______. The Annotated Classic Fairy Tales. New York: Norton, 2002.
______. The Annotated Hans Christian Andersen. New York: Norton, 2007.
Thompson, Stith, comp. One Hundred Favorite Folktales. Bloomington: Indiana UP, 1968.
______. Tales of the North American Indians. Bloomington: Indiana UP, 1929.
Travers, P. L., comp. About the Sleeping Beauty. New York: McGraw-Hill, 1975.
Walker, Barbara G. Feminist Fairy Tales. New York: HarperCollins, 1996.
Weinrich, Beatrice Silverman, comp. Yiddish Folktales. New York: Pantheon, 1988.
Williams, Jay. The Practical Princess and Other Liberating Fairy Tales. New York: Parents Magazine Press / London: Chatto and Windus, 1979.
Yolen, Jane. Favorite Folktales from Around the World. New York: Pantheon, 1986.
Zipes, Jack, comp. Beauties, Beasts and Enchantment: Classic Fairy Tales. New York: New American Library, 1989.
______. Don’t Bet on the Prince: Contemporary Fairy Tales in North America and England. New York: Methuen, 1986.
______. The Golden Age of Folk and Fairy Tales: From the Brothers Grimm to Andrew Lang. Indianapolis/Cambridge: Hackett, 2013.
______. The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm: A Norton Critical Edition. New York: Norton, 2000.
______. The Outspoken Princess and the Gentle Knight: A Treasury of Modern Fairy Tales. New York: Bantam, 1994.
______. Spells of Enchantment: The Wondrous Fairy Tales of Western Culture. New York: Viking, 1991.
______. Victorian Fairy Tales. The Revolt of the Fairies and Elves. New York: Routledge, 1987.
CRITICAL STUDIES
• indicates works included or excerpted in this Norton Critical Edition.
• Aarne, Antti, and Stith Thompson. The Types of the Folktale. A Classification and Bibliography. Helsinki: Academia Scientiarum Fennica, 1961.
Anderson, Graham. Fairytale in the Ancient World. New York: Routledge, 2000.
Ashliman, D.L. Folk and Fairy Tales: A Handbook. Westport CT: Greenwood, 2004.
• Bacchilega, Cristina. Fairy Tales Transformed? Twenty-First-Century Adaptations and the Politics of Wonder. Detroit: Wayne State UP, 2013.
______. Postmodern Fairy Tales: Gender and Narrative Strategies. Philadelphia: U of Pennsylvania P, 1999.
Barchilon, Jacques. “Beauty and the Beast: From Myth to Fairy Tale.” Psychoanalysis and the Psychoanalytic Review 46 (1959): 19–29.
Barchilon, Jacques, and Peter Flinders. Charles Perrault. Boston: Twayne, 1981.
Barzilai, Shuli. “Reading ‘Snow White’: The Mother’s Story.” Signs 15 (1990): 515–34.
Bascom, William. “The Four Functions of Folklore.” Journal of American Folklore 67 (1954): 333–49.
Bauman, Richard. Story, Performance and Event. Cambridge: Cambridge UP, 1992.
Beckett, Sandra. Recycling Red Riding Hood. New York: Routledge, 2002.
______. Red Riding Hood for All Ages: A Fairy Tale Icon in Cross-Cultural Contexts. Detroit: Wayne State UP, 2009.
______. Revisioning Red Riding Hood around the World. Detroit: Wayne State UP, 2013.
Behlmer, Rudy. “They Called It ‘Disney’s Folly’: Snow White and the Seven Dwarfs (1937).” America’s Favorite Movies: Behind the Scenes. New York: Ungar, 1982.
Bell, Elizabeth, Lynda Haas, and Laura Sells, eds. From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington: Indiana UP, 1995.
Bettelheim, Bruno. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Knopf, 1976.
Birkhäuser-Oeri, Sibylle. The Mother: Archetypal Image in Fairy Tales. Trans. Michael Mitchell. Toronto: Inner City, 1988.
Blackwell, Jeannine. “The Many Names of Rumpelstiltskin: Recent Research on the Grimms’ Kinder- und Hausmärchen.” German Quarterly 63 (1990): 107–12.
de Blécourt, Willem. “Fairy Grandmothers: Images of Storytelling Events in Nineteenth-Century Germany.” Relief 4.2 (2010), 174–97.
______. Tales of Magic, Tales in Print: On the Genealogy of Fairy Tales and the Brothers Grimm. Manchester: Manchester UP, 2012.
• Bloch, Ernst. “Better Castles in the Sky at the Country Fair and Circus, in Fairy Tales and Colportage.” In The Utopian Function of Art and Literature. Trans. Jack Zipes and Frank Mecklenburg. Cambridge, MA: MIT Press, 1988.
• ______. “The Fairy Tale Moves on Its Own in Time.” In The Utopian Function of Art and Literature. Trans. Jack Zipes and Frank Mecklenburg. Cambridge, MA: MIT Press, 1988.
Bottigheimer, Ruth B. Fairy Godfather: Straparola, Venice, and the Fairy Tale Tradition. Philadelphia: U of Pennsylvania P, 2002.
______. “Fairy Tales and Children’s Literature: A Feminist Perspective.” In Teaching Children’s Literature: Issues, Pedagogy, Resources. Ed. Glen Edward Sadler. New York: Modern Language Association of America, 1992.
______. Fairy Tales and Society: Illusion, Allusion, and Paradigm. Philadelphia: U of Pennsylvania P, 1986.
______. Fairy Tales: A New History. Albany, NY: Excelsior, 2010.
______. Grimms’ Bad Girls and Bold Boys. New Haven, CT: Yale UP, 1987.
Briggs, Katharine. An Encyclopedia of Fairies: Hobgoblins, Brownies, Bogies, and Other Supernatural Creatures. New York: Pantheon, 1976.
Bronfen, Elisabeth. Over Her Dead Body: Death, Femininity and the Aesthetic. New York: Routledge, 1992.
Bryant, Sylvia. “Re-Constructing Oedipus through ‘Beauty and the Beast.’ ” Criticism 31 (1989): 439–53.
Canepa, Nancy. From Court to Forest: Giambattista Basile’s Lo cunto de li cunti and the Birth of the Literary Fairy Tale. Detroit: Wayne State UP, 1999.
______. Out of the Woods: The Origins of the Literary Fairy Tale in Italy and France. Detroit: Wayne State UP, 1997.
Canham, Stephen. “What Manner of Beast? Illustrations of ‘Beauty and the Beast.’ ” In Image and Maker: An Annual Dedicated to the Consideration of Book Illustration. Ed. Harold Darling and Peter Neumeyer. La Jolla, CA: Green Tiger, 1984.
Caracciolo, Peter L., ed. The Arabian Nights in English Literature: Studies in the Reception of the Thousand and One Nights into British Culture. New York: St. Martin’s, 1988.
Carter, Angela, ed. “About the Stories.” In Sleeping Beauty and Other Favourite Fairy Tales. Boston: Otter, 1991.
Cashdan, Sheldon. The Witch Must Die: How Fairy Tales Shape Our Lives. New York: HarperCollins, 2000.
Cech, Jon. “Hans Christian Andersen’s Fairy Tales and Stories: Secrets, Swans and Shadows.” In Touchstones: Reflections on the Best in Children’s Literature. Vol. 2. West Lafayette, IN: Children’s Literature Association, 1983.
Chase, Richard. The Jack Tales. Boston: Houghton Mifflin, 1943.
Clodd, Edward. Tom Tit Tot: An Essay on Savage Philosophy in Folk-Tale. London: Duckworth, 1898.
Conrad, JoAnn. “Docile Bodies of (Im)material Girls: The Fairy-Tale Construction of JonBenét Ramsey and Princess Diana.” Marvels & Tales 13 (1999): 125–69.
Cox, Marian Roalfe. Cinderella: Three Hundred and Forty-Five Variants of Cinderella, Catskin, and Cap o’ Rushes. Intro. Andrew Lang. London: Nutt, 1893.
Crago, Hugh. “Who Does Snow White Look At?” Signal 45 (1984): 129–45.
• Darnton, Robert. “Peasants Tell Tales: The Meaning of Mother Goose.” In The Great Cat Massacre and Other Episodes in French Cultural History. New York: Basic, 1984.
Davidson, Hilda Ellis, and Anna Chaudhri. A Companion to the Fairy Tale. Cambridge: Brewer, 2003.
Davies, Mererid Puw. The Tale of Bluebeard in German Literature from the Eighteenth-Century to the Present. Oxford: Oxford UP, 2001.
Dégh, Linda. American Folklore and the Mass Media. Bloomington: Indiana UP, 1994.
______. Folktales and Society: Storytelling in a Hungarian Peasant Community. Trans. Emily M. Schossberger. Bloomington: Indiana UP, 1969.
deGraff, Amy. “From Glass Slipper to Glass Ceiling: ‘Cinderella’ and the Endurance of a Fai
ry Tale.” Merveilles et Contes 10 (1996): 69–85.
Delarue, Paul. “Les Contes merveilleux de Perrault et la tradition populaire.” Bulletin folklorique de l’Ile-de-France (1951): 221–28, 251–60, 283–91; (1953): 511–17.
De Vos, Gail, and Anna E. Altmann. New Tales for Old: Folktales as Literary Fictions for Young Adults. Englewood, CO: Teacher Ideas, 1999.
Dobay Rifelj, Carol de. “Cendrillon and the Ogre: Women in Fairy Tales and Sade.” Romanic Review 81 (1990): 11–24.
Dorson, Richard. Folklore. Bloomington: Indiana UP, 1972.
Dowling, Colette. The Cinderella Complex: Women’s Hidden Fear of Independence. New York: Summit, 1981.
Duggan, Anne E. Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy. Detroit: Wayne State UP, 2013.
______. Salonnières, Fairies, and Furies: The Politics of Gender and Cultural Change in Absolutist France. Newark, DE: Delaware UP, 2005.
Dundes, Alan. “Bruno Bettelheim’s Uses of Enchantment and Abuses of Scholarship.” Journal of American Folklore 104 (1991): 74–83.
______. Cinderella: A Casebook. New York: Garland, 1982; Madison: U of Wisconsin P, 1988.
______. Little Red Riding Hood: A Casebook. Madison: U of Wisconsin P, 1989.
______. The Study of Folklore. Englewood Cliffs, NJ: Prentice Hall, 1965.
Edelson, Maria. “The Language of Allegory in Oscar Wilde’s Tales.” In Anglo-Irish and Irish Literature. Ed. Birgit Bramsbäck and Martin Croghan. Stockholm: Almqvist and Wiksell and Bromsbäck, 1988.
Edwards, Carol L. “The Fairy Tale ‘Snow White.’ ” In Making Connections across the Curriculum: Readings for Analysis. Ed. Kate S. Chittenden. New York: St. Martin’s, 1986.
Edwards, Lee R. “The Labors of Psyche: Toward a Theory of Female Heroism.” Critical Inquiry 6 (1979): 33–49.
Ellis, John. One Fairy Story Too Many: The Brothers Grimm and Their Tales. Chicago: U of Chicago P, 1982.
Estes, Clarissa Pinkola. Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype. New York: Ballantine, 1992.
Farrer, Claire R., ed. Women and Folklore: Images and Genres. Austin: U of Texas P, 1975.
Franz, Marie-Luise von. Archetypal Patterns in Fairy Tales. Toronto: Inner City, 1997.
______. Problems of the Feminine in Fairy Tales. New York: Spring, 1972.
• Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven, CT: Yale UP, 1979.
Girardot, N. J. “Initiation and Meaning in the Tale of Snow White and the Seven Dwarfs.” Journal of American Folklore 90 (1977): 274–300.
Greenhill, Pauline, and Jill Terry Rudy. Channeling Wonder: Fairy Tales on Television. Detroit: Wayne State UP, 2014.
Greenhill, Pauline, and Sidney Eve Matrix, eds. Fairy Tale Films: Visions of Ambiguity. Logan: Utah State UP, 2010.
Griswold, Jerry. The Meanings of “Beauty and the Beast”: A Handbook. Peterborough, ON: Broadview, 2004.
Grønbech, Bo. Hans Christian Andersen. Boston: Twayne, 1980.
Haase, Donald, ed. Fairy Tales and Feminism. Detroit: Wayne State UP, 2009.
______, ed. The Greenwood Encyclopedia of Folktales and Fairy Tales. 3 vols. Westport, CT: Greenwood, 2008.
______. “Hypertextual Gutenberg: The Textual and Hypertextual Life of Folktales and Fairy Tales in English-Language Popular Print Editions,” Fabula 47 (2006): 222–30.
______, ed. The Reception of Grimms’ Fairy Tales: Responses, Reactions, Revisions. Detroit: Wayne State UP, 1993.
• ______. “Yours, Mine, or Ours? Perrault, the Brothers Grimm and the Ownership of Fairy Tales.” In Once Upon a Folktale: Capturing the Folklore Process with Children. Ed. Gloria T. Blatt. New York: Teachers College, Columbia U, 1993.
Hallet, Martin, and Barbara Karasek. Fairy Tales in Popular Culture. Peterborough, ON: Broadview, 2014.
Hanks, Carole, and D. T. Hanks, Jr. “Perrault’s ‘Little Red Riding Hood’: Victim of the Revisers.” Children’s Literature 7 (1978): 68–77.
Harries, Elizabeth Wanning. Twice upon a Time: Women Writers and the History of the Fairy Tale. Princeton, NJ: Princeton UP, 2001.
Hartland, E. Sidney. “The Forbidden Chamber.” Folk-Lore Journal 3 (1885): 193–242.
Hearne, Betsy. Beauty and the Beast: Visions and Revisions of an Old Tale. Chicago: U of Chicago P, 1989.
Hennard Dutheil de la Rochère, Martine. Reading, Translating, Rewriting: Angela Carter’s Translational Poetics. Detroit: Wayne State UP, 2013.
Holbek, Bengt. The Interpretation of Fairy Tales: Danish Folklore in a European Perspective. Helsinki: Academia Scientiarum Fennica, 1987.
Holliss, Richard, and Brian Sibley. Walt Disney’s “Snow White and the Seven Dwarfs” and the Making of the Classic Film. New York: Simon & Schuster, 1987.
• Hyde, Lewis. Trickster Makes This World: Mischief, Myth, and Art. New York: Farrar, Straus & Giroux, 1997.
Johns, Andreas. Baba Yaga: The Ambiguous Mother and Witch of the Russian Folktale. New York: Lang, 2004.
Johnson, Faye R., and Carole M. Carroll. “ ‘Little Red Riding Hood’: Then and Now.” Studies in Popular Culture 14 (1992): 71–84.
Jones, Steven Swann. The Fairy Tale: The Magic Mirror of Imagination. New York: Twayne, 1995.
______. The New Comparative Method: Structural and Symbolic Analysis of the Allomotifs of “Snow White.” Helsinki: Academia Scientiarum Fennica, 1990.
______. “On Analyzing Fairy Tales: ‘Little Red Riding Hood’ Revisited.” Western Folklore 46 (1987): 97–106.
Joosen, Vanessa, and Gillian Lathey, eds. Critical and Creative Perspectives on Fairy Tales: An Intertextual Dialogue between Fairy-Tale Scholarship and Postmodern Retellings. Detroit: Wayne State UP, 2011.
______. Grimms’ Tales around the Globe: The Dynamics of Their International Reception. Detroit: Wayne State UP, 2014.
Jurich, Marilyn. Scheherazade’s Sisters: Trickster Heroines and Their Stories in World Literature. Westport CT: Greenwood, 1998.
Kamenetsky, Christa. The Brothers Grimm and Their Critics: Folktales and the Quest for Meaning. Athens: Ohio UP, 1992.
Kolbenschlag, Madonna. Kiss Sleeping Beauty Good-bye: Breaking the Spell of Feminine Myths and Models. New York: Doubleday, 1979.
Laruccia, Victor. “Little Red Riding Hood’s Metacommentary: Paradoxical Injunction, Semiotics and Behavior.” Modern Language Notes 90 (1975): 517–34.
Lewis, Philip. Seeing through the Mother Goose Tales: Visual Turns in the Writings of Perrault. Stanford, CA: Stanford UP, 1996.
Lieberman, Marcia. “ ‘Some Day My Prince Will Come’: Female Acculturation through the Fairy Tale.” College English 34 (1972): 383–95.
Lurie, Alison. Don’t Tell the Grown-ups: Subversive Children’s Literature. Boston: Little, Brown, 1990.
• Lüthi, Max. The European Folktale: Form and Nature. Trans. John D. Niles. Philadelphia: Institute for the Study of Human Issues, 1982.
______. The Fairy Tale as Art Form and Portrait of Man. Trans. Jan Erickson. Bloomington: Indiana UP, 1984.
______. Once Upon a Time: On the Nature of Fairy Tales. Bloomington: Indiana UP, 1970.
Mallet, Carl-Heinz. Fairy Tales and Children: The Psychology of Children Revealed through Four of Grimms’ Fairy Tales. New York: Schocken, 1980.
Maranda, P., ed. Soviet Structural Folkloristics. The Hague: Mouton, 1974.
Marin, Louis. Food for Thought. Trans. Mette Hjort. Baltimore, MD: Johns Hopkins UP, 1989.
Martin, Ann. Red Riding Hood and the Wolf in Bed: Modernism’s Fairy Tales. Toronto: U of Toronto P, 2006.
Marzolph, Ulrich, ed. The Arabian Nights Reader. Detroit: Wayne State UP, 2006.
McGlathery, James, ed. The Brothers Grimm and Folktale. Urbana: U of Illinois P, 1988.
McMaster, Juliet. “Bluebeard: A Tale of Matrimony.” A Room of One’s Own 2 (1976): 10–19.
Mieder, Wolfgang. “Survival Forms of �
�Little Red Riding Hood’ in Modern Society.” International Folklore Review 2 (1982): 23–41.
Monaghan, David M. “The Literary Fairy-Tale: A Study of Oscar Wilde’s ‘The Happy Prince’ and ‘The Star-Child.’ ” Canadian Review of Comparative Literature 1 (1974): 156–66.
Murphy, G. Ronald, S.J. The Owl, The Raven, and the Dove. New York: Oxford UP, 2000.
Orenstein, Catherine. Little Red Riding Hood Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale. New York: Basic, 2002.
Panttaja, Elisabeth. “Going Up in the World: Class in ‘Cinderella.’ ” Western Folklore 52 (1993): 85–104.
Preston, Cathy Lynn. “ ‘Cinderella’ as a Dirty Joke: Gender, Multivocality, and the Polysemic Text.” Western Folklore 53 (1994): 27–49.
• Propp, Vladimir. Morphology of the Folktale. Trans. Laurence Scott. Austin: U of Texas P, 1975.
• ______. Theory and History of Folklore. Trans. Ariadna Y. Martin and Richard P. Martin. Ed. Anatoly Liberman. U of Minnesota P, 1984.
Quintus, John Allen. “The Moral Prerogative in Oscar Wilde: A Look at the Fairy Tales.” Virginia Quarterly Review 53 (1977): 708–17.
Röhrich, Lutz. Folktales and Reality. Trans. Peter Tokofsky. Bloomington: Indiana UP, 1991.
Rölleke, Heinz. Die Märchen der Brüder Grimm: Eine Einführung. Munich: Artemis, 1985.
______. “New Results of Research on Grimms’ Fairy Tales.” In The Brothers Grimm and Folktale. Ed. James M. McGlathery. Urbana: U of Illinois P, 1991.
Rooth, Anna Birgitta. The Cinderella Cycle. Lund, Sweden: Gleerup, 1951.
Rose, Ellen Cronan. “Through the Looking Glass: When Women Tell Fairy Tales.” In The Voyage In: Fictions of Female Development. Ed. Elizabeth Abel, Marianne Hirsch, and Elizabeth Langland. Hanover, NH: UP of New England, 1983.
Rowe, Karen E. “Feminism and Fairy Tales.” Women’s Studies: An Interdisciplinary Journal 6 (1979): 237–57.
• ______. “To Spin a Yarn: The Female Voice in Folklore and Fairy Tale.” In Fairy Tale and Society: Illusion, Allusion, and Paradigm. Ed. Ruth B. Bottigheimer. Philadelphia: U of Pennsylvania P, 1986.
Sale, Roger. Fairy Tales and After: From Snow White to E. B. White. Cambridge: Harvard UP, 1978.
Schectman, Jacqueline. The Stepmother in Fairy Tales: Bereavement and the Feminine Shadow. Boston: Sigo, 1991.
The Classic Fairy Tales_Norton Critical Edition Page 76
