The Descent of Man and Other Stories

Home > Fiction > The Descent of Man and Other Stories > Page 22
The Descent of Man and Other Stories Page 22

by Edith Wharton


  “Oh, madman, madman!” she murmured.

  Tony, with crossed arms, faced her squarely, and she leaned against the wall a few feet off from him. Her breast throbbed under its lace and falbalas, and her eyes swam with terror and entreaty.

  “Polixena, I love you!” he cried.

  A blush swept over her throat and bosom, bathing her in light to the verge of her troubled brows.

  “I love you! I love you!” he repeated.

  And now she was on his breast again, and all their youth was in their lips. But her embrace was as fleeting as a bird’s poise and before he knew it he clasped empty air, and half the room was between them.

  She was holding up a little coral charm and laughing. “I took it from your fob,” she said. “It is of no value, is it? And I shall not get any of the money, you know.”

  She continued to laugh strangely, and the rouge burned like fire in her ashen face.

  “What are you talking of?” he said.

  “They never give me anything but the clothes I wear. And I shall never see you again, Anthony!” She gave him a dreadful look. “Oh, my poor boy, my poor love—’I love you, I love you, Polixena!’”

  He thought she had turned light-headed, and advanced to her with soothing words; but she held him quietly at arm’s length, and as he gazed he read the truth in her face.

  He fell back from her, and a sob broke from him as he bowed his head on his hands.

  “Only, for God’s sake, have the money ready, or there may be foul play here,” she said.

  As she spoke there was a great tramping of steps outside and a burst of voices on the threshold.

  “It is all a lie,” she gasped out, “about my marriage, and the Marquess, and the Ambassador, and the Senator—but not, oh, not about your danger in this place—or about my love,” she breathed to him. And as the key rattled in the door she laid her lips on his brow.

  The key rattled, and the door swung open—but the black-cassocked gentleman who stepped in, though a priest indeed, was no votary of idolatrous rites, but that sound orthodox divine, the Reverend Ozias Mounce, looking very much perturbed at his surroundings, and very much on the alert for the Scarlet Woman. He was supported, to his evident relief, by the captain of the Hepzibah B., and the procession was closed by an escort of stern-looking fellows in cocked hats and small-swords, who led between them Tony’s late friends the magnificoes, now as sorry a looking company as the law ever landed in her net.

  The captain strode briskly into the room, uttering a grunt of satisfaction as he clapped eyes on Tony.

  “So, Mr. Bracknell,” said he, “you have been seeing the Carnival with this pack of mummers, have you? And this is where your pleasuring has landed you? H’m—a pretty establishment, and a pretty lady at the head of it.” He glanced about the apartment and doffed his hat with mock ceremony to Polixena, who faced him like a princess.

  “Why, my girl,” said he, amicably, “I think I saw you this morning in the square, on the arm of the Pantaloon yonder; and as for that Captain Spavent—” and he pointed a derisive finger at the Marquess—“I’ve watched him drive his bully’s trade under the arcade ever since I first dropped anchor in these waters. Well, well,” he continued, his indignation subsiding, “all’s fair in Carnival, I suppose, but this gentleman here is under sailing orders, and I fear we must break up your little party.”

  At this Tony saw Count Rialto step forward, looking very small and explanatory, and uncovering obsequiously to the captain.

  “I can assure you, sir,” said the Count in his best English, “that this incident is the result of an unfortunate misunderstanding, and if you will oblige us by dismissing these myrmidons, any of my friends here will be happy to offer satisfaction to Mr. Bracknell and his companions.”

  Mr. Mounce shrank visibly at this, and the captain burst into a loud guffaw.

  “Satisfaction?” says he. “Why, my cock, that’s very handsome of you, considering the rope’s at your throats. But we’ll not take advantage of your generosity, for I fear Mr. Bracknell has already trespassed on it too long. You pack of galley-slaves, you!” he spluttered suddenly, “decoying young innocents with that devil’s bait of yours—” His eye fell on Polixena, and his voice softened unaccountably. “Ah, well, we must all see the Carnival once, I suppose,” he said. “All’s well that ends well, as the fellow says in the play; and now, if you please, Mr. Bracknell, if you’ll take the reverend gentleman’s arm there, we’ll bid adieu to our hospitable entertainers, and right about face for the Hepzibah.”

  End of the Project Gutenberg EBook of The Descent of Man and Other Stories, by Edith Wharton

  *** END OF THIS PROJECT GUTENBERG EBOOK DESCENT OF MAN, OTHER STORIES ***

  ***** This file should be named 4519.txt or 4519.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/5/1/4519/

  Produced by Charles Aldarondo. HTML version by Al Haines.

  Updated editions will replace the previous one—the old editions will be renamed.

  Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away—you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

  *** START: FULL LICENSE ***

  THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

  To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license).

  Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works

  1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

  1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below.

  1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public
domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others.

  1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.

  1.E. Unless you have removed all references to Project Gutenberg:

  1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net

  1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.

  1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work.

  1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm.

  1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License.

  1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.net), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1.

  1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9.

  1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that

  - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

  - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works.

  - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

  - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works.

  1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below.

  1.F.

  1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

  1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

  1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refu
nd. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

  1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

  1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

  1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause.

  Section 2. Information about the Mission of Project Gutenberg-tm

  Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

  Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm’s goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org.

 

‹ Prev