Needle in a Timestack

Home > Science > Needle in a Timestack > Page 2
Needle in a Timestack Page 2

by Robert Silverberg


  “Not all of us are,” Mikkelsen said. “My friend Gus is married to somebody else now.”

  “That didn’t seem to trouble him much.”

  “Maybe not. But he isn’t my friend any more, either, and that troubles me. My whole past is at Tommy Hambleton’s mercy, Janine! And Gus the cat is gone too. Gus was a damned good cat. I miss him.”

  “Five minutes ago you weren’t sure whether his name was Gus or Max. Two hours from now you won’t know you ever had any such cat, and it won’t matter at all.”

  “But suppose the same thing had happened to you and me as happened to Gus and Donna?”

  “It didn’t, though.”

  “It might the next time,” Mikkelsen said.

  But it didn’t. The next time, which was about six months later, they came out of it still married to each other. What they lost was their collection of twentieth-century artifacts—the black-and-white television set and the funny old dial telephone and the transistor radio and the little computer with the typewriter keyboard. All those treasures vanished between one instant and the next, leaving Mikkelsen with the telltale cottony taste in his mouth, Janine with a short-lived tic below her left eye, and both of them with the nagging awareness that a phasing had occurred.

  At once they did what they could to see where the alteration had been made. For the moment they both remembered the artifacts they once had owned, and how eagerly they had collected them in ’21 and ’22, when the craze for such things was just beginning. But there were no sales receipts in their files and already their memories of what they had bought were becoming blurry and contradictory. There was a grouping of glittery sonic sculptures to the corner, now, where the artifacts had been. What change had been effected in the pattern of their past to put those things in the place of the others?

  They never really were sure—there was no certain way of knowing—but Mikkelsen had a theory. The big expense he remembered for 2021 was the time jaunt that he and Janine had taken to Aztec Mexico, just before she got pregnant with Dana. Things had been a little wobbly between the Mikkelsens back then, and the time jaunt was supposed to be a second honeymoon. But their guide on the jaunt had been a hot little item named Elena Schmidt, who had made a very determined play for Mikkelsen and who had had him considering, for at least half an hour of lively fantasy, leaving Janine for her.

  “Suppose,” he said, “that on our original time-track we never went back to the Aztecs at all, but put the money into the artifact collection. But then Tommy went back and maneuvered things to get us interested in time jaunting, and at the same time persuaded that Schmidt cookie to show an interest in me. We couldn’t afford both the antiques and the trip; we opted for the trip, Elena did her little number on me, it didn’t cause the split that Tommy was hoping for, and now we have some gaudy memories of Moctezuma’s empire and no collection of early electronic devices. What do you think?”

  “Makes sense,” Janine said.

  “Will you report him, or should I?”

  “But we have no proof, Nick!”

  He frowned. Proving a charge of time-crime, he knew, was almost impossible, and risky besides. The very act of investigating the alleged crime could cause an even worse phase-shift and scramble their pasts beyond repair. To enter the past is like poking a baseball bat into a spiderweb: it can’t be done subtly or delicately.

  “Do we just sit and wait for Tommy to figure out a way to get rid of me that really works?” Mikkelsen asked.

  “We can’t just confront him with suspicions, Nick.”

  “You did it once.”

  “Long ago. The risks are greater now. We have more past to lose. What if he’s not responsible? What if he gets scared of being blamed for something that’s just coincidence, and really sets out to phase us? He’s so damned volatile, so unstable—if he feels threatened, he’s likely to do anything. He could wreck our lives entirely.”

  “If he feels threatened? What about—”

  “Please, Nick. I’ve got a hunch Tommy won’t try it again. He’s had two shots and they’ve both failed. He’ll quit it now. I’m sure he will.”

  Grudgingly Mikkelsen yielded, and after a time he stopped worrying about a third phasing. Over the next few weeks, other effects of the second phasing kept turning up, the way losses gradually make themselves known after a burglary. The same thing had happened after the first one. A serious attempt at altering the past could never have just one consequence; there was always a host of trivial—or not so trivial—secondary shifts, a ramifying web of transformations reaching out into any number of other lives. New chains of associations were formed in the Mikkelsens’ lives as a result of the erasure of their plan to collect electronic artifacts and the substitution of a trip to pre-Columbian Mexico. People they had met on that trip now were good friends, with whom they exchanged gifts, spent other holidays, shared the burdens and joys of parenthood. A certain hollowness at first marked all those newly ingrafted old friendships, making them seem curiously insubstantial and marked by odd inconsistencies. But after a time everything felt real again, everything appeared to fit.

  Then the third phasing happened, the one that pushed the beginning of their marriage from August to the following February, and did six or seven other troublesome little things, as they shortly discovered, to the contours of their existence.

  “I’m going to talk to him,” Mikkelsen said.

  “Nick, don’t do anything foolish.”

  “I don’t intend to. But he’s got to be made to see that this can’t go on.”

  “Remember that he can be dangerous if he’s forced into a corner,” Janine said. “Don’t threaten him. Don’t push him.”

  “I’ll tickle him,” Mikkelsen said.

  He met Hambleton for drinks at the Top of the Marina, Hambleton’s favorite pub, swiveling at the end of a jointed stalk a thousand feet long rising from the harbor at Balboa Lagoon. Hambleton was there when Mikkelsen came in—a small sleek man, six inches shorter than Mikkelsen, with a slick confident manner. He was the richest man Mikkelsen knew, gliding through life on one of the big microprocessor fortunes of two generations back, and that in itself made him faintly menacing, as though he might try simply to buy back, one of these days, the wife he had loved and lost a dozen years ago when all of them had been so very young.

  Hambleton’s overriding passion, Mikkelsen knew, was time-travel. He was an inveterate jaunter—a compulsive jaunter, in fact, with that faintly hyperthyroid goggle-eyed look that frequent travelers get. He was always either just back from a jaunt or getting his affairs in order for his next one. It was as though the only use he had for the humdrum real-time event horizon was to serve as his springboard into the past. That was odd. What was odder still was where he jaunted. Mikkelsen could understand people who went zooming off to watch the battle of Waterloo, or shot a bundle on a first-hand view of the sack of Rome. If he had anything like Hambleton’s money, that was what he would do. But according to Janine, Hambleton was forever going back seven weeks in time, or maybe to last Christmas, or occasionally to his eleventh birthday party. Time-travel as tourism held no interest for him. Let others roam the ferny glades of the Mesozoic: he spent fortunes doubling back along his own time-track, and never went anywhen other. The purpose of Tommy Hambleton’s time-travel, it seemed, was to edit his past to make his life more perfect. He went back to eliminate every little contretemps and faux pas, to recover fumbles, to take advantage of the new opportunities that hindsight provides—to retouch, to correct, to emend. To Mikkelsen that was crazy, but also somehow charming. Hambleton was nothing if not charming. And Mikkelsen admired anyone who could invent his own new species of obsessive behavior, instead of going in for the standard hand-washing routines, or stamp-collecting or sitting with your back to the wall in restaurants.

  The moment Mikkelsen arrived, Hambleton punched the autobar for cocktails and said, “Splendid to see
you, Mikkelsen. How’s the elegant Janine?”

  “Elegant.”

  “What a lucky man you are. The one great mistake of my life was letting that woman slip through my grasp.”

  “For which I remain forever grateful, Tommy. I’ve been working hard lately to hang on to her, too.”

  Hambleton’s eyes widened. “Yes? Are you two having problems?”

  “Not with each other. Time-track troubles. You know, we were caught in a couple of phasings last year. Pretty serious ones. Now there’s been another one. We lost five months of our marriage.”

  “Ah, the little annoyances of—”

  “—modern life,” Mikkelsen said. “Yes. A very familiar phrase. But these are what I’d call frightening annoyances. I don’t need to tell you, of all people, what a splendid woman Janine is, how terrifying it is to me to think of losing her in some random twitch of the time-track.”

  “Of course. I quite understand.”

  “I wish I understood these phasings. They’re driving us crazy. And that’s what I wanted to talk to you about.”

  He studied Hambleton closely, searching for some trace of guilt or at least uneasiness. But Hambleton remained serene.

  “How can I be of help?”

  Mikkelsen said, “I thought that perhaps you, with all your vast experience in the theory and practice of time-jaunting, could give me some clue to what’s causing them, so that I can head the next one off.”

  Hambleton shrugged elaborately. “My dear Nick, it could be anything! There’s no reliable way of tracing phasing effects back to their cause. All our lives are interconnected in ways we never suspect. You say this last phasing delayed your marriage by a few months? Well, then, suppose that as a result of the phasing you decided to take a last bachelor fling and went off for a weekend in Banff, say, and met some lovely person with whom you spent three absolutely casual and nonsignificant but delightful days, thereby preventing her from meeting someone else that weekend with whom in the original time-track she had fallen in love and married. You then went home and married Janine, a little later than originally scheduled, and lived happily ever after; but the Banff woman’s life was totally switched around, all as a consequence of the phasing that delayed your wedding. Do you see? There’s never any telling how a shift in one chain of events can cause interlocking upheavals in the lives of utter strangers.”

  “So I realize. But why should we be hit with three phasings in a year, each one jeopardizing the whole structure of our marriage?”

  “I’m sure I don’t know,” said Hambleton. “I suppose it’s just bad luck, and bad luck always changes, don’t you think? Probably you’ve been at the edge of some nexus of negative phases that has just about run its course.” He smiled dazzlingly. “Let’s hope so, anyway. Would you care for another filtered rum?”

  He was smooth, Mikkelsen thought. And impervious. There was no way to slip past his defenses, and even a direct attack—an outright accusation that he was the one causing the phasings—would most likely bring into play a whole new line of defense. Mikkelsen did not intend to risk that. A man who used time jaunting so ruthlessly to tidy up his past was too slippery to confront. Pressed, Hambleton would simply deny everything and hasten backward to clear away any traces of his crime that might remain. In any case, making an accusation of time-crime stick was exceedingly difficult, because the crime by definition had to have taken place on a track that no longer existed. Mikkelsen chose to retreat. He accepted another drink from Hambleton; they talked in a desultory way for a while about phasing theory, the weather, the stock market, the excellences of the woman they both had married, and the good old days of 2014 or so when they all used to hang out down in dear old La Jolla, living golden lives of wondrous irresponsibility. Then he extricated himself from the conversation and headed for home in a dark and brooding mood. He had no doubt that Hambleton would strike again, perhaps quite soon. How could he be held at bay? Some sort of preemptive strike, Mikkelsen wondered? Some bold leap into the past that would neutralize the menace of Tommy Hambleton forever? Chancy, Mikkelsen thought. You could lose as much as you gained, sometimes, in that sort of maneuver. But perhaps it was the only hope.

  He spent the next few days trying to work out a strategy. Something that would get rid of Hambleton without disrupting the frail chain of circumstance that bound his own life to that of Janine—was it possible? Mikkelsen sketched out ideas, rejected them, tried again. He began to think he saw a way.

  Then came a new phasing on a warm and brilliantly sunny morning that struck him like a thunderbolt and left him dazed and numbed. When he finally shook away the grogginess, he found himself in a bachelor flat ninety stories above Mission Bay, a thick taste of cotton in his mouth, and bewildering memories already growing thin of a lovely wife and two kids and a cat and a sweet home in mellow old Corona del Mar.

  Janine? Dana? Elise? Minibelle?

  Gone. All gone. He knew that he had been living in this condo since ’22, after the breakup with Yvonne, and that Melanie was supposed to be dropping in about six. That much was reality. And yet another reality still lingered in his mind, fading vanishing.

  So it had happened. Hambleton had really done it, this time.

  There was no time for panic or even for pain. He spent the first half hour desperately scribbling down notes, every detail of his lost life that he still remembered, phone numbers, addresses, names, descriptions. He set down whatever he could recall of his life with Janine and of the series of phasings that had led up to this one. Just as he was running dry the telephone rang. Janine, he prayed.

  But it was Gus Stark. “Listen,” he began, “Donna and I got to cancel for tonight, on account of she’s got a bad headache, but I hope you and Melanie aren’t too disappointed, and—” He paused. “Hey, guy, are you okay?”

  “There’s been a bad phasing,” Mikkelsen said.

  “Uh-oh.”

  “I’ve got to find Janine.”

  “Janine?”

  “Janine—Carter,” Mikkelsen said. “Slender, high cheekbones, dark hair—you know.”

  “Janine,” said Stark. “Do I know a Janine? Hey, you and Melanie on the outs? I thought—”

  “This had nothing to do with Melanie,” said Mikkelsen.

  “Janine Carter.” Gus grinned. “You mean Tommy Hambleton’s girl? The little rich guy who was part of the La Jolla crowd ten-twelve years back when—”

  “That’s the one. Where do you think I’d find her now?”

  “Married Hambleton, I think. Moved to the Riviera, unless I’m mistaken. Look, about tonight, Nick—”

  “Screw tonight,” Mikkelsen said. “Get off the phone. I’ll talk to you later.”

  He broke the circuit and put the phone into search mode, all directories worldwide, Thomas and Janine Hambleton. While he waited, the shock and anguish of loss began at last to get to him, and he started to sweat, his hands shook, his heart raced in double time. I won’t find her, he thought. He’s got her hidden behind seven layers of privacy networks and it’s crazy to think the phone number is listed, for Christ’s sake, and—

  The telephone. He hit the button. Janine calling, this time.

  She looked stunned and disoriented, as though she were working hard to keep her eyes in focus. “Nick?” she said faintly. “Oh, God, Nick, it’s you, isn’t it?”

  “Where are you?”

  “A villa outside Nice. In Cap d’Antibes, actually. Oh, Nick—the kids—they’re gone, aren’t they? Dana. Elise. They never were born, isn’t that so?”

  “I’m afraid it is. He really nailed us, this time.”

  “I can still remember just as though they were real—as though we spent ten years together—oh, Nick—”

  “Tell me how to find you. I’ll be on the next plane out of San Diego.”

  She was silent a moment.

  “No. No, Nick. Wha
t’s the use? We aren’t the same people we were when we were married. An hour or two more and we’ll forget we ever were together.”

  “Janine—”

  “We’ve got no past left, Nick. And no future.”

  “Let me come to you!”

  “I’m Tommy’s wife. My past’s with him. Oh, Nick, I’m so sorry, so awfully sorry—I can still remember, a little, how it was with us, the fun, the running along the beach, the kids, the little fat calico cat—but it’s all gone, isn’t it? I’ve got my life here, you’ve got yours. I just wanted to tell you—”

  “We can try to put it back together. You don’t love Tommy. You and I belong with each other. We—”

  “He’s a lot different, Nick. He’s not the man you remember from the La Jolla days. Kinder, more considerate, more of a human being, you know? It’s been ten years, after all.”

  Mikkelsen closed his eyes and gripped the edge of the couch to keep from falling. “It’s been two hours,” he said. “Tommy phased us. He just tore up our life, and we can’t ever have that part of it back, but still we can salvage something, Janine, we can rebuild, if you’ll just get the hell out of that villa and—”

  “I’m sorry, Nick.” Her voice was tender, throaty, distant, almost unfamiliar. “Oh, God, Nick, it’s such a mess. I loved you so. I’m sorry, Nick. I’m so sorry.”

  The screen went blank.

  Mikkelsen had not time-jaunted in years, not since the Aztec trip, and he was amazed at what it cost now. But he was carrying the usual credit cards and evidently his credit lines were okay, because they approved his application in five minutes. He told them where he wanted to go and how he wanted to look, and for another few hundred the makeup man worked him over, taking that dusting of early gray out of his hair and smoothing the lines from his face and spraying him with the good old Southern California tan that you tend to lose when you’re in your late thirties and spending more time in your office than on the beach. He looked at least eight years younger, close enough to pass. As long as he took care to keep from running into his own younger self while he was back there, there should be no problems.

 

‹ Prev