DAN
After the Finfer
Copyright © Joanna Ruocco, 2014
All rights reserved, including the right of reproduction in whole or in part in any form. This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously.
First Edition
ISBN: 978-0-9897607-2-0
Ebook ISBN: 978-0-9897607-4-4
Art on cover: Christine Shan Shan Hou, 2013
lazy river
6.75 × 10 inches
collage on paper
Design and composition by Danielle Dutton
Printed on permanent, durable, acid-free recycled paper
in the United States of America
Dorothy, a publishing project
PO Box 300433
St. Louis, MO 63130
dorothyproject.com
DAN
JOANNA RUOCCO
MELBA ZUZZO stood in the yard chewing tiredly on several pieces of gum. The day had barely started, and, as soon as it was over, another day was bound to begin. When would it end?
If only there weren’t leap years, thought Melba. Every 365 days, the calendar would lose several hours and, by now, there wouldn’t be any days left at all.
Melba strapped a helmet to her head. Beneath her feet, the yard felt compacted, dead herbage dried into a pleasant thatch. The un-vented helmet was lined with a squishy foam that served no purpose unless she brought her head into some kind of contact. She stood, helmeted, preparing to launch herself forward.
For a moment, she was held in position, perhaps by the air.
Nearly six quadrillion tons in all, thought Melba. As she recalled this fact, she felt the weight of it. She considered lying down. But was it wise? Melba’s mother had once warned her against lying down out of doors in foam.
“Pam Dempsey!” her mother had cried. It was summer and a downpour had cleared the pollen from the air. Melba and her mother had gone for an uncharacteristic walk together through the center of Dan, enjoying the freshness. They sat on a propane tank in the sunlight, passing a baggy of mulberries back and forth over the tank’s bright red cap.
“Pudgy Pam!” Melba’s mother shook her head admonishingly. “Pam the ham! Pam Dempsey.” Melba’s mother mashed the baggy of mulberries in her fist. “Poor Pam! She wandered away from the Halloween parade in her lobster suit and never returned. ‘I’m just going to nap in the woods, Gigi,’ she said. A harmless nap in the woods. I thought nothing of it. Pam Dempsey,” sighed Melba’s mother. “She put up quite a struggle, but all she could do in that floppy foam suit was flip herself over, supine, prone, supine, prone, or push herself around in circles with her feet, that’s what the authorities said when they saw the patterns in the disrupted leaves. The body was gone, of course, dragged away by coydogs.”
The foothills around the village of Dan were densely wooded, and it was true that at night the dells echoed with the mating songs of coydogs. Despite these congruencies, Melba had found it difficult to accept certain details of her mother’s story. Her mother never understood Pam Dempsey, thought Melba. Gigi Zuzzo was always striving! She was always running about, eating pralines and searching for lost keys, making vigorous checkmarks on secret lists she stowed in her purse or executing a series of invisible but excruciating isometric exercises. Her mother could not understand why a girl might abandon a parade to lie quietly in a bed of leaves.
Melba imagined hundreds of discombobulated children, their faces garishly painted, bouncing around in plastic jumpers, their mouths crammed with Swedish Fish, a few of them tooting handheld noisemaking devices, others hurling gourds. She imagined Pam Dempsey slipping away from the throngs, walking slowly into the forest, and lying down in the leaves. As night fell, she would have felt peaceful and warm in her lobster suit, blinking up at the forest canopy, watching as frost blanched the humid branches of the maple trees.
Melba imagined the pleasant pressures exerted on Pam Dempsey’s limbs by the mouths of many coydogs, their teeth battened by the foam of a lobster suit. Pam would have kept very still. She would have let herself be pulled into the foothills by coydogs, and then beyond the foothills into another town, or even all the way to the sea.
“Pam Dempsey!” said Melba now in the yard. The dense air absorbed the sound in an instant.
Sometimes Melba wondered if Dan was under some sort of quarantine. It seemed more difficult to come and go from Dan than could be accounted for by simply the mud and the ice and the mountains with their crevasses and deadfall snares. But who could have quarantined Dan? The federal government was rumored to have such powers, but the federal government seemed extremely remote, and Melba had heard that the federal government did not even exist in a state—as did Dan, and Henderson, another town Melba’s mother mentioned from time to time—but rather occupied a nebulous zone, almost but not quite its own country.
All at once, the elasticity of Melba’s gum exhausted itself. She spat a hard blue bean into the darkness of early morning. At the edge of the yard, the swarming thicket of black currant bushes and slime-fluxing hemlocks had grown thicker in the night. Melba approached, cautiously, arms extended. She pinched a currant between her fingers and sniffed. She found the smell distinctive, like the feces of a fisher cat. Earlier, Melba had found traces of such feces tracked through her house. But perhaps those had not been the feces of a fisher cat? Perhaps the small stains were so many trampled currants?
There is no use scrutinizing stains, thought Melba. At least with the naked eye. Their compositions are so complex.
With some difficulty Melba pushed into the thicket and extracted her bicycle from its caul of humus. As she pedaled through Dan she fixed her eyes on the dim grid of rooftops that dropped down the slope of the mountain toward the leachfield. It was an election year, and many of the rooftops sported slogans, even the mansard of the European, Helmut Pirm. Melba steered her bicycle into the large drain that ran beneath Lops Street, the warm water spraying up, rinsing the mud from the chain and the hubs.
Melba noticed a large bird running beside her, wings slightly outspread so that Melba had to assume they created significant drag, enough drag to strain the legs of the bird, which were doubtlessly strained already by the bird’s swift pace as it ran beside her, gaining on her, through the drain. Melba pedaled faster and exited the drain well in advance of the bird. She felt flushed and triumphant and rang her bell several times, laughing. Mark Rand, Melba’s landlord, lived on Satin Street, and Melba rang her bell again as she passed his house. Melba didn’t mind Mark Rand. He was short and personable, and even though he had attached earlobes, he seemed trustworthy to Melba. Still, she wished he wouldn’t store his agricultural chemicals in the shed behind her house. Shortly after she’d moved into the house on Hotot Street, she surprised Mark Rand pushing a hand-truck of damaged vats across the yard. Melba stood with her coffee watching him struggle over the thick ferns and the scat-like piles of oak galls.
“Hello, Mr. Rand,” said Melba and Mark Rand grunted at her over the hand-truck.
“Hello,” grunted Mark Rand. Then he paused, letting the base of the hand-truck rest on a coil of old garden hose so that he could address her more fully. “I am joyful, Melba,” said Mark Rand. “There is nothing sweeter to the eyes of a landlord than the sight of his tenant taking her ease on the well-maintained back stairs of a high-quality rental unit, her hand cozying a mug of hot beverage. Moments like these remind me why I remain committed to property management, instead of devoting myself full time to the more lucrative business of antiques.” He gestured to the vats on the hand-truck, which were, Melba noticed, extremely old. “I could auction these,” continued Mark Rand. “And for quite a bit of money, too, but it wouldn’t feel right. I want you to enj
oy them, Melba.”
“Thank you, Mr. Rand,” said Melba.
“Don’t touch them,” said Mark Rand. “But know that your shed is filled with priceless antiques. Take pride in them.”
Of course the vats were antiques, thought Melba. Mark Rand’s agricultural chemicals must have been left over from the days when the town of Dan was a pleasing patchwork of family farms crisscrossed by sportive sheep and grains of golden pollen. Such a Dan scarcely seemed possible.
“Dan wasn’t always a quagmire, was it?” Melba asked Mark Rand impulsively.
“No, Melba, it was not,” said Mark Rand.
“What happened?” asked Melba, but Mark Rand didn’t answer.
His hand-truck had been partially swallowed by a sinkhole and its excavation required his full attention.
Sometimes Melba wondered if she would ever discover the reason behind Dan’s transformation. Here and there, she’d encountered signs of Dan’s former prosperity: a quarry with tractor attachments rearing from the murky waters, a ticket stub from a county fair. But the residents of Dan could recall very little about the history of the town.
“You’re not exactly a spring chicken,” Helen Drake had said reprovingly, when Melba asked her about the Dan County Fair. “Why should I remember? What about you Melba?”
“Me?” said Melba. Surely she wasn’t as old as Helen Drake! But maybe she was. It was hard to tell with ages. But if Melba Zuzzo was as old as Helen Drake, she would certainly remember the Dan County Fair! Melba had been led to believe that hers was a particularly good mind, sharp and retentive. In grammar school, Melba had been the favorite of the principal, Principal Benjamin. It made sense that a principal would take to an intelligent child, an insightful child, a child of wit and aptitude, but perhaps Principal Benjamin was a different kind of principal. Perhaps he did not favor bright children. Perhaps he had been drawn to Melba precisely because he had sensed in her an utter lack of distinction, a pinched, lackluster quality that would only intensify with the years, eventually yielding a person so small and blanched he could put her in the pocket of his mustard-colored frock coat, marking her absently from time to time with his thumbnail as he might mark a nutmeat. There were principals with such proclivities, Melba thought. Who could say one way or the other about Principal Benjamin? Principal Benjamin had disappeared long ago.
In the basement of the school, the police found the tattered corner of a mauve bandana, monogrammed with Principal Benjamin’s initials and redolent of vinegar and paste.
“I’m sorry, Melba,” said Officer Greg when Melba arrived at the Dan Police Station. “I know you were close to Principal Benjamin, but there is nothing you can do to help.”
He brought Melba into the booking room.
“Unless of course you understand that,” said Officer Greg, pointing to the enormous poster on the wall.
“The periodic table,” said Melba.
“Well it’s not an eye chart!” said Officer Greg. Then, at the look on Melba’s face, he gentled.
“Whatever happened to Principal Benjamin, it was an act of nature,” said Officer Greg. “Not a crime. We’re calling in an expert to consult—,” Officer Greg jerked his thumb at the periodic table, “that. Many would argue we’re over-stepping our bounds pursuing the case at all.”
Officer Greg sighed. “I can’t explain any more,” he said. “It’s confidential police business. But maybe you can help us, Melba. How would you describe Principal Benjamin’s handwriting?”
Melba thought long and hard.
“Like blood droppings from a flea,” said Melba, “if the flea walked in straight lines across the page instead of bouncing from place to place.”
Officer Greg took a ziploc bag from his pocket and held it close to his face. Melba could see a white rectangle through the dingy plastic.
“Yup,” said Officer Greg. “It’s a match. Thank you, Melba. That will be all.”
Officer Greg didn’t allow Melba inside the Dan Police Station again. Weeks later, when the expert had delivered his full report on the isotopic compositions of noble gases and the case was officially closed, The Dan Banner ran an article lauding Officer Greg for his policemanship. The article made no mention of Melba Zuzzo’s role in the investigation. Melba Zuzzo read it a dozen times, as though savoring her misuse.
“Misused,” said Melba Zuzzo, and her voice rang out prophetically in a way that she did not enjoy.
Another possibility, Melba admitted, and a strong possibility at that, was cognitive degradation. She may indeed have been an intelligent child. Her inability to remember things might be a recent condition, a sign that her mental faculties had been compromised by her proximity to Mark Rand’s agricultural chemicals. Lately Melba had noticed certain changes. She was more agitated and her weight fluctuated, six pounds or more, between nightfall and morning. Melba was a tertiary feeder, and the chemicals had already affected the bottom of the food change. When Melba found vermin in her house—chipmunks and the occasional beaver—she could tell that they were not developed properly. They had weakened teeth and forepaws. Melba couldn’t help but laugh at the chipmunks as they tried to grip the Brazil nuts she piled in the nut well of the party platter. Their jerking movements reminded her of the time she tried to work the claw vending machine at the movie theater. The claw lurched all around, but the apertures between its prongs were too vast to give it purchase on the tiny, densely stuffed heads of the ostriches and giraffes that wallowed in the depths of the acrylic cabinet. After a few moments, the claw froze open and retracted, and no matter how many times Melba struck the sides of the machine with her fists, it only dangled on its short chain, twitching feebly.
“The Dan Movie Theater!” scoffed Helen Drake when Melba explained the movements of the chipmunks. “You see Melba, you are old!”
Maybe the trouble was adulthood and not agricultural chemicals, thought Melba. She had been a precocious child, but could one be a precocious adult?
Now in the gray sky above the rooftops of Dan, the sun was rising, overlarge and irregularly shaped, ramified by the refractive moisture droplets that made the air in Dan so suffocating to breathe. Melba’s exultation relaxed into a drab tranquility. Catching sight of her face in a shop window, she confirmed that her gratifying race with the bird had not suffused her cheeks with the becoming glow gratification brought to the cheeks of most others. The blood had come up in splotches.
She stopped her bicycle to peer at herself more closely in the window. She felt a burning in her left earlobe and stroked the earlobe grimly. Against her finger, the earlobe felt hard and weepy. It troubled Melba to consider her earlobe “weepy,” as though the sense organs, in this case, the eyes and the ears, could share their functions. The very notion brought to mind the lower-order animals, how they ate and defecated through a single hole. Such a simplification of the bodily processes would not appeal to the men and women of Dan. They took so much pleasure in the buttery crumpets and extra-soft pretzels Melba sold by the dozen in the bakery, and they reacted so negatively when, in casual conversation, Melba linked the crumpets and pretzels, however loosely, to any kind of output: vomit, excrement, or esophageal refluxus. Melba shuddered to imagine what the townsfolk would say if they needed to contend with the effects of reverse evolution. Most likely, though, they were simply unaware. Melba had never heard even a whisper about reverse evolution in her science classes, and not around town either. One time, Melba remembered, people had milled around in talkative groups right in the center of Dan, eating pretzels and discussing issues, but the conversation had focused on technological innovation.
“Fold-out couches are a disgrace,” shouted one woman. “They’re gimmicky, not worthy of their patent. Does anything good come from beneath the cushions of couch? Disease! Fossilized nachos! And we spend money adopting polar bears!” the woman’s voice shook with emotion, but the others did not take up her topic. It was widely known that the woman’s teenage son was a bounder given to serial, ungrateful tenanci
es on the couches of others, and that her comments did not represent the impartial assessment of technology that the tenor of the discussion demanded.
“What about mops?” a man thundered, leaping up onto the balustrade of the gazebo. “They’re just bits of rags tied to a stick! The totemic peoples exchanged such items with their neighbors to prevent sexual intercourse within the family clan. But do mops really serve such purposes today?”
Before Melba could catch the answer, Mayor Bunt arrived to announce that the tar-and-chips road maintenance activity had ended for the day.
“The roads are open,” announced Mayor Bunt and the people dispersed, Melba included. She had hoped to find the man who spoke so warmly about mops. His passionate intensity set him apart from the other men she had known, but at the same time, something about his short arms and humped back struck her as oddly familiar. She shoved through the crowd but by the time she reached the gazebo he was gone. That was years ago and, having never seen him again, Melba was forced to conclude that he was a salesman of sorts, just passing through Dan on his way to a hub of commerce.
Melba was about to push off again on her bicycle, when a man flung open a second floor window in the house across the street. He waved at Melba.
“Bev,” the man cried, “Bev Hat.” Melba squinted at the man, who was now leaning out the window gripping a bottle of hydrogen peroxide.
Melba knew Bev Hat. They’d been schoolchildren together back when Bev Hat was Bev Horn. Bev Horn had always showed promise and eventually she had blossomed into Bev Hat, a popular young mother. The last time Melba had seen Bev Hat, she was scrubbing stroganoff from a Turkish rug and singing in a high, clear voice. She was vigorous and thin, with the kind of grueling beauty that Melba’s mother found so impressive. Everyone was impressed with Bev Hat! Even Randal Hans, back when he was Melba’s boyfriend, seemed to think admiring thoughts about Bev Hat.
“Is it fair to say that Bev Hat’s beauty is like new fallen snow?” he asked Melba. “Or does that make her seem cold?”
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