“Here, o’er the martyr-king the marble weeps, And fast beside him once-fear’d Edward sleeps; The grave unites, where e’en the grave finds rest, And mingled here the oppressor and the opprest.”
In the royal vault in the choir repose Henry the Eighth and his third queen Jane Seymour, together with the martyred Charles the First.
Space only permits the hasty enumeration of the different chapels and chantries adorning this splendid fane. These are Lincoln Chapel, near which Richard Beauchamp, Bishop of Salisbury, is buried; Oxenbridge Chapel; Aldworth Chapel; Bray Chapel, where rests the body of Sir Reginald de Bray, the architect of the pile; Beaufort Chapel, containing sumptuous monuments of the noble family of that name; Rutland Chapel; Hastings Chapel; and Urswick Chapel, in which is now placed the cenotaph of the Princess Charlotte, sculptured by Matthew Wyatt.
In a vault near the sovereign’s stall lie the remains of the Duke of Gloucester, who died in 1805, and of his duchess, who died two years after him. And near the entrance of the south door is a slab of grey marble, beneath which lies one who in his day filled the highest offices of the realm, and was the brother of a king and the husband of a queen. It is inscribed with the great name of Charles Brandon.
At the east end of the north aisle is the chapter-house, in which is a portrait and the sword of state of Edward the Third.
Adjoining the chapel on the east stands the royal tombhouse. Commenced by Henry the Seventh as a mausoleum, but abandoned for the chapel in Westminster Abbey, this structure was granted by Henry the Eighth to Wolsey, who, intending it as a place of burial for himself, erected within it a sumptuous monument of black and white marble, with eight large brazen columns placed around it, and four others in the form of candlesticks.
At the time of the cardinal’s disgrace, when the building reverted to the crown, the monument was far advanced towards completion — the vast sum of 4280 ducats having been paid to Benedetto, a Florentine sculptor, for work, and nearly four hundred pounds for gilding part of it. This tomb was stripped of its ornaments and destroyed by the Parliamentary rebels in 1646; but the black marble sarcophagus forming part of it, and intended as a receptacle for Wolsey’s own remains, escaped destruction, and now covers the grave of Nelson in a crypt of Saint Paul’s Cathedral.
Henry the Eighth was not interred in this mausoleum, but in Saint George’s Chapel, as has just been mentioned, and as he himself directed, “midway between the state and the high altar.” Full instructions were left by him for the erection of a monument which, if it had been completed, would have been truly magnificent. The pavement was to be of oriental stones, with two great steps upon it of the same material. The two pillars of the church between which the tomb was to be set were to be covered with bas-reliefs, representing the chief events of the Old Testament, angels with gilt garlands, fourteen images of the prophets, the apostles, the evangelists, and the four doctors of the Church, and at the foot of every image a little child with a basket full of red and white roses enamelled and gilt. Between these pillars, on a basement of white marble, the epitaphs of the king and queen were to be written in letters of gold.
On the same basement were to be two tombs of black touchstone supporting the images of the king and queen, not as dead, but sleeping, “to show,” so runs the order, “that famous princes leaving behind them great fame do never die.” On the right hand, at either corner of the tomb, was to be an angel holding the king’s arms, with a great candlestick, and at the opposite corners two other angels hearing the queen’s arms and candlesticks. Between the two black tombs was to rise a high basement, like a sepulchre, surmounted by a statue of the king on horseback, in armour — both figures to be “of the whole stature of a goodly man and a large horse.” Over this statue was to be a canopy, like a triumphal arch, of white marble, garnished with oriental stones of divers colours, with the history of Saint John the Baptist wrought in gilt brass upon it, with a crowning group of the Father holding the soul of the king in his right hand and the soul of the queen in his left, and blessing them. The height of the monument was to be twenty-eight feet.
The number of statues was to be one hundred and thirty-four, with forty-four bas-reliefs. It would be matter of infinite regret that this great design was never executed, if its destruction by the Parliamentary plunderers would not in that case have been also matter of certainty.
Charles the First intended to fit up this structure as a royal mausoleum, but was diverted from the plan by the outbreak of the civil war. It was afterwards used as a chapel by James the Second, and mass was publicly performed in it. The ceiling was painted by Verrio, and the walls highly ornamented; but the decorations were greatly injured by the fury of an anti-Catholic mob, who assailed the building, and destroyed its windows, on the occasion of a banquet given to the Pope’s nuncio by the king.
In this state it continued till the commencement of the present century, when the exterior was repaired by George the Third, and a vault, seventy feet in length, twenty-eight in width, and fourteen in depth, constructed within it, for the reception of the royal family. Catacombs, formed of massive octangular pillars, and supporting ranges of shelves, line the walls on either side.
At the eastern extremity there are five niches, and in the middle twelve low tombs. A subterranean passage leads from the vault beneath the choir of Saint George’s altar to the sepulchre. Within it are deposited the bodies of George the Third and Queen Charlotte, the Princesses Amelia and Charlotte, the Dukes of Kent and York, and the last two sovereigns, George the Fourth and William the Fourth.
But to return to the reign of Edward the Fourth, from which the desire to bring down the history of Saint George’s Chapel to the present time has led to the foregoing digression. About the same time that the chapel was built, habitations for the dean and canons were erected on the north-east of the fane, while another range of dwellings for the minor canons was built at its west end, disposed in the form of a fetterlock, one of the badges of Edward the Fourth, and since called the Horse-shoe Cloisters. The ambulatory of these cloisters once displayed a fine specimen of the timber architecture of Henry the Seventh’s time, when they were repaired, but little of their original character can now be discerned.
In 1482 Edward, desirous of advancing his popularity with the citizens of London, invited the lord mayor and aldermen to Windsor, where he feasted them royally, and treated them to the pleasures of the chase, sending them back to their spouses loaded with game.
In 1484 Richard the Third kept the feast of Saint George at Windsor, and the building of the chapel was continued during his reign.
The picturesque portion of the castle on the north side of the upper ward, near the Norman Gateway, and which is one of the noblest Gothic features of the proud pile, was built by Henry the Seventh, whose name it still bears. The side of this building looking towards the terrace was originally decorated with two rich windows, but one of them has disappeared, and the other has suffered much damage.
In 1500 the deanery was rebuilt by Dean Urswick. At the lower end of the court, adjoining the canons’ houses behind the Horse-shoe Cloisters, stands the Collegiate Library, the date of which is uncertain, though it may perhaps be referred to this period. The establishment was enriched in later times by a valuable library, bequeathed to it by the Earl of Ranelagh.
In 1506 Windsor was the scene of great festivity, in consequence of the unexpected arrival of Philip, King of Castile, and his queen, who had been driven by stress of weather into Weymouth. The royal visitors remained for several weeks at the castle, during which it continued a scene of revelry, intermixed with the sports of the chase. At the same time Philip was invested with the Order of the Garter, and installed in the chapel of St. George.
The great gateway to the lower ward was built in the commencement of the reign of Henry the Eighth; it is decorated with his arms and devices — the rose, portcullis, and fleur-de-lis, and with the bearings of Catherine of Arragon. In 1522 Charles the Fifth visited Windsor, and w
as installed I knight of the Garter.
During a period of dissension in the council, Edward the Sixth was removed for safety to Windsor by the Lord Protector Somerset, and here, at a later period, the youthful monarch received a letter from the council urging the dismissal of Somerset, with which, by the advice of the Arch-bishop of Canterbury, he complied.
In this reign an undertaking to convey water to the castle from Blackmore Park, near Wingfield, a distance of five miles, was commenced, though it was not till 1555, in the time of Mary, that the plan was accomplished, when a pipe was brought into the upper ward, “and there the water plenteously did rise thirteen feet high.” In the middle of the court was erected a magnificent fountain, consisting of a canopy raised upon columns, gorgeously decorated with heraldic ornaments, and surmounted by a great vane, with the arms of Philip and Mary impaled upon it, and supported by a lion and an eagle, gilt and painted. The water was discharged by a great dragon, one of the supporters of the Tudor arms, into the cistern beneath, whence it was conveyed by pipes to every part of the castle.
Mary held her court at Windsor soon after her union with Philip of Spain. About this period the old habitations of the alms-knights on the south side of the lower quadrangle were taken down, and others erected in their stead.
Fewer additions were made to Windsor Castle by Elizabeth than might have been expected from her predilection for it as a place of residence. She extended and widened the north terrace, where, when lodging within the castle, she daily took exercise, whatever might be the weather. The terrace at this time, as it is described by Paul Hentzner, and as it appears in Norden’s view, was a sort of balcony projecting beyond the scarp of the hill, and supported by great cantilevers of wood.
In 1576 the gallery still bearing her name, and lying between Henry the Seventh’s buildings and the Norman Tower, was erected by Elizabeth. This portion of the castle had the good fortune to escape the alterations and modifications made in almost every other part of the upper ward after the restoration of Charles the Second. It now forms the library. A large garden was laid out by the same queen, and a small gateway on Castle Hill built by her — which afterwards became one of the greatest obstructions to the approach, and it was taken down by George the Fourth.
Elizabeth often hunted in the parks, and exhibited her skill in archery, which was by no means inconsiderable, at the butts. Her fondness for dramatic performances likewise induced her to erect a stage within the castle, on which plays and interludes were performed. And to her admiration of the character of Falstaff, and her love of the locality, the world is indebted for the “Merry Wives of Windsor.”
James the First favoured Windsor as much as his predecessors; caroused within its halls, and chased the deer in its parks; Christian the Fourth of Denmark was sumptuously entertained by him at Windsor. In this reign a curious dispute occurred between the king and the dean and chapter respecting the repair of a breach in the wall, which was not brought to issue for three years, when, after much argument, it was decided in favour of the clergy.
Little was done at Windsor by Charles the First until the tenth year of his reign, when a banqueting-house erected by Elizabeth was taken down, and the magnificent fountain constructed by Queen Mary demolished. Two years after wards “a pyramid or lantern,” with a clock, hell, and dial, was ordered to be set up in front of the castle, and a balcony was erected before the room where Henry the Sixth was born.
In the early part of the year 1642 Charles retired to Windsor to shield himself from the insults of the populace, and was followed by a committee of the House of Commons, who prevailed upon him to desist from the prosecution of the impeached members. On the 23rd of October in the same year, Captain Fogg, at the head of a Parliamentarian force, demanded the keys of the college treasury, and, not being able to obtain them, forced open the doors, and carried off the whole of the plate.
The plunder of the college was completed by Vane, the Parliamentary governor of the castle, who seized upon the whole of the furniture and decorations of the choir, rifled the tomb of Edward the Fourth, stripped off all the costly ornaments from Wolsey’s tomb, defaced the emblazonings over Henry the Sixth’s grave, broke the rich painted glass of the windows, and wantonly destroyed the exquisite woodwork of the choir.
Towards the close of the year 1648 the ill-fated Charles was brought a prisoner to Windsor, where he remained while preparations were made for the execrable tragedy soon afterwards enacted. After the slaughter of the martyr-monarch the castle became the prison of the Earl of Norwich, Lord Capel, and the Duke of Hamilton, and other royalists and cavaliers.
Cromwell frequently resided within the castle, and often took a moody and distrustful walk upon the terrace. It was during the Protectorate, in 1677, that the ugly buildings appropriated to the naval knights, and standing between the Garter Tower and Chancellor’s Tower, were erected by Sir Francis Crane.
CHAPTER IV.
Containing the History of the Castle from the Reign of Charles the Second to that of George the Third — With a few Particulars concerning the Parks and the Forest. Windsor Castle.
ON the Restoration the castle resumed its splendour, and presented a striking contrast to the previous gloomy period. The terrace, with its festive groups, resembled a picture by Watteau, the courts resounded with laughter, and the velvet sod of the home park was as often pressed by the foot of frolic beauty as by that of the tripping deer.
Seventeen state apartments were erected by Sir Christopher Wren, under the direction of Sir John Denham. The ceilings were painted by Verrio, and the walls decorated with exquisite carvings by Grinling Gibbons. A grand staircase was added at the same time. Most of the chambers were hung with tapestry, and all adorned with pictures and costly furniture. The addition made to the castle by Charles was the part of the north front, then called the “Star Building,” from the star of the Order of the Garter worked in colours in the front of it, but now denominated the “Stuart Building,” extending eastward along the terrace from Henry the Seventh’s building one hundred and seventy feet. In 1676 the ditch was filled up, and the terrace carried along the south and east fronts of the castle.
Meanwhile the original character of the castle was completely destroyed and Italianised. The beautiful and picturesque irregularities of the walls were removed, the towers shaved off, the windows transformed into commonplace circular-headed apertures. And so the castle remained for more than a century.
Edward the Third’s Tower, indifferently called the Earl Marshal’s Tower and the Devil Tower, and used as a place of confinement for state prisoners, was now allotted to the maids of honour. It was intended by Charles to erect a monument in honour of his martyred father on the site of the tomb-house, which he proposed to remove, and 70,000 pounds were voted by Parliament for this purpose. The design, however, was abandoned under the plea that the body could not be found, though it was perfectly well known where it lay. The real motive, probably, was that Charles had already spent the money.
In 1680 an equestrian statue of Charles the Second, executed by Strada, at the expense of Tobias Rustat, formerly housekeeper at Hampton Court, was placed in the centre of the upper ward. It now stands at the lower end of the same court. The sculptures on the pedestal were designed by Grinling Gibbons; and Horace Walpole pleasantly declared that the statue had no other merit than to attract attention to them.
In old times a road, forming a narrow irregular avenue, ran through the woods from the foot of the castle to Snow Hill but this road having been neglected during a long series of years, the branches of the trees and underwood had so much encroached upon it as to render it wholly impassable. A grand avenue, two hundred and forty feet wide, was planned by Charles in its place, and the magnificent approach called the Long Walk laid out and planted.
The only material incident connected with the castle during the reign of James the Second has been already related.
Windsor was not so much favoured as Hampton Court by William the Third, t
hough he contemplated alterations within it during the latter part of his life which it may be matter of rejoicing were never accomplished.
Queen Anne’s operations were chiefly directed towards the parks, in improving which nearly 40,000 pounds were expended. In 1707 the extensive avenue running almost parallel with the Long Walk, and called the “Queen’s Walk,” was planted by her; and three years afterwards a carriage road was formed through the Long Walk. A garden was also planned on the north side of the castle. In this reign Sir James Thornhill commenced painting Charles the Second’s staircase with designs from Ovid’s Metamorphoses, but did not complete his task till after the accession of George the First. This staircase was removed in 1800, to make way for the present Gothic entrance erected by the elder Wyatt.
The first two monarchs of the house of Hanover rarely used Windsor as a residence, preferring Hampton Court and Kensington; and even George the Third did not actually live in the castle, but in the Queen’s Lodge — a large detached building, with no pretension to architectural beauty, which he himself erected opposite the south terrace, at a cost of nearly 44,000 pounds. With most praiseworthy zeal, and almost entirely at his own expense, this monarch undertook the restoration of Saint George’s Chapel. The work was commenced in 1787, occupied three years, and was executed by Mr. Emlyn, a local architect. The whole building was repaved, a new altar-screen and organ added, and the carving restored.
In 1796 Mr. James Wyatt was appointed surveyor-general of the royal buildings, and effected many internal arrangements. Externally he restored Wren’s round-headed windows to their original form, and at the same time gothicized a large portion of the north and south sides of the upper ward.
Before proceeding further, a word must be said about the parks. The home park, which lies on the east and north sides of the castle, is about four miles in circumference, and was enlarged and enclosed with a brick wall by William the Third. On the east, and nearly on the site of the present sunk garden, a bowling-green was laid out by Charles the Second. Below, on the north, were Queen Anne’s gardens, since whose time the declivity of the hill has been planted with forest trees. At the east angle of the north terrace are the beautiful slopes, with a path skirting the north side of the home park and leading through charming plantations in the direction of the royal farm and dairy, the ranger’s lodge, and the kennel for the queen’s harriers. This park contains many noble trees; and the grove of elms in the south-east, near the spot where the scathed oak assigned to Herne stands, is traditionally asserted to have been a favourite walk of Queen Elizabeth. It still retains her name.
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