by Greyspid
‘I grabbed for the bastard’s arm, and he fired again as my hand tightened on his wrist But this bullet missed her and went through the floor It seemed the screams were redoubled Glass was breaking Indeed, the windows were shattering Someone attempted to grab the man from behind, and I managed somehow to get the gun away from him, though I was accidentally stepping on Stella, indeed, tripping over her feet.
‘I fell on my knees with the gun, and then pushed it quite deliberately away across the floor The murderer was struggling vainly against a half-dozen men now Glass from the windows blew inward all over us, I saw it ram down upon Stella Blood was running down her neck, and over the Mayfair emerald which lay askew on her breast.
‘Next thing I knew a monstrous clap of thunder obliterated the deafening screams and shrieks still coming from all quarters And I felt the ram gusting in, then I heard it coming down on the porches all around, and then the lights went out.
‘In repeated flashes of lightning I saw the men dragging the murderer from the room A woman knelt at Stella’s side, and lifted her lifeless wrist, and then let out an agonizing scream.
‘As for the child, she had come into the room, and stood barefoot staring at her mother And then she too began to scream Her voice rose high and piercing over the others "Mama, Mama, Mama," as though with each new burst her realization of what had happened deepened helplessly.
‘"Someone take her out‘" I cried And indeed, others had gathered around her, and were attempting to draw her away I moved out of their path, only climbing to my feet when I reached the side porch window In another crackle of white light, I saw someone pick up the gun It was then handed to another person, and then to another, who held it as if it were alive Fingerprints were no longer of consequence, if ever they were, and there had been countless witnesses There was no reason for me not to get out while I could And turning, I made my way out onto the side porch and into the downpour, as I stepped onto the lawn.
‘Dozens of people were huddled there, the women crying, the men doing what they could to cover the women’s heads with their jackets, everyone soaked and shivering and quite at a loss The lights flickered on for a second, but another violent slash of lightning signaled their final failure When an upstairs window suddenly burst in a shower of glittering shards, panic broke out once more.
‘I hurried towards the back of the property, thinking to leave unobserved through a back way This meant a short rush along a flagstone path, a climb of two steps to the patio around the swimming pool, and then I spied the side alley to the gate
‘Even through the dense rain I could see that it was open, and see beyond it the wet gleaming cobblestones of the street The thunder rolled over the rooftops, and the lightning laid bare the whole garden hideously in an instant, with its balustrades and towering camellias, and beach towels draped over so many skeletal black iron chairs Everything was helplessly thrashing in the wind.
‘I heard sirens suddenly And as I rushed towards the waiting sidewalk, I glimpsed a man standing motionless and stiff, as it were, in a great clump of banana trees to the right of the gate.
‘As I drew closer, I glanced to the right, and into the man’s face It was the spirit, visible to me once more, though for what reason under God I had no idea My heart raced dangerously, and I felt a momentary dizziness and tightening in my temples as if the circulation of my blood were being choked off.
‘He presented the same figure he had before, I saw the unmistakable glint of brown hair and brown eyes, and dim unremarkable clothing save for its primness and a certain vagueness about the whole Yet the raindrops glistened as they struck his shoulders and his lapels They glistened in his hair.
‘But it was the face of the being which held me enthralled It was monstrously transfigured by anguish, and his cheeks were wet with soundless crying as he looked into my eyes.
‘"God in heaven, speak if you can," I said, almost the same words I’d spoken to the poor desperate spirit of Stuart And so crazed was I by all I had seen that I lunged at him, seeking to grab hold of him by the shoulders and make him answer if I could.
‘He vanished Only this time I felt him vanish I felt the warmth and the sudden movement in the air It was as if something had been sucked away, and the bananas swayed violently But then the wind and the ram were knocking them about And suddenly I did not know what I had seen, or what I had felt My heart was skipping dangerously I felt another wave of dizziness Time to get out.
‘I hurried up Chestnut Street past scores of wandering, weeping, dazed individuals and then down Jackson Avenue out of the wind and the rain, into a fairly clear and mild stretch where the traffic swept by without the slightest knowledge, apparently, of what had happened only blocks away Within a matter of seconds, I caught a taxi for the hotel.
‘As soon as I reached it, I gathered up my belongings, lugging them downstairs myself without the aid of a bellboy, and immediately checked out I had the cab take me to the train station, where I caught the midnight tram for New York, and I am in my sleeping car now.
‘I shall post this as soon as I possibly can And until such time, I shall carry the letter with me, on my person, hoping for what it’s worth that if anything happens to me the letter will be found.
‘But as I write this I do not think anything will happen to me1 It is over, this chapter’ It has come to a ghastly and bloody end Stuart was part of it And God only knows what role the spirit played in it But I shall not tempt the demon further by turning back Every impulse in my being tells me to get away from here And if I forget this for a moment, I have the haunting memory of Stuart to guide me, Stuart gesturing to me from the top of the stairs to go away
‘If we never talk in London, please pay heed to the advice I give you now Send no one else to this place At least not now Watch, wait, as is our motto Consider the evidence Try to draw some lesson from what has taken place And above all, study the Mayfair record Study it deeply and put its various materials in order.
‘My belief, for what it is worth at such a moment, is that neither Lasher nor Stella had a hand in the death of Stuart. Yet his remains are under that roof.
‘But the council may consider the evidence at its leisure. Send no one here again.
‘We cannot hope for public justice with regard to Stuart. We cannot hope for legal resolutions. Even in the investigation that will inevitably follow tonight’s horrors, there will be no search of the Mayfair house and its grounds. And how could we ever demand such a step be taken?
‘But Stuart will never be forgotten. And I am man enough, even in my twilight years, to believe that there must be a reckoning - both for Stuart, and for Petyr — though with whom or with what that reckoning will be I do not know.
‘I do not speak of retribution. I do not speak of revenge. I speak of illumination, understanding, and above all, resolution. I speak of the final light of truth.
‘These people, the Mayfairs, do not know who they are anymore. I tell you the young woman was an innocent. I’m convinced of it. But we know. We know; and Lasher knows. And who is Lasher? Who is the spirit who chose to reveal his pain to me; who chose to show to me his very tears?’
Arthur posted this letter from St Louis, Missouri. A bad carbon was sent two days later from New York, with a brief postscript, explaining that Arthur had booked passage home, and would be sailing at the end of the week.
After two days at sea, Arthur rang the ship’s doctor, complaining of chest pains and asking for a standard remedy for indigestion. A half hour later, the doctor discovered Arthur dead of an apparent heart attack. The time was half past six on the evening of September 7, 1929.
Arthur had written one more brief letter on shipboard the day before his death. It was in his robe pocket when he was found.
In it, he said that he was not well, and suffering from violent seasickness, which he hadn’t experienced in years. There were times when he feared he was really ill, and might not see the Motherhouse again.
‘There are so many thi
ngs I want to discuss with you about the Mayfairs, so many ideas going through my head. What if we were to draw off that spirit? That is, what if we were to invite it to come to us?
‘Whatever you do, do not send another investigator to New Orleans - not now, not while that woman, Carlotta Mayfair, lives.’
TWENTY-ONE
HE WAS kissing her as his fingers stroked her breasts. The pleasure was so keen. Paralyzing. She tried to lift her head. But she couldn’t move. The constant roar of the jet engines lulled her. Yes, this is a dream. Yet it seemed so real, and she was slipping back into it. Only forty-five minutes until they landed at New Orleans International. She ought to try to wake up. But then he kissed her again, forcing his tongue very gently between her lips, so gently yet forcefully and his fingers touched her nipples, pinching them as if she were naked under the small woolen blanket. Oh, he knew how to do it, pinch them slowly but hard. She turned more fully towards the window, sighing, drawing up her knees against the side of the cabin. No one noticing her. First class half empty. Almost there.
Again, he pinched her nipples, just a little more cruely, ah, so delicious. You cannot be too rough, really. Press your lips harder against mine. Fill me with your tongue. She opened her mouth against his, and then his fingers touched her hair, sending another, unexpected sensation through her, a light tingling. That was the miracle of it, that it was such a blending of sensations, like soft and bright colors mingling, the chills moving down her naked back and arms, and yet the heat pounding between her legs. Come inside me! I want to be filled up, yes, with your tongue, and with you, come in harder. It was enormous, yet smooth, bathed as it was in her fluids.
She came silently, shuddering beneath the blanket, her hair fallen down over her face, only dimly aware that she wasn’t naked, that no one could be touching her, no one could be creating this pleasure. Yet it went on and on, her heart stopping, the blood pounding in her face, the shocks moving down through her thighs and her calves.
You are going to die if it doesn’t stop, Rowan. His hand brushed her cheek. He kissed her eyelids. Love you…
Suddenly, she opened her eyes. For a moment nothing registered. Then she saw the cabin. The little blind was drawn, and everything about her seemed a pale luminous gray, drenched in the sound of the engines. The shocks were still passing through her. She lay back in the large soft airline seat and yielded to them, rather like dim, beautifully modulated jolts of electricity, her eyes drifting sluggishly over the ceiling as she struggled to keep them open, to wake up.
God, how did she look after this little orgy? Her face must be flushed.
Very slowly, she sat up, smoothing back her hair with both hands. She tried to reinvoke the dream, not for the sensuality but for information, tried to travel back to the center of it, to know who he had been. Not Michael. No. That was the bad part.
Christ, she thought. I’ve been unfaithful to him with nobody. How strange. She pressed her hands to her cheeks. Very warm. She was still feeling the low, vibrant, debilitating pleasure even now.
‘How long before we land in New Orleans?’ she asked the stewardess who was passing.
‘Thirty minutes. Seat belt buckled?’
She sat back, feeling for the buckled seat belt, and then letting herself go deliciously limp. But how could a dream do that, she thought. How could a dream carry it so far?
When she was thirteen, she used to have those dreams, before she knew they were natural or what to do about them. But she’d always wake before the finish. She couldn’t help it. This time, it had just taken its own course. And the odd thing was, she felt violated, as if the dream lover had assaulted her. Now, that was really absurd. But it wasn’t a good feeling, and it was extremely strong.
Violated…
She raised her hands to her breasts under the blanket, covering them protectively. But that was nonsense, wasn’t it? Besides, it wasn’t rape at all.
‘You want a drink before we land?’
‘No. Coffee.’ She closed her eyes. Who had he been, her dream lover? No face, no name. Only the sense of someone more delicate than Michael, someone almost ethereal, or at least that was the word that came to her mind. The man had spoken to her, however, she was sure of it, but everything except the memory of the pleasure was gone.
Only as she sat up to drink the coffee did she realize there was a faint soreness between her legs. Possibly an aftereffect of the powerful muscular contractions. Thank God there was no one else near at hand, no one beside her or across the aisle from her. But then she never would have let it go so far if she hadn’t been concealed, under the blanket. That is, if she could have forced herself awake. If she had had a choice.
She felt so sleepy!
Slowly she took a sip of the coffee and raised the white plastic shade.
Green swampland down there in the deepening afternoon sun. And the dark brown serpentine river curving around the distant city. She felt a sudden elation. Almost there. The sound of the engines grew harsher, louder with the plane’s descent.
She didn’t want to think about the dream anymore. She honestly wished it hadn’t happened. In fact, it was dreadfully distasteful to her suddenly, and she felt soiled and tired and angry. Even a little revolted. She wanted to think about her mother, and about seeing Michael.
She had called Jerry Lonigan from Dallas. The parlor was open. And the cousins were already arriving. They had been calling all morning. The Mass was set for three p.m. and she wasn’t to worry. She should just come on over from the Pontchartrain as soon as she arrived.
‘Where are you, Michael?’ she whispered, as she sat back again, and closed her eyes.
TWENTY-TWO
THE FILE ON THE MAYFAIR WITCHES
PART VIII
The Family from 1929 to 1956
THE IMMEDIATE AFTERMATH OF STELLAS DEATH
IN OCTOBER AND NOVEMBER OF 1929, the stock market crashed and the world entered the Great Depression. The Roaring Twenties came to an end. Wealthy people everywhere lost their fortunes. Multimillionaires jumped out of windows And in a time of new and unwelcome austerity, there came an inevitable cultural reaction to the excesses of the twenties Short skirts, booze-swilling socialites, and sexually sophisticated motion pictures and books went out of style
At the Mayfair house on First and Chestnut Streets in New Orleans, the lights went dim with Stella’s death and were never turned up again. Candles lighted Stella’s open-casket funeral in the double parlor. And when Lionel, her brother, who had shot her dead with two bullets in front of scores of witnesses, was buried a short time after, it was not from the house but from a sterile funeral parlor on Magazine Street blocks away
Within six months of Lionel’s death, Stella’s art deco furniture, her numerous contemporary paintings, her countless records of jazz and ragtime and blues singers, all disappeared from the rooms of First Street. What did not go into the immense attics of the house went out on the street.
Countless staid Victorian pieces, stored since the loss of Riverbend, came out of storage to fill the rooms. Shutters were bolted on the Chestnut Street windows never to be opened again.
But these changes had little to do with the death of the Roaring Twenties, or the crash of the stock market, or the Great Depression.
The family firm of Mayfair and Mayfair had long ago shifted its enormous resources out of the railroads, and out of the dangerously inflated stock market. As early as 1924, it had liquidated its immense land holdings in Florida for boom profits. It continued to hold its California property for the western land boom yet to come. With millions invested in gold, Swiss francs, South African diamond mines, and countless other profitable ventures, the family was once again in a position to lend money to friends and distant cousins who had lost all they had
And lend money right and left the family did, pumping new blood into its incalculably large body of political and social contacts, and further protecting itself from interference of any sort as it had always done.
 
; Lionel Mayfair was never questioned by a single police officer as to why he shot Stella. Two hours after her death, he was a patient in a private sanitarium, where in the days that followed weary doctors nodded off listening to Lionel rave about the devil walking the hallways of the house at First Street, about little Antha taking the devil into her bed.
‘And there he was with Antha and I knew it. It was happening all over again. And Mother wasn’t there, you see, no one was there Just Carlotta fighting endlessly with Stella. Oh, you can’t imagine the door slamming and the screaming. We were a household of children without Mother. There was my big sister Belle clinging to her doll, and crying. And Millie Dear, poor Millie Dear, saying her rosary on the side porch in the dark, shaking her head. And Carlotta struggling to take Mother’s place, and unable to do it. She’s a tin soldier compared to Mother! Stella threw things at her. "You think you’re going to lock me up!" Stella was hysterical.
‘Children, I tell you, that’s what we were. I’d knock on her door and Pierce was in there with her! I knew it and all this in broad daylight. She was lying to me, and him with Antha, I saw him All the time I saw him! I saw him! I saw them together in the garden. But she knew, she knew all along that he was with Antha. She let it happen.
‘"Are you going to let him have her?" That’s what Carlotta said How the hell was I supposed to stop it? She couldn’t stop it. Antha was under the trees out there singing with him, tossing the flowers in the air, and he was making them float there. I saw that! I saw that so many times! I could hear her laughing. That’s how Stella used to laugh! And what did Mother ever do, for Christ’s sake! Oh, God, you don’t understand. A household of children And why were we children? Because we didn’t know how to be evil Did Mother know how? Did Julien know how?
‘Do you know why Belle’s an idiot? It was inbreeding! And Millie Dear’s no better! Good God, do you know that Millie Dear is Julien’s daughter! Oh, yes, she is! As God is my witness, yes, she is. And she sees him and she lies about it! I know she sees him.