by Henry James
"I don't know." She had hesitated. "What would you?"
"Oh; I oh—that isn't the question. I depend upon you. I go on. You would have spoken to-morrow?"
"I think I would have waited."
"And for what?" he asked.
"To see what difference it would make for myself. My possession at last, I mean, of real knowledge."
"Oh!" said the Prince.
"My only point now, at any rate," she went on, "is the difference, as I say, that it may make for YOU. Your knowing was—from the moment you did come in—all I had in view." And she sounded it again—he should have it once more. "Your knowing that I've ceased—"
"That you've ceased—?" With her pause, in fact, she had fairly made him press her for it.
"Why, to be as I was. NOT to know."
It was once more then, after a little, that he had had to stand receptive; yet the singular effect of this was that there was still something of the same sort he was made to want. He had another hesitation, but at last this odd quantity showed. "Then does any one else know?"
It was as near as he could come to naming her father, and she kept him at that distance. "Any one—?"
"Any one, I mean, but Fanny Assingham."
"I should have supposed you had had by this time particular means of learning. I don't see," she said, "why you ask me."
Then, after an instant—and only after an instant, as she saw—he made out what she meant; and it gave her, all strangely enough, the still further light that Charlotte, for herself, knew as little as he had known. The vision loomed, in this light, it fairly glared, for the few seconds—the vision of the two others alone together at Fawns, and Charlotte, as one of them, having gropingly to go on, always not knowing and not knowing! The picture flushed at the same time with all its essential colour—that of the so possible identity of her father's motive and principle with her own. HE was "deep," as Amerigo called it, so that no vibration of the still air should reach his daughter; just as she had earned that description by making and by, for that matter, intending still to make, her care for his serenity, or at any rate for the firm outer shell of his dignity, all marvellous enamel, her paramount law. More strangely even than anything else, her husband seemed to speak now but to help her in this. "I know nothing but what you tell me."
"Then I've told you all I intended. Find out the rest—!"
"Find it out—?" He waited.
She stood before him a moment—it took that time to go on. Depth upon depth of her situation, as she met his face, surged and sank within her; but with the effect somehow, once more, that they rather lifted her than let her drop. She had her feet somewhere, through it all—it was her companion, absolutely, who was at sea. And she kept her feet; she pressed them to what was beneath her. She went over to the bell beside the chimney and gave a ring that he could but take as a summons for her maid. It stopped everything for the present; it was an intimation to him to go and dress. But she had to insist. "Find out for yourself!"
PART FIFTH
XXXV
After the little party was again constituted at Fawns—which had taken, for completeness, some ten days—Maggie naturally felt herself still more possessed, in spirit, of everything that had last happened in London. There was a phrase that came back to her from old American years: she was having, by that idiom, the time of her life—she knew it by the perpetual throb of this sense of possession, which was almost too violent either to recognise or to hide. It was as if she had come out—that was her most general consciousness; out of a dark tunnel, a dense wood, or even simply a smoky room, and had thereby, at least, for going on, the advantage of air in her lungs. It was as if she were somehow at last gathering in the fruits of patience; she had either been really more patient than she had known at the time, or had been so for longer: the change brought about by itself as great a difference of view as the shift of an inch in the position of a telescope. It was her telescope in fact that had gained in range—just as her danger lay in her exposing herself to the observation by the more charmed, and therefore the more reckless, use of this optical resource. Not under any provocation to produce it in public was her unremitted rule; but the difficulties of duplicity had not shrunk, while the need of it had doubled. Humbugging, which she had so practised with her father, had been a comparatively simple matter on the basis of mere doubt; but the ground to be covered was now greatly larger, and she felt not unlike some young woman of the theatre who, engaged for a minor part in the play and having mastered her cues with anxious effort, should find herself suddenly promoted to leading lady and expected to appear in every act of the five. She had made much to her husband, that last night, of her "knowing"; but it was exactly this quantity she now knew that, from the moment she could only dissimulate it, added to her responsibility and made of the latter all a mere question of having something precious and precarious in charge. There was no one to help her with it—not even Fanny Assingham now; this good friend's presence having become, inevitably, with that climax of their last interview in Portland Place, a severely simplified function. She had her use, oh yes, a thousand times; but it could only consist henceforth in her quite conspicuously touching at no point whatever—assuredly, at least with Maggie—the matter they had discussed. She was there, inordinately, as a value, but as a value only for the clear negation of everything. She was their general sign, precisely, of unimpaired beatitude—and she was to live up to that somewhat arduous character, poor thing, as she might. She might privately lapse from it, if she must, with Amerigo or with Charlotte—only not, of course, ever, so much as for the wink of an eye, with the master of the house. Such lapses would be her own affair, which Maggie at present could take no thought of. She treated her young friend meanwhile, it was to be said, to no betrayal of such wavering; so that from the moment of her alighting at the door with the Colonel everything went on between them at concert pitch. What had she done, that last evening in Maggie's room, but bring the husband and wife more together than, as would seem, they had ever been? Therefore what indiscretion should she not show by attempting to go behind the grand appearance of her success?—which would be to court a doubt of her beneficent work. She knew accordingly nothing but harmony and diffused, restlessly, nothing but peace—an extravagant, expressive, aggressive peace, not incongruous, after all, with the solid calm of the place; a kind of helmetted, trident-shaking pax Britannica.
The peace, it must be added, had become, as the days elapsed, a peace quite generally animated and peopled—thanks to that fact of the presence of "company" in which Maggie's ability to preserve an appearance had learned, from so far back, to find its best resource. It was not inconspicuous, it was in fact striking, that this resource, just now, seemed to meet in the highest degree every one's need: quite as if every one were, by the multiplication of human objects in the scene, by the creation, by the confusion, of fictive issues, hopeful of escaping somebody else's notice. It had reached the point, in truth, that the collective bosom might have been taken to heave with the knowledge of the descent upon adjacent shores, for a short period, of Mrs. Rance and the Lutches, still united, and still so divided, for conquest: the sense of the party showed at least, oddly enough, as favourable to the fancy of the quaint turn that some near "week-end" might derive from their reappearance. This measured for Maggie the ground they had all travelled together since that unforgotten afternoon of the none so distant year, that determinant September Sunday when, sitting with her father in the park, as in commemoration of the climax both of their old order and of their old danger, she had proposed to him that they should "call in" Charlotte,—call her in as a specialist might be summoned to an invalid's chair. Wasn't it a sign of something rather portentous, their being ready to be beholden, as for a diversion, to the once despised Kitty and Dotty? That had already had its application, in truth, to her invocation of the Castledeans and several other members, again, of the historic Matcham week, made before she left town, and made, always consistently, with an idea�
��since she was never henceforth to approach these people without an idea, and since that lurid element of their intercourse grew and grew for her with each occasion. The flame with which it burned afresh during these particular days, the way it held up the torch to anything, to everything, that MIGHT have occurred as the climax of revels springing from traditions so vivified—this by itself justified her private motive and reconsecrated her diplomacy. She had already produced by the aid of these people something of the effect she sought—that of being "good" for whatever her companions were good for, and of not asking either of them to give up anyone or anything for her sake. There was moreover, frankly, a sharpness of point in it that she enjoyed; it gave an accent to the truth she wished to illustrate—the truth that the surface of her recent life, thick-sown with the flower of earnest endeavour, with every form of the unruffled and the undoubting, suffered no symptom anywhere to peep out. It was as if, under her pressure, neither party could get rid of the complicity, as it might be figured, of the other; as if, in a word, she saw Amerigo and Charlotte committed, for fear of betrayals on their own side, to a kind of wan consistency on the subject of Lady Castledean's "set," and this latter group, by the same stroke, compelled to assist at attestations the extent and bearing of which they rather failed to grasp and which left them indeed, in spite of hereditary high spirits, a trifle bewildered and even a trifle scared.
They made, none the less, at Fawns, for number, for movement, for sound—they played their parts during a crisis that must have hovered for them, in the long passages of the old house, after the fashion of the established ghost, felt, through the dark hours as a constant possibility, rather than have menaced them in the form of a daylight bore, one of the perceived outsiders who are liable to be met in the drawing-room or to be sat next to at dinner. If the Princess, moreover, had failed of her occult use for so much of the machinery of diversion, she would still have had a sense not other than sympathetic for the advantage now extracted from it by Fanny Assingham's bruised philosophy. This good friend's relation to it was actually the revanche, she sufficiently indicated, of her obscured lustre at Matcham, where she had known her way about so much less than most of the others. She knew it at Fawns, through the pathless wild of the right tone, positively better than any one, Maggie could note for her; and her revenge had the magnanimity of a brave pointing out of it to every one else, a wonderful irresistible, conscious, almost compassionate patronage. Here was a house, she triumphantly caused it to be noted, in which she so bristled with values that some of them might serve, by her amused willingness to share, for such of the temporarily vague, among her fellow-guests, such of the dimly disconcerted, as had lost the key to their own. It may have been partly through the effect of this especial strain of community with her old friend that Maggie found herself, one evening, moved to take up again their dropped directness of reference. They had remained downstairs together late; the other women of the party had filed, singly or in couples, up the "grand" staircase on which, from the equally grand hall, these retreats and advances could always be pleasantly observed; the men had apparently taken their way to the smoking-room; while the Princess, in possession thus of a rare reach of view, had lingered as if to enjoy it. Then she saw that Mrs. Assingham was remaining a little—and as for the appreciation of her enjoyment; upon which they stood looking at each other across the cleared prospect until the elder woman, only vaguely expressive and tentative now, came nearer. It was like the act of asking if there were anything she could yet do, and that question was answered by her immediately feeling, on this closer view, as she had felt when presenting herself in Portland Place after Maggie's last sharp summons. Their understanding was taken up by these new snatched moments where that occasion had left it.
"He has never told her that I know. Of that I'm at last satisfied." And then as Mrs. Assingham opened wide eyes: "I've been in the dark since we came down, not understanding what he has been doing or intending—not making out what can have passed between them. But within a day or two I've begun to suspect, and this evening, for reasons—oh, too many to tell you!—I've been sure, since it explains. NOTHING has passed between them—that's what has happened. It explains," the Princess repeated with energy; "it explains, it explains!" She spoke in a manner that her auditor was afterwards to describe to the Colonel, oddly enough, as that of the quietest excitement; she had turned back to the chimney-place, where, in honour of a damp day and a chill night, the piled logs had turned to flame and sunk to embers; and the evident intensity of her vision for the fact she imparted made Fanny Assingham wait upon her words. It explained, this striking fact, more indeed than her companion, though conscious of fairly gaping with good-will, could swallow at once. The Princess, however, as for indulgence and confidence, quickly filled up the measure. "He hasn't let her know that I know—and, clearly, doesn't mean to. He has made up his mind; he'll say nothing about it. Therefore, as she's quite unable to arrive at the knowledge by herself, she has no idea how much I'm really in possession. She believes," said Maggie, "and, so far as her own conviction goes, she knows, that I'm not in possession of anything. And that, somehow, for my own help seems to me immense."
"Immense, my dear!" Mrs. Assingham applausively murmured, though not quite, even as yet, seeing all the way. "He's keeping quiet then on purpose?"
"On purpose." Maggie's lighted eyes, at least, looked further than they had ever looked. "He'll NEVER tell her now."
Fanny wondered; she cast about her; most of all she admired her little friend, in whom this announcement was evidently animated by an heroic lucidity. She stood there, in her full uniform, like some small erect commander of a siege, an anxious captain who has suddenly got news, replete with importance for him, of agitation, of division within the place. This importance breathed upon her comrade. "So you're all right?"
"Oh, ALL right's a good deal to say. But I seem at least to see, as I haven't before, where I am with it."
Fanny bountifully brooded; there was a point left vague. "And you have it from him?—your husband himself has told you?"
"'Told' me—?"
"Why, what you speak of. It isn't of an assurance received from him then that you do speak?"
At which Maggie had continued to stare. "Dear me, no. Do you suppose I've asked him for an assurance?"
"Ah, you haven't?" Her companion smiled. "That's what I supposed you MIGHT mean. Then, darling, what HAVE you—?"
"Asked him for? I've asked him for nothing."
But this, in turn, made Fanny stare. "Then nothing, that evening of the Embassy dinner, passed between you?"
"On the contrary, everything passed."
"Everything—?"
"Everything. I told him what I knew—and I told him how I knew it."
Mrs. Assingham waited. "And that was all?"
"Wasn't it quite enough?"
"Oh, love," she bridled, "that's for you to have judged!"
"Then I HAVE judged," said Maggie—"I did judge. I made sure he understood—then I let him alone."
Mrs. Assingham wondered. "But he didn't explain—?"
"Explain? Thank God, no!" Maggie threw back her head as with horror at the thought, then the next moment added: "And I didn't, either."
The decency of pride in it shed a cold little light—yet as from heights at the base of which her companion rather panted. "But if he neither denies nor confesses—?"
"He does what's a thousand times better—he lets it alone. He does," Maggie went on, "as he would do; as I see now that I was sure he would. He lets me alone."
Fanny Assingham turned it over. "Then how do you know so where, as you say, you 'are'?"
"Why, just BY that. I put him in possession of the difference; the difference made, about me, by the fact that I hadn't been, after all—though with a wonderful chance, I admitted, helping me—too stupid to have arrived at knowledge. He had to see that I'm changed for him—quite changed from the idea of me that he had so long been going on with. It became a question th
en of his really taking in the change—and what I now see is that he is doing so."
Fanny followed as she could. "Which he shows by letting you, as you say, alone?"
Maggie looked at her a minute. "And by letting her."
Mrs. Assingham did what she might to embrace it—checked a little, however, by a thought that was the nearest approach she could have, in this almost too large air, to an inspiration. "Ah, but does Charlotte let HIM?"
"Oh, that's another affair—with which I've practically nothing to do. I dare say, however, she doesn't." And the Princess had a more distant gaze for the image evoked by the question. "I don't in fact well see how she CAN. But the point for me is that he understands."
"Yes," Fanny Assingham cooed, "understands—?"
"Well, what I want. I want a happiness without a hole in it big enough for you to poke in your finger."
"A brilliant, perfect surface—to begin with at least. I see."
"The golden bowl—as it WAS to have been." And Maggie dwelt musingly on this obscured figure. "The bowl with all our happiness in it. The bowl without the crack."
For Mrs. Assingham too the image had its force, and the precious object shone before her again, reconstituted, plausible, presentable. But wasn't there still a piece missing? "Yet if he lets you alone and you only let him—?"
"Mayn't our doing so, you mean, be noticed?—mayn't it give us away? Well, we hope not—we try not—we take such care. We alone know what's between us—we and you; and haven't you precisely been struck, since you've been here," Maggie asked, "with our making so good a show?"
Her friend hesitated. "To your father?"
But it made her hesitate too; she wouldn't speak of her father directly. "To everyone. To her—now that you understand."
It held poor Fanny again in wonder. "To Charlotte—yes: if there's so much beneath it, for you, and if it's all such a plan. That makes it hang together it makes YOU hang together." She fairly exhaled her admiration. "You're like nobody else—you're extraordinary."
