Black Feathers

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Black Feathers Page 37

by Joseph D'lacey


  When she can maintain the sprint no longer she slows to a good run, knowing that if she can maintain it, she’ll be back in Bodbran’s hovel before the day is done.

  At first the shadow catches her eye and she assumes it is nothing more than the flashing past of tree trunks. The shadow passes over the ground moving faster than her, sometimes across her path, sometimes in the direction she runs in and sometimes against it. A dark silhouette flits through the already shaded world of the forest. She fears he has sent the ghost of himself to claim her; she knows he must have that kind of power. And then something causes her to look up and she sees vast black wings spread wide overhead. The Crowman tracks her from above, gliding silent and without effort while she pounds her legs and wracks her chest for air.

  She falters.

  If he can do this, he can take her anytime he wants to. What is the point in trying to flee? He will descend on her the way a falcon takes a dove. He will take her and he will take the crystal too. As she is about to give up, she hears a clear, strong voice. It comes from all around her.

  “Come back, Megan. You’re almost home.”

  This voice, though it has no owner and may be nothing more than her imagination trying to keep her spirit aflame, is enough to keep her running.

  The open ground on the other side of the forest is dangerous and if he is going to fall upon her, that is where he will do it, but at least she will see the sky again before the end comes, and if she can find the strength to sprint again, there are places where she can take cover when he dives. If she is going to die, it will not be with a curse upon her soul: she will die trying to return the crystal to Bodbran and trying to reach Mr Keeper. She will die trying to return home. She races for the edge of the forest.

  It is nearer than she remembers.

  She runs from heavy cover into sparsely spaced, smaller trees and in swift order she is covering open ground. In the far distance she can see the smoke which rises over Shep Afon. High above she hears the triumphant, jeering call of a crow.

  She ignores it.

  Ahead is a bank of hawthorn that will give good cover. She looks up to check his position and he is in stoop, falling fast, wings pulled tight and short, neck outstretched, claws drawn back but ready to strike. As she nears the hawthorn and looks for a place to duck into, four black-hooded figures step forwards from between the thorny branches. Each carries a catapult. They aim into the sky and fire.

  Megan makes it to the hawthorn and dives behind Bodbran’s girls. She looks back to see the Crowman has veered away, flapping hard to gain altitude.

  “Thank you,” she pants. “Thank you. Thank you.”

  The figures ignore her, keeping their eyes skyward and taking more projectiles from small sacks which hang at their waists. They release another volley of shots high into the air. Megan, who has landed on her front in the dirt, doesn’t see if the missiles make contact. She crawls deeper into cover, labouring for breath, suddenly drained.

  A voice comes from within the hawthorn, not from the figures who protect her:

  “Don’t give up yet.”

  Rallied, she crawls on through the hawthorn, catching her face and shoulders on its woody barbs. Thorns which have dropped to the ground now penetrate her palms and fingers, but she ignores the pain. She comes to the other side of the trees, stands up and begins to run again. It is a fast trudge now.

  She runs like an old man wearing lead shoes, but she runs. From far above she hears the frustrated cry of the Crowman and from behind the thump of booted feet as Bodbran’s hooded assistants run to follow and protect her. She doesn’t look back. Ignoring the ache and weight in her legs, Megan keeps running.

  She can’t feel her legs any more.

  All around her the colour bleeds from the land. She spares a glance for this and sees the sky has darkened to twilight in a matter of moments. Darkness falls but not because the night has come; the Crowman has drawn his black wings across the sun. He means to hunt her in darkness so Bodbran’s helpers can help no more.

  Down comes the blackness and the stars shine from ill-dignified positions in the sky. But for the faint starlight it is full dark. Megan’s eyes don’t have a chance to adjust. She runs blind now and soon she begins to stumble, unable to see where she is putting her feet. One boot half slips into a small rut, something that by day she would have stepped into or around without any trouble, and Megan falls.

  She waits for the impact, expecting the ground to thrust what little wind she has left from her lungs and knock her half senseless in the process. She never makes contact. The fall lengthens into a dive, into a plummet. Through the Crowman’s woeful night she plunges into an abyss and, she expects, into the embrace of his black wings.

  The fall slows; the liquid rush of darkness all around solidifies and she floats. She has a sense of looking upwards from a supine posture. The floating sensation quickly leaves her, to be replaced by the ponderous drag of incorporation. She sinks into her exhausted body, not wanting to return to it but having no way to resist the process. She feels the pressure and discomfort of uneven ground pressing up into her back, smells burning tallow and smoky spice. A wheezing, phlegm-speckled voice breathes:

  “Do you have it, girl? Did you bring me the Crowspar?”

  Megan tries to speak but her throat is dry and closed.

  The Crowspar.

  She pats her pocket with her hand and feels the carved crystal disk safely within. Unable to utter a word, she nods instead. Bony hands are upon her immediately, invading her pocket and removing the crystal before she can resist or even raise a word of protest.

  There’s an admiring sigh followed by a long spasm of coughing, and Megan knows without opening her eyes that Bodbran has what she wants. Finally, she is able to part her leaden eyelids. Her body won’t respond to her commands. Through the crack she has created, she sees Bodbran turning over the Crowspar in her ancient hands, admiring it by the light of the candles. Black auras and sparks of black light jump from the crystal wherever the old woman’s fingers touch it. She chuckles, presses the carved disk between her fingers and kisses it. When she takes her hands away from each other, the Crowspar is gone.

  Megan tries to sit up but she’s paralysed. A grunt escapes her lips and her eyes widen. Other than that she is utterly immobile. The thing she has risked everything to find has vanished. Bodbran chuckles again, patting Megan’s thigh.

  “Not to worry, Megan Maurice. Not to worry. You’ve done a fine job. You’ve done as we asked and no one could ask for more.” Bodbran stands up – this shocks Megan, who has supposed the old woman was crippled because she never moved her legs. The blanket falls away and she is naked. Her pierced breasts swing like empty sacks, her folds of belly-flesh hang over her crotch, hiding her womanhood from Megan’s sight. Her dirty legs are like sticks wrapped in loose brown leather. From her lips hangs a half-smoked cone. Her face sags like that of a bloodhound but she is smiling. “You’ve done all right, girl. Time to go home now, eh?”

  Bodbran begins to unwrap the reeds from her hovel, exposing Megan to the sky. It is not night time. Instead the sky is bright with mid-morning sun. Bodbran peels away the coverings of her home and sounds rush in – the swoosh of the river, the clank and creak of the waterwheels, the chatter of buyers and traders in the market. When she has finished unwrapping the reeds, Bodbran squats beside Megan and places a gentle palm on her chest.

  Megan opens her eyes wider and sees not Bodbran but Mr Keeper kneeling beside her on the sandy bank of the river. He is smiling. On her other side sits Carrick Rowntree, smoking a pipe and nodding to her.

  “Well done, Megan,” he says between puffs. “Well done indeed.”

  The immobility of her body seeps away and she regains control of her limbs. Blinking and swallowing, she pushes herself up onto her elbows and then sits up. The effort makes her queasy and she sways a little. Mr Keeper steadies her and holds up a water skin. She drinks a few sips and the water is like medicine; her mind reawakens an
d her body revitalises. She rubs her face with her hands and sits up straight to look around.

  They are sitting in the makeshift camp they made after their meal in the hub.

  “How long have I been…”

  “Just for the afternoon, Megan,” says Mr Keeper.

  “But I was away for two days and nights.”

  “That’s how the Weave works,” says the old man.

  She considers this but it only creates more questions.

  “You said ‘well done’. How do you even know what I did?”

  “Because we journeyed with you,” says Mr Keeper. “Don’t you remember?”

  Megan thinks back to the times she looked behind her in the forest, certain someone was following her. She remembers the wrens.

  “That was you?”

  Both Mr Keeper and the old man nod. Their grins are touched with mischievous embarrassment.

  “Why did you do this?” asks Megan. “What did you do?”

  “We took a sacrament, Megan. We ate it together in the market and then we returned here so you could make your journey.”

  “What was the sacrament?”

  “It’s a kind of fungus,” says Mr Keeper. “You and I have collected and dried it on many occasions. It belongs to the sacred family of teacher plants, left on earth by the Great Spirit to help us pursue wisdom. Even if we lost all our knowledge, the teacher plants would be there to help us rediscover it.”

  Megan stands up and stretches. Her body aches exactly as though she has been on the journey she remembers. She takes a few steps towards the river and then turns back, every question that arises in her mind giving birth to two more.

  “Is Bodbran real?”

  “Everything is real,” says the old man.

  Suddenly, Megan remembers the spiders and snakes and the tearing open of the vast tree in the clearing. She falls to her knees on the damp sand, crying.

  “Why?” she asks. “Why is the Crowman so cruel?”

  Mr Keeper rushes to her side and squats next to her in the sand.

  “Everything has two sides. You’ve seen the side of the Crowman that is Black Jack. But he didn’t harm you – other than to give you a scare. He introduced you to your fears and caused you to confront them. He made you discover more strength within yourself, Megan.” Mr Keeper puts an arm around her shoulder and holds her to him. It’s an unusual display of closeness, but she welcomes it. Mr Keeper is all the family she’s got now. “And, what’s more, he led you to the source of the Black Light. Even among the Keepers there are very few who ever set eyes upon the Crowspar, let alone hold it in their hands. You must understand how blessed you are.”

  Megan’s weeping worsens. She is disorientated by the concertinaing of time and the contradictions of her journey. She is exhausted and sore. Softly, Mr Keeper leads her back to the shelter on the sand and lays her down. He covers her and soothes her as though she is an infant, and like an infant she is soon asleep, tears drying on her hot red cheeks.

  After a time, Carrick Rowntree speaks.

  “She could be the one.”

  And, after a time, Mr Keeper nods.

  “She is,” he says. “She is the one.”

  75

  “Unfortunately, it has taken our ex-colleague, Wardsman Knowles, several days to share his knowledge with us.”

  Skelton addressed the assembled Wardsmen he’d brought with him from London and those from the Monmouth substation.

  “More unfortunate even than this, it transpires that the man had little more information for us than the boy’s family. We can now be fairly sure that Gordon Black did enter the disused railway tunnel and that he did find a way through the blockage. Knowles told us that the boy was in receipt of letters written by both his parents and that these letters, given to the boy by Knowles when they met at the mouth of the tunnel, instructed the boy to run and not turn himself in. Knowles also gave him one of the more telling scrapbooks from the prophetic archive.”

  Pike stood to Skelton’s left, waxwork-still with his slab-like hands clasped in front of him. The only clue he was alive; an occasional blink of his sunken eyes.

  “We can therefore reasonably assume a couple of things. First, Gordon Black has run as far away from here as he can. We now have to make this a nationwide search and ask for assistance from other substations around the country. Second, if he wasn’t aware of the Crowman prophecies before meeting Knowles, he certainly is now. How the knowledge will affect him is impossible to predict. If we’re lucky it may make him unstable and he may be easier to bring in. In the worst-case scenario, the stories of the Crowman will boost his confidence, perhaps give him some kind of goal to work towards.

  “We can take nothing for granted now, in any case. The boy is dangerous and determined. The days of a simple capture and swift conclusion to this problem have passed. We’re into a long phase now. What works in our favour is that Gordon Black doesn’t have anything like the amount of data that we have – we know his family, much of his personal history and possibly some of his future. He, on the other hand, is travelling blind. He is but one against many. What works against us is that he may be just another boy on the run. We’ve caught enough of those already to know that red herrings are everywhere. But the more we’ve watched Gordon Black and the more… dealings we’ve had with him, the more certain I’ve become that he is the one whose capture may mean an end to the cataclysm the prophecies predict.

  “From now on, most of you will take alter egos and work under cover. If that boy sees a speck of grey he’s going to run. Pike here is going to hand out reports and instructions. Each pair of you going out will take different directions and link with different operatives dependent on the counties you pass through. You’ll go on foot as we can no longer afford the number of vehicles necessary to do this the easy way. In addition, as you all know, all mobile phone networks are suffering interference at the moment. Should it become necessary, I will expect you to write your reports and deliver them by hand. According to the Met Office, the sunspot activity is set to worsen.

  “One final thing. The ideal scenario will be to find him before he hits puberty. A high proportion of the prophetic texts we’ve gathered point to the child’s boyhood as a crucial and therefore vulnerable time. The quicker we do this, the better. I only hope we’re not too late.” Skelton appraised the silent faces. “Any questions?”

  One hand went up.

  “Yes, Jones.”

  “If we find the boy and he puts up a fight, what lengths can we go to bring him in?”

  “You may use any means at your disposal. But he must be brought in alive or you’ll join him in Hades. Understood?”

  “Yes, sir.”

  “Good. Anything else?”

  There were no other raised hands.

  “In that case, I wish you all the luck in the world. After all, the world now depends on you apprehending Gordon Black.”

  EPILOGUE

  And so it was that the boy began his journey, torn from family and stained by the blood of those who stood in his way. An innocent, transformed by hardship and the demands of a sickened Earth. Guided by the mother and father of us all, he took his first steps into manhood.

  His search for the Crowman was far from over, but his faith in the land had been rewarded. He stepped into power, into the mighty shadow of the Black Light. Under cover of that sacred dusk he sought out the dark force which would reunite us with the Earth, healing all rifts.

  And yet, whether he was to succeed in this or not, the boy’s every effort would have been as naught had it not been for another. A girl of whom he knew nothing. A girl as yet unborn. A girl of whom he could, at best, only dream. Without her, triumphant or defeated, his travails would be utterly wasted.

  For, without the teller, there can be no tale.

  ACKNOWLEDGMENTS

  The perception that writers birth their creations in lone, agonised acts of heroism is mostly false. Ideas are often triggered by those we meet, later to be
fed and watered by others; long before the writing even begins. Once work commences, though we may sit alone to do it, there are many people who make that sitting possible, who encourage it and give it their blessing. When the writing is done and the idea has entered the world, raw and crudely formed, there are many more – the midwives, obstetricians and nannies of the publishing world – whose input is crucial to the process. This tide of energy adds something immeasurable to a work of fiction. Without it, books would be incomplete in ways that would make them hardly worth reading. Many wouldn’t reach a first draft.

  Black Feathers and The Book of The Crowman contain a great deal of shared effort and history. Without such positive influence from so many sources, this tale would never have made it from brain-spark to manifestation. If I haven’t thanked you – yes, you. The one I always forget – it’s because I’m an airhead it’s not because I don’t care.

  When I was thirteen, I made a batik in art class. The subject was three crows, perching in a dead tree at sunset. It was the first time I’d really “studied” the corvid form and I’ve loved them ever since. So, dear art teacher whose name I don’t remember, thanks for being there at the beginning.

  Tracy Walters, you first spoke the Crowman’s name. In that instant you personified a mythical creature who gestated in my subconscious for more than fifteen years before finally being born into these pages. For that and other inspirations, I’m very grateful.

  My heartfelt thanks to vision quest guide, David Wendl-Berry, a man more connected to the land than anyone else I know and whose wisdom and kindness has brought many individuals much closer to it. I hope this tale will reawaken a desire for that same intimacy in many more.

 

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