The Year's Best Science Fiction & Fantasy Novellas 2016

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The Year's Best Science Fiction & Fantasy Novellas 2016 Page 61

by Paula Guran


  Nicolas twinkled a wink her way. “Nay,” said he, husking low his voice for her ears (and mine) alone. His next sentence fair glittered with the full formality of the Faerie court. Had I any choice when hearing it, I’d’ve bolted right then and there and never come out from my hole till my whiskers turned grey.

  “But perhaps,” he continued, “thou shouldst be, thou pink-plumed eyas. A cage equipped with manacles of silver and gilded bullwhips and all manner of bejeweled barbs and abuses for such a wicked lady-hawk as thee.”

  Pleased with the impudent promise in his eyes, and pink as her candy-colored wig, Ulia Gol spun around. The tassel on her black satin cap hopped like a cottontail in a clover patch. She addressed the hall.

  “The Pied Piper has come to drive our rats away. He is charging,” she threw the room a grin as extravagant as confetti, “an unconscionable fee to do so. But, my friends, our coffers will manage. What cost peace? What cost health? What cost the lives of our children? Yes, we shall have to tighten our belts this winter. What of that?” Her voice crescendoed. Her arms spread wide. “Citizens, if we do not accept his assistance now, who knows if we will even live to see the winter?”

  A wall of muttering rose up against the tide of her questions. Some dissent. Some uneasy agreement. Ulia Gol took another reluctant step away from Nicolas and waded into the crowd. She worked it, touching hands, stroking baby curls, enhancing her influence as she gazed deeply into deeply worried eyes and murmured spells and assurances. Shortly, and without any overt effort, she appeared behind the podium like she’d grown there.

  “Friends,” she addressed them throbbingly, “already the rats are nibbling at our stores, our infants, the foundations of our houses. Recall how rats carry plague. Do you want Amandale to face the danger that leveled Doornwold fifteen years ago? We shall put it to the vote! I ask you to consider this—extreme, yes, but remember, we only need pay if it’s effective!—solution. All in favor of the Pied Piper, say aye!”

  The roar the crowd returned was deafening. The overtones were especially harsh, that particular brassy hysteria of a mob miles past the point of reasoning with. I wished I had my earplugs back. Ulia Gol did not bother to invite debate from naysayers. Their protestations were drowned out, anyway. But I could see Hans over there making note of those who shook their heads or frowned. My guess was that they’d be receiving visitors later. Probably in the dead of night.

  From her place on the stage, Ulia Gol beamed upon her townspeople. But like magnet to metal, her gaze clicked back to Nicolas. She studied him with flagrant lust, and he returned her scrutiny with the scorching intensity the raven has for the hawk. He stood so still that even I, whom he held in his hand, could not feel him breathing.

  “Master Piper!”

  “Madame Mayor?”

  “When will you begin?”

  “Tomorrow at dawn.” This time, Nicolas directed his diffident smile to the room at large. “I need my sleep tonight. It is quite a long song, the one that calls the rats to the waterside and makes the thought of drowning there seem so beautiful.”

  “Rest is all well and good, Master Piper. But first you must dine with me.”

  “Your pardon, Madame Mayor, but I must fast before such work as I will do tomorrow.”

  Her fists clenched on the edges of the podium. She leaned in. “Then a drink, perhaps. The mayoral mansion is well stocked.”

  Nicolas bowed. “Ma’am, I must abstain.”

  I wouldn’t say that the look Ulia Gol gave him was a pout, exactly. More like, if Nicolas’s face had been within range of her teeth, she’d have torn it off. He had toyed with her, keyed her to the pitch of his choosing, and now he would not play her like a pipe—nor let her play his. Pipe, I mean. Ahem.

  His short bow and quick exit thwarted any scheme she might have improvised to keep him there. Outside in the cooling darkness, cradling me close to his chest, Nicolas turned sharply into the nearest alleyway. Stumbling on a pile of refuse, he set me down atop it, and promptly projectile-vomited all over the wall.

  I’d never seen that much chunk come out of an undrunk person. Fleshing myself back to man-shape, I clasped my hands behind me and watched him. I had to curb my urge to applaud.

  “Wow, Nicolas! Is that nerves, or did you eat a bad sausage for dinner?” I whistled. “I thought you couldn’t talk to women, you Foxface, you! But you were downright debonair. If the Mayor’d been a rat girl, her ears would’ve been vibrating like a tuning fork!”

  Wiping his mouth on his hand, Nicolas croaked, “She is not a woman. She is a monster. I spoke to her as I speak to other monsters I have known. It is poison to speak so, Maurice—but death to do aught else. But, oh, it hurts, Maurice. It hurts to breathe the same air she breathes. It hurts to watch her courtiers—”

  “Constituents,” I corrected, wondering whose face he’d seen imposed upon Ulia Gol’s. If I were a betting rat, I’d say the answer rhymed with “Airy Fleen.”

  “So corrupted . . . Necrotic! As rotten as that poor rat-bitten babe shall be in a few days. They—these thinking people, people like you or me”—I decided not to challenge this—“they all agreed to the genocide. They agreed to make the orchestra of murdered swans, to abuse the god in the juniper tree. They traded their souls to a monster, and for what? Free music? Worse, worse—they set their children to serve her. Their babies, Maurice! Gone bad like the rest of them. Maurice, had I the tinder, I would burn Amandale to the ground!”

  Nicolas was sobbing again. I sighed. Poor man. Or whatever he was.

  I set my hand upon his tousled head. His hair was slick with sweat. “Aw, Nicolas. Aw, now. Don’t worry. We’ll get ’em. There’s worse ways to punish people than setting fire to their houses. Hellfowl, we did it one way today, and by nightfall tomorrow, we’ll have done another! So smile! Everything’s going steamingly!”

  Twin ponds of tears brimmed, spilled, blinked up at me.

  “Don’t you mean swimmingly?” Nicolas gasped, sighing down his sobs.

  “I will soon, you don’t quit your bawling. Hey, Nico, come on!” I clucked my tongue. “Dry up, will ya? You’re not supposed to drown me till dawn!”

  I could always make Nicolas laugh.

  In a career so checkered that two old men could’ve played board games on it, I’ve come near death four times. Count ’em, four. Now if we’re talking about coming within a cat-calling or even a spitting distance from death, I’d say the number’s more like “gazillions of times,” but I don’t number ’em as “near”-death experiences till I’m counting the coronal sutures on the Reaper of Rodents’s long-toothed skull.

  The first time I almost died, it was my fault. It all had to do with being thirteen and drunk on despair and voluntarily wandering into a rat-baiting arena because life isn’t worth living if a Swan Princess won’t be your girlfriend. Embarrassing.

  The second time was due to a frisky rat lass named Molly. She, uh, used a little too much teeth in the, you know, act. Bled a lot. Worth it, though.

  Third? Peanut butter.

  Fourth . . . one of the elder Cobblersawl boys and his brand new birthday knife.

  But I have never been so near death as that day Nicolas drowned me in the Drukkamag River.

  He’d begged me not to hear him. That morning, just before dawn, he’d said, “Maurice, Maurice. Will you not stop up your ears and go to the Maze Wood and wait this day out?”

  “No, Nicolas,” said I, affronted. “What, and give a bunch of poor fixed rats the glory of dying for Dora Rose? This is my end. My story. I’ve waited my whole life for a chance like this. My Folk will write a drama of this day, and the title of that play shall be Maurice the Incomparable!”

  Nicolas ducked the grand sweep of my hand. “You cannot really mean to drown, Maurice. You’ll never know how the end of your drama plays out. What if we need you again, and you are dead and useless? What if . . . what if she needs you?”

  I clapped his back. “She never did before, Nicolas my friend. That’s
why I love the girl. Oh, and after I die today, do something for me, would you? You tell Dora Rose that she really missed out on the whole cross-species experimentation thing. You just tell her that. I want her to regret me the rest of her life. I want the last verse of her swan song to be my name. Maurice the Incomparable!”

  Nicolas ducked again, looking dubious and promising nothing. But I knew he would try. That’s what friends did, and he was the best.

  You may wonder—if you’re not Folk, that is—how I could so cavalierly condemn thousands of my lesser cousins, not to mention my own august person, of whom I have a high (you might even say “the highest”) regard—to a watery grave. Who died and made me arbiter of a whole pestilential population’s fate? How could I stand there, stroking my whiskers, and volunteer all those lives (and mine) to meet our soggy end at the Pied Piper’s playing?

  I could sum it up in one word.

  Drama.

  I speak for all rats when I speak for myself. We’re alike in this. We’ll do just about anything for drama. Or comedy, I guess; we’re not particular. We’re not above chewing the scenery for posterity. We must make our territorial mark (as it were) on the arts. The Swan Folk have their ballet. We rats, we have theatre. We pride ourselves on our productions. All the cities, high and low, that span this wide, wide world are our stage.

  “No point putting it off,” I told Nicolas, preparing to fur down. “Who’s to say that if you don’t drown me today, a huge storm won’t come along and cause floods enough to drown me tomorrow? If that happens, I’ll have died for nothing! Can any death be more boring?”

  Nicolas frowned. “The weather augur under the Hill can predict the skies up to a month in exchange for one sip of your tears. She might be able to tell you if there will be rain . . . ”

  I cut him off. “What I’m saying is, you have to seize your death by the tail. Know it. Name it. My death,” I said, “is you.”

  His laugh ghosted far above me as I disappeared into my other self.

  “Hurricane Nicolas,” he said. “The storm with no center.”

  Comes a song too high and sweet for dull human ears. Comes a song like the sound of a young kit tickled all to giggles. Like the sharp, lustful chirps of a doe in heat. Comes a song for rats to hear, and rats alone. A song that turns the wind to silver, a wind that brings along the tantalizing smell of cream.

  Excuse me, make that “lots of cream.”

  A river of cream. A river that is so rich and thick and pure you could swim in it. You bet your little rat babies there’s cream aplenty. Cream for you. Cream for your cousins, for your aunts and uncles, too. There’s even cream for that ex-best buddy of yours who stole your first girlfriend along with the hunk of stinky cheese you’d saved up for your birthday.

  Comes a song that sings of a river of cream. Cream enough for all.

  Once I get there, ooh, baby, you betcha . . . I’m gonna find that saucy little doe who’s chirping so shamelessly. I’m gonna find her, and then I’m gonna frisk the ever-living frolic out of her, nipping and mounting and slipping and licking the cream from her fur. Oh, yeah. Let’s all go down to that river.

  Now. Let’s go now. I wanna swim.

  Funny thing, drowning. By the time I realized I didn’t want it anymore, there was nothing I could do. I was well past the flailing stage, just tumbling along head over tail, somewhere in the sea-hungry currents of the Drukkamag. The only compass I could go by indicated one direction.

  Deathward.

  Rats are known swimmers. We can tread water for days, hold our breath for a quarter of an hour, dive deeply, survive in open sea. Why? Because our instinct for survival is unparalleled in the animal kingdom, that’s why.

  Once Nicolas’s song started, I’d no desire to survive anymore. Until I did. I never said rats were consistent. We’re entitled to an irregularity of opinion, just like mortals. Even waterlogged and tossed against Death’s very cheese grater, we’re allowed to change our minds.

  And so, I did the only thing I had mind enough left to do. I fleshed back to man-shape.

  The vigor of the transformation brought me, briefly, to the surface. I mouthed a lungful of air before the current sucked me back down into the river.

  This is it, I thought. Damn it, damn it, da—

  And then I slammed into a barrier both porous and implacable. Water rushed through it, yet I did not. I clung to it, finger and claw, and almost wept (which would have been entirely redundant at that point) when a great hook plunged at me from out of the blue, snagged me under the armpit, and hauled.

  Air. Dazzle. Dry land.

  I was deposited onto the stony slime of a riverbank. Someone hastily threw a blanket over my collapse. It smelled of sick dog and woodsmoke, but it was warm and dry. I think I heard my name, but I couldn’t answer, sprawled and gasping, moving from blackout to dazzle and back again while voices filtered through my waterlogged ears.

  Children’s voices. Excited. Grim.

  I considered opening my eyes. Got as far as blurred slittedness before my head started pounding.

  We were under some sort of bridge. Nearby, nestled among boulders, a large fire burned. Over this there hung an enormous cauldron, redolent of boiling potatoes. A girl with a white rag tied over her eyes stirred it constantly. Miss Possum, or I missed my guess.

  A bowl of her potato mash steamed near my elbow. I almost rolled over and dove face-first into it, but common sense kicked in. Didn’t much fancy drowning on dry land so soon after my Drukkamag experience, so I lapped at the mash with more care, watching everything. Not far from Possum squatted Master Froggit, carefully separating a pile of dead rats from living as quickly as they came to him from the figure on the bridge. The dead he set aside on an enormous canvas. The living he consigned to blind Possum’s care. She dried them and tried to feed them. There weren’t many.

  My slowly returning faculty for observation told me that our bold young recruits had strung a net across a narrowish neck of the Drukkamag, beneath one of the oldest footbridges of Amandale. They weighted the net with rocks. When the rats began to fetch up against it, Greenpea, seated on the edge of the bridge, leg stumps jutting out before her, fished them out again. She wielded the long pole that had hooked me out of the current.

  For the first time since, oh, since I was about thirteen, I think, I started sobbing. Too much hanging out with Nicolas, I guess. Not eating properly. Overextending myself. That sort of thing. Prolonged close contact with Dora Rose had always had this effect on me.

  I applied myself to my potatoes.

  Once sated, making a toga of my dog blanket, I limped up to the bridge and gazed at the girl with the hooked pole.

  “Mistress Greenpea.”

  “Hey.” She glanced sidelong at me as I sat next to her. “Maurice the Incomparable, right?”

  “Right-o.” I warmed with pleasure. “Hand that thing over, will ya? My arms feel like noodles, but I reckon they can put in a shift for the glory of my species.”

  She grunted and handed her pole to me. “I don’t see any more live ones. Not since you.”

  “Well, cheer up!” I adjured her. “We’ll rise again. We’re the hardiest thing since cockroaches, you know. Besides you humans, I mean. Roaches. Blech! An acquired taste, but they’ll do for lean times. We used to dare each other to bite ’em in half when we were kits.”

  Greenpea, good girl, gagged only a bit, and didn’t spew. I flopped a couple of corpses over to Froggit’s canvas. “So. This whole net thing your idea, Miss Greenpea?”

  She replied in a flat, unimpressed recitation, “Dora Rose said you’d try to drown yourself with the other rats. Said it would be just like you, and that we must save you if we could, because no way was she letting you stain her memory with your martyrdom.”

  I chuckled. “Said that, did she?”

  “Something like that.” Greenpea shrugged. Or maybe she was just rolling her stiff shoulders. “Before we . . . we hung her on that tree, I promised we’d do what we could
for you. She seemed more comfortable, after.” She wouldn’t meet my eyes. “And then, when I saw all the other rats in the river, I tried to save them, too. Why should you be so special? But, then . . . So long as the Pied Piper played, even though he’s still all the way back in Amandale, the rats I rescued wouldn’t stay rescued. No sooner did we fish them out of the Drukkamag but they jumped back in again.”

  “Listen, kid.” I returned her hard glare with a hard-eyed look of my own. “That was always the plan. You agreed to it. We all did.”

  The net bulged beneath us. Greenpea didn’t back down, but the bridge of her nose scrunched beneath her spectacles. Behind thick lenses, those big grey eyes of hers widened in an effort not to cry. How old was she, anyway? Eleven? Twelve? One of the older girls in Ulia Gol’s child army. Near Ocelot’s age, I thought. Old enough at any rate to dry her tears by fury’s fire. Which she did.

  “It’s horrible,” Greenpea growled. “I hate that they had to die.”

  “Horrible, yeah,” I agreed. “So’s your legs. And Possum’s eyes. And Froggit’s tongue. And twenty dead swans. We’re dealing with ogres here, not unicorns. Not the nicest monsters ever, ogres. Although, when you come right down to it, unicorns are nasty brutes. Total perverts. But anyway, don’t fret, Miss Greenpea. We’re gonna triumph, have no doubt. And even if we don’t”—I started laughing, and it felt good, good, good to be alive—“even if we don’t, it’ll make a great tragedy, won’t it? I love a play where all the characters die at the end.”

  The Pied Piper stood on the steps of Brotquen Cathedral, facing the Mayor of Amandale, who paraded herself a few steps above him. Hans and his handpicked horde of henchman waited nearby at the ready. Displayed at their feet was Froggit’s macabre canvas of corpses. Most of the rats we’d simply let tumble free toward the sea when we cut the net, but we kept a few hundred back for a fly-flecked show-and-tell.

  Nicolas’s face was grey and drawn. His shoulders drooped. New lines had appeared on his forehead apparently overnight, and his mouth bowed like a willow branch. The pipe he no longer played glowed against his ragged chest like a solid piece of moonlight.

 

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