The Witch and Warlock MEGAPACK ®: 25 Tales of Magic-Users

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The Witch and Warlock MEGAPACK ®: 25 Tales of Magic-Users Page 43

by Lawrence Watt-Evans


  Silhouetta cleared her throat. “What about me? At least I say ‘thank you’ when I receive a gift.”

  Other guests voiced their reasons, their desires, their concerns. The widow simply nodded. So much greed. So many social climbers. But still, she had to pick one, and soon.

  “Maybe I…” murmured a small voice.

  Mrs. Vultaine looked about the room. It took her a moment to realize it was Vexina who had spoken. “You? Tell me more, puppy.”

  The sad-eyed servant slid a slice of meat onto the nearest plate. “I’ve worked so hard for you. Even though you scare me to death.”

  “True.” The widow rose from her chair. “You are a survivor, and survivors should be rewarded.”

  Slender metallic wings ripped through the back of Mrs. Vultaine’s silk blouse. She tore away her clothes, slowly, delighting in the sharp rrrrrrip of the fabric. She stood naked before her guests, revealing golden arms and legs, golden breasts and hips. The display from the grand hall was now her body, new and improved. Of her own flesh, only her head, shoulders and hands remained.

  She picked up a rounded lump of meat from a tray and offered it to Vexina. “Take it, my dear. Take my heart.”

  As always, the servant did as she was told.

  Mrs. Vultaine stared into her servant’s eyes. “A trite gift, but the right gift. You are a sad, sickly creature. You shall have this delicacy and it shall nourish you.” She brought her lips close to the servant’s ear. “There is a manuscript in my nightstand drawer. It contains all the dreams and secrets of my life. Read it, learn from it, and then burn it.”

  She then spun round to face the table. “As for the rest of you… My useless old body is yours.” She gestured toward the meat. “You must forgive me for foisting that little nap upon you earlier, but in meal preparation, timing is everything. Try the roast and I think you will agree: one cannot accuse me of being tasteless.”

  The widow’s metal wings flapped slowly, once, twice. Then they began to beat in earnest, speeding to a golden blur. Protective golden sheaths slid over the hands, and shields rose up from her back, covering the shoulders.

  “I’m coming, Osbo,” she said.

  More curved shields sprang up, sliding together as a sleek helmet around her head.

  Erika Finlay Pennywhistle Nelstrom Wong Vultaine soared out of the dining room, into the great hall, and up through the open skylight.

  Vexina sat on the floor, chomping on her gift as though it were an apple. But yes, oh yes, it was sweeter by far. She removed the pins from her coiffure, shook out her long, lustrous hair and laughed and laughed and laughed.

  THE CRIMES OF LADY FOWLIS, by Eliza Lynn Linton

  Originally published in Witch Stories (1861).

  Nobler names come next upon the records. Katherine Roiss, Lady Fowlis, and her stepson, Hector Munro, were tried on the 22nd of June, 1590, for “witchcraft, incantation, sorcery, and poisoning.” Two people were in the lady’s way: Margery Campbell the young lady of Balnagown, wife to George Roiss or Ross of Balnagown, Lady Katherine’s brother; and Robert Munro her stepson, the present baron of Fowlis, and brother to the Hector Munro above mentioned. If these two persons were dead, then George Ross could marry the young Lady Fowlis, to the pecuniary advantage of himself and the family. Hector’s quarrel was on his own account, and was with George Munro of Obisdale, Lady Katherine’s eldest son. The charges against the Lady Katherine were: the unlawful making of two pictures or images of clay, representing the young lady of Balnagown and Robert Munro, which pictures two notorious witches, Christian Boss and Marioune M’Alester, alias Loskie Loncart, set up in a chamber and shot at with elf arrows—ancient spear or arrow-heads, found in Scotland and Ireland, and of great account in all matters of witchcraft. But the images of clay were not broken by the arrow-heads, for all that they shot eight times at them, and twelve times on a subsequent trial, and thus the spell was destroyed for the moment; but Loskie Loncart had orders to make more, which she did with a will. After this the lady and her two confederates brewed a stoup or pailful of poison in the barn at Drumnyne, which was to be sent to Robert Munro. The pail leaked and the poison ran out, except a very small quantity which an unfortunate page belonging to the lady tasted, and “lay continewallie thaireftir poysonit with the liquour.” Again, another “pig” or jar of poison was prepared; this time of double strength—the brewer thereof that old sinner, Loskie Loncart, who had a hand in every evil pie made. This was sent to the young laird by the hands of Lady Katherine’s foster-mother; but she broke the “pig” by the way, and, like the page, tasting the contents, paid the penalty of her curiosity with her life. The poison was of such a virulent nature that nor cow nor sheep would touch the grass whereon it fell; and soon the herbage withered away in fearful memorial of that deed of guilt. She was more successful in her attempts on the young Lady Balnagown. Her “dittay” sets forth that the poor girl, tasting of her sister-in-law’s infernal potions, contracted an incurable disease, the pain and anguish she suffered revolting even the wretch who administered the poison, Catherine Niven, who “scunnerit (revolted) with it sae meikle, that she said it was the sairest and maist cruel sight that ever she saw.” But she did not die. Youth and life were strong in her, and conquered even malice and poison—conquered even the fiendish determination of the lady, “that she would do, by all kind of means, wherever it might be had, of God in heaven, or the devil in hell, for the destruction and down-putting of Marjory Campbell.” Nothing daunted, the lady sent far and wide, and now openly, for various poisons; consulting with “Egyptians” and notorious witches as to what would best “suit the complexion” of her victims, and whether the ratsbane, which was a favourite medicine with her, should be administered in eggs, broth, or cabbage. She paid many sums, too, for clay images, and elf arrows wherewith to shoot at them, and her wickedness at last grew too patent for even her exalted rank to overshadow. She was arrested and arraigned, but the private prosecutor was Hector Munro, who was soon to change his place of advocate for that of “pannel;” and the jury was composed of the Fowlis dependents. So she was acquitted; though many of her creatures had previously been convicted and burnt on the same charges as those now made against her; notably Cristiane Roiss, who, confessing to the clay image and the elf arrows, was quietly burnt for the same.

  Hector Munro’s trial was of a somewhat different character. His stepmother does not seem to have had much confidence in mere sorcery: she put her faith in facts rather than in incantations, and preferred drugs to charms: but Hector was more superstitious and more cowardly too. In 1588, he had communed with three notorious witches for the recovery of his elder brother, Robert; and the witches had “pollit the hair of Robert Munro, and plet the naillis of his fingeris and taes;” but Robert had died in spite of these charms, and now Hector was the chief man of his family. Parings of nails, clippings of hair, water wherein enchanted stones had been laid, black Pater-Nosters, banned plaids and cloths, were all of as much potency in his mind as the “ratoun poysoun” so dear to the lady; and the method of his intended murder rested on such means as these. They made a goodly pair between them, and embodied a fair proportion of the intelligence and morality of the time. After a small piece of preliminary sorcery, undertaken with his fostermother, Cristiane Neill Dayzell, and Mariaoune M’Ingareach, “one of the most notorious and rank witches of the country,” it was pronounced that Hector, who was sick, would not recover, unless the principal man of his blood should suffer for him. This was found to be none other than George Munro, of Obisdale, Lady Katherine’s eldest song whose life must be given that Hector’s might be redeemed. George, then, must die; not by poison but by sorcery; and the first step to be taken was to secure his presence by Hector’s bedside. “Sewin poistes” or messengers did the invalid impatiently send to him; and when he came at last, Hector said never a word to him, after his surly “Better now that you have come,” in answer to h
is half-brother’s unsuspecting “How’s a wi ye?” but sat for a full hour with his left hand in George’s right, working the first spell in silence, according to the directions of his foster-mother and the witch. That night, an hour after midnight, the two women went to a “piece of ground lying between two manors,” and there made a grave of Hector’s length, near to the sea-flood. A few nights after this—and it was January, too—Hector, wrapped in blankets, was carried out of his sick bed, and laid in this grave; he, his foster-mother, and M’Ingareach all silent as death, until Cristiane should have gotten speech with their master, the devil. The sods were then laid over the laird, and the witch M’Ingareach sat down by him, while Cristiane Dayzell, with a young boy in her hand, ran the breadth of nine rigs or furrows, coming back to the grave, to ask the witch “who was her choice.” M’Ingareach, prompted of course by the devil, answered that “Mr. Hector was her choice to live and his brother George to die for him.” This ceremony was repeated thrice, and then they all returned silently to the house, Mr. Hector carried in his blankets as before. The strangest thing of all was that Mr. Hector was not killed by the ceremony.

  Hector Munro was now convinced that everything possible had been done, and that his half-brother must perforce be his sacrifice. In his gratitude he made M’Ingareach keeper of his sheep, and so uplifted her that the common people durst not oppose her for their lives. It was the public talk that he favoured her “gif she had been his own wife;” and once he kept her out of the way “at his own charges,” when she was cited to appear before the court to answer to the crime of witchcraft. But in spite of the tremendous evidence against him, Hector got clear off, as his stepmother had done before him, and we hear no more of the Fowlis follies and the Fowlis crimes. Nothing but their rank and the fear of the low people saved them. Slighter crimes than theirs, and on more slender evidence, had been sufficient cause for condemnation ere now; and Lady Katherine’s poisonings, and Hector Munro’s incantations, would have met with the fate the one at least deserved, save for the power and aid of clanship.

  THE HORNED WOMEN, by Lady Wilde

  Originally published in Ancient Legends, Mystic Charms & Superstitions of Ireland, 1887).

  A rich woman sat up late one night carding and preparing wool, while all the family and servants were asleep. Suddenly a knock was given at the door, and a voice called—“Open! Open!”

  “Who is there?” said the woman of the house.

  “I am the Witch of the one Horn,” was answered.

  The mistress, supposing that one of her neighbours had called and required assistance, opened the door, and a woman entered, having in her hand a pair of wool carders, and bearing a horn on her forehead, as if growing there. She sat down by the fire in silence, and began to card the wool with violent haste. Suddenly she paused, and said aloud: “Where are the women? They delay too long.”

  Then a second knock came to the door, and a voice called as before, “Open! Open!”

  The mistress felt herself constrained to rise and open to the call, and immediately a second witch entered, having two horns on her forehead, and in her hand a wheel for spinning wool.

  “Give me place,” she said, “I am the Witch of the two Horns,” and she began to spin as quick as lightning.

  And so the knocks went on, and the call was heard, and the witches entered, until at last twelve women sat round the fire—the first with one horn, the last with twelve horns.

  And they carded the thread, and turned their spinning wheels, and wound and wove, all singing together an ancient rhyme, but no word did they speak to the mistress of the house. Strange to hear, and frightful to look upon, were these twelve women, with their horns and their wheels; and the mistress felt near to death, and she tried to rise that she might call for help, but she could not move, nor could she utter a word or a cry, for the spell of the witches was upon her.

  Then one of them called to her in Irish, and said—

  “Rise, woman, and make us a cake.” Then the mistress searched for a vessel to bring water from the well that she might mix the meal and make the cake, but she could find none.

  And they said to her, “Take a sieve and bring water in it.”

  And she took the sieve and went to the well; but the water poured from it, and she could fetch none for the cake, and she sat down by the well and wept.

  Then a voice came by her and said, “Take yellow clay and moss, and bind them together, and plaster the sieve so that it will hold.”

  This she did, and the sieve held water for the cake; and the voice said again—

  “Return, and when thou comest to the north angle of the house, cry aloud three times and say, ‘The mountain of the Fenian women and the sky over it is all on fire’.”

  And she did so.

  When the witches inside heard the call, a great and terrible cry broke from their lips, and they rushed forth with wild lamentations and shrieks, and fled away to Slievenamon, where was their chief abode. But the Spirit of the Well bade the mistress of the house to enter and prepare her home against the enchantments of witches if they returned again.

  And first, to break their spells, she sprinkled the water in which she had washed her child’s feet (the feet-water) outside the door on the threshold; secondly, she took the cake which the witches had made in her absence of meal mixed with the blood drawn from the sleeping family, and she broke the cake in bits, and placed a bit in the mouth of each sleeper, and they were restored; and she took the cloth they had woven and placed it half in and half out of the chest with the padlock; and lastly, she secured the door with a great crossbeam fastened in the jambs, so that they could not enter, and having done these things she waited.

  Not long were the witches in coming back, and they raged and called for vengeance.

  “Open! Open!” they screamed, “Open, feet-water!”

  “I cannot,” said the feet-water, “I am scattered on the ground, and my path is down to the Lough.”

  “Open, open, wood and trees and beam!” they cried to the door.

  “I cannot,” said the door, “for the beam is fixed in the jambs and I have no power to move.”

  “Open, open, cake that we have made and mingled with blood!” they cried again.

  “I cannot,” said the cake, “for I am broken and bruised, and my blood is on the lips of the sleeping children.”

  Then the witches rushed through the air with great cries, and fled back to Slievenamon, uttering strange curses on the Spirit of the Well, who had wished their ruin; but the woman and the house were left in peace, and a mantle dropped by one of the witches in her flight was kept hung up by the mistress as a sign of the night’s awful contest; and this mantle was in possession of the same family from generation to generation for five hundred years after.

  THE VOICE IN THE NIGHT, by William J. Wintle

  Originally published in Ghost Gleams (1921).

  John Barron was frankly puzzled. He could not make it out at all. He had lived in the place all his life—save for the few years spent at Rugby and Oxford—and nothing of the sort had happened to him before. His people had occupied the estate for generations past; and there was neither record nor tradition of anything of the kind. He did not like it at all. It seemed like an intrusion upon the respectability of his family. And John Barron had a very good opinion of his family.

  Certainly he was entitled to have a good opinion of it. He came from a good stock: his ancestry was one to be proud of: his coat of arms had quarterings that few could display: and his immediate forbears had kept up the reputation of their ancestors. He himself could boast a career without reproach: the short time he had spent at the bar was marked by considerable success and still more promise—a promise cut short by the death of his father and his recall to Bannerton to take up the duties of squire, magistrate and county magnate.

  In the eyes of hi
s friends and of people generally, he was a man to be envied. He had an ample fortune, a delightful house and estate, hosts of friends, and the best of health. What could a man wish for more? The ladies of the neighbourhood said that he lacked only one thing, and that was a wife. But it may be that they were not entirely unprejudiced judges—the unmarried ones, at any rate. But up till the time of our story John Barron had shown no sign of marrying. He used to boast that he was neither married, nor engaged, nor courting, nor had he his eye on anyone.

  And now this annoyance had come to trouble and puzzle him! What had he done to deserve it? True, he might take the comfort to his soul that it was no immediate concern of his. The affair had not happened to any member of his family or household. Why then should he not mind his own business? But he felt that it was his business. It had happened within the bounds of his manor and almost within sight of his windows. If anything tangible could be connected with it, he was the magistrate whose duty it would be to investigate the matter. But up till the present there was nothing tangible for him to deal with.

  The whole business was a mystery: and John Barron disapproved of mysteries. Mysteries savoured of detectives and the police court. When unravelled they usually proved to be sordid and undesirable; and when not unravelled they brought with them a vague sense of discomfort and of danger. As a lawyer he held that mysteries had no right to exist. That they should continue to exist was a sort of reflection on the profession, as well as upon the public intelligence.

  And yet here was the parish of Bannerton in the hands of a mystery of the first water. As a magistrate, John Barron had officially looked into the matter; and, as a lawyer, he had spent some hours in carefully considering it; but entirely without any practical result. The mystery was not merely unsolved: it had even thickened!

 

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