He hesitated while his mind rapidly sorted over the various heavenly kingdoms he had known. There was no need, he thought, to be especially original with this sort of thing. Originality would play an important role in the creation of his universe. Just now the only essential thing was to insure himself a reasonable degree of dignity and luxury-and for that the secondhand furnishings of ancient Yahweh would do.
Raising one hand in a self-conscious gesture, he commanded. Instantly the blackness was riven with light, and before him a flight of gold-veined marble steps rose to a glittering throne. The throne was high and cushioned. Arms, legs and back were of glowing silver, and the cushions were imperial purple. And yet- the whole was incredibly hideous. The legs were too long and thin, the arms were rachety, the back narrow and sickly.
Finchley said: "Ow-w-w-w!" and tried to remodel. Yet no matter how he altered the proportions, the throne remained horrible. And for that matter, the steps, too, were disgusting, for by some freak of creation the gold veins twisted and curved through the marble to form obscene designs too reminiscent of the pictures Finchley had drawn in his past existence.
He gave it up at last, mounted the crooked steps and settled himself uneasily on the throne. It felt as though he was sitting on the lap of a corpse with dead arms poised to infold him in ghastly embrace. He shuddered slightly and said:
"Oh, hell, I was never a furniture designer-"
Finchley glanced around, then raised his hand again. The jet clouds that had crowded around the throne rolled back to reveal high columns of crystal and a
soaring roof arched and paved with smooth blocks. The hall stretched back for thousands of yards like some never-ending cathedral, and all that length was filled with rank on rank of his retainers.
Foremost were the angels: slender, winged creatures, white-robed, with blond, shining heads, sapphire-blue eyes, and scarlet, smiling mouths. Behind the angels knelt the order of Cherubin: giant winged bulls with tawny hides and hoofs of beaten metal. Their Assyrian heads were heavily bearded with gleaming jet curls. Third were the Seraphim: ranks of huge six-winged serpents whose jeweled scales glittered with a startling silent flame.
As Finchley sat and stared at them with admiration for his handiwork, they chanted in soft unison: "Glory to god. Glory to the Lord Finchley, the All Highest.... Glory to the Lord Finchley-"
He sat and stared and it was as though his eyes were slowly acquiring the distortion of astigmatism, for he realized that this was more a cathedral of evil than of heaven. The columns were carved with revolting grotesques at the capitals and bases, and as the hall stretched into dimness it seemed peopled with cavorting shadows that grimaced and danced.
And in the far reaches of those twisting lengths, covert little scenes were playing that sickened him. Even as they chanted, the angels gazed sidelong with their glistening blue eyes at the Cherubin; and behind a column he saw one winged creature reach out and seize a lovely blond angel of lust to crush her to him.
In sheer desperation Finchley raised his hand again, and once more the blackness swirled around him- "So much," he said, "for a Heavenly Kingdom-"
He pondered for another ineffable period as he drifted in emptiness, grappling with the most stupendous artistic problem he had ever attacked.
Up to now, Finchley thought with a shudder for the horror he had recently wrought, I have been merely playing-feeling my strength-warming up, so to speak, the way an artist will toy with pastel and a block of grained paper. Now it's time for me to go to work.
Solemnly, as he thought would befit a god, he conducted a laborious conference with himself in space.
What, he asked himself, has creation been in the past?
One might call it nature.
Very well, we shall call it nature. Now, what are the objections to nature's creation?
Why-nature was never an artist. Nature merely blundered into things in an experimental sort of way. Whatever beauty existed was merely a byproduct. The difference be- The difference, he interrupted himself, between the old nature and the new God Finchley shall be order. Mine will be an ordered cosmos devoid of waste and devoted to beauty. There will be nothing haphazard. There will be no blundering.
First, the canvas.
"There shall be infinite space!" Finchley cried.
In the nothingness, his voice roared through the bony structure of his skull and
echoed in his ears with a flat, sour sound; but on the instant of command, the opaque blackness was filtered into a limpid jet. Finchley could still see nothing, but he felt the change.
He thought: Now, in the old cosmos there were simply stars and nebulae and vast fiery bodies scattered through the realms of the sky. No one knew their purpose-no one knew their origin or destination.
In mine there shall be purpose, for each body shall serve to support a race of creatures whose sole function shall be to serve me- He cried: "Let there be universes to the number of one hundred, filling space. One thousand galaxies shall make up each universe, and one million suns shall be the sum of each galaxy. Ten planets shall circle each sun, and two moons each planet. Let all revolve around their creator! Let all this come to pass. Now!"
Finchley screamed in terror as light burst in a soundless cataclysm around him. Stars, close and hot as suns, distant and cold as pinpricks- Separately, by twos and in vast smudgy clouds- Blazing crimson-yellow--deep green and violet- The sum of their brilliance was a welter of light that constricted his heart and filled him with a devouring fear of the latent power within him.
"This," Finchley whimpered, "is enough cosmic creation for the time being-"
He closed his eyes determinedly and exerted his will once more. There was a sensation of solidity under his feet and when he opened his eyes cautiously he was standing on one of his earths with blue sky and a blue-white sun lowering swiftly toward the western horizon.
It was a bare, brown earth-Finchley had seen to that-it was a vast sphere of inchoate matter waiting for his molding, for he had decided that first above all other creation he would form a good green earth for himself-a planet of beauty where Finchley, God of all Creation, would reside in his Eden.
All through that waning afternoon he worked, swiftly and with artistic finesse. A vast ocean, green and with sparkling white foam, swept over half the globe; alternating hundreds of miles of watery space with clusters of warm islands. The single continent he divided in half with a backbone of jagged mountains that stretched from pole to snowy pole.
With infinite care he worked. Using oils, water colors, charcoal and plumbago sketches, he planned and executed his entire world. Mountains, valleys, plains; crags, precipices and mere boulders were all designed into a fluent congruence of beautifully balanced masses.
All his spirit of artistry went into the clever scattering of lakes like so many sparkling jewels; and into the cunning arabesques of winding rivers that traced intricate glistening designs over the face of the planet. He devoted himself to the selection of colors: gray gravels; pink, white and black sands; good earths, brown, umber and sepia; mottled shales, glistening micas and silica stones- And when the sun at last vanished on the first day of his labor, his Eden was a shining jewel of stone, earth and metal, ready for life.
As the sky darkened overhead, a pale, gibbous moon with a face of death was
revealed riding in the vault of the sky; and even as Finchley gazed at it uneasily, a second moon with a blood-red disk lifted its ravaged countenance above the eastern horizon and began a ghastly march across the heavens. Finchley tore his eyes away from them and stared out at the twinkling stars.
There was much satisfaction to be gained from their contemplation. "I know exactly how many there are," he thought complacently. "You multiply one hundred by a thousand by a million and there's your answer- And that happens to be my idea of order!"
He lay back on a patch of warm, soft soil and placed palms under the back of his head, staring up. "And I know exactly what all of them are there for-to supp
ort human lives-the countless billions upon billions of lives which I shall design and create solely to serve and worship the Lord Finchley- That's purpose for you!"
And he knew where each of those blue and red and indigo sparks were going, for even in the vasty reaches of space they were thundering a circular course, the pivot of which was that point in the skies he had just left. Some day he would return to that place and there build his heavenly castle. Then he would sit through all eternity watching the wheeling flight of his worlds.
There was a peculiar splotch of red in the zenith of the sky. Finchley watched it absently at first, then with guarded attention as it seemed to burgeon. It spread slowly like an ink stain, and as the curious moments fled by, became tinged with orange and then the purest white. And for the first time Finchley was uncomfortably aware of a sensation of heat.
An hour passed and then two and three. The fist of red-white spread across the sky until it was a fiery nebulous cloud. A thin, tenuous edge approached a star gently, then touched. Instantly there was a blinding blaze of radiance and Finchley was flooded with gleaming, glittering light that illuminated the landscape with the eerie glow of flaring magnesium. The sensation of heat grew in intensity and tiny beads of perspiration prickled across his skin.
With midnight, the incredible inferno filled half the sky, and the gleaming stars, one after another, were bursting into silent explosions. The light was blinding white and the heat suffocating. Finchley tottered to his feet and began to run, searching vainly for shade or water. It was only then that he realized his universe was running amuck.
"No!" he cried desperately. "No!"
Heat bludgeoned him. He fell and rolled across cutting rocks that tore at him and anchored him back down with his face upthrust. Past his shielding hands, past his tight-shut eyelids, the intolerable light and heat pressed.
"Why should it go wrong?" Finchley screamed. "There was plenty of room for everything! Why should it-"
In heat-borne delirium he felt a thunderous rocking as though his Eden were beginning to split asunder.
He cried: "Stop! Stop! Everything stop!" He beat at his temples with futile fists and at last whispered: "All right... if I've made another mistake then- All right-" He waved his hand feebly.
And instantly the skies were black and blank. Only the two scabrous moons rode overhead, beginning the long downward journey to the west. And in the east a faint glow hinted at the rising sun.
"So," Finchley murmured, "one must be more a mathematician and physicist to run a cosmos. Very well, I can learn all that later. I'm an artist and I never pretended to know all that. But... I am an artist, and there is still my good green earth to people- Tomorrow- We shall see... tomorrow-"
And so presently he slept.
The scarlet sun was high when he awoke, and its evil solitary eye filled him with unrest. Glancing at the landscape he had fashioned the day previous, he was even more uncertain; for there was some subtle distortion in everything. Valley floors looked unclean with the pale sheen of lepers scales. The mountain crags formed nebulous shapes suggestive only of terror. Even the lakes contained the hint of horror under their smooth, innocent surfaces.
Not, he noticed, when he stared directly at these creations, but only when his glance was sidelong. Viewed full-eyed and steadfastly, everything seemed to be right. Proportion was good, line was excellent, coloring perfection. And yet- He shrugged and decided he would have to put in some practice at drafting. No doubt there was some subtle error of distortion in his work.
He walked to a tiny stream and from the bank scooped out a mass of moist red clay. He kneaded it smooth, wet it down to a thin mud and strained it. After it had dried under the sun slightly he arranged a heavy block of stone as a pedestal and set to work.
His hands were still practiced and certain. With sure fingers he shaped his concept of a large, furred rabbit. Body, legs and head; exquisitely etched features-it crouched on the stone ready, it seemed, to leap off at a moment's notice. Finchley smiled affectionately at his work, his confidence at last restored. He tapped it once on the rounded head and said: "Live, my friend-"
There was a second's indecision while life invaded the clay form, then it arched its back with an incredibly clumsy motion and attempted to leap. It moved forward to the edge of the pedestal where it hung crazily for an instant before it dropped heavily to the ground. As it lumbered along on a crazy course, it uttered horrible little grunting sounds and turned once to gaze at Finchley. On that animal face was an evil expression of malevolence.
Finchley's smile froze. He frowned, hesitated, then scooped up another chunk of clay and set it on the stone. For the space of an hour he worked, shaping a graceful Irish setter. At last he tapped this, too, on the narrow skull and said:
"Live-"
Instantly the dog collapsed. It mewled helplessly and then struggled to shaking feet like some enormous spider, eyes distended and glassy. It tottered to the edge of the pedestal, leaped off and collided with Finchley's leg. There was a low growl and the beast tore sharp fangs into Finchley's skin. He leaped back with a cry and kicked the animal furiously. Mewling and howling, the setter went gangling across the fields like a crippled monster.
With furious intent, Finchley returned to his work. Shape after shape he modeled and endowed with life; and each: ape, monkey, fox, weasel, rat, lizard and toad- fish; long and short, stout and slender-birds by the score-each was a grotesque monstrosity that swam, shambled or fluttered off like some feverish nightmare. Finchley was horrified and exhausted. He sat himself down on the pedestal and began to sob while his tired fingers still twitched and prodded at a lump of clay.
He thought: "I'm still an artist-What's gone wrong? What turns everything I do into horrible nonsense?"
His fingers turned and twisted, and without his realizing it, a head began to form in the clay.
He thought: "I made a fortune with my art once. Everyone couldn't have been crazy. They bought my work for many reasons-but an important one was that it was beautiful."
He stared at the lump of clay in his hands. It had been partially formed into a woman's head. He examined it closely and for the first time in many hours, he smiled.
"Why, of course!" he exclaimed. "I'm no shaper of animals. Let's see how well I do with a human figure-"
Swiftly, with heavy chunks of clay, he built up the understructure of his figure. Legs, arms, torso and head were formed. He hummed slightly under his breath as he worked, and he thought: She'll be the loveliest Eve ever created-and more- her children shall truly be the children of a god!
With loving hands he turned the full swelling calves and thighs, and cunningly joined slender ankles to graceful feet. The hips were rounded and girdled a flat slightly mounded belly. As he set the strong shoulders, he suddenly stopped and stepped back a pace.
Is it possible? He wondered.
He walked slowly around the half-completed figure.
Yes- Force of habit, perhaps?
Perhaps that-and maybe the love he had borne for so many empty years.
He returned to the figure and redoubled his efforts. With a sense of growing elation, he completed arms, neck and head. There was a certainty within him that told him it was impossible to fail. He had modeled this figure too often not to know it down to the finest detail. And when he was finished, Theone Dubedat, magnificently sculpted in clay, stood atop the stone pedestal.
Finchley was content, Wearily he sat down with his back to a jagged boulder, produced a cigarette from space and lit it. For perhaps a minute he sat, dragging in the smoke to quiet his jerking nerves. At last with a sense of chaotic anticipation he said: "Woman-" ~
He choked and stopped. Then he began again.
"Be alive-Theone!"
The second of life came and passed. The nude figure moved slightly, then began to tremble. Magnetically drawn, Finchley arose and stepped toward her,
arms outstretched in mute appeal. There was a hoarse gasp of indrawn breath and slowly t
he great eyes opened and examined him.
The living girl straightened and screamed. Before Finchley could touch her she beat at his face, her long nails ripping his skin. She fell backward off the pedestal, leaped to her feet and began running off across the fields like all the others- running like a crazy, crippled creature while she screamed and howled. The low sun dappled her body and the shadow she cast was monstrous.
Long after she disappeared, Finchley continued to gaze in her direction while within him all that futile, bitter love surged and burned with an acid tide. At length he turned again to the pedestal and with icy impassivity set once more to work. Nor did he stop until the fifth in a succession of lurid creatures ran screaming out into the night-Then and only then did he stop and stand for a long time gazing alternately at his hands and the crazy, careening moons that sailed overhead.
Bester, Alfred Page 3
