by Philip Roth
Their daughter has killed three people and they know she is safe, while about his daughter, who has not been proved by anyone to have killed anybody—about his daughter, who is being used by radical little thugs just like these privileged townhouse bombers, who has been framed, who is innocent— he knows nothing. What has he got to do with them? His daughter didn't do it. She no more set off the bomb at Hamlin's than she set off the bomb in the Pentagon. Since '68 thousands of bombs have been exploded in America, and his daughter has had nothing to do with a single one of them. How does he know? Because Dawn knows. Because Dawn knows for sure. Because if their daughter had been going to do it, she would never have gone around school telling kids that the town of Old Rimrock was in for a big surprise. Their daughter was too smart for that. If she had been going to do it, she would have said nothing.
Five years pass, five years searching for an explanation, going back over everything, over the circumstances that shaped her, the people and the events that influenced her, and none of it adequate to begin to explain the bombing until he remembers the Buddhist monks, the self-immolation of the Buddhist monks.... Of course she was just ten then, maybe eleven years old, and in the years between then and now a million things had happened to her, to them, to the world. Though she had been terrified for weeks afterward, crying about what had appeared on television that night, talking about it, awakened from her sleep by dreaming about it, it hardly stopped her in her tracks. And yet when he remembers her sitting there and seeing that monk going up in flames—as unprepared as the rest of the country for what she was seeing, a kid half watching the news with her mother and father one night after dinner—he is sure he has unearthed the reason for what happened.
It was back in '62 or '63, around the time of Kennedy's assassination, before the war in Vietnam had begun in earnest, when, as far as everybody knew, America was merely at the periphery of whatever was going haywire over there. The monk who did it was in his seventies, thin, with a shaved head and wearing a saffron robe. Cross-legged and straight-backed on an empty city street somewhere in South Vietnam, gracefully seated like that in front of a crowd of monks who had gathered to witness the event as though to observe a religious ritual, the monk had upended a large plastic canister, poured the gasoline or the kerosene, whatever it was, out of the canister and over himself and drenched the asphalt around him. Then he struck the match, and a nimbus of ragged flames came roiling out of him.
There is sometimes a performer in a circus, advertised as the fire eater, who makes flames seemingly shoot out of his mouth, and there on the street of some city in South Vietnam, this shaven-headed monk somehow made it look as though flames, instead of assaulting him from without, were shooting forward into the air from within him, not just from his mouth, however, but in an instantaneous eruption from his scalp and his face and his chest and his lap and his legs and his feet. Because he remained perfectly upright, indicating in no way that he could feel himself to be on fire, because he did not so much as move a muscle, let alone cry out, it at first looked very much like a circus stunt, as though what was being consumed were not the monk but the air, the monk setting the air on fire while no harm at all befell him. His posture remained exemplary, the posture of someone altogether elsewhere leading another life entirely, a servant of selfless contemplation, meditative, serene, a mere link in the chain of being untouched by what happened to be happening to him within view of the entire world. No screaming, no writhing, just his calmness at the heart of the flames—no pain registering on anyone on camera, only on Merry and the Swede and Dawn, horrified together in their living room. Out of nowhere and into their home, the nimbus of flames, the upright monk, and the sudden liquefaction before he keels over; into their home all those other monks, seated along the curbstone impassively looking on, a few with their hands pressed together before them in the Asian gesture of peace and unity; into their home on Arcady Hill Road the charred and blackened corpse on its back in that empty street.
That was what had done it. Into their home the monk came to stay, the Buddhist monk calmly sitting out his burning up as though he were a man both fully alert and anesthetized. The television transmitting the immolation must have done it. If their set had happened to be tuned to another channel or turned off or broken, if they had all been out together as a family for the evening, Merry would never have seen what she shouldn't have seen and would never have done what she shouldn't have done. What other explanation was there? "These gentle p-p-people," she said, while the Swede gathered her into his lap, a lanky eleven-year-old girl, held her to him, rocking and rocking her in his arms, "these gentle p-p-p-people...." At first she was so frightened she couldn't even cry—she could get out of her just those three words. Only later, a moment after going to bed, when she got up and with a yelp ran from her room down the corridor and into their room and asked, as she hadn't since she was five, to get into bed with them, was she able to let everything out of her, everything awful that she was thinking. All the lights remained on in their bedroom and they let her go on and on, sitting up between them in their bed and talking until there were no words left inside her to panic or terrorize her. When she fell asleep, sometime after three, it was with their lights all still burning—she would not let him turn them off—but she had at least by then talked herself out enough and cried herself out enough to succumb to her exhaustion. "Do you have to m-m-melt yourself down in fire to bring p-p-people to their s-senses? Does anybody care? Does anybody have a conscience? Doesn't anybody in this w-world have a conscience left?" Every time "conscience" crossed her lips she began to cry.
What could they tell her? How could they answer her? Yes, some people have a conscience, many people have a conscience, but unfortunately there are people who don't have a conscience, that is true. You are lucky, Merry, you have a very well-developed conscience. It's admirable for someone your age to have such a conscience. We're proud of having a daughter who has so much conscience and who cares so much about the well-being of others and who is able to sympathize with the sufferings of others....
She couldn't sleep alone in her room for a week. The Swede carefully read the papers in order to be able to explain to her why the monk had done what he did. It had to do with the South Vietnamese president, General Diem, it had to do with corruption, with elections, with complex regional and political conflicts, it had to do with something about Buddhism itself.... But for her it had only to do with the extremes to which gentle people have to resort in a world where the great majority are without an ounce of conscience.
Just when she seemed to have gotten over the self-immolation of that elderly Buddhist monk on that street in South Vietnam and began to be able to sleep in her own room and without a light on and without awakening screaming two and three times a night, it happened again, another monk in Vietnam set himself on fire, then a third, then a fourth ... and once that started up he found that he couldn't keep her away from the television set. If she missed a self-immolation on the evening news, she got up early to see it on the morning news before she left for school. They did not know how to stop her. What was she doing by watching and watching as though she intended never to stop watching? He wanted her to be not upset, but not to be not upset like this. Was she simply trying to make sense of it? To master her fear of it? Was she trying to figure out what it was like to be able to do something like that to yourself? Was she imagining herself as one of those monks? Was she watching because she was still appalled or was she watching now because she was excited? What was starting to unsettle him, to frighten him, was the idea that Merry was less horrified now than curious, and soon he himself became obsessed, though not, like her, by the self-immolators in Vietnam but by the change of demeanor in his eleven-year-old. That she'd always wanted to know things had made him tremendously proud of her from the time she was small, but did he really want her to want to know so much about something like this?
Is it a sin to take your own life? How can the others stand by and just watch?
Why don't they stop him? Why don't they put out the flames? They stand by and let it be televised. They want it televised. Where has their morality gone? What about the morality of the television crews who are doing the filming?...Were these the questions she was asking herself? Were they a necessary part of her intellectual development? He didn't know. She watched in total silence, as still as the monk at the center of the flames, and afterward she would say nothing; even if he spoke to her, questioned her, she just sat transfixed before that set for minutes on end, her gaze focused somewhere else than on the flickering screen, focused inward—inward where the coherence and the certainty were supposed to be, where everything she did not know was initiating a gigantic upheaval, where nothing that registered would ever fade away....
Though he didn't know how to stop her, he did try to find ways to divert her attention, to make her forget this madness that was going on halfway around the world for reasons having nothing to do with her or her family—he took her at night to drive golf balls with him, he took her to a couple of Yankee games, he took her and Dawn for a quick trip down to the factory in Puerto Rico and a week of vacation in Ponce by the beach, and then, one day, she did forget, but not because of anything he had done. It had to do with the immolations—they stopped. There were five, six, seven immolations and then there were no more, and shortly thereafter Merry did become herself again, thinking again about things immediate to her daily life and more appropriate to her years.
When this South Vietnamese president, Diem, the man against whom the martyred Buddhist monks had been directing their protest—when some months later he was assassinated (according to a CBS Sunday morning show, assassinated by the USA, by the CIA, who had propped him up in power in the first place), the news seemed to pass Merry by, and the Swede didn't convey it to her. By then this place called Vietnam no longer even existed for Merry, if it ever had except as an alien, unimaginable backdrop for a ghastly TV spectacle that had embedded itself in her impressionable mind when she was eleven years old.
She never spoke again of the martyrdom of the Buddhist monks, even after she became so committed to her own political protest. The fate of those monks back in 1963 appeared to have nothing whatsoever to do with what galvanized into expression, in 1968, a newly hatched vehemence against capitalist America's imperialist involvement in a peasant war of national liberation ... and yet her father spent days and nights trying to convince himself that no other explanation existed, that nothing else sufficiently awful had ever happened to her, nothing causal even remotely large enough or shocking enough to explain how his daughter could be the bomber.
Five years pass. Angela Davis, a black philosophy professor of about Rita Cohen's age—born in Alabama in 1944, eight years before the birth in New Jersey of the Rimrock Bomber—a Communist professor at UCLA who is against the war, is tried in San Francisco for kidnapping, murder, and conspiracy. She is charged with supplying guns used in an armed attempt to free three black San Quentin convicts during their trial. A shotgun that killed the trial judge is said to have been purchased by her only days before the courthouse battle. For two months she lived underground, dodging the FBI, until she was apprehended in New York and extradited to California. All around the world, as far away as France and Algeria and the Soviet Union, her supporters claim that she is the victim of a political frame-up. Everywhere she is transported by the police as a prisoner, blacks and whites are waiting in the nearby streets, holding up placards for the TV cameras and shouting, "Free Angela! End political repression! End racism! End the war!"
Her hair reminds the Swede of Rita Cohen. Every time he sees that bush encircling her head he is reminded of what he should have done that afternoon in the hotel. He should not have let her get away from him, no matter what.
Now he watches the news to see Angela Davis. He reads everything he can about her. He knows that Angela Davis can get him to his daughter. He remembers how, when Merry was still at home, he went into her room one Saturday when she was off in New York, opened the bottom drawer of the dresser and, seated at her desk, read through everything in there, all that political stuff, the pamphlets, the paperbacks, the mimeographed booklets with the satiric cartoons. There was a copy of The Communist Manifesto. Where did she get that? Not in Old Rimrock. Who was supplying her with all this literature? Bill and Melissa. These weren't just diatribes against the war—they were written by people wanting to overthrow capitalism and the U.S. government, people screaming for violence and revolution. It was awful for him to come upon passages that, being the good student she was, she had neatly underlined, but he could not stop reading ... and now he believes he can remember something in that drawer written by Angela Davis. There was no way of his knowing for sure because the FBI had confiscated it all, put all those publications into evidence bags, sealed them, and removed them from the house. They had dusted her room, looking for a solid set of fingerprints that they could use to match up with anything incriminating. They collected the household phone bills to trace Merry's calls. They searched her room for hiding places: pried up floorboards from beneath her rug, removed wainscoting from the walls, took the globe off the ceiling light—they went through the clothes in her closet, looking for things hidden in the sleeves. After the bombing, the state police stopped all traffic on Arcady Hill Road, closed off the area, and twelve FBI agents spent sixteen hours combing the house from the attic to the basement; when finally, in the kitchen, they searched the dustbag of the vacuum cleaner for "papers," Dawn had let out a scream. And all because of Merry's reading Karl Marx and Angela Davis! Yes, now he remembers clearly sitting at Merry's desk trying to read Angela Davis himself, working at it, wondering how his child did it, thinking, Reading this stuff is like deep-sea diving. It's like being in an Aqua-Lung with the window right up against your face and the air in your mouth and no place to go, no place to move, no place to put a crowbar and escape. It's like reading those tiny pamphlets and illustrated holy cards about the saints that the old lady Dwyer used to give her in Elizabeth. Luckily the child outgrew them, but for a while, whenever she misplaced her fountain pen, she'd pray to St. Anthony, and whenever she thought she hadn't studied enough for a test, she prayed to St. Jude, and whenever her mother made her spend a Saturday morning cleaning up her messy room, she prayed to St. Joseph, the patron saint of laborers. Once when she was nine and some diehards down at Cape May reported that the Virgin Mary appeared to their children in their barbecue and people flocked in from miles around and kept vigil in their yard, Merry was fascinated, perhaps less by the mystery of the Virgin's appearance in New Jersey than by a child's having been singled out to see her. "I wish I could see that," she told her father, and she told him about how apparitions of the Virgin Mary had appeared to three shepherd children in Fatima, in Portugal, and he nodded and held his tongue, though when her grandfather got wind of the Cape May vision from his granddaughter, he said to her, "I guess next they'll see her at the Dairy Queen," a remark Merry repeated down in Elizabeth. Grandma Dwyer then prayed to St. Anne to help Merry stay Catholic despite her upbringing, but in a couple of years saints and prayer had disappeared from Merry's life; she stopped wearing the Miraculous Medal, with the impression on it of the Blessed Virgin, which she had sworn to Grandma Dwyer to wear "perpetually" without even taking it off to bathe. She outgrew the saints just as she would have outgrown the Communism. And she would have outgrown it—Merry outgrew everything. It was merely a matter of months. Maybe weeks and the stuff in that drawer would have been completely forgotten. All she had to do was wait. If only she could have waited. That was Merry's story in a nutshell. She was impatient. She was always impatient. Maybe it was the stuttering that made her impatient, I don't know. But whatever it was she was passionate about, she was passionate for a year, she did it in a year, and then she got rid of it overnight. Another year and she would have been ready for college. And by then she would have found something new to hate and new to love, something new to be intense about, and that would have been that
.
At the kitchen table one night Angela Davis appears to the Swede, as Our Lady of Fatima did to those children in Portugal, as the Blessed Virgin did down in Cape May. He thinks, Angela Davis can get me to her—and there she is. Alone in the kitchen at night the Swede begins to have heart-to-heart talks with Angela Davis, at first about the war, then about everything important to both of them. As he envisions her, she has long lashes and wears large hoop earrings and is more beautiful even than she looks on television. Her legs are long and she wears colorful minidresses to expose them. The hair is extraordinary. She peers defiantly out of it like a porcupine. The hair says, "Do not approach if you don't like pain."
He tells her whatever she wants to hear, and whatever she tells him he believes. He has to. She praises his daughter, whom she calls "a soldier of freedom, a pioneer in the great struggle against repression." He should take pride in her political boldness, she says. The antiwar movement is an anti-imperialist movement, and by lodging a protest in the only way America understands, Merry, at sixteen, is in the forefront of the movement, a Joan of Arc of the movement. His daughter is the spearhead of the popular resistance to a fascist government and its terrorist suppression of dissent. What she did was criminal only inasmuch as it is defined as criminal by a state that is itself criminal and will commit ruthless aggression anywhere in the world to preserve the unequal distribution of wealth and the oppressive institutions of class domination. The disobedience of oppressive laws, she explains to him, including violent disobedience, goes back to abolitionism—his daughter is one with John Brown!
Merry's was not a criminal act but a political act in the power struggle between the counterrevolutionary fascists and the forces of resistance—blacks, Chicanes, Puerto Ricans, Indians, draft resisted, antiwar activists, heroic white kids like Merry herself, working, either by legal means or by what Angela calls extralegal means, to overthrow the capitalist-inspired police state. And he should not fear for her fugitive life—Merry is not alone, she is part of an army of eighty thousand radical young people who have gone underground the better to fight the social wrongs fostered by an oppressive politico-economic order. Angela tells him that everything he has heard about Communism is a lie. He must go to Cuba if he wants to see a social order that has abolished racial injustice and the exploitation of labor and is in harmony with the needs and aspirations of its people.
