by Paul Levine
"Do you understand that you must answer every question truthfully?" The polygraph examiner, a retired cop named Tony Cuevas, twisted the dial on the galvanic skin monitor and waited for Roger's response. Before he went on pension, Cuevas had a more direct way of eliciting the truth. A nightstick smashed against an ankle. But that was Cuevas the cop. Cuevas the security consultant was a laid-back, soft-spoken forty-seven-year-old guy of average build and pleasant demeanor. He could have been an assistant vice president at a small town bank. Today Cuevas was relaxed and informal, wearing a short-sleeved white shirt and nondescript tie, fiddling with the balance on the cardio amplifier.
"Yes sir," Roger Salisbury answered. The five pens on the charts made their little hills.
"Do you live in Florida?" Cuevas asked. That is a neutral question. The blood pressure, respiration, and perspiration are recorded, setting the lower borders for the test.
"Yes." v ' 208
"Did you ever take anything that didn't belong to you?" A control question.
Salisbury paused, then a soft "Yes."
That one didn't work. The idea of a control question is to get a false answer. Nearly everybody has stolen something, if only a candy bar. If Salisbury had falsely denied it, his physiological response to this irrelevant question would have been compared to the response to the biggie: Did you kill Philip Corrigan? If the reaction is greater to the irrelevant control question than to the relevant question about the killing, chances are he's telling the truth. If the reaction is greater to the relevant question, chances are he's more concerned about that answer, and it's a lie.
Tony Cuevas may have wanted to stomp on Roger Salisbury's instep to get a better answer, but he simply smiled and asked, "Did you ever cheat in school, even once?"
Another short pause, then a soft "No." I couldn't see the charts, but that was the answer Cuevas wanted. An almost sure lie to an irrelevant question.
A pause for about thirty seconds to let the reactions die.
"Did you kill Philip Corrigan?"
A hasty, firm "No, sir."
"Is your name Roger?" Back to the neutral question to start the sequence again.
"Yes."
"Did you ever wish anyone harm?" Again, a control question, eliciting the lie.
"No." It's amazing how many people refuse to admit the truth to questions they believe are irrelevant. They're afraid that if they admit to skullduggery or viciousness in the past, it's an admission of guilt on the subject of the polygraph test, and figuring the question isn't the one that's being tested, they lie about it.
The required pause, and then: "Did you inject succinylcholine or any other substance into Philip Corrigan in an attempt to kill him?"
"No."
"Were you born in May?"
"Yes."
"Have you ever told a lie to get out of trouble?"
Silence, then "Yes." Roger Salisbury was more honest than most, but he still denied two of the control questions, enough for Cuevas to evaluate the charts.
"One more question, Dr. Salisbury. Do you know who killed Philip Corrigan?"
"No sir," Roger Salisbury said.
Cuevas went through the same questions two more times. The answers stayed the same. The pens never stopped gliding up and down the moving paper. Tony Cuevas never changed his expression. When it was over, Roger Salisbury ran a hand through his neat, salt-and-pepper hair and gave me a wary look. His shirt was soaked and he seemed worn out. I told him that honest men sweat, too, and sent him home.
I used to think I was a good judge of character. Then I got burned a few times. Now I watched Roger Salisbury heading out the door. Good looking in that bland, undefined way. A mild, passive demeanor. Troubled now. He was either an honest man worried about the reliability of the strange contraption or a killer fearful that his mask was about to be peeled back.
Very perceptive, Lassiter. And you are either a brilliant 210 lawyer riding the crest of a dazzling career or a has-been ex-jock who should be selling hurricane shutters.
Cuevas kicked open a mini-refrigerator and offered me a beer. I was thirsty and he was sociable, so we polished off a six-pack while going over the charts. Cuevas measured the little lines, some forming the Appalachians, others the Rockies. He made notes, used a calculator, scratched his head with a pencil, and said, "I got a plus eight or better on two of the three relevant questions."
"Meaning?"
"Truthful. He didn't kill Philip Corrigan. Or more properly stated, his physiological responses lead me to conclude that he doesn't believe that he did."
"So what did he lie about?"
"Nothing for sure. The machine gives us three categories. Truthful, deceptive, and inconclusive. He got a minus four when I asked him if he knew who killed the guy. Minus six would be clearly deceptive. Minus four is close but still inconclusive. Here, look at this."
He pointed at some squiggly lines. They trailed off, becoming shorter, then taller, then shorter again.
"Looks like the Dow Jones," I said.
"That's called a staircase suppression. See, it's like a series of steps. It shows suppression of respiration just after I asked if he knows who killed Corrigan. That's one of the indications of deception."
"So does he know who did the killing?"
"A definite maybe. Sorry, best I can do is he didn't kill Corrigan but may know who did. If he clearly lied about not knowing, I'd be even more convinced he was innocent of the murder itself."
I must have looked puzzled because Cuevas continued, "It's this way, Lassiter. If the test shows clearly truthful to the denial of having committed the crime and clearly deceptive as to the denial of knowing who did, he's absolutely innocent. Money back, guaran-fucking-teed clean as a whistle. A killer will never show a stronger response to the question of who did it than whether he did it."
I fooled around with the blood pressure cuff, then turned to Cuevas: "He told me he doesn't know who killed Corrigan. I don't like it if he's lying to me."
"He might have had an itchy foot or a chest pain when he answered. Or he might know the killer and be protecting him."
"Or her," I said.
Cuevas nodded. "Or them. But your guy looks clean on the big questions, so you got what you want, an innocent lamb being led to the slaughter."
Which means someone is telling lies about Roger Salisbury. I remembered the line from Kafka: "Someone must have been telling lies about Joseph K. for without having done anything wrong he was arrested one fine morning." Which also meant we needed to prepare for The Trial.
The next morning I was at my desk at eight o'clock when the call came on my private line. "You gonna surrender that pervert murderer or should a couple boys from major crimes cuff him and bring him in the front door with all the TV assholes outside?"
Abe Socolow had such a folksy way of saying hello. He was delivering a message, just in case I missed it the day before. There would be no breaks, no special treatment because we used to break bread together. Now I was just another problem for him. After he brushed me aside, he could sweep up the scum he saw in front of him.
"You shouldn't skip breakfast, Abe. Affects your disposition."
He snorted at me. "I chew nails for breakfast."
"And spit out tacks," I said. "Roger will be there whenever you want. We aim to cooperate. But we'd like some cooperation from the state, too."
"Like what?" he asked, suspicion rising in him like steam in a kettle.
"Bond, reasonable bond for someone never before arrested, much less convicted of a crime."
"Hey, Jake, don't pee on my leg, okay. We're talking a capital crime here. No bond. You remember your criminal procedure, don't you, or is the money too good handling divorces and corporate mergers?"
Socolow was going to make my life miserable, and if I couldn't figure that out, he was telling me about it. He wanted me to grovel a little, so I did. It wouldn't help my client to insult the guy trying to fry him. "Abe, the court will grant him bond if the state stipulates
to it. He's not going anywhere. He's got his medical practice here. He'll show up for arraignment, the preliminary, the trial, the whole works."
"And what if he splits for Argentina with some bambina? I'll look like a schmuck."
"Who'd notice the difference?" I said, without thinking. I pictured Socolow scowling at me at the other end of the line.
"Fuck him and the horse he rode in on. Let him sit in the can with all the other shitheads."
Stay in the prosecutor's office long enough, you get warped. You start thinking like a cop and talking like a cop. Cops are everywhere-homicide, vice, narcs-telling macho stories, hanging together in the paranoid world of Us against Them. Then in the corridors of the Justice Building, you rub up against the silk-suited shoulders of criminal lawyers and their depraved clients. No way you can stay sane. Not after eighteen years.
He always thought I was too flippant. Become a judge if you want to be a wiseguy, Socolow once told me. They get away with that shit.
"So what's it gonna be?" Socolow said finally.
"I'll bring him in, but I want an immediate bond hearing. You and I both know he shouldn't have to cool his heels in that hellhole across the street."
Socolow laughed. "Good enough for spicks and spades, but not for the saintly doctor. Bring him in, and I'll get you a bond hearing this afternoon. But you know your burden under Arthur v. State."
I knew, I knew. Unlike a trial, where the state has the burden of proving guilt beyond a reasonable doubt, at a bond hearing in a capital case, the defendant must show that the state lacks sufficient evidence of guilt. But there was something in that for us, too. I could cross-examine Socolow's witnesses. One more time to put them under oath, a great advantage, because the best trick in the defense lawyer's trial bag is to elicit conflicting statements from prosecution witnesses. Jurors love that, even if the testimony is as innocuous as the color of the tie someone was wearing on the day of a murder. So the state's case would be unfolded in front of me, and the state's star witness, Mrs. Melanie Corri-gan, would have to testify much sooner than she could have expected.
"I can't believe Melanie set me up," Roger Salisbury said as we looked for a parking space in front of the Justice Building. He squirmed in the bucket seat.
"Believe it," I said. "Hey, she sued you for malpractice, planted the drug in your house, and gave the State Attorney's Office an affidavit for the search warrant. What more does it take?"
He slammed a hand against the dashboard. "I'll believe it when I see her take the stand against me, not before."
"Fine," I said, pulling the old convertible into the meager shade of a thatch palm. "That should be right after lunch."
18
CIRCUS MAXIMUS
The Justice Building hadn't changed, except to become more crowded, dirtier, and more forbidding. When I started practicing law, six Criminal Court judges handled all felony cases in Dade County. But that was before Miami became the major port of entry for various grasses, powders, and pills from south of the border, and before Miami earned its civic bones as murder capital of the U.S. of A. Now Miami has the highest crime rate in the country. That's important. Americans have a passion for being number one. Like having the highest humidity, the murder rate is the source of a bizarre sense of pride among locals. It takes a tough hombre to battle
Miami's mosquitoes each summer and the criminals all year round.
The city padres can't do much about the weather, but they keep adding personnel to the justice system. Now, eighteen state judges churn through calendars stocked with up to sixty felonies each day, hurrying through arraignments, motions, bond hearings, reports, soundings, trials, and sentenc-ings. A constant flow of humanity crowds the corridors- Liberty City blacks, Hispanics from a dozen countries, dirt-poor whites-calling out for their public defenders in a Babel of tongues, inner-city jive, machine-gun Spanish, back-country Southern drawl.
I was pacing the fourth floor, getting the feel of the place again, waiting for the bond hearing. The tile floors were filthy, the corridors dim with dead fluorescent bulbs. Acoustic tiles were missing from the ceiling, leaving gaps like missing teeth. Every thirty feet or so, huge twists of electrical wires dropped from overhead conduits, waiting for county electricians to install some new device, maybe TV cameras, escape alarms, or other technological marvels. The wires could have been there a week or a year. In the Justice Building, time is another dimension.
An ancient bailiff in a baggy blue uniform came out of a courtroom shouting, "Judge Snyder's calendar is now being called!" All aboard.
A young assistant state attorney with too much hair and an unkempt moustache sang out, "Teddy Figuero-a! Teddy Figuero-a!" A prosecutor's missing witness, a case about to go down the tubes.
A huge black woman slammed into me. She held her even larger son by the scruff of his T-shirt and horse collared him down the corridor. The son was about twenty, with shoulders like a water buffalo but a choreographer's hips.
"What day they say your trial be?" the mom demanded.
"February four, Momma."
"No. No. The ar-rangement be February four. The trial be when, March something…"
They trundled toward the escalators, still debating.
Shackled defendants crossed the corridor in twos, shuffling from one holding cell to another, eyes darting left and right, looking for girlfriends, mothers, lawyers, or bondsmen.
A sunburned redhead in her forties removed one high-heeled shoe and wiggled the toes of her right foot. Four toes, the little one missing. Maybe the evidence in a criminal case. Who knows? The performers are crazed at Circus Maximus.
I threaded my way to Judge Randolph Crane's courtroom, a spacious arena with thirty-foot ceilings, paneled walls on two sides, and a stained glass ornamental wall behind the bench into which was cut a door and through which the judge miraculously appeared from chambers. Under his raised bench of simulated walnut was a red panic button that summoned corrections officers in the event a deranged defendant (or lawyer) attacked him, and on a hidden shelf sat a loaded. 357 Magnum in case the officers were all squeezing up against the young women clerks in the police liaison office.
I was waiting for the officers to bring Roger into the courtroom from the county jail next door where he had been booked two hours earlier. The prisoners came through an overpass that crossed the street and led directly into holding cells attached to the courtrooms. I had stayed with Roger as long as they let me in jail processing, and when they took him back through the huge steel door that clanged shut with a sound of malice and finality, he shot me a helpless look.
It hit me then, the load I carried, Roger Salisbury's life weighing a ton on my shoulders. The first rule of criminal cases and here I was emoting, instead of thinking, feeling anguish for him instead of masterminding a brilliant strategy to set him free. If any there be.
A dozen defendants sat in the jury box waiting for their cases to be called. Lawyers milled about in front of the bar, whispering to each other, poring through files, making deals, swapping stories. The courtroom resembled a basketball court before the game, players at both ends warming up, taking shots from all over the court, slapping each other on the back, a kind of camaraderie before the battle. At the same time, the judge kept calling his calendar, sometimes banging his gavel to bring the uproar to a manageable din.
Judge Randolph Crane was serving his fourth six-year term on the bench. He was tall and spare with a long, gloomy, gray face. His pale blue eyes had seen it all and not liked any of it. He spoke quickly as if he wanted to get it over with, sometimes thumbing through his calendar, shaking his head at the number of cases still to be heard.
"Rodolfo Milan," the judge called out. A pot-bellied man in a stained guayabera dragged himself out of the jury box. A public defender whispered in his ear. In a singsong voice, the judge began his mournful chant, "You're charged with aggravated assault, grand theft, breaking and entering, possession of a weapon in the commission of a felony. Rodolfo Milan, ho
w do you plead?"
The defendant looked for his public defender, who now was huddled with a young woman prosecutor in a black miniskirt and fishnet stockings.
"Have I got a plea for you?" She winked at the defense lawyer.
It went on like this for a while, arraignments and some guilty pleas, a few cases nolle prossed because the state had misplaced files or lost evidence or forgotten to subpoena witnesses or violated the speedy trial rule. With all the traps, with the rules of criminal procedure a minefield for the prosecution, it's a miracle anybody ever gets convicted. Except when they really want you. When they pay attention to you, throw their resources into it, when an Abe Socolow gets a burr under his saddle, makes it personal, then it's different. Then it's all turned around.
The judge kept calling cases, and every few minutes, corrections officers brought a new load of defendants from the holding cell to the jury box. Still no Roger Salisbury.
"Ivory Holloman," the judge sang out. "You're charged with grand theft, auto…"
Marvin Pollack, a skinny sixty-year-old defense lawyer with a matted toupee, pushed a young black man in a muscle shirt up against one wall of the courtroom. "Ivory, you got the money?" Pollack asked, patting the man's back pocket and not finding a wallet.
"Tomorrow, Mister Po-lock," Ivory Holloman said, terror in his eyes. If he wanted to, Ivory could pick up Marvin Pollack and use him for a walking stick. Ivory didn't want to. He wanted Marvin Pollack to keep him out of jail.
"Let's see what you got there," Pollack said, jamming his hand inside the man's tight jeans, fishing out some wrinkled currency. "Shit! A fin, nine singles, and a Lotto ticket."
Pollack smoothed the bills, pocketed them, straightened his tie, and prepared to negotiate a fourteen-dollar plea.
"Lazaro Arango, first degree arson…"
Abe Socolow strutted into the courtroom followed by his entourage. A couple of detectives from Metro, a young woman assistant state attorney, the medical examiner, a paralegal, and two clerks from the prosecutor's office. The state can always outnumber you. The detectives flanked Melanie Corrigan, who looked a trifle uneasy, but in a virgin-white cotton dress, her arrival still cut the decibel level in half as she walked to the first row of the gallery.
