Broken Wings (An Angel Eyes Novel)

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Broken Wings (An Angel Eyes Novel) Page 1

by Dittemore, Shannon




  Advance Acclaim for Broken Wings

  “A gut-wrenching plunge into the supernatural, Broken Wings reveals Dittemore’s skilled, elegant prose and her prowess with compelling characters! Tangible fear and violent beauty collide in this page-turning sequel in the Angel Eyes Trilogy. Simply unputdownable! Tear the veils from your eyes—Broken Wings is one of the best YA novels out there!”

  —RONIE KENDIG, AWARD-WINNING

  AUTHOR OF THE DISCARDED HEROES

  SERIES AND TRINITY: MILITARY WAR DOG

  “This is one of my favorite series! Dittemore has accomplished a rare feat with Broken Wings: she’s written a sequel that’s as good as or better than book one. Beautiful, romantic, and fascinating. I couldn’t stop reading this enthralling page-turner. I’ll be the first one in line for book three.”

  —JILL WILLIAMSON, AUTHOR OF BY

  DARKNESS HID, REPLICATION, AND CAPTIVES

  “Powerful, honest, and emotionally gripping. I read it in one sitting!”

  —C.J. REDWINE, AUTHOR

  OF DEFIANCE

  Acclaim for Angel Eyes

  “Angel Eyes has everything I look for in a novel—gorgeous prose, a compelling heroine, humor, and an intriguing plot—and two things I dream of finding—permission for brokenness and the promise of hope.”

  —MYRA MCENTIRE,

  AUTHOR OF HOURGLASS

  “Angel Eyes is a fine debut. A touching and exciting romance with celestial implications.”

  —ANDREW KLAVAN, AWARD-WINNING

  AUTHOR OF CRAZY DANGEROUS

  “Stunning. A captivating read with all the intensity necessary to keep me turning pages well into the night.”

  —HEATHER BURCH, AUTHOR OF THE

  CRITICALLY ACCLAIMED HALFLINGS

  “Shannon Dittemore gives us a classic tale of good versus evil with an authentically contemporary feel—and the assurance that beautiful writing is back.”

  —NANCY RUE, AUTHOR

  OF THE REAL LIFE SERIES

  BROKEN

  WINGS

  BROKEN

  WINGS

  Book Two in the

  ANGEL EYES TRILOGY

  SHANNON DITTEMORE

  © 2013 by Shannon Dittemore

  All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, scanning, or other—except for brief quotations in critical reviews or articles, without the prior written permission of the publisher.

  Published in Nashville, Tennessee, by Thomas Nelson. Thomas Nelson is a registered trademark of Thomas Nelson, Inc.

  Thomas Nelson, Inc., titles may be purchased in bulk for educational, business, fund-raising, or sales promotional use. For information, please e-mail [email protected].

  Scripture quotations are taken from THE NEW KING JAMES VERSION. © 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved.

  Scriptures taken from the Holy Bible, New International Version®, NIV®. Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission of Zondervan. All rights reserved worldwide. www.zondervan.com.

  Publisher’s Note: This novel is a work of fiction. Names, characters, places, and incidents are either products of the author’s imagination or used fictitiously. All characters are fictional, and any similarity to people living or dead is purely coincidental.

  Library of Congress Cataloging-in-Publication Data

  Dittemore, Shannon.

  Broken wings / Shannon Dittemore.

  pages cm. -- (Angel eyes trilogy ; book 2)

  Summary: “When the Prince of Darkness pulls the demon Damien from the fiery chasm and sends him back to Earth with new eyes, the stage is set for the ultimate battle of good versus evil”-- Provided by publisher.

  ISBN 978-1-4016-8637-6 (trade paper)

  [1. Supernatural--Fiction. 2. Angels--Fiction. 3. Demonology--Fiction. 4. Fate and fatalism--Fiction.] I. Title.

  PZ7.D6294Br 2013

  [Fic]--dc23

  2012032528

  Printed in the United States of America

  13 14 15 16 17 18 QG 6 5 4 3 2 1

  For Mom and Dad,

  who taught me that broken doesn’t mean alone

  “The light has come into the world, and men loved

  darkness rather than light, because their deeds were evil.”

  —JOHN, THE APOSTLE

  Contents

  1. Pearla

  2. Brielle

  3. Pearla

  4. Brielle

  5. Brielle

  6. Jake

  7. Brielle

  8. Brielle

  9. Pearla

  10. Brielle

  11. Jake

  12. Brielle

  13. Brielle

  14. Brielle

  15. Brielle

  16. Jake

  17. Brielle

  18. Brielle

  19. Brielle

  20. Brielle

  21. Brielle

  22. Pearla

  23. Brielle

  24. Brielle

  25. Brielle

  26. Brielle

  27. Brielle

  28. Brielle

  29. Brielle

  30. Jake

  31. Brielle

  32. Jake

  33. Brielle

  34. Pearla

  35. Brielle

  36. Jake

  37. Brielle

  38. Jake

  39. Brielle

  40. Brielle

  41. Brielle

  42. Brielle

  43. Brielle

  Reading Group Guide

  Acknowledgments

  About the Author

  1

  Pearla

  Hell is loud.

  Talons scratch at the stone floor and clack against the pillars circling the chamber as the great hall fills. Hisses and snarls sound all around, but the noise doesn’t unsettle the Cherub.

  She’s been here before.

  Carved into the earth, deep against its core—in a realm undetectable by human technology—lies the stronghold of Satan. A massive structure formed out of darkness, molded and hardened into stone, Abaddon sits at the very center of the Prince’s domain.

  Pearla’s velvety black skin goes unnoticed as she slides behind a chunky pillar, pressing against the outer wall.

  But the cherubic spy isn’t deceived by the darkness that surrounds her. This place was created for the Prince, given to him by the Creator. And while the light of the Celestial won’t permeate these walls, even here the Father cannot be escaped. Unlike the demonic crowd scratching and biting at one another, this created one experiences peace.

  Her celestial feet are silent against the icy floor, her wings folded tight against her back. She keeps her white eyes pinched tight. Nothing draws attention like shards of light piercing the darkness.

  And darkness is everywhere.

  Pearla slinks from pillar to pillar, feeling the rough rock with her hands, searching for a familiar crevice. When at last she reaches it, she slides inside, deep into the rock wall. Facing away from the chamber, she opens her eyes just wide enough to guide her climb. She’s nimble and fast, scaling the wall with precision. Pearla locates a crag high above the pillars circling the room, high above the crowd of demons pushing and shoving and jockeying for position, and wedges herself far into the wall. The silky black wings—characteristic of cherubic spies—whisper against rock as she unfurls them and covers herself. Her gaze penetrates her wings and she watches.

  And she waits.

  The circular hall is ringed by rows and rows of demons. She’s seen some of their
grotesque faces before. As members of the Prince’s guard they rarely leave Abaddon without the Prince; if they do, they do so in small numbers. His guard is made up of the most loyal, the most trusted demons. But there are others here: fallen angels with smaller, less important roles in the devil’s stronghold. With so many in attendance, Pearla wonders if the Prince himself will preside over this assembly, a task he normally delegates.

  Rumors lend credence to this idea—reports that indicate the entire Palatine legion is on the move. Sources insist they’ve returned to Abaddon to receive new orders. But it defies logic. Why return thousands and thousands of the Prince’s best warriors to their fortress when a small council would suffice? But the rumors persist, and as the commander of the Creator’s forces, Michael is giving them due consideration. If they’re true, a movement like this indicates an attack of ambitious proportion.

  But where?

  With a victory in Uganda imminent, the legion of light will be ready to move. And there’s no Warrior better suited for a war against the Palatine than Michael, the Commander himself.

  Pearla closes her eyes against the chaos below and imagines herself back in the Throne Room of the Father. Magnificent in its beauty with everything in good order. The Father glowing bright, a river of gold flowing from His throne. The Thrones—wisest of the angels—wrapped head to toe in feathers of white, hovering about the Father, singing His praises, echoing one another back and forth. Pearla fights to control her lips as memories of the Creator’s goodness well up in her soul.

  Worthy! Worthy! No one else is worthy! she thinks.

  And then another sound, a terrifying sound, pulls her back to hell. It’s the sound of bondage. Of slavery. She wills herself to remain steady as the hiss and spit of fiery chains against the cold, moist floor draws excitement from the Fallen crowded about.

  A lone demon is led into the hall by a small band. They prod and poke at him like a wayward cow. When they reach the center of the room, they latch his chains to the floor. With little ceremony they leave him to stand alone before a pathetic replica of the Father’s throne.

  The Prince’s seat of power is not without grandeur, but where the Father’s throne is constructed of the purest gold and gemstones, here an extravagant dais has been carved out of rock. Behind it, a slab rises high with strange symbols and designs cut into the stone. Chief among them is a dragon, his teeth menacing, his scales polished to a shine. His tail wraps around the platform, and clutched in his serpentine coils are thousands of brightly jeweled stars. The image, a symbol of the great dragon’s rebellion, has always disturbed Pearla.

  And with the prisoner chained before the throne, it seems Pearla was right.

  Lucifer himself is expected.

  2

  Brielle

  I’m alone.

  The room is full of people, but I don’t see them. Not clearly. They’re a blur of summer colors and shadowed faces as my legs push me across the stage. My arms bow and curve, matching my inhales and exhales. Flutes, clarinets, and instruments I can’t even name trill from the speakers, the music telling a story. The dance sharing a journey.

  My journey.

  Getting back to the stage was not an easy path, and my mind is full of the circumstances and the players that brought me here. I rise to my toes and I think of Ali, my closest friend. I think of the life that was taken from her. I think of her boyfriend, Marco, and the case built against him: smoke and mirrors to hide what really happened.

  But truth is stronger than lies, and as the music slows, my black skirt whispers against my knees and I remember the first time I saw the Celestial. Light and life everywhere, and on every surface colors that never stop moving.

  I think of the first time I saw Canaan, not as Jake’s guardian only, but as the angel he really is—his outer wings spread wide, Jake wrapped tightly in his inner wings and pressed safely against his chest.

  The music changes, dropping into a minor key, and my movements become more ghost-like. I think of the fear that nearly destroyed me six months ago, of the doubt that ate away at truth and hope.

  I think of Jake.

  The music is all but silent now. My body moves slowly, deliberately, but my heart trips over itself at the thought of his fiery, hazel eyes, his healing touch.

  It’s only right that my first performance is here, in Stratus, with him in the audience. With my dad and Canaan looking on, with Miss Macy cheering my feat from the wings. With Kaylee chattering away to Mr. Burns, telling him which pictures to snap.

  The song builds, thundering drums that urge my legs faster and faster. The music crescendos and I spin, again and again. My hair pulls free of its knot, wild and free, like an angel in flight.

  This choreography is my story. I let it swallow me, stretch me.

  Cymbals crash like waves against rock—my doubt against the Father’s will—and I drop low, bending to it, letting my fingers brush the floor, allowing myself a moment shrouded in the darkness of my curled torso before I rise once again to my toes. Light streams through the windows, turning everything around me a vibrant gold.

  And then it’s over. The music, the dance, my trip down memory lane. All of it. I drop into a bow, and the room erupts with applause.

  When I rise I see the place clearly. The newly painted basketball court, the groupings of people here and there, standing, clapping, toasting me with plastic cups of red punch. Dad swipes at his eyes with gigantic paws, his ruddy face flushed. Jake stands near the back, whistling, cheering, a tiny orange tutu over his jeans.

  I snort.

  Where did he get that?

  Hilarity joins exhilaration, and I laugh. And laugh.

  Kaylee, friend extraordinaire, skips up the stairs and wraps her arms around me.

  “You were amazing,” she says. “I can’t believe you almost gave that up!” She stumbles toward the microphone at the front of the stage, pulling me with her. “Wasn’t she fabulous?” she asks the audience. The crowd claps harder, and I smile as the tears fall.

  The gathering here is humble—just my friends and neighbors—and the Stratus Community Center is not nearly so grand as the theatres I toured last summer.

  But I did it. Really and truly.

  It’s impossible not to think of Ali now. Not to remember her childlike laugh or the way she pushed and pulled me, made me believe I could conquer the world.

  She’d be proud of me.

  The tears are thick now, drenching my face, running down my leotard, so I wave my thanks to the crowd and duck into the wings. Miss Macy grabs me before I get too far. She pulls me into her arms and presses her cheek against mine. She’s crying too.

  “You are grace personified, sweetness. I know that wasn’t easy, but . . .” Her voice catches and she pushes me away. “Oh, go. Kiss that boyfriend of yours and get back up here before our little fairies fly away.”

  I glance at the youngest of our students, lining up backstage. Their mamas are busy corralling them, smearing sparkles on their cheeks, securing tiny wings to their backs. An ache passes through me—the same ache I always get when I realize I never had such moments with my own mother.

  What would she have thought of my performance today?

  I pull Miss Macy in for another hug and then make my way down the stairs. Kaylee’s still speaking into the microphone. She thanks everyone for coming to Stratus Community Center’s Grand Reopening, tells them her Aunt Delia’s slaved over the pies in the back and to help themselves.

  I weave through the crowd, looking for Dad, looking for Jake. I accept pats on the back and words of kindness. From the stage the crowd looked small, but on the floor with their familiar faces and words of congratulation ringing in my ears, I’m impressed by the turnout. When I agreed to open the celebration for Kaylee, I had no idea she’d rallied so many to the cause. Canaan towers over the crowd at the back of the auditorium, so I angle toward his silver hair. The crowd is dense enough that I don’t see Jake until I’m right in front of him.

&nbs
p; He spins in a circle, showing off his tutu. “You like?” he asks, that boyish scratch in his voice endearing.

  He has no idea how much I like. “Does this mean you’re ready for that dance lesson?”

  “Does this mean I’m ready? You’re the one who’s been hiding all the tutus.”

  I haven’t. Not at all, but there’s something of the truth to his words. Sharing ballet with Jake would be like admitting I’m ready to move on. That I’m ready to let dance be more to me than my big break in the big city. And that’s a hard thing to let go of. At least it used to be.

  I flick the orange tulle at his waist. “Apparently I didn’t hide them well enough.”

  “Canaan got me this one.”

  “Garage sale,” Canaan says, diving into a slice of cherry pie. “I honestly didn’t think he’d put it on. Had I known . . .” Canaan winks at me.

  “You have to admit, omniscience would have been helpful here.”

  Jake feigns offense. “What are you saying? That I’m not tutu material?”

  “Don’t be sad,” I tell him. “You’re good at so many other things.”

  “I blame you for these two left feet.”

  “Me?”

  “Yes. You said if I got a tutu you’d teach me to dance.”

  “So?”

  “So. Teach.” He scoops me into his arms and spins me full circle. “Am I doing it right?”

  “Not even a little bit.” I laugh.

  We bump into a slew of people. I try to pull away and apologize, but they’re kind and clap for us. Spurred on by their support, Jake prances me around the food table, around the easels set up promoting the various programs, refusing to stop until we reach center court. He dips me, all dramatic and ridiculous, but I play along, snapping up hard and fast, our faces just inches apart.

  More clapping. More whistles.

  “Has anyone ever told you how hot you are?” Jake says, his words nearly inaudible in the chaos.

  I’m breathless and heady and trying far too hard to come up with a new response to Jake’s favorite question. Before anything remotely intelligent occurs to me, I feel a hand on my elbow.

 

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