by Will Self
But where am I? No nearer casualty. The corridor has not swapped its concrete floor for tiling, there is no paint on the walls. I have turned the wrong way. Twenty feet ahead I can see the two swing-doors that lead to the conservatory. What the hell. I’ll pop in and have a look; it will be the last time I come near the hospital for a while. The doors whicker apart on their rusty rails and as I turn and pull them shut behind me they cut out the steady undertow of thrum that powers the hospital. The light in the high-domed room is the same as before and the obscure machine with its cream bakelite surfaces projects up above me, inviolate.
Tom and Jim step out from behind its flanged base, they move quite unaffectedly into my sight, as if expecting no particular reaction. I am very frightened.
‘Misha, where are you going?’ says Tom. Jim is casting his eyes about with rapid jerks of his head. He keeps flexing and rolling his arms back and forth, opening the palm forwards to disclose plastic mouth tubes – the kind used to stop people who are fitting from biting their tongues off – which he has adapted to some manual exercise routine.
‘I’m going off for the rest of the day, Tom, I came here by accident. I was looking for casualty.’
Tom listens to me, nodding, and then gestures for me to join him and Jim. The three of us then, squat down between the outstretched paws of the great instrument, which are bolted heavily to the floor. We are like Africans under some fat-trunked tree, timelessly talking, until Jim drops his adapted muscle expanders on to the cracked tiles of the floor with a clatter.
‘I’m glad you listened to my advice, Misha. You’re leaving, aren’t you?’
‘Just for a couple of days. I … I need a rest. The atmosphere on the ward is quite overwhelming.’
‘Yes, it can be, can’t it. That’s why Jim and I like to come down here and play with the machine, it’s peaceful, down here, quiet. Do you think I’m mad, Misha?’
‘What about me, am I mad too?’ Jim chimes in as well. I find myself embarrassed, which is absurd. To be frightened seems right, but to be embarrassed as well, that’s ridiculous.
‘Does the question embarrass you?’ Tom is rolling a cigarette with deft fingers. He flicks over the lip of paper and raises it to his budding, sensual mouth.
‘I hadn’t thought about it in those terms.’
‘Oh, oh, I see, you are a disciple of good Dr Zee, so we’re just behaving in a way which others choose to describe as mad. We’re simply non-conformists.’
‘I think you’re simplifying his position a little.’
‘Of course, of course. Are you mad, Misha?’ Jim snickers and rakes the tiles with long, cracked nails.
I can’t answer. My eyes cast up to the ceiling some twenty feet away. The conservatory is roofed with a glass cupola, the inside of which seems dirtied as if by soot. Beneath this a complete circle of dirty dormer windows lets in the grey light. From the very centre hangs a flex – which dangles a cluster of naked bulbs just above the highest shoulder of the machine.
After a while, Tom reaches out from where he squats and touches me lightly on the arm. ‘I’m sorry Misha, come on, let’s climb.’
‘Yeah, lets.’ Jim is on his feet in one bound, a foot already on the kidney-shaped step, which is set two feet up into the base of the machine. In turn we haul ourselves up. Tom comes last. The machine is designed to be climbed; we ascend to a horizontal platform about seven feet up. This is girded with massive gimbals, the purpose of which is to tilt the platform under the main barrel of the contraption. What the machine ever did to the patients who were lain out on the platform is obscure. Perhaps it projected something through them: radiation; ultrasound; a light beam, or even something solid … The barrel itself has been de-cored; all that’s left is a hank of plaited black wires, spilling from its mouth.
The three of us then, sit in a row on the platform, passing back and forth the wet end of tobacco. The curved well of dead light that falls on to us and the heavy machinery we sit on conspire to effect timelessness. Jews about to be shot or gassed are caught against the straight rod and round wheel of a railway engine. Crash survivors crawl from buckled aluminium sections rammed into the compost earth of the rainforest. We sit and smoke and I hear the ‘peep-peep’ of a small bird, outside the hospital, sounding like a doctor’s pager. It completes the dead finality of my situation. My neck, rigid with absorbed tension, mushy with tranquillisers, feels as if it is welling up over my head to form a fleshly cowl.
The texture of things parodies itself. The creamy hardness of the machine’s surfaces, the dusty clink of the tiled floor, the smelly abrasion of the arm of Tom’s sweater. Even surfaces refuse to be straight with me. Tom’s profile is rippably perfect, a slash of purity. Jim’s bulbous nose and styled, collar-length hair make him absurd, an impression heightened by his simian arms which rest on the platform like the prongs of an idling forklift truck. But he reassures me now. They both reassure me. I put an arm around each of them and they snuggle into me, adults being children, being parents. They are my comrades, my blood brothers.
‘Go now, Misha.’ Tom pulls away and pushes me gently, indicating that I should get down from the platform. I climb down heavily. My limbs have the dripping, melting feeling that I know indicates the absorption of more Parstelin. But I don’t know why; I haven’t taken any. On the floor I turn, not towards the doors, but away from them, and circle the machine. Jim and Tom watch me but say nothing. I pick my way over twisted lianas of defunct cabling, once pinioned to the floor but now adrift. Behind the machine, directly opposite the door to the corridor, the door that faces the Mass Disaster Room is open.
Outside there is a scrap of land, room-sized, open to the air that voyages fifteen storeys down to find it and its tangled side-swipe of nameless shrubs. There, set lopsidedly on the irregular rubbled surface, stands one of the rectangular melamine-topped tables from the dining area on the ward. I can see a fold of belly, a dollop of jowl, a white hand fidgeting with an acrylic rectangle, the failing end of a mohair tie. Dr Busner is trying to solve The Riddle.
‘Ah, there you are, Misha. Come out, come out, don’t hover like that.’ Busner sits, flanked by Valuam and Bowen. On the table in front of them are ranged objects that clearly relate to me: a pot of green pills, Jim’s bas-relief which had so impressed me, a note I had sent to Mimi in an idle moment. I move across the little yard and sit by Valuam, who surprises me by smiling warmly. Flash of recognition: the slashed profile. If the features were undrowned? Valuam and Tom are brothers.
‘We are all family here, Misha.’
‘What’s that?’
‘We are all family … I see that something is coming home to you, as you have come home to us. It hardly matters whether we are doctors or patients, does it, Misha? The important thing is to be at home.’ Busner rises and starts to pace the area. The massive walls of the hospital are joined irregularly to the squat citadel that houses the Mass Disaster Room. Busner describes a trapezoid on the uneven surface, sketching out with his feet the elevation of the hospital.
‘You see, what we have here is a situation that calls for mutual aid. My son, Jane and Anthony’s siblings, Simon, Jim, Clive, Harriet, indeed all of the patients on the ward, could be said to be casualties of a war that we ourselves have waged. That’s why we felt it was our duty to care for them in a special kind of environment. You, of course, noticed the curious involution of the pathology that they exhibit, Misha, and that was right – you passed the first step. They are not mad in any accepted sense, rather they are meta-mad. Their madness is a conscious parody of the relation in which the psyche stands to itself … but you know this. Unfortunately, you didn’t do so well on the other tests …’ Busner tipped out some of the Parstelin from the pot on to the table. ‘You took these, Misha, and you fucked Mimi in just about every available cupboard on the ward. This is not the behaviour of a responsible therapist. You had a choice, Misha. On Ward 9 you could have been therapist or patient; it seems that you have decided to become a patient.�
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Busner stopped pacing and sat down again at the table. I sat, trapped in sweet gorge. What he said made sense. I did not resent it. Jane Bowen picked her nails with the edge of a Riddle counter. The same bird paged Nature. The four of us sat in the peculiar space, in silence. One thing confused me.
‘But Dr Busner … Zack, my parents, my father. They had nothing to do with any therapeutic application of psychology, they were both artists. Surely I don’t qualify for the ward?’
‘Later on, Misha, later on … Your father became a sculptor in his thirties. Before that he studied with Alkan. He would have made an excellent analyst, but perhaps he didn’t want you to pay the price.’
The doors behind me clacked in a down draft. The interview was clearly over.
‘Would you take Misha back up to the ward, Anthony. We can foregather and handle the paperwork after lunch.’
Yes, lunch, I felt quite hungry. But I didn’t like it down here. There was something moribund about this patch of ground, cemented with white splashes that streaked the high walls and starred the crusted earth. I wanted to get back upstairs – I want to get back upstairs – ha! Perhaps that’s the effect of the chloropromasine, a kind of continual time lag between thought and self-consciousness – I want to get back upstairs … and lie on my bed. I need a cigarette.
Understanding the
Ur-Bororo
When I first met Janner at Reigate in the early Seventies, he’d been an unprepossessing character. He was a driven young man whose wimpy physical appearance all too accurately complemented his obsessive nature. His body looked as if it had been constructed out of pipecleaners dunked repeatedly in flesh-coloured wax. All his features were eroded and soft except for his nose, which was the droplet of wax that hardens as it runs down the shaft of the candle. There was also something fungoid about Janner, it was somehow indefinable, but I always suspected that underneath his clothes Janner had athlete’s foot – all over his entire body.
You mustn’t misunderstand me, in a manner of speaking Janner and I were best friends. Actually, that is a little strong, it was rather that it was us against the rest – Janner and I versus the entire faculty and the entire student, body combined.
I suppose I now realise that my feelings are not Janner’s responsibility and they never were. He just had the misfortune to come along at that point in my life where I was open to the idea of mystery. Janner took the part of Prospero; I gnashed and yowled – and somewhere on the island lurked the beautiful, the tantalising, the Ur-Bororo.
Not everyone has the opportunity to experience a real mystery in their lives. I at least did, even if the disillusionment that has followed the resolution of my mystery sometimes seems worse than the shuttered ignorance I might otherwise have enjoyed. This then is the story of a rite of passage. A coming of age that took ten years to arrive. And although it was my maturity that was at issue, it is Janner who is the central character of this story.
I can believe that in a more stimulating environment, somewhere where intellectual qualities are admired and social peculiarities sought after, Janner would have been a tremendous success. He was an excellent conversationalist, witty and informed. And if there was something rather repulsive about the way catarrh gurgled and huffled up and down his windpipe when he was speaking, it was more than compensated for by his animation, his excitement, and his capacity for getting completely involved with ideas.
Janner and I weren’t appreciated by the rest of the student body at Reigate. We thought them immature and pathetic, with their passé, hippy hair and consuming passion for incredibly long guitar solos. I dare say they thought nothing of us at all. We were peripheral.
You guessed it; I was jealous. I didn’t want to be sectioned off with waxy Janner. I wanted to be mingling my honeyed locks with similar honeyed locks to the sound of those stringed bagpipes. I wanted to provide an ideal arterial road for crabs, but I wasn’t allowed to play. It was the students in the arts faculties who were at the centre of most of the cliques. If, like me, you were reading geography and physical education, you were ruled out of court – especially if you didn’t look right, or talk right. Without these essential qualifications I was marginalised. At school my ability to do the four hundred metres hurdles comfortably under fifty seconds had made me a hero; at Reigate it was derided.
Ostracised by the cliques that mattered I found Janner, and I’ve lived to regret it. If only I’d poached my brain with psycho-tropics! Today I could be living a peaceful life, haggling with a recalcitrant DHSS official in rural Wales, or beating a damp strip of carpet hung over a sagging clothesline outside some inner-city squat. Janner cheated me out of this, his extreme example bred my moderation. At nineteen I could have gone either way.
I cemented my friendship with Janner during long walks in what passed for countryside around Reigate. Even at that time this part of Surrey was just the odds and ends that had been forgotten in the clashes between adjacent municipalities. The irregular strips of grey and brown farmland, the purposeless concrete aprons, stippled with weeds and the low, humped downs covered with sooty, stained scrub. We traversed them all and as we walked he talked.
Janner was an anthropology student. Now, of course, he is The Anthropologist, but in those days he was simply one student among several, five to be precise. Quite why Reigate had a department of anthropology was a mystery to most of the faculty and certainly to the students. Hardly anyone knew about the Lurie Foundation, who had endowed it, and – even I didn’t know until years later – why.
During the time Janner and I were at Reigate (you could hardly say ‘up’ at Reigate) the department was run by Dr Marston. He was a striking-looking man. To say he had a prognathous jaw would have been a gross understatement. His jaw shot out in a dead flat line from his neck and went on travelling for quite a while. Looking at the rest of his face the most obvious explanation was that his chin was desperately trying to escape his formidably beetling brows. These rolled down over his eyes like great lowering storm clouds. Add to this two steady black eyes, tiny little teeth, a keel for a nose, and a mouth trying to hide behind a fringe of savagely cut black beard, and you had someone whose skull looked as if it had been assembled in an attempt to perpetrate a nineteenth-century hoax.
To see Dr Marston and Janner talking to one another was to feel that one was witnessing the meeting between two different species that had just discovered a mutual language. Not that I saw them together that often; Dr Marston had no time for me, and Janner, after his first year, was excused from regular attendance at the college and allowed to get on with his own research.
I think it would be fair to say (and please remember that this is a turn of phrase resolved solely for the use of the extremely opinionated and the hopelessly diffident) that during that year I received a fairly comprehensive anthropological education at second hand. Janner had very little interest in what I was studying. At best he used my scant geographical knowledge as a sort of card index, and when he was discoursing on the habits and customs of this or that isolated people he would consult my internal map of the world. For most of the time we were together I listened and Janner talked.
Janner talked of the pioneers in his field. He was in awe of the colossal stature of the first men and women who had aspired to objectivity in relation to the study of humankind. He talked to me of their theories and hypotheses, their intrigues and battles, their collections of objects and artefacts, and came back again and again, as we strode round and round the brown hills, to their fieldwork.
For Janner all life was a prelude to fieldwork. Reigate was only an antechamber to the real world. A world in which Janner wanted to submerge himself completely – in order to become a pure observer. He was unmoved by the relatavistic, structuralist and post-structuralist theories of anthropology with their painful concern with the effect of the observer on the observed. Janner had no doubts; as soon as he got into the field he would effectively disappear, becoming like a battery of sensitive recording
devices hidden in a tree. His whole life was leading up to this pure period of observation. Janner wanted to be the ultimate voyeur. He wanted to sit on a kitchen chair in the corner of the world and watch while societies played with themselves.
When Janner wasn’t telling me about infibulation among the Tuareg or Shan propitiation ceremonies, he was sharing with me the fruits of his concerted observation of Reigate society. Janner was intrigued by Reigate. He saw it as a unique society at a crucial point in its development.
Walking with him, up by the county hospital, or down in the network of lanes that formed the old town, I would squirm with embarrassment as Janner stopped passersby; milkmen, clerks and housewives. Janner encouraged them to talk about themselves, their lives, and what they were doing, just like that; impromptu, with no explanation. Needless to say they invariably obliged, and usually fulsomely.
As we passed cinema queues or discos on our interminable walks, or stopped off at cafés to eat bacon sandwiches, Janner would shape and form what he observed into a delicate tableau of practice, ritual and belief. Reigate was for him a ‘society’ and as such was as worthy of respect as any other society. It was not for him to judge the relative values of killing a bandicoot versus taking a girl on the back of your Yamaha 250 up the A23 at a hundred miles an hour; both were equally valid rites of passage.
After his first year at Reigate Janner moved out of his digs at Mrs Beasley’s on Station Road, and into a shed on the edge of the North Downs. It was his intention to get started as soon as possible on the business of living authentically – in harmony with his chosen object of field study – for by now Janner had fallen under the spell of the Ur-Bororo.
