Croesus (Keiser)
Croft, William
Cromwell, Oliver
Culloden, Battle of
Cumberland, William Duke of
Cuzzoni, Francesca
Czernohorsky, Bohuslav
D’Alembert, Jean Le Round
Dallapiccola, Luigi
Dalton, John
D’Annunzio, Gabriele
Dante Alighieri
da Ponte, Lorenzo
Dardanus (Rameau)
Dario (Ariosti)
Darwin, Charles
Davenant, Sir William
Davide e Bersabea (Porpora)
David’s Lamentations over Saul and Jonathan (J. C. Smith, Jr.)
Dean, Winton
Deborah (Greene)
Defesch, William
Defoe, Daniel
Deism
Delany, Dr. Patrick
Delany, Mrs. Patrick
Della Ciaia, Alessandro
Denham, Sir John
Denner, Balthasar
Dent, Edward J.
De Quincey, Thomas
Descartes, René
Deutsch, Otto Erich
Deutsche Messe (Luther)
Deutsche Passion, Die (Burck)
Devonshire, third Duke of
devozioni
Diabelli, Anton
Dickens, Charles
Dido and Aeneas (Purcell)
Dieupart, Charles
Dilthey, Wilhelm
Dioclesian (Purcell)
Diocletian, Emperor
Discorso musicale (G. M. Bononcini)
Discourse on Music, Painting, and Poetry (Harris)
Dolci, Carlo
Don Carlo (Verdi)
Don Giovanni (Mozart)
Doni, Giovanni Battista
Downes, John
Draghi, Antonio
Dragon of Wantley, The (Lampe-Carey)
dramma sacro
Dream of Gerontius, The (Elgar)
Dresden
Dryden, John
Dublin
Dubourg, Matthew
Duburk, John
Duetti da camera (Bononcini)
Duetti e terzetti (Pistocchi)
Dunciad, The (Pope)
Dunstable, John
Duparc, Elisabeth, see Francesina
Durante, Francesco
Durastanti, Margherita
Diirer, Albrecht
Düsseldorf
Ebner, Wolfgang
Ecce quomodo moritur (Gallus)
Eccles, John
Edwards, Miss (singer)
Elements of Criticism (Home)
Elgar, Sir Edward
Elijah (Mendelssohn)
Eliot, T. S.
Elizabeth, daughter of James I,
Elmenhorst, Heinrich
Engel, Hans
Engel, Johann Jakob
English music (in Handel’s time)
“English opera,” see English theatre
English theatre:
attitude towards lyric stage
ballad opera
and classical tradition
French influence on
pastoral, masque, semi-opera, “English opera,”
Épine, Francesca Margherita 1’
Erba, Dionigi
Erlebach, Philipp Heinrich
Erminia (Bononcini)
Ernst, Prince of Hanover
Ernst Augustus, Elector of Hanover
Essay on Criticism (Pope)
Essay on Dramatic Poesy (Dryden)
Essay on Man (Pope)
Essay on Musical Expression (Avison)
Esther (Racine)
Etearco (Bononcini)
Euripides
Evelyn, John
Ewerhart, Rudolf
Exsultate jubilate (Mozart)
Fabri, Annibale
Fairy Queen, The (Purcell)
Fairy Queen, The (Spenser)
Faithful Shepherdess, The (Fletcher)
Falkener, Robert
Farinel, Jean Baptiste (Farinelli)
Farinelli (Carlo Broschi)
Farnace (Bononcini)
Farrant, Richard
Fedeli, Ruggiero
Feind, Barthold
Fénelon, François de
Ferrara
Festing, Michael
Fêtes d’Hébé, Les (Rameau)
Fidelio (Beethoven)
Fielding, Henry
Filippo Lippi, Fra
Fischer, J. K. F.
Fitzgerald, Edward
Fletcher, John
Flögel, Bruno
Flood, W. H. Grattan
Flora, La (Jeppesen)
Florence
Florilegium (Muffat)
Flower, Sir Newman
Foggia, Antonio
Foggia, Francesco
Forkel, Johann Nikolaus
Forza della virtù, La (Keiser)
Foundling Hospital (Halle)
Foundling Hospital (London)
France, Anatole
Francesina, Signora (singer)
Francke, August Hermann
Franz, Robert
Frasi, Giulia
Frederick, Elector, later Frederick I of Prussia
Frederick II of Prussia (the Great)
Frederick, Prince of Wales
French classical drama
influence on English theatre
on opera and oratorio
Frescobaldi, Girolamo
Froberger, Johann Jakob
frottola
Fux, Johann Joseph
Gainsborough, Thomas
Galerati, Catterina
Galli, Caterina
Galliard, John Ernest
Gallus, Jacobus (Handl)
Galuppi, Baldassare
Gambarini, Elisabetta
Garrick, David
Gasparini, Francesco
Gates, Bernard
Gatti-Casazza, Giulio
Gautier, Théophile
Gay, John
Geistliche Konzerte (Schütz)
Geliebet sei der Herr (J. Krieger)
Geminiani, Francesco
Georg Ludwig, Elector of Hanover, see George I of England
George I of England: as Elector of Hanover, as King.
George II of England: as Prince of Wales; as King
George III of England
George Barnwell (Lillo)
Gervinus, Gottfried
Giasone (Cavalli)
Gibbon, Edward
Gibbons, Orlando
Gibson, Bishop Edmund
Giotto
Girardeau, Isabella
Girdlestone, Cuthbert
Gladstone, William Ewart
Gloucester, Duke of
Gluck, Christoph Willibald 152ff.
God Spake Sometime in Visions (Blow)
Goethe, Johann Wolfgang von
Goldoni, Carlo
Goldsmith, Oliver
Combosi, Otto
Goossens, Eugene
Gopsall
Gordon, Mr. (singer)
Goupy, Joseph
Grabu, Louis
Grandi, Alessandro
Granville, Ann
Granville, Bernard
Granville, Mary, see Delany, Mrs. Patrick
Graun, Karl Heinrich
Graupner, Christoph
Gravina, Giovanni Vincenzo
Gray, Cecil
Greber, Johann Jakob
Greco, El
Greco, Gaetano
Greek drama. 274, 361, 367f.
role in Handelian oratorio
Green, John Richard
Greene, Maurice
Gregory the Great, Pope
Grimani, Vincenzo, Cardinal
Grimm, Baron Friedrich Melchior
Griselda (Bononcini)
Grosse Generalbass-Schule (Mattheson)
Grout, Donald
Grundlage einer Ehrenpforte (Mattheson)
Guadagni, Gaetano
Guarini, Giovanni Battista
&nbs
p; Guéranger, Dom Prosper
Guicciardi, Signor (singer)
Gustavus Adolphus, King of Sweden
Haas, Robert
Habeneck, François-Antoine
Habermann, Franz Wenzel
Hagen, Oskar
Halle
Hamburg
Hamilton, Newburgh
Hamlet (Shakespeare)
Hammerschmidt, Andreas
Händel, Dorothea Sophia (Michaelsen), Handel’s sister
Händel, Dorothea Taust, Handel’s mother
Händel, Georg, Handel’s father
HANDEL, GEORGE FRIDERIC
General:
attitude towards composers; performers
and Bach
biography (German); (English)
borrowings
the businessman
and Catholicism
character
composer versus impresario
earnings
and English music
and English opera
indebtedness to classical antiquity
knowledge of English
and Nature
organ playing
religion
as teacher
and women
Elements of Style:
aria: as mainstay of opera; da capo and motto; choral; continuo; concerted; difference between oratorio and opera aria; polarity with recitative; simile
basso continuo
cantus firmus work
ensemble
French influence
harmony
melody
recitative
rhythm and meter
symbolism
tonal concordances
Opera:
general; see also Baroque opera
chorus in
comic element
role in opera reform
Oratorio:
general
classifications of
comparisons with Italo-German species
inception of “religious issue,”
instrumental pieces in
Old Testament and
Racine’s drama and
Performance Practice:
general
additional accompaniments and transcriptions
basso continuo
chorus
continuity
orchestra
organ
ornamentation
reconstruction of scores
tempo and dynamics
Händel, Johanna Christiana, Handel’s sister
Händelgeselischaft edition, see Chrysander, Friedrich
Hanover
Hanslick, Eduard
Harris, James
Harris, Thomas
Harris, William
Hart, James
Harty, Sir Hamilton
Hasse, Johann Adolf
Hawkins, Sir John
Haydn, Joseph
Hayes, William
Haym, Nicola
Hearne, Dr. Thomas
Heidegger, John Jacob
Heinichen, Johann David
Hemingway, Ernest
Herbage, Julian
Hercules auf dem Scheidewege (Bach)
Herder, Johann Gottfried
hermeneutics
Hero and Leander (Musaeus)
Herodotus
Herrick, Robert
Herring, Archbishop
Hesiod
Heuss, Alfred
Hill, Aaron
Hill, John
Hiller, Johann Adam
Hippolyte et Aricie (Rameau)
historia; see also Passion
Historia des Leidens und Sterbens unsers Herrn Jesu Christi (Krieger)
Hobbes, Thomas
Hogarth, William
Holinshed, Raphael
Holmes, Dr. William
Home, Henry
Homer
Hortus Musicus (Reinken)
Hughes, John
Hume, David
Humphrey, Pelham
Humphreys, Samuel
Hunold, Christian Friedrich
Huntingdon, Selina, Countess of
Hussey, Mr. (singer)
Hutcheson, Francis
Hutchings, Arthur
Hyntzsch, Johann Georg
Hyntzsch, Michael
Idaspe fedele, L’ (Mancini)
Iliad (Homer)
In una siepe ombrosa (Lotti)
Indes galantes, Les (Rameau)
India, Sigismondo d’
Inganno fedele, L’ (Keiser)
Innocent III, Pope
Innocent XI, Pope
Innocent XII, Pope
Iphigenie (Goethe)
Iphigénie en Tauride (Gluck)
Irving, Washington
Jahn, Otto
James I of England
Jennens, Charles
Jephte (Carissimi)
Jephthah (Greene)
Jeppesen, Knud
Jews and Judas Maccabaeus
George Frideric Handel_Dover Books on Music Page 96
