by Paula Guran
“Swan bones changed to harp and fife
Sobbing music, robbed of life
String and drum and horn of bone
Leave them not to weep alone
Set them in a circle here
None for three nights interfere
From my branches let one hang
Swan in blood and bone and name
Bring the twenty whose free will
Dared to use my magic ill
Dance them, drive them into me
Pick the fruit from off this tree!”
The light disappeared. The juniper sagged and seemed to sigh. Nicolas put his pipe away and bowed his head.
Dora Rose turned to me, fierceness shining from her.
“Maurice,” she said, “you heard the tree. We must bring the bones here. I must hang for three days. You must keep Ulia Gol and Hans away from the Heart Glade for that time, and bring those twenty young Swan Hunters to me. Quickly! We have no time to waste.”
And here the heart-stricken and love-sore child I once was rose up from the depths of me like its very own bone instrument.
“Must I, Ladybird?”
Did I sound peevish? I hardly knew. My voice cracked like a boy soprano whose balls’d just dropped, thus escaping the castrating knife and opium bath and a life of operatic opulence. Peevish, yes. Peevish it was.
“Must I really? So easy, don’t you think, to steal an orchestra right out from under an ogre’s nose? To keep Ulia Gol from tracking it back here. To lure twenty children all into the Maze Wood without a mob of parents after us. That’ll take more than wiles, Princess. That’ll take tactics. And why should I do any of this, eh? For you, Dora Rose? For the sake of a friend? What kind of friend are you to me?”
Nicolas stared from me to Dora Rose, wide-eyed. He had placed a hand over his pipe and kneaded it nervously against his chest. Dora Rose also stared, her face draining of excitement, of grief nearly avenged, of bright rage barely contained. All I saw looking into that shining oval was cool, contemptuous royalty. That was fine. Let her close herself off to me. See if that got her my aid in this endeavor.
“I’m gonna ask you something.” I drew closer, taking her slack silver hand in mine. I even pressed it between my itching palms. “If it were me, Dora Rose, if I’d come to Lake Serenus before your courtly bevy and said to you, ‘Dear Princess, Your Highness, my best old pal! Mayor Ulia Gol’s exterminating the Rat Folk of Amandale. She’s trapping us and torturing us and making bracelets of our tails. Won’t you help me stop her? For pity’s sake? For what I once was to you, even if that was only a pest?’
“What would you have said to me, Dora Rose, if I had come to you so?”
Dora Rose turned her face away, but did not remove her hand. “I would have said nothing, Maurice. I would have driven you off. Do you not know me?”
“Yes, Dora Rose.” I squeezed her hand, happy that it still held mine. Was it my imagination, or did she squeeze back? Yup. That was definitely a squeeze. More like a vise, truth be told. I loved a vise. Immediately I began feeling more charitable. That was probably her intention.
“Elinore now,” I reflected, “Elinore would’ve intervened on my behalf.” Dora Rose’s head turned cobra-quick. Had she fangs enough and time, I’d be sporting several new apertures in my physiognomy. I went on anyway. “The nice sister, that Elinore. Always sweet as a Blood Haven peach—for all she loathed me tail to toe. You Swan Folk would’ve come to our aid on Elinore’s say so, mark my words, Dora Rose.”
“Then,” said Dora Rose with freezing slowness, her grip on my hand yet sinewy and relentless, “you will help me for the sake of my dead twin, Maurice? For the help my sister Elinore would have given you had our places been reversed?”
I sighed. “Don’t you know me, Ladybird? No. I wouldn’t do it for Elinore. Not for gold or chocolate. Not for a dozen peachy swan girls and their noblesse oblige. I’ll do it for you, of course. Always did like you better than Elinore.”
“You,” scoffed Dora Rose with a curling lip, flinging my hand from hers, “are the only one who ever did, Maurice.”
I shrugged. It was true.
“As a young cygnet, I feared this was because our temperaments were too alike.”
I snorted, inordinately pleased. “Yeah, well. Don’t go telling my mama I act like a Swan Princess. She’ll think she didn’t raise me right.”
From his place near the juniper tree, Nicolas cleared his throat. “Are we, are we all friends again? Please?” He smoothed one of his long brown hands over the bark. “There’s so much to be done, and all of it so dark and sad. Best to do it quickly, before we drown in sorrow.”
Dora Rose dropped him a curtsy and included me in it with a dip of her chin. My heart leapt in my chest. Other parts of me leapt, too, but I won’t get into that.
“At your convenience, Master Piper,” said she. “Maurice.”
“Dark work? Sad?” I cried. “No such thing! Say, rather, a lark! The old plague days of Doornwold’ll be nothing to it! My Folk scurry at the chance to run amuck. If you hadn’t’ve happened along, Dora Rose, with your great tragedy and all, I’d’ve had to invent an excuse to misbehave. Of such stuff is drama made! Come on, you two. I have a plan.”
We threw Nicolas’s old tattercoat over Dora Rose’s silver gown and urchined up her face with mud. I stuffed her pale-as-lace hair under my wharf boy’s cap and didn’t even mind when she turned and pinched me for pawing at her too ardently. Me in the lead, Dora Rose behind, Nicolas bringing up the rear, we marched into Amandale like three mortal-born bumpkins off for a weekend in the big city.
Dwelling by the Hill, Nicolas had lived as near neighbor to Amandale for I don’t know how many years. But he was so often gone on his tours, in cities under the Hill that made even the Queen’s City seem a hermit’s hovel, that he wandered now through Amandale’s busy gates with widening and wonder-bright eyes. His head swiveled like it sat on an owl’s neck. The woebegone down-bend of his lips began a slow, gladdening, upward trend that was heartbreaking to watch. So I stole only backward glances, sidelong like.
“Maurice.” He hurried to my side as we passed a haberdashery.
“Yes, Nicolas?”
“You really live here?”
“All my life.”
“Does it,” he stooped to speak directly in my ear, “does it ever stop singing?”
I grinned over at Dora Rose, who turned her face away to smile. “If by singing you mean stinking, then no. This is a typical day in Amandale, my friend. A symphony of odors!” He looked so puzzled that I took pity and explained, “According to the princess over there, I’m one who can only ever hear music through my nose.”
“Ah!” Nicolas’s black eyes beamed. “I see. Yes! You’re a synesthete!”
Before I could reply, a fire-spinner out front of Cobblersawl’s Cakes and Comfits caught his eye, and Nicolas stopped walking to burst into wild applause. The fire-spinner grinned and embarked upon a particularly intricate pattern of choreography.
No one was exempt, I realized. Not me, and not the pretty fire-spinner. Not even Dora Rose. Plainly it was impossible to keep from smiling at Nicolas when Nicolas was pleased about something. I nudged Dora Rose.
“Hear that, Ladybird? I’m a synesthete!”
“Maurice, if you ever met a synesthete, you’d probably try to eat it.”
“Probably. Would it look anything like you?”
Dora Rose did not dignify this with a response but whacked the back of my head, and her tiny smile twisted into something perilously close to a grin. We ducked into the bakery, pulling Nicolas after us so he wouldn’t start piping along to the fire-spinner’s sequences, sending her off to an early death by flaming poi.
One of the elder Cobblersawl children—Ilse, her name was—stood at the bread counter, looking bored but dutiful. A softhearted lass, our Ilse. Good for a scrap of cheese on occasion. Not above saving a poor rodent if said rodent happened to be trapped under her big brother’s boot. She’d n
ot recognize me in this shape, of course, but she might have a friendly feeling for me if I swaggered up to her with a sparkle in my beady little eyes and greeted her with a wheedling, “Hallo, Miss . . . ”
She frowned. “No handouts. Store policy.”
“No, you misunderstand. We’re looking for . . . for Froggit? Young Master Froggit Cobblersawl? We have business with him.” Dora Rose poked me between my shoulder blades. Her nails were as sharp as mine. “If you please?” I squeaked.
Ilse’s frown deepened to a scowl. “Froggit’s sick.”
I bet he was. I’d be sick, too, if I’d swallowed half my tongue.
“Sick of . . . politics maybe?” I waggled my eyebrows.
A smell came off the girl like vaporized cheddar. Fear. Sweaty, stinky, delicious fear.
“If you’re from the Mayor,” Ilse whispered, “tell her that Mama spanked Froggit for not behaving as he ought. We know we’re beholden. We know we owe the fancy new shop to her. And—and our arrangement to provide daily bread to the houses on Merchant Prince Row is entirely due her benevolence. Please, Papa cried so hard when he heard how Froggit failed us. We were so proud when his name came up in the Swan Hunter lottery. Really, it’s such an honor, we know it’s an honor, to work for the Mayor on our very own orchestra, but—it’s just he’s so young. He didn’t understand. Didn’t know, didn’t know better. But I’m to take his place next hunt. I will be the twentieth hunter. I will do what he couldn’t. I promise.” She unfisted her hands and opened both palms in supplication. “Please don’t take him to prison. Don’t disappear him like you did . . . ”
She swallowed whatever she was about to say when Dora Rose stepped forward. Removing my cap, she shook out that uncanny hair of hers and held Ilse’s gaze. Silence swamped the bakery as Ilse realized we weren’t Ulia Gol’s not-so-secret police.
“I want to thank him,” Dora Rose said. “That is all. The last swan they killed was my sister.”
“Oh,” Ilse whimpered. “Oh, you shouldn’t be here. You really shouldn’t be here.”
“Please,” said Dora Rose.
Her shaking fingers glimmering by the light pouring off the swan girl’s hair, Ilse pointed out a back door. We left the bakery as quickly as we could, not wanting to discomfit her further, or incite her to rouse the alarm.
The exit led into a private courtyard behind the bakery. Froggit was back by the whitewashed outhouse, idly sketching cartoons upon it with a stubby bit of charcoal. Most of these involved the Mayor and Hans in various states of decay, although in quite a few of them, the Swan Huntress Ocelot played a putrescent role. Froggit’s shoulder blades scrunched when our shadows fell over him, but he did not turn around.
I opened my mouth to speak, but it was Nicolas who dropped to the ground at Froggit’s side, crossing his legs like a fortune-teller and studying the outhouse wall with rapt interest.
“But this is extraordinary! It must be preserved! They will have to remove this entire apparatus to a museum. What, in the meantime, is to be done about waterproofing?” Nicolas examined the art in minute detail, his nose almost touching the graffitied boards. “What to do, what to do,” he muttered.
Taking his charcoal stub, Froggit scrawled, “BURN IT!” in childish writing over his latest cartoon. Then he scowled at Nicolas, who widened his eyes at him. Nicolas began nodding, at first slowly, then with increasing vigor.
“Oh, yes! Indeed! Yes, of course! Art is best when ephemeral, don’t you think? How your admirers will mourn its destruction. How they will paint their faces with the ashes of your art. And you will stand so”—Nicolas hopped up to demonstrate—“arms crossed, with your glare that is like the glare of a tiger, and they will sob and wail and beg you to draw again—just once more, please, Master Froggit—but you shall break your charcoal and their hearts in one snap. Yes! You will take all this beauty from them, as they have taken your tongue. I see. It is stunning. I salute you.”
So saying, Nicolas drew out his pipe and began a dirge.
When he finished many minutes later, me and Dora Rose collapsed on the ground, sweating from the excruciatingly stately waltz we’d endured together. Well, she’d endured. I rather enjoyed it, despite never having waltzed in my life, least of all in a minor key.
Froggit himself, who much to his consternation had started waltzing with an old rake, let it fall against the outhouse wall and eyeballed the lot of us with keen curiosity and not a little apprehension. What did he see when he looked at us, this little boy without a tongue?
Nicolas sat in the mud again. This made Froggit, still standing, the taller of the two, and Nicolas gazed up at him with childlike eyes.
“Don’t be afraid. It’s my silver pipe. Magic, you see. Given me by Her Gracious Majesty, Empress of Faerie, Queen of the Realms Beneath the Hill. It imparts upon me power over the creatures of land, sea, air, and fire. Folk and fixed, and everything between. But when I pass into the Hill, my pipe has no power. Under the Hill it is not silver but bone that sings to the wild blood of the Faerieborn. Had I a bone pipe, I might dance them all to their deaths, those Shining Ones who cannot die. But I have no pipe of bone. Just this.”
Nicolas’s face took on a taut look. Almost, I thought, one of unbearable longing. His knuckles whitened on his pipe. Then he shook himself and dredged up a smile from unfathomable depths, though it was a remote, pathetic, tremulous thread of a thing.
“But here, above the Hill,” he continued as if he’d never paused, “it is silver that ensorcels. Silver that enspells. I could pipe my friend the rat Maurice into the Drukkamag River and drown him. See that Swan Princess over there? Her I could pirouette right off a cliff, and not even her swanskin wings could save her. You, little boy, I could jig you up onto a rooftop and thence into the sky, whence you’d fall, fall, fall. But I will not!” Nicolas added as Froggit’s round brown eyes flashed wider. “Destroy an artist such as yourself? Shame on me! How could I even think it? I have the greatest respect for you, Master Froggit!”
But Froggit, after that momentary alarm, seemed unafraid. In fact, he began to look envious. He pointed first to the silver pipe, then to his charcoal caricature of Mayor Ulia Gol, dripping gore and missing a few key limbs.
His wide mouth once more woebegone, Nicolas burst out, “Oh, but she is wicked! Wicked! She has an ogre’s heart and a giant’s greed. She is a monster, and we must rid this world of monsters. For what she did to the juniper tree, that alone deserves a pair of iron shoes baked oven-bright, and four and twenty blackbirds to pluck out her eyes. But for what she has done to you . . . and to the swans and the foxes and the trout. Oh! I would break my pipe upon her throat if I . . . But.”
Drawing a shaky breath, Nicolas hid his thin face in rigid hands.
“No. I shall not be called upon for that. Not this time. Not today. No. No, Nicolas, you may stay your hand and keep to your music for now. Maurice the Incomparable has a plan. The role of Nicolas promises to be quite small this time. Just a song. Just the right little song. Or the wrong one. The wrongest song of all.”
Froggit sat beside Nicolas and touched a trembling hand to his shoulder. Nicolas didn’t take his hands from his face, but suddenly bright black eyes peeped between his fingers.
“Your part is bigger than mine, Master Froggit. If you’ll play it. Throw in with us. You have no tongue to speak, but you have hands to help, and we’d be proud to have your help.”
Froggit stared. At the huddled Piper. At proud Dora Rose standing like a silver statue in the small courtyard. At my grin that had the promise of carnage behind it. Back to Nicolas, whose hands fell away to reveal an expression so careworn and sorrowful and resolute that it terrified me, who knew what it meant. I rubbed my hands together, licking my lips. The boy took up his charcoal stub and wrote two words on the outhouse boards.
One was “Greenpea.” The other “Possum.”
I stepped in, before Nicolas asked if this were a recipe for the boy’s favorite stew and spun off on another tangent about
the virtues of Faerie spices versus mortal.
“Of course your friends are invited, Master Froggit!” I said. “Couldn’t do it without ’em! You three and we three, all together now.” I hooked Dora Rose’s elbow and drew her nearer. She complied, but not without a light kick to my ankle. “Your job today, Master Froggit, is to take our resident Swan Princess around to meet Miss Greenpea and Miss Possum. They’ve sacrificed a pair of legs and eyes between them, haven’t they, by refusing to help murder swans?”
Froggit nodded, his soft jaw clenching. What with the swelling of his truncated tongue, that must’ve meant a whopping mouthful of pain. Boy should’ve been born a rat!
“You’re just what we need. Old enough to know the town, young enough to be ignored. Embittered, battle-scarred, ready for war. Listen up, Master Froggit. You and your friends and Dora Rose are gonna be the ones to, uh, liberate those pretty bone instruments from Orchestra Hall. You must do this, and you must return them to the Maze Wood tonight. It all has to be timed perfectly. Dora Rose will tell you why. Can you do this thing?”
Dora Rose put her hand on Froggit’s shoulder when his panicked glance streaked to her. “Fear not, princeling,” she said, as though soothing a cygnet. “Have not we wings and wits enough between us?”
Before the kid could lose his nerve, I sped on, “Me and Nicolas will be the distraction. We’re gonna set Amandale hopping, starting this afternoon. No one will have time to sniff you out, I promise—no matter what shenanigans you four get up to. We’ll meet you back in the Maze Wood in three nights’ time, with the rest of . . . of what we need. You know where. The juniper tree.”
Froggit nodded. His brown eyes filled with tears, but they did not fall. I looked at Dora Rose, who was twisting her hair back up under my wharf boy’s cap and refreshing the dirt on her face.
“Help her,” I told the kid, too quietly for Dora Rose to overhear. “She’ll need you. Tonight most of all.”
