by Norman Lock
PART THREE
September 12, 2005–March 15, 2077
A FERRY ON THE HOOGHLY RIVER, tributary of the Ganges, sank on a night more than forty years ago: One hundred and twenty souls were lost overboard. (The soul, Naveen later assured me, cannot be lost—not for Hindus—but will merge, in time, with the Absolute. I thought of Jim, his body traveling the waters of the earth toward some Nirvana.) I was in West Bengal, staying with Naveen and his wife, Raima. He’d offered to introduce me to the president of an investment firm, the friend of a friend of his, who was rich and restless. At the time, I was a broker for Chronos Yachts, living in Palm Beach. Naveen and Raima had taken me to dinner on the river at Konnagar, near the ferry ghat. The night was pleasant as I recall, and we’d taken a table outside on the pier. A university lecturer in Bengali history, Raima was haranguing me on British imperialism and Calcutta. She insisted on its Indian name: Kolkata. Her resentment was evident. I was embarrassed and avoided her eyes, pretending to study a bowl of yogurt, until she mentioned a Rudyard Kipling story entitled “An Unqualified Pilot.”
I thought of Mark Twain’s book about piloting a steamboat, Life on the Mississippi, and of my own long-past river journey. Maybe Hindus are right to believe in a great circle of existence. I said elsewhere that each point in my life seems to refer to an earlier one. Maybe it’s the same with the stories we tell.
A short while later—controversy silenced in favor of fried moong daal—a commotion stopped us in midcourse. Diners rushed to the end of the pier (night’s enchantment enhanced by twinkle lights) while a mob from the street descended on the ghat and, on the dark bank, pressed against the water’s edge. I trembled, hearing the desperate blasts of the ferry’s whistle before she rolled over—a stridency answered, in turn, by the sirens of nearby river traffic. I’m digressing, but digression is the soul of memory—which, at the moment, is my subject. I was fascinated by the big lights that swept the pitch-black river from shore and from the decks of rescue and firefighting boats, searching for the quick and the dead.
I see from your look, you think I’m heartless. You’re wrong. That night while we stood watching the lights search the water, I was upset. Upset is too ordinary a word for how I felt in the presence of so much movement and emotion centered on stillness and silence: the place where the boat went down. But this tragedy happened long ago and what is left to me—an old man nearing his own still and silent point—is the image of searchlights crisscrossing the night-blackened water. It’s a trope for memory. Like a brilliantly incandescent light, memory searches the darkness of the past for shapes and discovers them—haphazardly, if at all—one by one or in small, sad clusters: dim constellations of dead friends and loved ones, dead hopes and fruitless actions. Recollection is undone by vagaries of the heart, accident, the condition of our brains, livers, bowels. I worry that I haven’t remembered everything of importance. We can’t remember it all! There’d be no time left to live. But might not the searchlight roving my mind’s darkness have assigned a false priority to some things, distorted others, made certain aspects of the past grotesque? Time is running short. Let me finish this accounting with a few persistent memories, trusting in their authenticity and truth.
I HAVE NO WISH TO RELIVE the three pathetic years I spent under lock and key in the juvenile home, so called, at Elizabeth. First, there was nothing homelike about it; second, the inmates were too far lost to innocence, too sunk in grown-up vices to be considered juvenile. There is a third reason why this house of correction for scaled-down, small-time criminals is better left forgotten: Newark Bay. To be near it was an agony for a boy whose element and principal humor was water. When the air was heavy, I could smell it, although I had to root beneath complex odors of petroleum and—when the wind was in the southeast—landfill. Still, I sensed it and, like a caged animal, felt the energy coiled in muscles and tendons, seething to be discharged in motion. My heart was packed with an unassuageable desire to run, to swim, to take off my shoes and socks and wade. I promised myself I would never again be without open water, fresh or salt.
At first, they were inclined to doubt my story—the judge who sentenced me to the reformatory (to use a word fallen into disfavor, along with the notion of free will), the social worker, and the child psychologist. They didn’t believe I was Albert Barthelemy, a boy raised up near Bayou Saint Malo by an old waterman who gave me his name after he found me floating, like Moses, in a cane and palmetto-leaf basket. I stayed with Albert until Katrina drowned him on his boat in the middle of Greens Bayou. I told my warders I had no other memories, except those of a childhood spent either on the water with my pap or else alone in a shack perched on rough-hewn stilts above the flooding marsh. (It would have been still madder to tell them the story I’m telling you!) They could find no trace of me in the Plaquemines Parish records. Either I was lying or the warrants of my existence had been lost in the hurricane. Confusion reigned yet in the Delta, and in the end, it was convenient for all concerned to accept my version of the story of my life. My identity as Albert Barthelemy was later confirmed by the sacred institutions of the Social Security Administration and the Internal Revenue Service. It was for me an irrevocable divorce, and Huck Finn retreated into the world of fiction.
Grieving, I read novels about the sea, borrowed from the “jailhouse” library: Moby-Dick, Captains Courageous, The Sea Wolf, Lord Jim, Typhoon, Hornblower and the Atropos, The Narrative of Arthur Gordon Pym of Nantucket, The Cruel Sea, and Billy Budd. (The Adventures of Huckleberry Finn was on the shelf—it has followed me throughout my life—but I didn’t read it.) I was drowning—eaten by the salt of corrosive loneliness. I had no friends; no one to confide in; no Jim in his own skin or—by the mystery of transmigration—in another’s. In the perverse way of a child, I would behave insolently to increase my isolation. I’d give my jailers no other choice than to punish me with solitary confinement. We will sometimes reach a point when the only antidote to pain is more pain. Have you noticed that? I have no wish to dwell on the sorrows of those years.
You’re right. They were, by and large, self-inflicted sorrows. My sullenness and refusal to acknowledge the threat of the delinquent boys testing me for weakness saved me from the common curse of hazing. I was feared by some and thought crazy by others. For the most part, I was deemed unworthy of tormenting or befriending. I went my own way. And so one year yielded to the next and that one to the third and last of my captivity. I thought of myself as a frontier boy carried off by hostiles and made to practice savage customs, wear paint, and sleep in army blankets infected with typhus, as sweet a gift as the poisoned dress Medea gave to Glauce. (My mind imagines torments devilish as Torquemada’s.)
Enough of this. I’ve wasted breath already on that court-ordered sandbagging—breached, in time, by time’s irresistible flood. And breath reminds me of a fourth reason I hated those three years: They took away my corncob pipe!
The day of my release arrived. All things—good or bad—do finally come, whether we wait for them or not. They are the stations on our way to Calvary, or paradise. But before I leave the year 2008 forever, I promised to tell you about my six days in the children’s ward.
See this tattoo on my arm? Looks like a bruise. Time has made it nearly illegible. It’s a man-of-war that sailors in my day had needled on their arms. I was reading White-Jacket; or The World in a Man-of-War—another Melville novel in the library of the “juvie” home. We had plenty of books—most, undusted and unread—donated by the widow of a judge who had presided over the Union County family court. I can still see his name on the bookplate: The Honorable Edward Renn. I pictured a thin, dried-up man like a specimen in a taxidermist’s shop. Years later, I sent a thank-you note to his widow, who kindly sent me back a photo of her late husband. He looked nothing like the household wren that had nested in my mind. Isn’t it always so? We’re confounded by the chasm yawning between what is the case and what we believe it to be.
The tattoo?
I did it mys
elf with a tattoo gun I made with a toothbrush, guitar string, empty ink pen, and an electric motor scavenged from a tape recorder. Most of the “JDs” did the same, but mine was the only man-of-war. I waited for the scab to heal, to show it off; but my arm got infected, badly. Sick and feverish, I was taken to a hospital with a ward for convict children. I was put to bed next to an older boy who’d lost both legs under a freight car during a rumble. He’d been a gang leader famous in Bedford-Stuyvesant for his knife. I recognized Huck Finn in him as he might become—stumps weeping into plastic bags.
Delirious, I remember dreaming about a pig dressed in a white nightshirt and cap, living in a little white house. It was night, the sky pitch-black, with a moon that would drift over the pig’s roof. There was a noise, like a wasp. The pig would come out his door and, picking up the house, carry it from under the moon. But when the pig went inside again, the moon moved over his roof. On and on it went till I woke—pajamas drenched in sweat. I felt better, and next day was sent back to finish my sentence. I sometimes think my fever’s cause had to do with my withdrawal from open water; I’d burned up in its absence. Sentence at an end, I left that hatchery of neuroses and the wish for death and went to work in a boatyard on the Jersey coast near Tuckerton.
MS. BOWERS, THE SOCIAL WORKER who had overseen my rehabilitation (as complete a one as the intractability of my genetic inheritance allowed), had found a job for me that she judged compatible with my rearing and my reigning interests. I rented a room in Tuckerton, above a secondhand store, and began, like Horatio Alger, to rise. I swept the factory floor, learned to lay up fiberglass, became, in time, a member of the engine crew. I discovered I could talk to anyone and, like the late Edgar, was quick on my feet and—dare I say it?—charming and urbane. By the time I turned twenty-eight, I was selling the boats I’d helped to build—ironically, to New Jersey fishermen who traveled the Atlantic Intracoastal Waterway to winter in the Florida Keys.
Frankly, the memory of my sales career bores me. I regret those fifteen years as lost. I was not myself. I wore Italian shoes and shirts, drove a Maserati, smoked Turkish cigarettes, bullied and blandished on my mobile phone, sent vapid messages by Twitter and text. My God, in my thirties, I wore my hair in dreadlocks! It was a waste of spirit when I never once saw Jim or heard Tom’s voice. I was being punished, I suppose, for having renounced Huck. I had let him go willingly, and my deepest self was in revolt against the person who had, for reasons of self-government, usurped it: me. I’d walked away from the mirror, leaving Huckleberry to languish in an imaginary room. I was conscious of none of this, of course. I sensed only a dissatisfaction with my life and a disapproval of all who resembled me. In a word, I was unhappy. Meanwhile, the true center of my life as a man lay 3,500 miles from New Jersey, in the Netherlands. I tell you, I long to break off my story here and now and take up the thread again in Holland, in 2034, when I was forty-three. But you would carp were I to leap, summarily, across the Atlantic without an acknowledgment of the intervening years. I’ll be brief, as befits a waste of time.
I excelled in turning a vague interest into desire. I succeeded because I understood desire. I did not sell boats so much as seduce men and women into wanting what lay behind the words I spun from endless spools into stories of glamour, adventure, sex. I created illusions of a reality as palpable as a rabbit lifted by its ears from a magician’s hat. In the common parlance, I had the touch; money first found, then sought me out, the way money does for some few people who know how to price and sell a dream. I taught men and women to want what they did not need.
In my late thirties, I sold my deep understanding of human vanity and self-love to a builder of opulent super-yachts. I’d handled million-dollar fishing boats; now I would broker vessels ten or twenty times more costly. I moved to Palm Beach and enriched myself. I wore suits handmade in London by Burberry Prorsum and traded my corncob and Virginia burley for a meerschaum and Dunhill’s deluxe navy rolls, which I lit with a Ligne pink-gold lighter instead of a locofoco. I lived with a woman who saw herself as a canvas for the artists of haute couture; her husband was serving time for a Ponzi scheme. I lavished her with expensive gifts and amorous glances because they were her raison d’etre, while I sold 120-foot boats to a prime minister, several princes of the realm, assorted oil magnates, financiers, industrialists, entrepreneurs of social media—and, once, to a sheik who kept his yacht in the waterless Sahara, cradled on a pair of railroad trestles painted gold.
What had made me so consummate a salesman?
My perfidious childhood—in time and out of it. My apprenticeship with masters of flimflam: Tom Sawyer, Edgar Connery, and many another well-dressed and well-spoken rascal.
In the summer of 2034, I crossed the Atlantic in a 150-foot yacht: the first of its size built by the company. We were delivering it to the king of Spain, who would exchange our captain and crew for his at Gran Canaria. His obsession was big boats, especially fast ones like the Chronos 150, which had sea-trialed at forty knots. I planned to remain on board while the king cruised from Maspalomas, north across the Bay of Biscay, then through the Channel to Rotterdam. There, I would leave him to his affairs and see to mine in Papendrecht, near Amsterdam, at the office of our naval architect. Each year, I met with him to convey the wishes of our owners concerning alterations and enhancements to the line. He—his name was Willem van Oosterzee—adored De Stijl, whose vibrant austerity was felt in his designs for boats, as well as in his swank building overlooking the river Merwede, with its Gerrit Rietveld chairs and two Theo van Doesburg oils. Willem was himself sleekly dynamic and taught me much about modern art and music and—a Dutch fixation—herring and gin. I enhance the former with mustard, the latter with four drops of Angostura bitters.
You see how precious I became in middle age. Twain, if he could have recognized Huck in me, would have hated my guts. But the “Territory” Huck had lit out for in 1835 developed, in two centuries, into a country beyond the recognition of Americans who endured much for their own sake and for that of your contemporaries pledged to the self and its constant aggrandizement. We became a nation of pleasure seekers; not all, of course, but enough to form a constituency with strength to pervert the virtues of democracy. Debasement may have been inevitable; perhaps there was a fault line in our nascent character that money and the pursuit of happiness opened wide enough to engulf and darken all our hopes.
You don’t believe it? Read de Tocqueville or Mr. Lincoln’s second inaugural address and then read your morning newspaper. But readers of this ebb and flow of memory want to hear about the Canary Islands and the king of Spain. About wealth, power, and indolence, for which men and women should—with laudable obsession—dedicate their lives and the sacred blood of others. In the year 2077, ambition is our principal virtue. I wonder if it was always so.
THE KING OF SPAIN WAS NOT MY FIRST BRUSH with royalty: I had wrangled props and scenery, deloused Juliet’s horsehair wig, and represented a retinue of retainers in several of the duke’s renditions of Shakespearean drama during my youth—the one Mark Twain chronicled. Of course, the duke’s pedigree was not so pure as that of King Juan Carlos, the—I have forgotten his regal denomination. We hit it off, the king and I; and after an hour’s fawning, I was allowed to call him Juan.
He treated me with respect, serving up additional proofs of a democratic spirit by dismissing the crew and making me a Spanish omelette in the galley of his new yacht—he named her Canción de Luna—and pouring me, with his own immaculately manicured hands, a pleasantly chilled Jurançon. We sat on the sundeck, smoking fat Havana cigars, having bitten off their ends in easy fellowship. I told him a story of my life, and then he told me his.
He recalled with tender yearning a young girl met by chance in a tapas bar in Barcelona’s El Raval Bario. Like the prince in another of Twain’s books, Juan Carlos had given his bodyguards the slip; and disguised as a stevedore—or else a movie usher, I can’t quite remember which—he ate chopitos, prawns, and fried quail eggs on br
ead, washed down with beer, with his pumiced elbows on the sticky tabletop. While returning from the cuarto de baño, he collided with a waitress carrying plates of empanadillas. They became lovers soon after Juan Carlos had stooped to pick up the sardines in onion sauce, the broken pastry shells and plates.
“I was with her only the one night,” he said wistfully. “In the morning, I was once again el rey. I never saw her after that, but perhaps she realized her good fortune when, later on, she received the key and title to an Aston Martin. It was used—by my father—but very gently.”
Moved by an insurgency of desire, he went inside to be alone. I sat on while my cigar burned toward extinction and—as if to spite all handmade sources of light and comfort—the stars emerged, repeating for me their familiar patterns on the sky. I, too, yielded to the past: a night in 2005 when I had sprinkled ash in memory of a man drowned on the other side of the ocean. Unsettled, I dropped my spent cigar into an Atlantic warmed by Africa and the Sahara, heard it briefly hiss, went inside, and—undone by weariness, wine, and the ocean’s drubbing on the hull—was soon asleep. I fell down into the unlit ocean, where vague shapes combine in dreams, and wondered why, unlike the king, I could not summon even a fleeting memory of tenderness with a woman. Not even for—no, I won’t say her name. She’s alive yet, in Palm Beach, and litigious when it comes to former lovers, which are many.
There was—about our trip north along the coastlines of Morocco, western Portugal, and Spain—something nearly magical. The Canción behaved as though she had passed directly from the brain of the naval engineer who drew her hull to the ocean, without need of any other construction than that which happens in the mind. She was the radiant idea of a yacht. Her engines were a dream of thrust and ascendancy, lifting her bow into the topaz sky while her stern drew an ever-widening vee behind us.
