by Ruskin Bond
‘Did he always take medicine—or only now that you’re doing the cooking?’
‘I am not sure. I think he has always been sick.’
He was sleeping in the headmaster’s veranda and getting sixty rupees a month. A cook in Delhi got a hundred and sixty. And a cook in Paris or New York got ten times as much. I did not say as much to Prem. He might ask me to get him a job in New York. And that would be the last I saw of him! He, as a cook, might well get a job making curries off-Broadway; I, as a writer, wouldn’t get to first base. And only my Uncle Ken knew the secret of how to make a living without actually doing any work. But then, of course, he had four sisters. And each of them was married to a fairly prosperous husband. So Uncle Ken divided his year among them. Three months with Aunt Ruby in Nainital. Three months with Aunt Susie in Kashmir. Three months with my mother (not quite so affluent) in Jamnagar. And three months in the Vet Hospital in Bareilly, where Aunt Mabel ran the hospital for her veterinary husband. In this way he never overstayed his welcome. A sister can look after a brother for just three months at a time and no more. Uncle K had it worked out to perfection.
But I had no sisters and I couldn’t live forever on the royalties of a single novel. So I had to write others. So I came to the hills.
The hill men go to the plains to make a living. I had to come to the hills to try and make mine.
‘Prem,’ I said, ‘why don’t you work for me?’
‘And what about my uncle?’
‘He seems ready to desert me any day. His grandfather is ill, he says, and he wants to go home.’
‘His grandfather died last year.’
‘That’s what I mean—he’s getting restless. And I don’t mind if he goes. These days he seems to be suffering from a form of sleeping sickness. I have to get up first and make his tea …’
Sitting here under the cherry tree, whose leaves are just beginning to turn yellow, I rest my chin on my knees and gaze across the valley to where Prem moves about in the garden. Looking back over the seven years he has been with me, I recall some of the nicest things about him. They come to me in no particular order—just pieces of cinema—coloured slides slipping across the screen of memory …
Prem rocking his infant son to sleep—crooning to him, passing his large hand gently over the child’s curly head—Prem following me down to the police station when I was arrested (on a warrant from Bombay, charging me with writing an allegedly obscene short story!), and waiting outside until I reappeared, his smile, when I found him in Delhi, his large, irrepressible laughter, most in evidence when he was seeing an old Laurel and Hardy movie.
Of course, there were times when he could be infuriating, stubborn, deliberately pig-headed, sending me little notes of resignation—but I never found it difficult to overlook these little acts of self-indulgence. He had brought much love and laughter into my life, and what more could a lonely man ask for?
It was his stubborn streak that limited the length of his stay in the headmaster’s household. Mr Good was tolerant enough. But Mrs Good was one of those women who, when they are pleased with you, go out of their way to help, pamper and flatter, but when displeased, become vindictive, going out of their way to harm or destroy. Mrs Good sought power—over her husband, her dog, her favourite pupils, her servant … She had absolute power over the husband and the dog, partial power over her slightly bewildered pupils, and none at all over Prem, who missed the subtleties of her designs upon his soul. He did not respond to her mothering, or to the way in which she tweaked him on the cheeks, brushed against him in the kitchen and made admiring remarks about his looks and physique. Memsahibs, he knew, were not for him. So he kept a stony face and went diligently about his duties. And she felt slighted, put in her place. Her liking turned to dislike. Instead of admiring remarks, she began making disparaging remarks about his looks, his clothes, his manners. She found fault with his cooking. No longer was it ‘lovely’. She even accused him of taking away the dog’s meat and giving it to a poor family living on the hillside—no more heinous crime could be imagined! Mr Good threatened him with dismissal. So Prem became stubborn. The following day he withheld the dog’s food altogether, threw it down the khud where it was seized upon by innumerable strays, and went off to the pictures.
That was the end of his job. ‘I’ll have to go home now,’ he told me. ‘I won’t get another job in this area. The mem will see to that.’
‘Stay a few days,’ I said.
‘I have only enough money with which to get home.’
‘Keep it for going home. You can stay with me for a few days, while you look around. Your uncle won’t mind sharing his food with you.’
His uncle did mind. He did not like the idea of working for his nephew as well; it seemed to him no part of his duties. And he was apprehensive that Prem might get his job.
So Prem stayed no longer than a week.
Here on the knoll the grass is just beginning to turn October yellow. The first clouds approaching winter cover the sky. The trees are very still. The birds are silent. Only a cricket keeps singing on the oak tree. Perhaps there will be a storm before evening. A storm like the one in which Prem arrived at the cottage with his wife and child—but that’s jumping too far ahead …
After he had returned to his village, it was several months before I saw him again. His uncle told me he had taken up a job in Delhi. There was an address. It did not seem complete, but I resolved that when I was next in Delhi I would try to see him.
The opportunity came in May, as the hot winds of summer blew across the plains. It was the time of year when people who can afford it, try to get away to the hills. I dislike New Delhi at the best of times, and I hate it in summer. People compete with each other in being bad-tempered and mean. But I had to go down—I don’t remember why, but it must have seemed very necessary at the time—and I took the opportunity to try and see Prem.
Nothing went right for me. Of course the address was all wrong, and I wandered about in a remote, dusty, treeless colony called Vasant Vihar (Spring Garden) for over two hours, asking all the domestic servants I came across if they could put me in touch with Prem Singh of Village Koli, Pauri Garhwal. There were innumerable Prem Singhs, but apparently none who belonged to Village Koli. I returned to my hotel and took two days to recover from heatstroke before returning to Mussoorie, thanking God for mountains!
And then the uncle gave notice. He’d found a better paid job in Dehra Dun and was anxious to be off. I didn’t try to stop him.
For the next six months I lived in the cottage without any help. I did not find this difficult. I was used to living alone. It wasn’t service that I needed but companionship. In the cottage it was very quiet. The ghosts of long dead residents were sympathetic but unobtrusive. The song of the whistling thrush was beautiful, but I knew he was not singing for me. Up the valley came the sound of a flute, but I never saw the flute player. My affinity was with the little red fox who roamed the hillside below the cottage. I met him one night and wrote these lines:
As I walked home last night
I saw a lone fox dancing
In the cold moonlight.
I stood and watched—then
Took the low road, knowing
The night was his by right.
Sometimes, when words ring true,
I’m like a lone fox dancing
In the morning dew.
During the rains, watching the dripping trees and the mist climbing the valley, I wrote a great deal of poetry. Loneliness is of value to poets. But poetry didn’t bring me much money, and funds were low. And then, just as I was wondering if I would have to give up my freedom and take a job again, a publisher bought the paperback rights of one of my children’s stories, and I was free to live and write as I pleased—for another three months!
That was in November. To celebrate, I took a long walk through the Landour bazaar and up the Tehri road. It was a good day for walking; and it was dark by the time I returned to the outskirts of the t
own. Someone stood waiting for me on the road above the cottage. I hurried past him.
If I am not for myself,
Who will be for me?
And if I am not for others,
What am I?
And if not now, when?
I startled myself with the memory of these words of Hillel, the ancient Hebrew sage. I walked back to the shadows where the youth stood, and saw that it was Prem.
‘Prem!’ I said. ‘Why are you sitting out here, in the cold? Why did you not go to the house?’
‘I went, sir, but there was a lock on the door. I though you had gone away.’
‘And you were going to remain here, on the road?’
‘Only for tonight. I would have gone down to Dehra in the morning.’
‘Come, let’s go home. I have been waiting for you. I looked for you in Delhi, but could not find the place where you were working.’
‘I have left them now.’
‘And your uncle has left me. So will you work for me now?’
‘For as long as you wish.’
‘For as long as the gods wish.’
We did not go straight home, but returned to the bazaar and took our meal in the Sindhi Sweet Shop—hot puris and strong sweet tea.
We walked home together in the bright moonlight. I felt sorry for the little fox dancing alone.
That was twenty years ago, and Prem and his wife and three children are still with me. But we live in a different house now, on another hill.
When Darkness Falls
Markham had, for many years, lived alone in a small room adjoining the disused cellars of the old Empire Hotel in one of our hill stations. His army pension gave him enough money to pay for his room rent and his basic needs, but he shunned the outside world—by daylight, anyway—partly because of a natural reticence and partly because he wasn’t very nice to look at.
While Markham was serving in Burma during the War, a shell had exploded near his dugout, tearing away most of his face. Plastic surgery was then in its infancy, and although the doctors had done their best, even going to the extent of giving Markham a false nose, his features were permanently ravaged. On the few occasions that he had walked abroad by day, he had been mistaken for someone in the final stages of leprosy and been given a wide berth.
He had been given the basement room by the hotel’s elderly estate manager, Negi, who had known Markham in the years before the War, when Negi was just a room-boy. Markham had himself been a youthful assistant manager at the time, and he had helped the eager young Negi advance from room-boy to bartender to office clerk. When Markham took up a wartime commission, Negi rose even further. Now Markham was well into his late sixties, with Negi not very far behind. After a post-War, post-Independence slump, the hill station was thriving again; but both Negi and Markham belonged to another era, another time and place. So did the old hotel, now going to seed, but clinging to its name and surviving on its reputation.
‘We’re dead, but we won’t lie down,’ joked Markham, but he didn’t find it very funny.
Day after day, alone in the stark simplicity of his room, there was little he could do except read or listen to his short-wave transistor radio; but he would emerge at night to prowl about the vast hotel grounds and occasionally take a midnight stroll along the deserted Mall.
During these forays into the outer world, he wore an old felt hat, which hid part of his face. He had tried wearing a mask, but that had been even more frightening for those who saw it, especially under a street lamp. A couple of honeymooners, walking back to the hotel late at night, had come face to face with Markham and had fled the hill station the next day. Dogs did not like the mask, either. They set up a furious barking at Markham’s approach, stopping only when he removed the mask; they did not seem to mind his face. A policeman returning home late had accosted Markham, suspecting him of being a burglar, and snatched off the mask. Markham, sans nose, jaw and one eye, had smiled a crooked smile, and the policeman had taken to his heels. Thieves and goondas he could handle; not ghostly apparitions straight out of hell.
Apart from Negi, only a few knew of Markham’s existence. These were the lower-paid employees who had grown used to him over the years, as one gets used to a lame dog or a crippled cow. The gardener, the sweeper, the dhobi, the night chowkidar, all knew him as a sort of presence. They did not look at him. A man with one eye is said to have the evil eye; and one baleful glance from Markham’s single eye was enough to upset anyone with a superstitious nature. He had no problems with the menial staff, and he wisely kept away from the hotel lobby, bar, dining room and corridors—he did not want to frighten the customers away; that would have spelt an end to his own liberty. The owner, who was away most of the time, did not know of his existence; nor did his wife, who lived in the east wing of the hotel, where Markham had never ventured.
The hotel covered a vast area, which included several unused buildings and decaying outhouses. There was a beer garden, no longer frequented, overgrown with weeds and untamed shrubbery. There were tennis courts, rarely used; a squash court, inhabited by a family of goats; a children’s playground with a broken see-saw; a ballroom which hadn’t seen a ball in fifty years; cellars which were never opened; and a billiard room, said to be haunted.
As his name implied, Markham’s forebears were English, with a bit of Allahabad thrown in. It was said that he was related to Kipling on his mother’s side; but he never made this claim himself. He had fair hair and one grey-blue eye. The other, of course, was missing.
His artificial nose could be removed whenever he wished, and as he found it a little uncomfortable he usually took it off when he was alone in his room. It rested on his bedside table, staring at the ceiling. Over the years it had acquired a character of its own, and those (like Negi) who had seen it looked upon it with a certain amount of awe. Markham avoided looking at himself in the mirror, but sometimes he had to shave one side of his face, which included a few surviving teeth. There was a gaping hole in his left cheek. And after all these years, it still looked raw.
When it was past midnight, Markham emerged from his lair and prowled the grounds of the old hotel. They belonged to him, really, as no one else patrolled them at that hour—not even the night chowkidar, who was usually to be found asleep on a tattered sofa outside the lounge.
Wearing his old hat and cape, Markham did his rounds.
He was a ghostly figure, no doubt, and the few who had glimpsed him in those late hours had taken him for a supernatural visitor. In this way the hotel had acquired a reputation of being haunted. Some guests liked the idea of having a resident ghost; others stayed away.
On this particular night Markham was more restless than usual, more discontented with himself in particular and with the world in general; he wanted a little change—and who wouldn’t in similar circumstances?
He had promised Negi that he would avoid the interior of the hotel as far as possible; but it was midsummer—the days were warm and languid, the nights cool and balmy—and he felt like being in the proximity of other humans even if he could not socialize with them.
And so, late at night, he slipped out of the passage to his cellar room and ascended the steps that led to the old banquet hall, now just a huge dining room. A single light was burning at the end of the hall. Beneath it stood an old piano.
Markham lifted the lid and ran his fingers over the keys. He could still pick out a tune, although it was many years since he had played for anyone or even for himself. Now at least he could indulge himself a little. An old song came back to him, and he played it softly, hesitantly, recalling a few words:
But it’s a long, long time, from May to December,
And the days grow short when we reach September …
He couldn’t remember all the words, so he just hummed a little as he played. Suddenly, something came down with a crash at the other end of the room. Markham looked up, startled. The hotel cat had knocked over a soup tureen that had been left on one of the tables. Seeing M
arkham’s tall, shifting shadow on the wall, its hair stood on end. And with a long, low wail it fled the banquet room.
Markham left too, and made his way up the carpeted staircase to the first-floor corridor.
Not all the rooms were occupied. They seldom were these days. He tried one or two doors, but they were locked. He walked to the end of the passage and tried the last door. It was open.
Assuming the room was unoccupied, he entered it quietly. The lights were off, but there was sufficient moonlight coming through the large bay window with its view of the mountains. Markham looked towards the large double bed and saw that it was occupied. A young couple lay there, fast asleep, wrapped in each other’s arms. A touching sight! Markham smiled bitterly. It was over forty years since anyone had lain in his arms.
There were footsteps in the passage. Someone stood outside the closed door. Had Markham been seen prowling about the corridors? He moved swiftly to the window, unlatched it, and stepped quickly out on to the landing abutting the roof. Quietly he closed the window and moved away.
Outside, on the roof, he felt an overwhelming sense of freedom. No one would find him there. He wondered why he hadn’t thought of the roof before. Being on it gave him a feeling of ownership. The hotel, and all who lived in it, belonged to him.
The lights, from a few skylights and the moon above, helped him to move unhindered over the sloping, corrugated old tin roof. He looked out at the mountains, striding away into the heavens. He felt at one with them.
The owner, Mr Khanna, was away on one of his extended trips abroad. Known to his friends as the Playboy of the Western World, he spent a great deal of his time and money in foreign capitals: London, Paris, New York, Amsterdam. Mr Khanna’s wife had health problems (mostly in her mind) and seldom travelled, except to visit godmen and faith healers. At this point in time she was suffering from insomnia, and was pacing about her room in her dressing gown, a loose-fitting garment that did little to conceal her overblown figure; for inspite of her many ailments, her appetite for everything on the menu card was undiminished. Right now she was looking for her sleeping tablets. Where on earth had she put them? They were not on her bedside table; not on the dressing table; not on the bathroom shelf. Perhaps they were in her handbag. She rummaged through a drawer, found and opened the bag, and extracted a strip of Valium. Pouring herself a glass of water from the bedside carafe, she tossed her head back, revealing several layers of chin. Before she could swallow the tablet, she saw a face at the skylight. Not really a face. Not a human face, that is. An empty eye socket, a wicked grin and a nose that wasn’t a nose, pressed flat against the glass.
