they collectively control one twelfth of the world’s assets. Gods of the First and Twenty-first Century, Volume 14, The Mortal Magical Families. Zypheron Press Ltd., Eighth Edition.
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20
Archon iron. A mythohistorical metal said to have fallen from Heaven-literally fallo
ut from the war between God and his rebellious angels, preceding their fall from grace. The metal was an ingredient in the manufacture of the chain binding the wolf Fenrir (prior to its release during Ragnarök). See also Volume 11, the Post Family Mythology, for more on this wondrous and terrible element wielded by Fiona Post during the Last Judgment War, which ended the Fifth Age. Gods of the First and Twenty-first Century, Volume 4, Core Myths (Part 1). Zypheron Press Ltd., Eighth Edition.
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21
Tamara Pritchard, part of the Dreaming Families, and infamous for her use of Life/Death dual magics, was born with gifts we could scarcely imagine. Had her focus been magical rather than social engineering during those early years. . she would have been a real threat to us. The Secret Red Diaries of Sarah Covington, Third Edition, Sarah Covington, Mariposa Printers, Dublin.
