“I began thinking — and it seemed to me that you ought to think a little more about the after-life. You ought to be — steadier” — he paused and seemed to grope about for the right word — “more industrious — why — “
Then his expression altered, his entire personality seemed to snap together like a trap, and when he continued the softness had gone from his voice.
“ — Why, when I was just two years older than you,” he rasped with a cunning chuckle, “I sent three members of the firm of Wrenn and Hunt to the poorhouse.”
Anthony started with embarrassment.
“Well, good-by,” added his grandfather suddenly, “you’ll miss your train.”
Anthony left the house unusually elated, and strangely sorry for the old man; not because his wealth could buy him “neither youth nor digestion” but because he had asked Anthony to be married there, and because he had forgotten something about his son’s wedding that he should have remembered.
Richard Caramel, who was one of the ushers, caused Anthony and Gloria much distress in the last few weeks by continually stealing the rays of their spot-light. “The Demon Lover” had been published in April, and it interrupted the love affair as it may be said to have interrupted everything its author came in contact with. It was a highly original, rather overwritten piece of sustained description concerned with a Don Juan of the New York slums. As Maury and Anthony had said before, as the more hospitable critics were saying then, there was no writer in America with such power to describe the atavistic and unsubtle reactions of that section of society.
The book hesitated and then suddenly “went.” Editions, small at first, then larger, crowded each other week by week. A spokesman of the Salvation Army denounced it as a cynical misrepresentation of all the uplift taking place in the underworld. Clever press-agenting spread the unfounded rumor that “Gypsy” Smith was beginning a libel suit because one of the principal characters was a burlesque of himself. It was barred from the public library of Burlington, Iowa, and a Mid-Western columnist announced by innuendo that Richard Caramel was in a sanitarium with delirium tremens.
The author, indeed, spent his days in a state of pleasant madness. The book was in his conversation three-fourths of the time — he wanted to know if one had heard “the latest”; he would go into a store and in a loud voice order books to be charged to him, in order to catch a chance morsel of recognition from clerk or customer. He knew to a town in what sections of the country it was selling best; he knew exactly what he cleared on each edition, and when he met any one who had not read it, or, as it happened only too often, had not heard of it, he succumbed to moody depression.
So it was natural for Anthony and Gloria to decide, in their jealousy, that he was so swollen with conceit as to be a bore. To Dick’s great annoyance Gloria publicly boasted that she had never read “The Demon Lover,” and didn’t intend to until every one stopped talking about it. As a matter of fact, she had no time to read now, for the presents were pouring in — first a scattering, then an avalanche, varying from the bric-à-brac of forgotten family friends to the photographs of forgotten poor relations.
Maury gave them an elaborate “drinking set,” which included silver goblets, cocktail shaker, and bottle-openers. The extortion from Dick was more conventional — a tea set from Tiffany’s. From Joseph Bloeckman came a simple and exquisite travelling clock, with his card. There was even a cigarette-holder from Bounds; this touched Anthony and made him want to weep — indeed, any emotion short of hysteria seemed natural in the half-dozen people who were swept up by this tremendous sacrifice to convention. The room set aside in the Plaza bulged with offerings sent by Harvard friends and by associates of his grandfather, with remembrances of Gloria’s Farmover days, and with rather pathetic trophies from her former beaux, which last arrived with esoteric, melancholy messages, written on cards tucked carefully inside, beginning “I little thought when — “ or “I’m sure I wish you all the happiness — “ or even “When you get this I shall be on my way to — “
The most munificent gift was simultaneously the most disappointing. It was a concession of Adam Patch’s — a check for five thousand dollars.
To most of the presents Anthony was cold. It seemed to him that they would necessitate keeping a chart of the marital status of all their acquaintances during the next half-century. But Gloria exulted in each one, tearing at the tissue-paper and excelsior with the rapaciousness of a dog digging for a bone, breathlessly seizing a ribbon or an edge of metal and finally bringing to light the whole article and holding it up critically, no emotion except rapt interest in her unsmiling face.
“Look, Anthony!”
“Darn nice, isn’t it!”
No answer until an hour later when she would give him a careful account of her precise reaction to the gift, whether it would have been improved by being smaller or larger, whether she was surprised at getting it, and, if so, just how much surprised.
Mrs. Gilbert arranged and rearranged a hypothetical house, distributing the gifts among the different rooms, tabulating articles as “second-best clock” or “silver to use every day,” and embarrassing Anthony and Gloria by semi-facetious references to a room she called the nursery. She was pleased by old Adam’s gift and thereafter had it that he was a very ancient soul, “as much as anything else.” As Adam Patch never quite decided whether she referred to the advancing senility of his mind or to some private and psychic schema of her own, it cannot be said to have pleased him. Indeed he always spoke of her to Anthony as “that old woman, the mother,” as though she were a character in a comedy he had seen staged many times before. Concerning Gloria he was unable to make up his mind. She attracted him but, as she herself told Anthony, he had decided that she was frivolous and was afraid to approve of her.
Five days! — A dancing platform was being erected on the lawn at Tarrytown. Four days! — A special train was chartered to convey the guests to and from New York. Three days! — —
THE DIARY
She was dressed in blue silk pajamas and standing by her bed with her hand on the light to put the room in darkness, when she changed her mind and opening a table drawer brought out a little black book — a “Line-a-day” diary. This she had kept for seven years. Many of the pencil entries were almost illegible and there were notes and references to nights and afternoons long since forgotten, for it was not an intimate diary, even though it began with the immemorial “I am going to keep a diary for my children.” Yet as she thumbed over the pages the eyes of many men seemed to look out at her from their half-obliterated names. With one she had gone to New Haven for the first time — in 1908, when she was sixteen and padded shoulders were fashionable at Yale — she had been flattered because “Touch down” Michaud had “rushed” her all evening. She sighed, remembering the grown-up satin dress she had been so proud of and the orchestra playing “Yama-yama, My Yama Man” and “Jungle-Town.” So long ago! — the names: Eltynge Reardon, Jim Parsons, “Curly” McGregor, Kenneth Cowan, “Fish-eye” Fry (whom she had liked for being so ugly), Carter Kirby — he had sent her a present; so had Tudor Baird; — Marty Reffer, the first man she had been in love with for more than a day, and Stuart Holcome, who had run away with her in his automobile and tried to make her marry him by force. And Larry Fenwick, whom she had always admired because he had told her one night that if she wouldn’t kiss him she could get out of his car and walk home. What a list!
… And, after all, an obsolete list. She was in love now, set for the eternal romance that was to be the synthesis of all romance, yet sad for these men and these moonlights and for the “thrills” she had had — and the kisses. The past — her past, oh, what a joy! She had been exuberantly happy.
Turning over the pages her eyes rested idly on the scattered entries of the past four months. She read the last few carefully.
“April 1st. — I know Bill Carstairs hates me because I was so disagreeable, but I hate to be sentimentalized over sometimes. We drove out to the
Rockyear Country Club and the most wonderful moon kept shining through the trees. My silver dress is getting tarnished. Funny how one forgets the other nights at Rockyear — with Kenneth Cowan when I loved him so!
“April 3rd. — After two hours of Schroeder who, they inform me, has millions, I’ve decided that this matter of sticking to things wears one out, particularly when the things concerned are men. There’s nothing so often overdone and from to-day I swear to be amused. We talked about ‘love’ — how banal! With how many men have I talked about love?
“April 11th. — Patch actually called up to-day! and when he forswore me about a month ago he fairly raged out the door. I’m gradually losing faith in any man being susceptible to fatal injuries.
“April 20th. — Spent the day with Anthony. Maybe I’ll marry him some time. I kind of like his ideas — he stimulates all the originality in me. Blockhead came around about ten in his new car and took me out Riverside Drive. I liked him to-night: he’s so considerate. He knew I didn’t want to talk so he was quiet all during the ride.
“April 21st. — Woke up thinking of Anthony and sure enough he called and sounded sweet on the phone — so I broke a date for him. To-day I feel I’d break anything for him, including the ten commandments and my neck. He’s coming at eight and I shall wear pink and look very fresh and starched — — “
She paused here, remembering that after he had gone that night she had undressed with the shivering April air streaming in the windows. Yet it seemed she had not felt the cold, warmed by the profound banalities burning in her heart.
The next entry occurred a few days later:
“April 24th. — I want to marry Anthony, because husbands are so often ‘husbands’ and I must marry a lover.
“There are four general types of husbands.
“(1) The husband who always wants to stay in in the evening, has no vices and works for a salary. Totally undesirable!
“(2) The atavistic master whose mistress one is, to wait on his pleasure. This sort always considers every pretty woman ‘shallow,’ a sort of peacock with arrested development.
“(3) Next comes the worshipper, the idolater of his wife and all that is his, to the utter oblivion of everything else. This sort demands an emotional actress for a wife. God! it must be an exertion to be thought righteous.
“(4) And Anthony — a temporarily passionate lover with wisdom enough to realize when it has flown and that it must fly. And I want to get married to Anthony.
“What grubworms women are to crawl on their bellies through colorless marriages! Marriage was created not to be a background but to need one. Mine is going to be outstanding. It can’t, shan’t be the setting — it’s going to be the performance, the live, lovely, glamourous performance, and the world shall be the scenery. I refuse to dedicate my life to posterity. Surely one owes as much to the current generation as to one’s unwanted children. What a fate — to grow rotund and unseemly, to lose my self-love, to think in terms of milk, oatmeal, nurse, diapers…. Dear dream children, how much more beautiful you are, dazzling little creatures who flutter (all dream children must flutter) on golden, golden wings — —
“Such children, however, poor dear babies, have little in common with the wedded state.
“June 7th. — Moral question: Was it wrong to make Bloeckman love me? Because I did really make him. He was almost sweetly sad to-night. How opportune it was that my throat is swollen plunk together and tears were easy to muster. But he’s just the past — buried already in my plentiful lavender.
“June 8th. — And to-day I’ve promised not to chew my mouth. Well, I won’t, I suppose — but if he’d only asked me not to eat!
“Blowing bubbles — that’s what we’re doing, Anthony and me. And we blew such beautiful ones to-day, and they’ll explode and then we’ll blow more and more, I guess — bubbles just as big and just as beautiful, until all the soap and water is used up.”
On this note the diary ended. Her eyes wandered up the page, over the June 8th’s of 1912, 1910, 1907. The earliest entry was scrawled in the plump, bulbous hand of a sixteen-year-old girl — it was the name, Bob Lamar, and a word she could not decipher. Then she knew what it was — and, knowing, she found her eyes misty with tears. There in a graying blur was the record of her first kiss, faded as its intimate afternoon, on a rainy veranda seven years before. She seemed to remember something one of them had said that day and yet she could not remember. Her tears came faster, until she could scarcely see the page. She was crying, she told herself, because she could remember only the rain and the wet flowers in the yard and the smell of the damp grass.
… After a moment she found a pencil and holding it unsteadily drew three parallel lines beneath the last entry. Then she printed FINIS in large capitals, put the book back in the drawer, and crept into bed.
BREATH OF THE CAVE
Back in his apartment after the bridal dinner, Anthony snapped out his lights and, feeling impersonal and fragile as a piece of china waiting on a serving table, got into bed. It was a warm night — a sheet was enough for comfort — and through his wide-open windows came sound, evanescent and summery, alive with remote anticipation. He was thinking that the young years behind him, hollow and colorful, had been lived in facile and vacillating cynicism upon the recorded emotions of men long dust. And there was something beyond that; he knew now. There was the union of his soul with Gloria’s, whose radiant fire and freshness was the living material of which the dead beauty of books was made.
From the night into his high-walled room there came, persistently, that evanescent and dissolving sound — something the city was tossing up and calling back again, like a child playing with a ball. In Harlem, the Bronx, Gramercy Park, and along the water-fronts, in little parlors or on pebble-strewn, moon-flooded roofs, a thousand lovers were making this sound, crying little fragments of it into the air. All the city was playing with this sound out there in the blue summer dark, throwing it up and calling it back, promising that, in a little while, life would be beautiful as a story, promising happiness — and by that promise giving it. It gave love hope in its own survival. It could do no more.
It was then that a new note separated itself jarringly from the soft crying of the night. It was a noise from an areaway within a hundred feet from his rear window, the noise of a woman’s laughter. It began low, incessant and whining — some servant-maid with her fellow, he thought — and then it grew in volume and became hysterical, until it reminded him of a girl he had seen overcome with nervous laughter at a vaudeville performance. Then it sank, receded, only to rise again and include words — a coarse joke, some bit of obscure horseplay he could not distinguish. It would break off for a moment and he would just catch the low rumble of a man’s voice, then begin again — interminably; at first annoying, then strangely terrible. He shivered, and getting up out of bed went to the window. It had reached a high point, tensed and stifled, almost the quality of a scream — then it ceased and left behind it a silence empty and menacing as the greater silence overhead. Anthony stood by the window a moment longer before he returned to his bed. He found himself upset and shaken. Try as he might to strangle his reaction, some animal quality in that unrestrained laughter had grasped at his imagination, and for the first time in four months aroused his old aversion and horror toward all the business of life. The room had grown smothery. He wanted to be out in some cool and bitter breeze, miles above the cities, and to live serene and detached back in the corners of his mind. Life was that sound out there, that ghastly reiterated female sound.
“Oh, my God!” he cried, drawing in his breath sharply.
Burying his face in the pillows he tried in vain to concentrate upon the details of the next day.
MORNING
In the gray light he found that it was only five o’clock. He regretted nervously that he had awakened so early — he would appear fagged at the wedding. He envied Gloria who could hide her fatigue with careful pigmentation.
In his bathr
oom he contemplated himself in the mirror and saw that he was unusually white — half a dozen small imperfections stood out against the morning pallor of his complexion, and overnight he had grown the faint stubble of a beard — the general effect, he fancied, was unprepossessing, haggard, half unwell.
On his dressing table were spread a number of articles which he told over carefully with suddenly fumbling fingers — their tickets to California, the book of traveller’s checks, his watch, set to the half minute, the key to his apartment, which he must not forget to give to Maury, and, most important of all, the ring. It was of platinum set around with small emeralds; Gloria had insisted on this; she had always wanted an emerald wedding ring, she said.
It was the third present he had given her; first had come the engagement ring, and then a little gold cigarette-case. He would be giving her many things now — clothes and jewels and friends and excitement. It seemed absurd that from now on he would pay for all her meals. It was going to cost: he wondered if he had not underestimated for this trip, and if he had not better cash a larger check. The question worried him.
Then the breathless impendency of the event swept his mind clear of details. This was the day — unsought, unsuspected six months before, but now breaking in yellow light through his east window, dancing along the carpet as though the sun were smiling at some ancient and reiterated gag of his own.
Anthony laughed in a nervous one-syllable snort.
“By God!” he muttered to himself, “I’m as good as married!”
THE USHERS
Six young men in CROSS PATCH’S library growing more and more cheery under the influence of Mumm’s Extra Dry, set surreptitiously in cold pails by the bookcases.
Complete Works of F. Scott Fitzgerald UK (Illustrated) Page 40
