“I see him now,” said Richard, “but he is alone. He has lost his wits to dance in that strange manner by himself. How wild, too, is his gaze!”
“I tell you he is dancing with a very beautiful woman in the habit of a nun,” said Mistress Nutter. “Strange I should never have remarked her before. No one in the room is to be compared with her in loveliness — not even Alizon. Her eyes seem to flash fire, and she bounds like the wild roe.”
“Does she resemble the portrait of Isole de Heton?” asked Richard, shuddering.
“She does — she does,” replied Mistress Nutter. “See! she whirls past us now.”
“I can see no one but Nicholas,” cried Richard.
“Nor I,” added Alizon, who shared in the young man’s alarm.
“Are you sure you behold that figure?” said Richard, drawing Mistress Nutter aside, and breathing the words in her ear. “If so, it is a phantom — or he is in the power of the fiend. He was rash enough to invite that wicked votaress, Isole de Heton, condemned, it is said, to penal fires for her earthly enormities, to dance with him, and she has come.”
“Ha!” exclaimed Mistress Nutter.
“She will whirl him round till he expires,” cried Richard; “I must free him at all hazards.”
“Stay,” said Mistress Nutter; “it is I who have been deceived. Now I look again, I see that Nicholas is alone.”
“But the nun’s dress — the wondrous beauty — the flashing eyes!” cried Richard. “You described Isole exactly.”
“It was mere fancy,” said Mistress Nutter. “I had just been looking at her portrait, and it dwelt on my mind, and created the image.”
“The portrait is gone,” cried Richard, pointing to the empty wall.
Mistress Nutter looked confounded.
And without a word more, she took Alizon, who was full of alarm and astonishment, by the arm, and hurried her out of the hall.
As they disappeared, the young man flew towards Nicholas, whose extraordinary proceedings had excited general amazement. The other dancers had moved out of the way, so that free space was left for his mad gyrations. Greatly scandalised by the exhibition, which he looked upon as the effect of intoxication, Sir Ralph called loudly to him to stop, but he paid no attention to the summons, but whirled on with momently-increasing velocity, oversetting old Adam Whitworth, Gregory, and Dickon, who severally ventured to place themselves in his path, to enforce their master’s injunctions, until at last, just as Richard reached him, he uttered a loud cry, and fell to the ground insensible. By Sir Ralph’s command he was instantly lifted up and transported to his own chamber.
This unexpected and extraordinary incident put an end to the ball, and the whole of the guests, after taking a respectful and grateful leave of the host, departed — not in “most admired” disorder, but full of wonder. By most persons the squire’s “fantastical vagaries,” as they were termed, were traced to the vast quantity of wine he had drunk, but a few others shook their heads, and said he was evidently bewitched, and that Mother Chattox and Nance Redferne were at the bottom of it. As to the portrait of Isole de Heton, it was found under the table, and it was said that Nicholas himself had pulled it down; but this he obstinately denied, when afterwards taken to task for his indecorous behaviour; and to his dying day he asserted, and believed, that he had danced the brawl with Isole de Heton. “And never,” he would say, “had mortal man such a partner.”
From that night the two portraits in the banqueting-hall were regarded with great awe by the inmates of the Abbey.
* * *
CHAPTER X. — THE NOCTURNAL MEETING.
On gaining the head of the staircase leading to the corridor, Mistress Nutter, whose movements had hitherto been extremely rapid, paused with her daughter to listen to the sounds arising from below. Suddenly was heard a loud cry, and the music, which had waxed fast and furious in order to keep pace with the frenzied boundings of the squire, ceased at once, showing some interruption had occurred, while from the confused noise that ensued, it was evident the sudden stoppage had been the result of accident. With blanched cheek Alizon listened, scarcely daring to look at her mother, whose expression of countenance, revealed by the lamp she held in her hand, almost frightened her; and it was a great relief to hear the voices and laughter of the serving-men as they came forth with Nicholas, and bore him towards another part of the mansion; and though much shocked, she was glad when one of them, who appeared to be Nicholas’s own servant, assured the others “that it was only a drunken fit and that the squire would wake up next morning as if nothing had happened.”
Apparently satisfied with this explanation, Mistress Nutter moved on; but a new feeling of uneasiness came over Alizon as she followed her down the long dusky corridor, in the direction of the mysterious chamber, where they were to pass the night. The fitful flame of the lamp fell upon many a grim painting depicting the sufferings of the early martyrs; and these ghastly representations did not serve to re-assure her. The grotesque carvings on the panels and ribs of the vaulted roof, likewise impressed her with vague terror, and there was one large piece of sculpture — Saint Theodora subjected to diabolical temptation, as described in the Golden Legend — that absolutely scared her. Their footsteps echoed hollowly overhead, and more than once, deceived by the sound, Alizon turned to see if any one was behind them. At the end of the corridor lay the room once occupied by the superior of the religious establishment, and still known from that circumstance as the “Abbot’s Chamber.” Connected with this apartment was the beautiful oratory built by Paslew, wherein he had kept his last vigils; and though now no longer applied to purposes of worship, still wearing from the character of its architecture, its sculptured ornaments, and the painted glass in its casements, a dim religious air. The abbot’s room was allotted to Dorothy Assheton; and from its sombre magnificence, as well as the ghostly tales connected with it, had impressed her with so much superstitious misgiving, that she besought Alizon to share her couch with her, but the young girl did not dare to assent. Just, however, as Mistress Nutter was about to enter her own room, Dorothy appeared on the corridor, and, calling to Alizon to stay a moment, flew quickly towards her, and renewed the proposition. Alizon looked at her mother, but the latter decidedly, and somewhat sternly, negatived it.
The young girls then said good-night, kissing each other affectionately, after which Alizon entered the room with Mistress Nutter, and the door was closed. Two tapers were burning on the dressing-table, and their light fell upon the carved figures of the wardrobe, which still exercised the same weird influence over her. Mistress Nutter neither seemed disposed to retire to rest immediately, nor willing to talk, but sat down, and was soon lost in thought. After awhile, an impulse of curiosity which she could not resist, prompted Alizon to peep into the closet, and pushing aside the tapestry, partly drawn over the entrance, she held the lamp forward so as to throw its light into the little chamber. A mere glance was all she was allowed, but it sufficed to show her the large oak chest, though the monkish robe lately suspended above it, and which had particularly attracted her attention, was gone. Mistress Nutter had noticed the movement, and instantly and somewhat sharply recalled her.
As Alizon obeyed, a slight tap was heard at the door. The young girl turned pale, for in her present frame of mind any little matter affected her. Nor were her apprehensions materially allayed by the entrance of Dorothy, who, looking white as a sheet, said she did not dare to remain in her own room, having been terribly frightened, by seeing a monkish figure in mouldering white garments, exactly resembling one of the carved images on the wardrobe, issue from behind the hangings on the wall, and glide into the oratory, and she entreated Mistress Nutter to let Alizon go back with her. The request was peremptorily refused, and the lady, ridiculing Dorothy for her fears, bade her return; but she still lingered. This relation filled Alizon with inexpressible alarm, for though she did not dare to allude to the disappearance of the monkish gown, she could not help connecting the circumstance
with the ghostly figure seen by Dorothy.
Unable otherwise to get rid of the terrified intruder, whose presence was an evident restraint to her, Mistress Nutter, at length, consented to accompany her to her room, and convince her of the folly of her fears, by an examination of the oratory. Alizon went with them, her mother not choosing to leave her behind, and indeed she herself was most anxious to go.
The abbot’s chamber was large and gloomy, nearly twice the size of the room occupied by Mistress Nutter, but resembling it in many respects, as well as in the No interdusky hue of its hangings and furniture, most of which had been undisturbed since the days of Paslew. The very bed, of carved oak, was that in which he had slept, and his arms were still displayed upon it, and on the painted glass of the windows. As Alizon entered she looked round with apprehension, but nothing occurred to justify her uneasiness. Having raised the arras, from behind which Dorothy averred the figure had issued, and discovering nothing but a panel of oak; with a smile of incredulity, Mistress Nutter walked boldly towards the oratory, the two girls, hand in hand, following tremblingly after her; but no fearful object met their view. A dressing-table, with a large mirror upon it, occupied the spot where the altar had formerly stood; but, in spite of this, and of other furniture, the little place of prayer, as has previously been observed, retained much of its original character, and seemed more calculated to inspire sentiments of devotional awe than any other.
After remaining for a short time in the oratory, during which she pointed out the impossibility of any one being concealed there, Mistress Nutter assured Dorothy she might rest quite easy that nothing further would occur to alarm her, and recommending her to lose the sense of her fears as speedily as she could in sleep, took her departure with Alizon.
But the recommendation was of little avail. The poor girl’s heart died within her, and all her former terrors returned, and with additional force. Sitting down, she looked fixedly at the hangings till her eyes ached, and then covering her face with her hands, and scarcely daring to breathe, she listened intently for the slightest sound. A rustle would have made her scream — but all was still as death, so profoundly quiet, that the very hush and silence became a new cause of disquietude, and longing for some cheerful sound to break it, she would have spoken aloud but from a fear of hearing her own voice. A book lay before her, and she essayed to read it, but in vain. She was ever glancing fearfully round — ever listening intently. This state could not endure for ever, and feeling a drowsiness steal over her she yielded to it, and at length dropped asleep in her chair. Her dreams, however, were influenced by her mental condition, and slumber was no refuge, as promised by Mistress Nutter, from the hauntings of terror.
At last a jarring sound aroused her, and she found she had been awakened by the clock striking twelve. Her lamp required trimming and burnt dimly, but by its imperfect light she saw the arras move. This could be no fancy, for the next moment the hangings were raised, and a figure looked from behind them; and this time it was not the monk, but a female robed in white. A glimpse of the figure was all Dorothy caught, for it instantly retreated, and the tapestry fell back to its place against the wall. Scared by this apparition, Dorothy rushed out of the room so hurriedly that she forgot to take her lamp, and made her way, she scarcely knew how, to the adjoining chamber. She did not tap at the door, but trying it, and finding it unfastened, opened it softly, and closed it after her, resolved if the occupants of the room were asleep not to disturb them, but to pass the night in a chair, the presence of some living beings beside her sufficing, in some degree, to dispel her terrors. The room was buried in darkness, the tapers being extinguished.
Advancing on tiptoe she soon discovered a seat, when what was her surprise to find Alizon asleep within it. She was sure it was Alizon — for she had touched her hair and face, and she felt surprised that the contact had not awakened her. Still more surprised did she feel that the young girl had not retired to rest. Again she stepped forward in search of another chair, when a gleam of light suddenly shot from one side of the bed, and the tapestry, masking the entrance to the closet, was slowly drawn aside. From behind it, the next moment, appeared the same female figure, robed in white, that she had previously beheld in the abbot’s chamber. The figure held a lamp in one hand, and a small box in the other, and, to her unspeakable horror, disclosed the livid and contorted countenance of Mistress Nutter.
Alizon Alarmed at the Appearance of Mrs. Nutter.
Dreadful though undefined suspicions crossed her mind, and she feared, if discovered, she should be sacrificed to the fury of this strange and terrible woman. Luckily, where she stood, though Mistress Nutter was revealed to her, she herself was screened from view by the hangings of the bed, and looking around for a hiding-place, she observed that the mysterious wardrobe, close behind her, was open, and without a moment’s hesitation, she slipped into the covert and drew the door to, noiselessly. But her curiosity overmastered her fear, and, firmly believing some magical rite was about to be performed, she sought for means of beholding it; nor was she long in discovering a small eyelet-hole in the carving which commanded the room.
Unconscious of any other presence than that of Alizon, whose stupor appeared to occasion her no uneasiness, Mistress Nutter, placed the lamp upon the table, made fast the door, and, muttering some unintelligible words, unlocked the box. It contained two singularly-shaped glass vessels, the one filled with a bright sparkling liquid, and the other with a greenish-coloured unguent. Pouring forth a few drops of the liquid into a glass near her, Mistress Nutter swallowed them, and then taking some of the unguent upon her hands, proceeded to anoint her face and neck with it, exclaiming as she did so, “Emen hetan! Emen hetan!” — words that fixed themselves upon the listener’s memory.
Wondering what would follow, Dorothy gazed on, when she suddenly lost sight of Mistress Nutter, and after looking for her as far as her range of vision, limited by the aperture, would extend, she became convinced that she had left the room. All remaining quiet, she ventured, after awhile, to quit her hiding-place, and flying to Alizon, tried to waken her, but in vain. The poor girl retained the same moveless attitude, and appeared plunged in a deathly stupor.
Much frightened, Dorothy resolved to alarm the house, but some fears of Mistress Nutter restrained her, and she crept towards the closet to see whether that dread lady could be there. All was perfectly still; and somewhat emboldened, she returned to the table, where the box, which was left open and its contents unguarded, attracted her attention.
What was the liquid in the phial? What could it do? These were questions she asked herself, and longing to try the effect, she ventured at last to pour forth a few drops and taste it. It was like a potent distillation, and she became instantly sensible of a strange bewildering excitement. Presently her brain reeled, and she laughed wildly. Never before had she felt so light and buoyant, and wings seemed scarcely wanting to enable her to fly. An idea occurred to her. The wondrous liquid might arouse Alizon. The experiment should be tried at once, and, dipping her finger in the phial, she touched the lips of the sleeper, who sighed deeply and opened her eyes. Another drop, and Alizon was on her feet, gazing at her in astonishment, and laughing wildly as herself.
Poor girls! how wild and strange they looked — and how unlike themselves!
“Whither are you going?” cried Alizon.
“To the moon! to the stars! — any where!” rejoined Dorothy, with a laugh of frantic glee.
“I will go with you,” cried Alizon, echoing the laugh.
“Here and there! — here and there!” exclaimed Dorothy, taking her hand. “Emen hetan! Emen hetan!”
As the mystic words were uttered they started away. It seemed as if no impediments could stop them; how they crossed the closet, passed through a sliding panel into the abbot’s room, entered the oratory, and from it descended, by a secret staircase, to the garden, they knew not — but there they were, gliding swiftly along in the moonlight, like winged spirits. What took them t
owards the conventual church they could not say. But they were drawn thither, as the ship was irresistibly dragged towards the loadstone rock described in the Eastern legend. Nothing surprised them then, or they might have been struck by the dense vapour, enveloping the monastic ruins, and shrouding them from view; nor was it until they entered the desecrated fabric, that any consciousness of what was passing around returned to them.
Their ears were then assailed by a wild hubbub of discordant sounds, hootings and croakings as of owls and ravens, shrieks and jarring cries as of night-birds, bellowings as of cattle, groans and dismal sounds, mixed with unearthly laughter. Undefined and extraordinary shapes, whether men or women, beings of this world or of another they could not tell, though they judged them the latter, flew past with wild whoops and piercing cries, flapping the air as if with great leathern bat-like wings, or bestriding black, monstrous, misshapen steeds. Fantastical and grotesque were these objects, yet hideous and appalling. Now and then a red and fiery star would whiz crackling through the air, and then exploding break into numerous pale phosphoric lights, that danced awhile overhead, and then flitted away among the ruins. The ground seemed to heave and tremble beneath the footsteps, as if the graves were opening to give forth their dead, while toads and hissing reptiles crept forth.
Appalled, yet partly restored to herself by this confused and horrible din, Alizon stood still and kept fast hold of Dorothy, who, seemingly under a stronger influence than herself, was drawn towards the eastern end of the fane, where a fire appeared to be blazing, a strong ruddy glare being cast upon the broken roof of the choir, and the mouldering arches around it. The noises around them suddenly ceased, and all the uproar seemed concentrated near the spot where the fire was burning. Dorothy besought her friend so earnestly to let her see what was going forward, that Alizon reluctantly and tremblingly assented, and they moved slowly towards the transept, taking care to keep under the shelter of the columns.
The Works of William Harrison Ainsworth Page 393
