Guys and Dolls and Other Writings

by Damon Runyon

  The story says she is going back to her people, and from the way the story reads it sounds as if the scribe who writes it figures this is one good break, at least, for Israel Ib.

  Now these hints let out by Israel Ib’s ever-loving wife about him squandering the jug’s scratch on a doll are printed as facts in the morning papers the next morning, and maybe if Silk bothers to read these morning sheets she will think better of going down to Israel Ib’s jug again, because her name is mentioned right out, and there are big pictures of her in the papers from her old days in the Follies.

  But there Silk is in a taxi in front of the Bank of the Bridges at nine o’clock the next morning, and it seems her brain is buzzing with quite a large idea, although this idea does not come out until later.

  There is already quite a crowd around the jug again, as it is always very difficult to make people who live on the Lower East Side and wear whiskers and shawls understand about such matters as busted jugs. They are apt to hang around a busted jug for days at a time with their bank-books in their hands, and sometimes it takes as much as a week to convince such people that their potatoes are gone for good, and make them disperse to their homes and start saving more.

  There is still much moaning and groaning, though not as much as the day before, and every now and then the old doll pops out of the little store and stands in the doorway and shakes her fist at the busted jug and hollers in a strange language. A short, greasy-looking guy with bristly whiskers and an old black derby hat jammed down over his ears is standing with a morning paper spread out in his hands, and a bunch of other guys are around him listening to him read what the paper has to say about the situation.

  Just one copper is walking up and down now, and it is the copper who speaks to Silk the day before, and he seems to remember her as she gets out of the taxi and he walks over to her, while a lot of people stop moaning and groaning to take a gander at her, for it is by no means a common sight to see such a looking doll in this neighborhood.

  The copper no more than says good morning to Silk when the guy who is reading the paper stops reading and takes a peek at her, and then at her picture which is on the page in front of him. Then he points at the picture and points at Silk, and begins jabbering a blue streak to the guys around him. About this time the old doll peeps out of the store to shake her fist at Israel Ib’s jug again and, hearing the jabbering, she joins the bunch around the guy with the paper.

  She listens to the jabbering awhile, peeking over the guy’s shoulder at the picture, and then taking a good long look at Silk, and then all of a sudden the old doll turns and pops back into the store.

  Now all the shawls and whiskers start gathering around Silk and the copper, and anybody can tell from the way they are looking that they are all sored up, and what they are sored up at is Silk, because naturally they figure out that she is the doll whose picture is in the morning paper and is therefore the doll who is responsible for Israel Ib’s jug busting.

  But of course the copper does not know that they are sored up at Silk, and figures they are gathering around just out of curiosity, as people will do when they see a copper talking to anybody. He is a young copper and naturally he does not wish to have an audience when he is speaking to such a looking doll as Silk, even if most of the audience cannot understand English, so as the crowd nudges closer he gets his club ready to boff a few skulls.

  Just about then half a brickbat hits him under the right ear, and he begins wobbling about very loose at the hinges, and at the same minute all the shawls and whiskers take to pulling and hauling at Silk. There are about a hundred of the shawls and whiskers to begin with and more are coming up from every-which direction, and they are all yelling and screaming and punching and scratching at Silk.

  She is knocked down two or three times, and many shawls and whiskers are walking up and down her person while she is on the ground, and she is bleeding here and there, and the chances are they will kill her as dead as a door-nail in their excitement if the old doll from the little store near the jug does not bob up all of a sudden with a mop handle in her duke and starts boffing the shawls and whiskers on their noggins.

  In fact, the old doll plays a regular tune on these noggins with the mop handle, sometimes knocking a shawl or whiskers quite bow-legged, and soon clearing a path through the crowd to Silk and taking hold of Silk and dragging her off into the store just as the reserves and an ambulance arrive.

  The young copper is still wobbling about from the brickbat and speaking of how he hears the birdies singing in the trees, although of course there are no birdies in this neighborhood at such a time of year, and no trees either, and there are maybe half a dozen shawls and whiskers sitting on the pavement rubbing their noggins, and others are diving into doorways here and there, and there is much confusion generally.

  So the ambulance takes Silk and some of the shawls and whiskers to a hospital and Professor D and Doc Daro visit her there a couple of hours later, finding her in bed somewhat plastered up in spots but in no danger, and naturally Professor D and Doc Daro wish to know what she is doing around Israel Ib’s jug, anyway.

  “Why,” Silk says, “I am not able to sleep a wink all last night thinking of these poor people suffering on account of me taking Israel Ib’s dough, although,” Silk says, “of course I do not know it is wrong dough when I receive it. I do not know Israel Ib is clipping these poor people. But seeing them around the jug yesterday morning, I remember what happens to my poor mamma when the jug busts on her. I see her standing in front of the busted jug with me beside her, crying her eyes out, and my heart is very heavy,” Silk says. “So I get to thinking,” she says, “that it will be a very nice thing indeed if I am first to tell the poor souls who have their dough in Israel Ib’s jug that they are going to get it back.”

  “Wait a minute,” Doc Daro says. “What do you mean—they are going to get their dough back?”

  “Why,” Silk says, “I consult with Judge Goldstein, who is my tongue, and a very good guy, at that, and fairly honest, last night, and Judge Goldstein tells me that I am worth in negotiable securities and real estate and jewelry, and one thing and another, about three million one hundred bobs, and a few odd cents.

  “Judge Goldstein tells me,” Silk says, “that such a sum will more than pay off all the depositors in Israel Ib’s jug. In fact, Judge Goldstein tells me that what I have probably represents most of the deposits in the jug, and,” she says, “I sign everything I own in this world over to Judge Goldstein to do this, although Judge Goldstein says there is no doubt I can beat any attempt to take my dough away from me if I wish to keep it.

  “So,” Silk says, “I am so happy to think these poor people will get their dough back that I cannot wait for Judge Goldstein to let it out. I wish to break the news to them myself, but,” Silk says, “before I can say a word they hop on me and start giving me a pasting, and if it is not for the old doll with the mop handle maybe you will have to chip in to bury me, because I certainly do not have enough dough left to bury myself.”

  Well, this is about all there is to this story, except that the Bank of the Bridges pays off one hundred per cent on the dollar, and what is more Israel Ib is running it again, and doing very well indeed, and his ever-loving wife returns to him, and everything is hotsy-totsy between them.

  As for Silk, she is back on Broadway, and the last time I see her she is in love with a very legitimate guy who is in the hotel business, and while he does not strike me as having much brains, he has plenty of youth running for him, and Silk says it is the best break she ever gets in her life when Israel Ib’s jug busts.

  But anybody will tell you that the best break Silk ever gets is when the old doll on the Lower East Side recognizes her from the photograph she has stuck up on the wall in the little store near Israel Ib’s jug as the doll who once saves her son, Simeon Slotsky, from being placed in the pokey.

  LITTLE MISS MARKER

  One evening along toward seven o’clock, many citizens are stan
ding out on Broadway in front of Mindy’s restaurant, speaking of one thing and another, and particularly about the tough luck they have playing the races in the afternoon, when who comes up the street with a little doll hanging on to his right thumb but a guy by the name of Sorrowful.

  This guy is called Sorrowful because this is the way he always is about no matter what, and especially about the way things are with him when anybody tries to put the bite on him. In fact, if anybody who tries to put the bite on Sorrowful can listen to him for two minutes about how things are with him and not bust into tears, they must be very hard-hearted indeed.

  Regret, the horse player, is telling me that he once tries to put the bite on Sorrowful for a sawbuck, and by the time Sorrowful gets through explaining how things are with him, Regret feels so sorry for him that he goes out and puts the bite on somebody else for the saw and gives it to Sorrowful, although it is well known to one and all that Sorrowful has plenty of potatoes hid away somewhere.

  He is a tall, skinny guy with a long, sad, mean-looking kisser, and a mournful voice. He is maybe sixty years old, give or take a couple of years, and for as long as I can remember he is running a handbook over on Forty-ninth Street next door to a chop-suey joint. In fact, Sorrowful is one of the largest handbook makers in this town.

  Anytime you see him he is generally by himself, because being by himself is not apt to cost him anything, and it is therefore a most surprising scene when he comes along Broadway with a little doll.

  And there is much speculation among the citizens as to how this comes about, for no one ever hears of Sorrowful having any family, or relations of any kind, or even any friends.

  The little doll is a very little doll indeed, the top of her noggin only coming up to Sorrowful’s knee, although of course Sorrowful has very high knees, at that. Moreover, she is a very pretty little doll, with big blue eyes and fat pink cheeks, and a lot of yellow curls hanging down her back, and she has fat little legs and quite a large smile, although Sorrowful is lugging her along the street so fast that half the time her feet are dragging the sidewalk and she has a license to be bawling instead of smiling.

  Sorrowful is looking sadder than somewhat, which makes his face practically heart-rending, so he pulls up in front of Mindy’s and motions us to follow him in. Anybody can see that he is worried about something very serious, and many citizens are figuring that maybe he suddenly discovers all his potatoes are counterfeit, because nobody can think of anything that will worry Sorrowful except money.

  Anyway, four or five of us gather around the table where Sorrowful sits down with the little doll beside him, and he states a most surprising situation to us.

  It seems that early in the afternoon a young guy who is playing the races with Sorrowful for several days pops into his place of business next door to the chop-suey joint, leading the little doll, and this guy wishes to know how much time he has before post in the first race at Empire.

  Well, he only has about twenty-five minutes, and he seems very down-hearted about this, because he explains to Sorrowful that he has a sure thing in this race, which he gets the night before off a guy who is a pal of a close friend of Jockey Workman’s valet.

  The young guy says he is figuring to be himself about a deuce on this sure thing, but he does not have such a sum as a deuce on him when he goes to bed, so he plans to get up bright and early in the morning and hop down to a spot on Fourteenth Street where he knows a guy who will let him have the deuce.

  But it seems he oversleeps, and here it is almost post time, and it is too late for him to get to Fourteenth Street and back before the race is run off, and it is all quite a sad story indeed, although of course it does not make much impression on Sorrowful, as he is already sadder than somewhat himself just from thinking that somebody may beat him for a bet during the day, even though the races do not start anywhere as yet.

  Well, the young guy tells Sorrowful he is going to try to get to Fourteenth Street and back in time to bet on the sure thing, because he says it will be nothing short of a crime if he has to miss such a wonderful opportunity.

  “But,” he says to Sorrowful, “to make sure I do not miss, you take my marker for a deuce, and I will leave the kid here with you as security until I get back.”

  Now, ordinarily, asking Sorrowful to take a marker will be considered great foolishness, as it is well known to one and all that Sorrowful will not take a marker from Andrew Mellon. In fact, Sorrowful can almost break your heart telling you about the poor-houses that are full of bookmakers who take markers in their time.

  But it happens that business is just opening up for the day, and Sorrowful is pretty busy, and besides the young guy is a steady customer for several days, and has an honest pan, and Sorrowful figures a guy is bound to take a little doll out of hock for a deuce. Furthermore, while Sorrowful does not know much about kids, he can see the little doll must be worth a deuce, at least, and maybe more.

  So he nods his head, and the young guy puts the little doll on a chair and goes tearing out of the joint to get the dough, while Sorrowful marks down a deuce bet on Cold Cuts, which is the name of the sure thing. Then he forgets all about the proposition for a while, and all the time the little doll is sitting on the chair as quiet as a mouse, smiling at Sorrowful’s customers, including the Chinks from the chop-suey joint who come in now and then to play the races.

  Well, Cold Cuts blows, and in fact is not even fifth, and along late in the afternoon Sorrowful suddenly realizes that the young guy never shows up again, and that the little doll is still sitting in the chair, although she is now playing with a butcher knife which one of the Chinks from the chop-suey joint gives her to keep her amused.

  Finally it comes on Sorrowful’s closing time, and the little doll is still there, so he can think of nothing else to do in this situation, but to bring her around to Mindy’s and get a little advice from different citizens, as he does not care to leave her in his place of business alone, as Sorrowful will not trust anybody in there alone, not even himself.

  “Now,” Sorrowful says, after giving us this long spiel, “what are we to do about this proposition?”

  Well, of course, up to this minute none of the rest of us know we are being cut in on any proposition, and personally I do not care for any part of it, but Big Nig, the crap shooter, speaks up as follows:

  “If this little doll is sitting in your joint all afternoon,” Nig says, “the best thing to do right now is to throw a feed into her, as the chances are her stomach thinks her throat is cut.”

  Now this seems to be a fair sort of an idea, so Sorrowful orders up a couple of portions of ham hocks and sauerkraut, which is a very tasty dish in Mindy’s at all times, and the little doll tears into it very enthusiastically, using both hands, although a fat old doll who is sitting at the next table speaks up and says this is terrible fodder to be tossing into a child at such an hour, and where is her mamma?

  “Well,” Big Nig says to the old doll, “I hear of many people getting a bust in the snoot for not minding their own business in this town, but you give off an idea, at that. Listen,” Big Nig says to the little doll, “where is your mamma?”

  But the little doll does not seem to know, or maybe she does not wish to make this information public, because she only shakes her head and smiles at Big Nig, as her mouth is too full of ham hocks and sauerkraut for her to talk.

  “What is your name?” Big Nig asks, and she says something that Big Nig claims sounds like Marky, although personally I think she is trying to say Martha. Anyway it is from this that she gets the name we always call her afterwards, which is Marky.

  “It is a good monicker,” Big Nig says. “It is short for marker, and she is certainly a marker unless Sorrowful is telling us a large lie. Why,” Big Nig says, “this is a very cute little doll, at that, and pretty smart. How old are you, Marky?”

  She only shakes her head again, so Regret, the horse player, who claims he can tell how old a horse is by its teeth, reaches over and stic
ks his finger in her mouth to get a peek at her crockery, but she seems to think Regret’s finger is a hunk of ham hock and shuts down on it so hard Regret lets out an awful squawk. But he says that before she tries to cripple him for life he sees enough of her teeth to convince him she is maybe three, rising four, and this seems reasonable, at that. Anyway, she cannot be much older.

  Well, about this time a Guinea with a hand organ stops out in front of Mindy’s and begins grinding out a tune while his ever-loving wife is passing a tambourine around among the citizens on the sidewalk and, on hearing this music, Marky slides off of her chair with her mouth still full of ham hock and sauerkraut, which she swallows so fast she almost chokes, and then she speaks as follows:

  “Marky dance,” she says.

  Then she begins hopping and skipping around among the tables, holding her little short skirt up in her hands and showing a pair of white panties underneath. Pretty soon Mindy himself comes along and starts putting up a beef about making a dance hall of his joint, but a guy by the name of Sleep-out, who is watching Marky with much interest, offers to bounce a sugar bowl off of Mindy’s sconce if he does not mind his own business.

  So Mindy goes away, but he keeps muttering about the white panties being a most immodest spectacle, which of course is great nonsense, as many dolls older than Marky are known to do dances in Mindy’s, especially on the late watch, when they stop by for a snack on their way home from the night clubs and the speaks, and I hear some of them do not always wear white panties, either.

  Personally, I like Marky’s dancing very much, although of course she is no Pavlova, and finally she trips over her own feet and falls on her snoot. But she gets up smiling and climbs back on her chair and pretty soon she is sound asleep with her head against Sorrowful.

  Well, now there is much discussion about what Sorrowful ought to do with her. Some claim he ought to take her to a police station, and others say the best thing to do is to put an ad in the Lost and Found columns of the morning bladders, the same as people do when they find Angora cats, and Pekes, and other animals which they do not wish to keep, but none of these ideas seems to appeal to Sorrowful.