Pastwatch: The Redemption Of Christopher Columbus

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Pastwatch: The Redemption Of Christopher Columbus Page 7

by Orson Scott Card


  At once Father took his heavy staff from its place by the fire and ran into the street. Mother got to the front of the house too late to stop him. Screaming and crying, she gathered the children and the apprentices into the back of the house while the journeymen stood guard at the front door. There in the gathering darkness they heard the tumult and shouting, and then Pietro's screaming. For he had not been killed outright, and now in his agony he howled for help in the night.

  "Fool," whispered Mother. "If he keeps screeching like that, he'll tell all the Adornos that they didn't kill him and they'll come back and finish him off."

  "Will they kill Father?" asked Cristoforo.

  The younger children began to cry.

  "No," said Mother, but Cristoforo could tell that she was not sure.

  Perhaps she could sense his skepticism. "All fools," she said. "All men are fools. Fighting over who gets to rule Genova -- what does that matter? The Turk is in Constantinople! The heathens have the Holy Sepulchre in Jerusalem! The name of Christ is no longer spoken in Egypt, and these little boys are squabbling over who gets to sit on a fancy chair and call himself the Doge of Genova? What is the honor of Pietro Fregoso compared to the honor of Jesus Christ? What is it to possess the palace of the Doge when the land where the Blessed Virgin walked in her garden, where the angel came to her, is in the hands of circumcised dogs? If they want to kill somebody, let them liberate Jerusalem! Let them free Constantinople! Let them shed blood to redeem the honor of the Son of God!"

  "That's what I will fight for," said Cristoforo.

  "Don't fight!" said one of his sisters. "They'd kill you."

  "I'd kill them first."

  "You're very small, Cristoforo," his sister said.

  "I won't always be small."

  "Hush," said Mother. "This is all nonsense. The son of a weaver doesn't go on Crusade."

  "Why not?" said Cristoforo. "Would Christ refuse my sword?"

  "What sword?" said Mother scornfully.

  "I'll have a sword one day," said Cristoforo. "I'll be a gentleman!"

  "How, when you have no gold?"

  "I'll get gold!"

  "In Genova? As a weaver? As long as you live, you'll be the son of Domenico Colombo. No one will give you gold, and no one will call you a gentleman. Now be silent, or I'll pinch your arm."

  It was a worthy threat, and all the children knew well enough to obey when Mother uttered it.

  A couple of hours later, Father came home. The journeymen almost didn't let him in, just from his knocking. Not until he cried out in anguish "My lord is dead! Let me in!" did they unbar the door.

  He staggered inside just as the children raced after Mother into the front room. Father was covered with blood, and Mother screamed and embraced him and then searched him for wounds.

  "It's not my blood," he said in anguish. "It's the blood of my Doge! Pietro Fregoso is dead! The cowards set on him and pulled him from his horse and struck him in the head with a mace!"

  "Why are you covered with his blood, Nico!"

  "I carried him to the doors of the palace of the Doge. I carried him to the place where he ought to be!"

  "Why would you do that, you fool!"

  "Because he told me to! I came to him and he was crying out and covered with blood and I said, 'Let me take you to your physicians, let me take you to your house, let me find the ones who did this and kill them for you,' and he said to me, 'Domenico, take me to the palace! That's where the Doge should die -- in the palace, like my father!' So I carried him there, in my own arms, and I didn't care if the Adornos saw us! I carried him there and he was in my arms when he died! I was his true friend!"

  "If they saw you with him, they'll find you and kill you!"

  "What does it matter?" said Father. "The Doge is dead!"

  "It matters to me," said Mother. "Get those clothes off." She turned to the journeymen and began giving orders. "You -- get the children to the back of the house. You -- have the apprentices draw water and heat it for a bath. You -- when I get these clothes off him, burn them."

  The other children obeyed the journeyman and fled to the back of the house, but Cristoforo did not. He watched as his mother undressed his father, covering him with kisses and curses the whole time. Even after she led him into the courtyard for his bath, even as the stench of the burning bloody clothing came into the house, Cristoforo stayed there in the front room. He was on watch, guarding the door.

  Or so the old accounts of that night all said. Columbus was on watch, to keep his family safe. But Diko knew that this was not all that was going through Cristoforo's mind. No, he was making his decision. He was setting before himself the terms of his future greatness. He would be a gentleman. Kings and queens would treat him with respect. He would have gold. He would conquer kingdoms in the name of Christ.

  He must have known even then that to accomplish all of this, he would have to leave Genova. As his mother had said: As long as he lived in this city, he would be the son of Domenico the weaver. From the next morning he bent his life toward achieving his new goals. He began to study -- languages, history -- with such vigor that the monks who were teaching him commented on it. "He has caught the spirit of scholarship," they said, but Diko knew that it wasn't learning for its own sake. He had to know languages to travel abroad in the world. He had to know history to know what was in the world when he ventured into it.

  And he had to know how to sail. Every chance he got, Cristoforo was down at the docks, listening to the sailors, questioning them, learning what all the crewmen did. Later he focused on the navigators, plying them with wine when he could afford it, simply demanding answers when he could not. Eventually it would get him aboard a ship, and then another; he turned down no chance to sail, and did any work that was asked of him, so that he would know all that a weaver's son could hope to learn about the sea.

  Diko made her report on Cristoforo Colombo, on the moment when he made his decision. As always, her father praised it, criticizing only minor points. But she knew by now that his praise could conceal serious criticism. When she challenged him, he wouldn't tell her what his criticism was. "I say that this report is a good one," he told her. "Now leave me alone."

  "There's something wrong with it," Diko said, "and you're not telling me."

  "It's a well-written report. It has nothing wrong except the points I told you."

  "Then you disagree with my conclusion. You don't think this was what made Cristoforo decide to be great."

  "Decide to be great?" asked Father. "Yes, I think this is ahnost certainly the point in his life where he made that decision."

  "Then what's wrong with it!" she shouted.

  "Nothing!" he shouted back.

  "I'm not a child!"

  He looked at her in consternation. "You aren't?"

  "You're humoring me and I'm tired of it!"

  "All right," he said. "Your report is excellent and observant. He certainly decided on the night you pinpointed, and for the reasons that you laid out, that he would pursue gold and greatness and the glory of God. All that is very good. But there is not one breath of a hint in anything you reported on that would tell us why and how he decided that he would achieve those goals by sailing west into the Atlantic."

  It struck as brutally as the slap that Cristoforo's mother had given him, and it brought the same tears to her eyes, even though there was no physical blow involved.

  "I'm sorry," said Father. "You said you were not a child."

  "I'm not," she said. "And you're wrong."

  "I am?"

  "My project is to find when the decision for greatness was made, and that's what I found. It's your project and Mother's project to figure out when Columbus decided to go west."

  Father looked at her in surprise. "Well, yes, I suppose so. It's certainly something we need to know."

  "So there's nothing wrong with my report for my project, just because it doesn't happen to answer the question that's bothering you in yours."

  "Yo
u're right," said Father.

  "I know!"

  "Well, now I know, too. I withdraw the criticism. Your report is complete and acceptable and I accept it. Congratulations.

  But she didn't go away.

  "Diko, I'm working," he said.

  "I'll find it for you," she said.

  "Find what?"

  "Whatever it was that caused Cristoforo to sail west."

  "Finish your own project, Diko," said Father.

  "You don't think I can, do you?"

  "I've been over the recordings of Columbus's life, and so has your mother, and so have countless other scholars and scientists. You think you'll find what none of them ever found?"

  "Yes," said Diko.

  "Well," said Father. "I think we've just isolated your decision for greatness."

  He smiled at her, a crooked little smile. She assumed that he was teasing her. But she didn't care. He might think he was joking, but she would make his joke turn real. Had he and Mother and countless others pored over all the old Tempoview recordings of Columbus's life? Very well, then, Diko would stop looking at recordings at all. She would go and look directly at his life, and not with the Tempoview, either. The TruSite II would be her tool. She didn't ask for permission, and she didn't ask for help. She simply took over a machine that wasn't used at night, and adjusted the schedule of her life to fit the hours when the machine was hers to use. Some wondered whether she really ought to be using the most up-to-date machines -- after all, she wasn't actually a member of Pastwatch. Her training was at best informal. She was merely the child of watchers, and yet she was using a machine that one normally got access to after years of study.

  Those who had those doubts, however, seeing the set of her face, seeing how hard she worked and how quickly she learned to use the machine, soon lost any desire to question her right to do it. It occurred to some of them that this was the human way, after all. You went to school to learn to do a trade that was different from your parents' work. But if you were going into the family business, you learned it from childhood up. Diko was as much a watcher as anyone else, and by all indications a good one. And those who had at first thought of questioning her or even stopping her instead notified the authorities that here was a novice worth observing. A recording was started, watching all that Diko did. And soon she had a silver tag on her file: Let this one go where she wants.

  Chapter 4 -- Kemal

  The Santa Maria sank on a reef on the north shore of Hispaniola, due to Columbus's foolhardiness in sailing at night and the inattention of the pilot. But the Nina and the Pinta did not sink; they sailed home to report to Europe on the vast lands awaiting them to the west, triggering a westward flood of immigrants, conquerors, and explorers that wouldn't stop for five hundred years. If Columbus was to be stopped, the Nina and the Pinta could not return to Spain.

  The man who sank them was Kemal Akyazi, and the path that brought him to Tagiri's project to change history was a long and strange one.

  Kemal Akyazi grew up within a few miles of the ruins of Troy; from his boyhood home above Kumkale he could see the waters of the Dardanelles, the narrow strait that connects the waters of the Black Sea with the Aegean. Many a war had been fought on both sides of that strait, one of which had produced the great epic of Homer's Iliad.

  This pressure of history had a strange influence on Kemal as a child. He learned all the tales of the place, of course, but he also knew that the tales were Greek, and the place was of the Greek Aegean world. Kemal was a Turk; his own ancestors had not come to the Dardanelles until the fifteenth century. He felt that it was a powerful place, but it did not belong to him. So the Iliad was not the story that spoke to Kemal's soul. Rather it was the story of Heinrich Schliemann, the German explorer who, in an era when Troy had been regarded as a mere legend, a myth, a fiction, had been sure not only that Troy was real but also that he could find it. Despite all scoffers, he mounted an expedition and located it and unburied it. The old stories turned out to be true.

  In his teens Kemal thought it was the greatest tragedy of his life that Pastwatch was using machines to look through the the millennia of human history. There would be no more Schliemanns, studying and pondering and guessing until they found some artifact, some ruin of a long-lost city, some remnant of a legend made true again. Thus Kemal had no interest in joining Pastwatch, though they tried to recruit him for it as he entered college. It was not history but exploration and discovery that he hungered for; what was the glory in finding the truth through a machine?

  So, after an abortive try at physics, he studied to become a meteorologist. At the age of eighteen, heavily immersed in the study of climate and weather, he touched again on the findings of Pastwatch. No longer did meteorologists have to depend on only a few centuries of weather measurements and fragmentary fossil evidence to determine long-range patterns. Now they had accurate accounts of storm patterns for millions of years. Indeed, in the earliest years of Pastwatch, the machinery of the TruSite I had been so coarse that individual humans could not be seen. It was like time-lapse photography in which people don't remain in place long enough to be on more than a single frame of the film, making them invisible. So in those days Pastwatch recorded the weather of the past, erosion patterns, volcanic eruptions, ice ages, climatic shifts.

  All that data was the bedrock on which modern weather prediction and control rested. Meteorologists could see developing patterns and, without disrupting the overall flow, could make tiny changes that prevented any one area from going completely rainless during a time of drought, or sunless during a wet growing season. They had taken the sharp edge off the relentless scythe of climate, and now the great project was to determine how they might make a more serious change, to bring a steady pattern of light rain to the desert regions of the world, to restore the prairies and savannas that had once been there. That was the work that Kemal wanted to be a part of.

  Yet he could not bring himself out from the shadow of Troy, the memory of Schliemann. Even as he studied the climatic shifts involved with the waxing and waning of the ice ages, his mind contained fleeting images of lost civilizations, legendary places that waited for a Schliemann to uncover them.

  His project for his degree in meteorology was part of the effort to determine how the Red Sea might be exploited to develop dependable rains for the Sudan and central Arabia; Kemal's immediate target was to study the difference between weather patterns during the last ice age, when the Red Sea had all but disappeared, and the present, with the Red Sea at its fullest. Back and forth he went through the coarse old Pastwatch recordings, gathering data on sea level and on precipitation at selected points inland. The old TruSite I had been imprecise at best, but good enough for counting rainstorms.

  Time after time Kemal would cycle through the up-and-down fluctuations of the Red Sea, watching as the average sea level actually rose toward the end of the Ice Age. He always stopped, of course, at the abrupt jump in sea level that marked the rejoining of the Red Sea and the Indian Ocean. After that, the Red Sea was useless for his purposes, since its sea level was tied to that of the great world ocean.

  The echo of Schliemann inside Kemal's mind made him think: What a flood that must have been.

  What a flood. The Ice Age had locked up so much water in glaciers and ice sheets that the sea level of the whole world fell. It eventually reached a low enough point that land bridges arose out of the sea. In the north Pacific, the Bering land bridge allowed the ancestors of the Indies to cross on foot into their great empty homeland. Britain and Flanders were joined. The Dardanelles were closed and the Black Sea became a salty lake. The Persian Gulf disappeared and became a great plain cut by the Euphrates. And the Bab al Mandab, the strait at the mouth of the Red Sea, became a land bridge.

  But a land bridge is also a dam. As the world climate warmed and the glaciers began to release their pent-up water, the rains fell heavily everywhere; rivers swelled and the seas rose. The great south-flowing rivers of Europe, which had been
mostly dry during the peak of glaciation, now were massive torrents. The Rhone, the Po, the Strimon, the Danube poured so much water into the Mediterranean and the Black Sea that their water level rose at about the same rate as that of the great world ocean.

  The Red Sea had no great rivers, however. It was, in geological terms, a new sea, formed by rifting between the new Arabian plate and the ancient African, which meant it had uplift ridges on both coasts. Many rivers and streams flowed from those ridges down into the Red Sea, but none of them carried much water compared to the rivers that drained vast basins and carried the melt-off of the glaciers of the north. So, while the Red Sea gradually rose during this time, it lagged far, far behind the great world ocean. Its water level responded to the immediate local weather pattems rather than to worldwide weather. Until one day the Indian Ocean rose so high that tides began to spill over the Bab al Mandab. The water cut new channels in the grassland there. Over a period of several years, the leakage grew, creating a series of large new tidal lakes on the Hanish Plain. And then one day, some fourteen thousand years ago, the flow cut a channel so deep that it didn't dry up at low tide. The water kept running through it, cutting the channel deeper and deeper, until those tidal lakes were fall, and brimmed over. With the weight of the Indian Ocean behind it the water gashed into the basin of the Red Sea in a vast flood that in a few hours brought the Red Sea up to the level of the world ocean.

 

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