by Damon Runyon
“Why,” he says, “these mutts are nothing but stool pigeons.”
Well, naturally, the noise of John Wangle’s yelling, and the gabble of the mob following the hounds makes quite a disturbance, and arouses many of the neighbors in the apartment houses and hotels in the side streets, especially as this is summer, and most everybody has their windows open.
In fact, we see many tousled heads poked out of windows, and hear guys and dolls inquiring as follows:
“What is going on?”
It seems that when word gets about that bloodhounds are tracking down a wrongdoer it causes great uneasiness all through the Fifties, and in fact I afterwards hear that three guys are taken to the Polyclinic suffering with broken ankles and several bruises from hopping out of windows in the hotels we pass in the chase, or from falling off of fire-escapes.
Well, all of a sudden Nip and Tuck swing back onto Seventh Avenue, and pop into the entrance of a small apartment house, and go tearing up the stairs to the first floor, and when we get there these bloodhounds are scratching vigorously at the door of Apartment B-2, and going woofle-woofle, and we are all greatly excited indeed, but the door opens, and who is standing there but a doll by the name of Maud Milligan, who is well known to one and all as the ever-loving doll of Big Nig, the crap shooter, who is down in Hot Springs at this time taking the waters, or whatever it is guys take in Hot Springs.
Now, Maude Milligan is not such a doll as I will care to have any part of, being red-headed, and very stern, and I am glad Nip and Tuck do not waste any more time in her apartment than it takes for them to run through her living-room and across her bed, because Maud is commencing to put the old eye on such of us present as she happens to know. But Nip and Tuck are in and out of the joint before you can say scat, because it is only a two-room apartment, at that, and we are on our way down the stairs and back onto Seventh Avenue again while Inspector McNamara is still jotting down something in his notebook.
Finally, where do these hounds wind up, with about four hundred citizens behind them, and everybody perspiring quite freely indeed from the exercise, but at the door of Miss Missouri Martin’s Three Hundred Club, and the doorman, who is a guy by the name of Soldier Sweeney, tries to shoo them away, but Nip runs between the Soldier’s legs and upsets him, and Tuck steps in the Soldier’s eye in trotting over him, and most of the crowd behind the hounds tread on him in passing, so the old Soldier is pretty well flattened out at the finish.
Nip and Tuck are now more excited than somewhat, and are going zoople-zoople in loud voices as they bust into the Three Hundred Club with John Wangle and the law, and all these citizens behind them. There is a very large crowd present and Miss Missouri Martin is squatted on the back of a chair in the middle of the dance floor when we enter, and is about to start her show when she sees the mob surge in, and at first she is greatly pleased because she thinks new business arrives, and if there is anything Miss Missouri Martin dearly loves, it is new business.
But before she can say hello, sucker, or anything else whatever, Nip runs under her chair, thinking maybe he is a dachshund, and dumps Miss Missouri Martin on the dance floor, and she lays there squawking no little, while the next thing anybody knows, Nip and Tuck are over in one corner of the joint, and are eagerly crawling up and down a fat guy who is sitting there with a doll alongside of him, and who is the fat buy but Regret!
Well, as Nip and Tuck rush at Regret he naturally gets up to defend himself, but they both hit him at the same time, and over he goes on top of the doll who is with him, and who seems to be nobody but Miss Lovey Lou. She is getting quite a squashing with Regret’s heft spread out over her, and she is screaming quite some, especially when Nip lets out a foot of tongue and washes her make-up off her face, reaching for Regret. In fact, Miss Lovey Lou seems to be more afraid of the bloodhounds than she does of being squashed to death, for when John Wangle and I hasten to her rescue and pull her out from under Regret she is moaning as follows:
“Oh, do not let them devour me—I will confess.”
Well, as nobody but me and John Wangle seem to hear this crack, because everybody else is busy trying to split out Regret and the bloodhounds, and as John Wangle does not seem to understand what Miss Lovey Lou is mumbling about, I shove her off into the crowd, and on back into the kitchen, which is now quite deserted, what with all the help being out watching the muss in the corner, and I say to her like this:
“What is it you confess?” I say. “Is it about Marvin Clay?”
“Yes,” she says. “It is about him. He is a pig,” she says. “I shoot him, and I am glad of it. He is not satisfied with what he does to me two years ago, but he tries his deviltry on my baby sister. He has her in his apartment and when I find it out and go to get her, he says he will not let her go. So I shoot him. With my brother’s pistol,” she says, “and I take my baby sister home with me, and I hope he is dead, and gone where he belongs.”
“Well, now,” I say, “I am not going to give you any argument as to where Marvin Clay belongs, but,” I say, “you skip out of here and go on home, and wait until we can do something about this situation, while I go back and help Regret, who seems to be in a tough spot.”
“Oh, do not let these terrible dogs eat him up,” she says, and with this she takes the breeze and I return to the other room to find there is much confusion indeed, because it seems that Regret is now very indignant at Nip and Tuck, especially when he discovers that one of them plants a big old paw right on the front of Regret’s shirt bosom, leaving a dirty mark. So when he struggles to his feet, Regret starts letting go with both hands, and he is by no means a bad puncher for a guy who does not do much punching as a rule. In fact, he flattens Nip with a right-hand to the jaw, and knocks Tuck plumb across the room with a left hook.
Well, poor Tuck slides over the slick dance floor into Miss Missouri Martin just as she is getting to her feet again, and bowls her over once more, but Miss Missouri Martin is also indignant by this time, and she gets up and kicks Tuck in a most unladylike manner. Of course, Tuck does not know so much about Miss Martin, but he is pretty sure his old friend Regret is only playing with him, so back he goes to Regret with his tongue out, and his tail wagging, and there is no telling how long this may go on if John Wangle does not step in and grab both hounds, while Inspector McNamara puts the arm on Regret and tells him he is under arrest for shooting Marvin Clay.
Well, of course everybody can see at once that Regret must be the guilty party all right, especially when it is remembered that he once had trouble with Marvin Clay, and one and all present are looking at Regret in great disgust, and saying you can see by his face that he is nothing but a degenerate type.
Furthermore, Inspector McNamara makes a speech to Miss Missouri Martin’s customers in which he congratulates John Wangle and Nip and Tuck on their wonderful work in tracking down this terrible criminal and at the same time putting in a few boosts for the police department, while Regret stands there paying very little attention to what the Inspector is saying, but trying to edge himself over close enough to Nip and Tuck to give them the old foot.
Well, the customers applaud what Inspector McNamara says, and Miss Missouri Martin gets up a collection of over two C’s for John Wangle and his hounds, not counting what she holds out for herself. Also the chef comes forward and takes John Wangle and Nip and Tuck back into the kitchen and stuffs them full of food, although personally I will just as soon not have any of the food they serve in the Three Hundred Club.
They take Regret to the jail house, and he does not seem to understand why he is under arrest, but he knows it has something to do with Nip and Tuck and he tries to bribe one of the coppers to put the bloodhounds in the same cell with him for a while, though naturally the copper will not consider such a proposition. While Regret is being booked at the jail house, word comes around that Marvin Clay is not only not dead, but the chances are he will get well, which he finally does, at that.
Moreover, he finally bails Regret
out, and not only refuses to prosecute him but skips the country as soon as he is able to move, although Regret lays in the sneezer for several weeks, at that, never letting on after he learns the real situation that he is not the party who plugs Marvin Clay. Naturally, Miss Lovey Lou is very grateful to Regret for his wonderful sacrifice, and will no doubt become his ever-loving wife in a minute, if Regret thinks to ask her, but it seems Regret finds himself brooding so much over the idea of an ever-loving wife who is so handy with a Roscoe that he never really asks.
In the meantime, John Wangle and Nip and Tuck go back to Georgia on the dough collected by Miss Missouri Martin, and with a big reputation as man-trackers. So this is all there is to the story, except that one night I run into Regret with a suitcase in his hand, and he is perspiring very freely, although it is not so hot, at that, and when I ask him if he is going away, he says this is indeed his general idea. Moreover, he says he is going very far away. Naturally, I ask him why this is, and Regret says to me as follows:
“Well,” he says, “ever since Big Nig, the crap shooter, comes back from Hot Springs, and hears how the bloodhounds track the shooter of Marvin Clay, he is walking up and down looking at me out of the corner of his eyes. In fact,” Regret says, “I can see that Big Nig is studying something over in his mind, and while Big Nig is a guy who is not such a fast thinker as others, I am afraid he may finally think himself to a bad conclusion.
“I am afraid,” Regret says, “that Big Nig will think himself to the conclusion that Nip and Tuck are tracking me instead of the shooter, as many evil-minded guys are already whispering around and about, and that he may get the wrong idea about the trail leading to Maud Milligan’s door.”
“GENTLEMEN, THE KING!”
On Tuesday evening I always go to Bobby’s Chop House to get myself a beef stew, the beef stews in Bobby’s being very nourishing indeed and quite reasonable. In fact, the beef stews in Bobby’s are considered a most fashionable dish by one and all on Broadway on Tuesday evenings.
So on this Tuesday evening I am talking about, I am in Bobby’s wrapping myself around a beef stew and reading the race results in the Journal, when who comes into the joint but two old friends of mine from Philly, and a third guy I never see before in my life, but who seems to be an old sort of guy, and very fierce-looking.
One of these old friends of mine from Philly is a guy by the name of Izzy Cheesecake, who is called Izzy Cheesecake because he is all the time eating cheesecake around delicatessen joints, although of course this is nothing against him, as cheesecake is very popular in some circles, and goes very good with java. Anyway, this Izzy Cheesecake has another name, which is Morris something, and he is slightly Jewish, and has a large beezer, and is considered a handy man in many respects.
The other old friend of mine from Philly is a guy by the name of Kitty Quick, who is maybe thirty-two or -three years old, and who is a lively guy in every way. He is a great hand for wearing good clothes, and he is mobbed up with some very good people in Philly in his day, and at one time has plenty of dough, although I hear that lately things are not going so good for Kitty Quick, or for anybody else in Philly, as far as that is concerned.
Now of course I do not rap to these old friends of mine from Philly at once, and in fact I put the Journal up in front of my face, because it is never good policy to rap to visitors in this town, especially visitors from Philly, until you know why they are visiting. But it seems that Kitty Quick spies me before I can get the Journal up high enough, and he comes over to my table at once, bringing Izzy Cheesecake and the other guy with him, so naturally I give them a big hello, very cordial, and ask them to sit down and have a few beef stews with me, and as they pull up chairs, Kitty Quick says to me like this:
“Do you know Jo-jo from Chicago?” he says, pointing his thumb at the third guy.
Well, of course I know Jo-jo by his reputation, which is very alarming, but I never meet up with him before, and if it is left to me, I will never meet up with him at all, because Jo-jo is considered a very uncouth character, even in Chicago.
He is an Italian, and a short wide guy, very heavy set, and slow moving, and with jowls you can cut steaks off of, and sleepy eyes, and he somehow reminds me of an old lion I once see in a cage in Ringling’s circus. He has a black moustache, and he is an old-timer out in Chicago, and is pointed out to visitors to the city as a very remarkable guy because he lives as long as he does, which is maybe forty years.
His right name is Antonio something, and why he is called Jo-jo I never hear, but I suppose it is because Jo-jo is handier than Antonio. He shakes hands with me, and says he is pleased to meet me, and then he sits down and begins taking on beef stew very rapidly while Kitty Quick says to me as follows:
“Listen,” he says, “do you know anybody in Europe?”
Well, this is a most unexpected question, and naturally I am not going to reply to unexpected questions by guys from Philly without thinking them over very carefully, so to gain time while I think, I say to Kitty Quick:
“Which Europe do you mean?”
“Why,” Kitty says, greatly surprised, “is there more than one Europe? I mean the big Europe on the Atlantic Ocean. This is the Europe where we are going, and if you know anybody there we will be glad to go around and say hello to them for you. We are going to Europe on the biggest proposition anybody ever hears of,” he says. “In fact,” he says, “it is a proposition which will make us all rich. We are sailing to-night.”
Well, off hand I cannot think of anybody I know in Europe, and if I do know anybody there I will certainly not wish such parties as Kitty Quick, and Izzy Cheesecake, and Jo-jo going around saying hello to them, but of course I do not mention such a thought out loud. I only say I hope and trust that they have a very good bon voyage and do not suffer too much from seasickness. Naturally I do not ask what their proposition is, because if I ask such a question they may think I wish to find out, and will consider me a very nosy guy, but I figure the chances are they are going to look after come commercial matter, such as Scotch, or maybe cordials.
Anyway, Kitty Quick and Izzy Cheesecake and Jo-jo eat up quite a few beef stews, and leave me to pay the check, and this is the last I see or hear of any of them for several months. Then one day I am in Philly to see a prize fight, and I run into Kitty Quick on Broad Street, looking pretty much the same as usual, and I ask him how he comes out in Europe.
“It is no good,” Kitty says. “The trip is something of a bust, although we see many interesting sights, and have quite a few experiences. Maybe,” Kitty says, “you will like to hear why we go to Europe? It is a very unusual story indeed, and is by no means a lie, and I will be pleased to tell it to someone I think will believe it.”
So we go into Walter’s restaurant, and sit down in a corner, and order up a little java, and Kitty Quick tells me the story as follows:
It all begins (Kitty says) with a certain big lawyer coming to me here in Philly, and wishing to know if I care to take up a proposition which will make me rich, and naturally I say I can think of nothing that will please me more, because at this time things are very bad indeed in Philly, what with investigations going on here and there, and plenty of heat around and about, and I do not have more than a few bobs in my pants pocket, and can think of no way to get any more.
So this lawyer takes me to the Ritz-Carlton hotel, and there he introduces me to a guy by the name of Count Saro, and the lawyer says he will okay anything Saro has to say to me one hundred per cent, and then he immediately takes the wind as if he does not care to hear what Saro has to say. But I know this mouthpiece is not putting any proposition away as okay unless he knows it is pretty much okay, because he is a smart guy at his own dodge, and everything else, and has plenty of coconuts.
Now this Count Saro is a little guy with an eyebrow moustache, and he wears striped pants, and white spats, and a cutaway coat, and a monocle in one eye, and he seems to be a foreign nobleman, although he talks English first rate. I do not care
much for Count Saro’s looks, but I will say one thing for him, he is very businesslike, and gets down to cases at once.
He tells me that he is the representative of a political party in his home country in Europe which has a King, and this country wishes to get rid of the King, because Count Saro says Kings are out of style in Europe, and that no country can get anywhere with a King these days. His proposition is for me to take any assistants I figure I may need and go over and get rid of this King, and Count Saro says he will pay two hundred G’s for the job in good old American scratch, and will lay twenty-five G’s on the line at once, leaving the balance with the lawyer to be paid to me when everything is finished.
Well, this is a most astonishing proposition indeed, because while I often hear of propositions to get rid of other guys, I never before hear of a proposition to get rid of a King. Furthermore, it does not sound reasonable to me, as getting rid of a King is apt to attract plenty of attention, and criticism, but Count Saro explains to me that his country is a small, out-of-the-way country, and that his political party will take control of the telegraph wires and everything else as soon as I get rid of the King, so nobody will give the news much of a tumble outside the country.
“Everything will be done very quietly, and in good order,” Count Saro says, “and there will be no danger to you whatever.”
Well, naturally I wish to know from Count Saro why he does not get somebody in his own country to do such a job, especially if he can pay so well for it, and he says to me like this:
“Well,” he says, “in the first place there is no one in our country with enough experience in such matters to be trusted, and in the second place we do not wish anyone in our country to seem to be tangled up with getting rid of the King. It will cause internal complications,” he says. “An outsider is more logical,” he says, “because it is quite well known that in the palace of the King there are many valuable jewels, and it will seem a natural play for outsiders, especially Americans, to break into the palace to get these jewels, and if they happen to get rid of the King while getting the jewels, no one will think it is anything more than an accident, such as often occurs in your country.”
