by Neil Gaiman
“Whatever are you doing?”
She looked at him with shining eyes. “There is something here, beneath this ground; something rare yet familiar, something seductive. It is a memory that I once knew, long ago; it has taste and texture, and it calls to me.”
“Really, you are too fantastic. I think you’ve been touched by the corroded light of that torrid moon. I hate the moon when it resembles a scab on diseased flesh. Ugh! Those awful crimson shadows around the tombstones, it’s too macabre.”
Charlotte ignored his histrionic chatter and continued to smooth the ground with anxious fingers, the limping child beside her. She crawled until coming to a toppled obelisk, beside the base of which she found an opening in the earth. Peering into that cavity, she saw the steps that led beneath the surface. “Do you sense it,” she asked the child, “how this hollow summons? Are you game, boy? Shall we investigate?” Standing, she took the lad’s hand and led him down into the pit.
Sebastian Melmoth raised a white hand and sang some lines from Jonson:
“Farewell, thou child of my right hand, and joy;
My sin was too much hope of thee, dear boy…”
He watched them vanish into dank shadow. Then he turned to the gigantic Sphynx. Would she answer the riddle of what his friend would find? Was there anything that would appease doom? He looked to the moon, which had paled to a shade of ocher. Sebastian raised his hands to the sphere of dead refracted light, and then he began to remove his clothing.
The steps of loam felt strangely familiar to Charlotte’s naked feet, like something she had known while dreaming. She paused one moment to press her brow against the earthen wall, breathing its aroma, which stirred a cloudy image in her brain of something she had known, now forgotten. Touching lips to the dark wall, she trembled at the taste. Something in the sensation filled her with happiness, and turning to the child she began to dance upon the steps. Weirdly, she could easily see the child’s bright flesh in the dark place, the small hands held out to her. Eschewing caution, she took those hands and led the boy into a clownish dance upon the sleek and narrow steps. She seemed not to notice the heaviness of his breathing, and thought that he was clowning when he began to jerk with spasm. When she let go of his hands, she was too slow to catch his falling form. He tumbled down the stairs, to a level of rocky surface. Crying, she rushed to him and took up his still limp form in her embrace. She held him as is flesh grew cool and dry. She pressed him tighter to her breasts and whispered to his uncomprehending ear. How keenly she could smell his death, the fragrance of the stuff that clothed his bones. At last, she set his still form onto the surface to which he had fallen. Pressing fingers to his mouth, she pushed it shut. “Rest in peace, sweet innocent,” she murmured.
Before her was a passageway, through which a charnel breeze wafted to her. She could smell the bits of old bone that, over time, had sifted through the ground, some poking through the earth, others littering the place. Their stench was like something she had known, intimately, in Boston; but the memory was vague, like a favorite delicacy from childhood that had been forgotten in dull adulthood, until happened on by chance. Charlotte followed the chthonic blast, through the passageway, until she came to a spacious grotto, which seemed to her like the forgotten catacomb of some deserted cathedral. Broken statuary stood among the boxes of discarded death. She peered at a raised platform, a kind of bema, and saw two figures huddled over an altar, whispering as they watched her approach. She did not look away from the green eyes set deep within the rubbery faces, eyes that resembled her own. The eldest creature moved to meet her at the steps leading to the platform, and offered her his bestial hand. He smoothed her face with that hand, and combed her hair with thick strong nails. His mouth found her own. His kiss was revelation. She knew from that kiss exactly who she was.
She turned at the sound of another who approached them, and sighed at the sight of the burden in his arms. She helped to place the broken body on the altar and touched a hand to the bright small face. His carrion bouquet made her mouth to water.
“Found him just above,” the new arrival muttered. “Freshly dead.”
The elder beast pressed his hands together and moaned in pleasure. “Excellent. A welcoming feast for our sister.” He hissed as one of the others tilted toward one thin bent limb. “Where are your manners, Erebus? Our sister shall have first pick.” Turning to Charlotte, he motioned to the child.
“Give me his tender heart,” was her request.
∇
The Infernal History
of the Ivybridge Twins
Molly Tanzer
for a number of people, whom, the author is certain, would not wish their names mentioned here
I.
Concerning of the life and death of St. John Fitzroy, Lord Calipash— the suffering of the Lady Calipash—the unsavory endeavors of Lord Calipash’s cousin Mr. Villein—as well as an account of the curious circumstances surrounding the birth of the future Lord Calipash and his twin sister
In the county of Devonshire, in the parish of Ivybridge, stood the ancestral home of the Lords Calipash. Calipash Manor was large, built sturdily of the local limestone, and had stood for many years without fire or other catastrophe marring its expanse. No one could impugn the size and antiquity of the house, yet often one or another of those among Lord Calipash’s acquaintance might be heard to comment that the Manor had a rather rambling, hodgepodge look to it, and this could not be easily refuted without the peril of speaking a falsehood. The reason for this was that the Lords Calipash had always been the very essence of English patriotism, and rather than ever tearing down any part of the house and building anew, each Lord Calipash had chosen to make additions and improvements to older structures. Thus, though the prospect was somewhat sprawling, it served as a pleasant enough reminder of the various styles of Devonian architecture, and became something of a local attraction.
St. John Fitzroy, Lord Calipash, was a handsome man, tall, fair-haired, and blue-eyed. He had been bred up as any gentleman of rank and fortune might be, and therefore the manner of his death was more singular than any aspect of his life. Now, given that this is, indeed, an Infernal History, the sad circumstances surrounding this good man’s unexpected and early demise demand attention by the author, and they are inextricably linked with the Lord Calipash’s cousin, a young scholar called Mr. Villein, who will figure more prominently in this narrative than his nobler relation.
Mr. Villein came to stay at Calipash Manor during the Seven Years’ War, in order to prevent his being conscripted into the French army. Though indifference had previously characterized the relationship between Lord Calipash and Mr. Villein (Mr. Villein belonging to a significantly lower branch of the family tree), when Mr. Villein wrote to Lord Calipash to beg sanctuary, the good Lord would not deny his own flesh and blood. This was not to say, however, that Lord Calipash was above subtly encouraging his own flesh and blood to make his stay a short one, and to that end, he gave Mr. Villein the tower bedroom that had been built by one of the more eccentric Lords some generations prior to our tale, who so enjoyed pretending to be the Lady Jane Grey that he had the edifice constructed so his wife could dress up as member of the Privy Council and keep him locked up there for as long as nine days at a stretch. But that was not the reason Lord Calipash bade his cousin reside there—the tower was a drafty place, and given to damp, and thus seemed certain of securing Mr. Villein’s speedy departure. As it turns out, however, the two men were so unlike one another, that what Lord Calipash thought was an insulting situation, Mr. Villein found entirely salubrious, and so, happily, out of a case of simple misunderstanding grew an affection, founded on deepest admiration for Mr. Villein’s part, and for Lord Calipash’s, enjoyment of toadying.
All the long years of the international conflict Mr. Villein remained at Calipash Manor, and with the passing of each and every day he came more into the confidence of Lord Calipash, until it was not an uncommon occurrence to hear members of Lord Calip
ash’s circle using words like inseparable to describe their relationship. Then, only six months before the signing of the Treaty of Paris, the possibility of continued fellowship between Lord Calipash and Mr. Villein was quite suddenly extinguished. A Mr. Fellingworth moved into the neighborhood with his family, among them his daughter of fifteen years, Miss Alys Fellingworth. Dark of hair and eye but pale of cheek, her beauty did not go long unnoticed by the local swains. She had many suitors and many offers, but from among a nosegay of sparks she chose as her favorite blossom the Lord Calipash.
Mr. Villein had also been among Miss Fellingworth’s admirers, and her decision wounded him—not so much that he refused to come to the wedding (he was very fond of cake), but certainly enough that all the love Mr. Villein had felt for Lord Calipash was instantly converted, as if by alchemy, to pure hatred. In his dolor, Mr. Villein managed to convince himself that Miss Fellingworth’s father had pressured her to accept Lord Calipash’s offer for the sake of his rank and income, against her true inclinations; that had she been allowed to pick her heart’s choice, she certainly would have accepted Mr. Villein’s suit rather than his cousin’s. Such notions occupied Mr. Villein’s thoughts whenever he saw the happy couple together, and every day his mind became more and more inhospitable to any pleasure he might have otherwise felt on account of his friend’s newfound felicity.
A reader of this history might well wonder why Mr. Villein did not quit Calipash Manor, given that his situation, previously so agreeable, he now found intolerable. Mr. Villein was, however, loath to leave England. He had received a letter from his sister informing him that during his absence, his modest home had been commandeered by the army, and thus his furniture was in want of replacing, his lands trampled without hope of harvest, his stores pilfered, and, perhaps worst of all, his wretched sister was with child by an Austrian soldier who had, it seemed, lied about his interest in playing the rôle of father beyond the few minutes required to grant him that status. It seemed prudent to Mr. Villein to keep apart from such appalling circumstances for as long as possible.
Then one evening, from the window of his tower bedroom, Mr. Villein saw Lord Calipash partaking of certain marital pleasures with the new Lady Calipash against a tree in one of the gardens. Nauseated, Mr. Villein called for his servant and announced his determination to secretly leave Calipash Manor once and for all early the following morning. While the servant packed his bags and trunks, Mr. Villein penned a letter explaining his hasty departure to Lord Calipash, and left it, along with a token of remembrance, in Lord Calipash’s study.
Quite early the next morning, just as he was securing his cravat, Mr. Villein was treated to the unexpected but tantalizing sight of Lady Calipash in deshabille. She was beside herself with grief, but eventually Mr. Villein, entirely sympathetic and eager to understand the source of her woe, coaxed the story from her fevered mind:
“I woke early, quite cold,” gibbered Lady Calipash. “Lord Calipash had never come to bed, though he promised me when I went up that he should follow me after settling a few accounts. When I discovered him absent I rose and sought him in his study only to find him—dead. Oh! It was too terrible! His eyes were open, wide and round and staring. At first I thought it looked very much like he had been badly frightened, but then I thought he had almost a look of… of ecstasy about him. I believe—”
Here the Lady Calipash faltered, and it took some minutes for Mr. Villein to get the rest of the story from her, for her agitated state required his fetching smelling salts from out of his valise. Eventually, she calmed enough to relate the following:
“I believe he might have done himself the injury that took him from me,” she sobbed. “His wrists were slit, and next to him lay his letter-opener. He… he had used his own blood to scrawl a message on the skirtingboards… oh Mr. Villein!”
“What did the message say?” asked Mr. Villein.
“It said, he is calling, he is calling, I hear him,” she said, and then she hesitated.
“What is it, Lady Calipash?” asked Mr. Villein.
“I cannot see its importance, but he had this in his other hand,” said she, and handed to Mr. Villein a small object wrapped in a handkerchief.
He took it from her, and saw that it was an odd bit of ivory, wrought to look like a lad’s head crowned with laurel. Mr. Villein put it in his pocket and smiled at the Lady Calipash.
“Likely it has nothing to do with your husband’s tragic end,” he said gently. “I purchased this whilst in Greece, and the late Lord Calipash had often admired it. I gave it to him as a parting gift, for I had meant to withdraw from Calipash Manor this very morning.”
“Oh, but you mustn’t,” begged Lady Calipash. “Not now, not after… Lord Calipash would wish you to be here. You mustn’t go just now, please! For my sake…”
Mr. Villein would have been happy to remain on those terms, had the Lady Calipash finished speaking, but alas, there was one piece of information she had yet to relate.
“…and for our child’s sake, as well,” she concluded.
While the Lord Calipash’s final message was being scrubbed from the skirtingboards, and his death was being declared an accident by the constable in order that the departed Lord might be buried in the churchyard, Mr. Villein violently interrogated Lady Calipash’s serving-maid. The story was true—the Lady was indeed expecting—and this intelligence displeased Mr. Villein so immensely that even as he made himself pleasant and helpful with the hope that he might eventually win the Lady Calipash’s affections, he sought to find a method of ridding her of her unborn child.
To Mr. Villein’s mind, Lady Calipash could not but fall in love with her loyal confidant—believing as he did that she had always secretly admired him—but Mr. Villein knew that should she bear the late Lord Calipash’s son, the estate would one day be entirely lost to him. Thus he dosed the Lady with recipes born of his own researches, for while Mr. Villein’s current profession was that of scholar, in his youth he had pursued lines of study related to all manner of black magics and sorceries. For many years he had put aside his wicked thaumaturgy, being too happy in the company of Lord Calipash to travel those paths that demand solitude and gloom and suffering, but, newly motivated, he returned to his former interests with a desperate passion.
Like the Wife of Bath, Mr. Villein knew all manner of remedies for love’s mischances, and he put wicked spells on the decoctions and tisanes that he prepared to help his cause. Yet despite Mr. Villein’s skill with infusion and incantation, Lady Calipash grew heavy with child; indeed, she had such a healthy maternal glow about her that the doctor exclaimed that for one so young to be brought to childbed, she was certain of a healthy accouchement. Mr. Villein, as canny an adept at lying as other arts, appeared to be thrilled by his Lady’s prospects, and was every day by her side. Though privately discouraged by her salutary condition, he was cheered by all manner of odd portents that he observed as her lying-in drew ever closer. First, a murder of large, evil-looking ravens took up residence upon the roof of Calipash Manor, cackling and cawing day and night, and then the ivy growing on Calipash Manor’s aged walls turned from green to scarlet, a circumstance no naturalist in the area could satisfactorily explain. Though the Lady Calipash’s delivery was expected in midwinter, a she-goat was found to be unexpectedly in the same delicate condition as her mistress, and gave birth to a two-headed kid that was promptly beaten to death and buried far from the Manor.
Not long after that unhappy parturition, which had disturbed the residents of Calipash Manor so greatly that the news was kept from Lady Calipash for fear of doing her or her unborn child a mischief, the Lady began to feel the pangs of her own travail. At the very stroke of midnight, on the night of the dark of the moon, during a lighting storm that was as out of season as the she-goat’s unusual kid, the Lady Calipash was happy to give birth to a healthy baby boy, the future Lord Calipash, and as surprised as the midwife when a second child followed, an equally plump and squalling girl. They were s
o alike that Lady Calipash named them Basil and Rosemary, and then promptly gave them over to the wet-nurse to be washed and fed.
The wet-nurse was a stout woman from the village, good-natured and well-intentioned, but a sounder sleeper than was wanted in that house. Though an infant’s wail would rouse her in an instant, footfalls masked by thunder were too subtle for her country-bred ear, and thus she did not observe the solitary figure that stole silently into the nursery in the wee hours of that morning. For only a few moments did the individual linger, knowing well how restive infants can be in their first hours of life. By the eldritch glow of a lightning strike, Mr. Villein uncorked a phial containing the blood of the two-headed kid now buried, and he smeared upon both of those rosy foreheads an unholy mark, which, before the next burst of thunder, sank without a trace into their soft and delicate skin.
II.
A brief account of the infancy, childhood, education, and adolescence of Basil Vincent, the future Lord Calipash, and his sister Rosemary—as well as a discussion of the effect that reputation has on the prospect of obtaining satisfactory friends and lovers
While the author cannot offer an opinion as to whether any person deserves to suffer during his or her lifetime, the author will say with utter certainty that Lady Calipash endured more on account of her Twins than any good woman should expect when she finds herself in the happy condition of mother. Their easy birth and her quick recovery were the end of Lady Calipash’s maternal bliss, for not long after she could sit up and cradle her infant son in her arms, she was informed that a new wet-nurse must be hired, as the old had quit the morning after the birth.
Lady Calipash was never told of the reason for the nurse’s hasty departure, only that for a few days her newborns had been nourished with goat’s milk, there being no suitable women in the neighborhood to feed the hungry young lord and his equally rapacious sister. The truth of the matter was that little Rosemary had bitten off the wet-nurse’s nipple not an hour after witnessing her first sunrise. When the poor woman ran out of the nursery, clutching her bloody breast and screaming, the rest of the servants did not much credit her account of the injury; when it was discovered that the newborn was possessed of a set of thin, needle-sharp teeth behind her innocent mouth, they would have drowned the girl in the well if not for Mr. Villein, who scolded them for peasant superstition and told them to feed the babes on the milk of the nanny goat who had borne the two-headed kid until such a time when a new wet-nurse could be hired. That the wet-nurse’s nipple was never found became a source of ominous legend in the household, theories swapped from servant to servant, until Mr. Villein heard two chambermaids chattering and beat them both dreadfully in order that they might serve as an example of the consequences of idle gossip.
