by Unknown
excitement of what they were doing - making light.
An incandescent blob in the air, yellow and fuzzed at the edges, but filaments of hard white light forming at the centre, extending out like branches or veins, blood-vessels - light vessels - the whole thing pulsing with it. Hilary Ivory beginning to quiver and moan, as if reaching orgasm. Larry Ember, on the other side, giggling wildly. Never heard a cameraman giggle before, dour bastards in general, this must really be something coming.
'All my life!' she heard a woman (probably that loopy Jopson woman) cry in ecstasy. 'All my life I've waited for you . . .!'
'Michael,' a man - the Teacher - said. Simply that, nothing more.
And a woman said, 'Yes, Michael. The Archangel Michael, slayer of dragons.'
No, Fay thought, confused, not him . . . that's wrong . . .
But what did it matter?
Couldn't very well contradict them, could she, not all of them, everybody shouting in unison now, a great chant.
'Michael . . . Michael . . . MICHAEL . . . MICHAEL!'
The Being of Light was responding to the summons, the filaments forming into a complexity of vibrating muscles, pipes and organs, rippling into arms and legs, and between the legs - bloody hell. Fay thought . . .
Realizing she was chanting, too.
'Michael. . . Michael . . .'
The bells erupted again, a huge joyful clangour, cracking the night into splinters. The sound of bells in a blazing church.
The rational explanation. Col Croston thought, was that the flames had been funnelled into the tower, creating a huge jet which exploded into the belfry.
He stood in the town-hall doorway and peered into the street. Above him the night sky was frying. If Jimmy Preece was indeed dead, this made him the First Citizen of Crybbe. An auspicious start to his year of office; at this rate he'd be mayor of a burned-out ghost-town before morning.
He looked for Alex, but the end of the street still dropped off the edge of the world, and Alex was gone and Col's sorrowful feeling was that he would never see the old man again.
CHAPTER XXI
Before, the last and only time he'd been inside Crybbe Court, it had been very much Henry's dead place; now it was repellently alive.
It had been cold and dry; now it was warm and moist, and going into it was disturbingly, perversely sexual. The Court was a very old woman, grotesquely aroused, and she wanted him.
The main door had not been locked. He ventured quietly in, the box under his arm. Stone floor, low ceiling and slits of windows set high in the walls. And the walls leaked.
Joe Powys ran a cautious finger along the stone and found it warm and slimy. Under the light, he saw dead insects on the walls, all of them quite recently dead, not husks. Moths, flies and bluebottles trapped in a layer of . . . fat, it smelled like fat.
Or tallow maybe, grease from candles made of animal fat.
Crybbe Court was alive and sweating.
He moved towards the stone stairs, thinking, inevitably, of Rachel. What had it taken to make her so hot and feverish and desperate to get out of here that . . . ?
But you don't know what happened, you don't know.
Though you'll soon find out, as you retrace her steps up these stone steps, butcher's shop slippery now, like the walls.
Coming to the first floor - the big family living-room and the bedchambers off. In one of these, Fay had told him, Tiddles the mummified cat had slept, most recently, in a chest that was not very old. Tiddles had come down from the rafters, but had never left the house, presumably, until she and Rachel had been hurled out of the prospect chamber.
Fay.
Picturing her standing in the field overlooking Crybbe, the blue cagoule streaming from under her arm, her rainbow eye watering in the wind.
It made him so sad, this image, that he had a wild urge to dump the box and race out of the Court - filthy, clammy, raddled old hag - and run back to Crybbe to find Fay and hold her, even if they only had a few minutes before . . .
Before whatever was to happen, happened.
He wore his sense of foreboding like the black bag over a condemned man's head. Yet he was still half-amazed at what he was planning to do: black comedy, a bizarre piece of alternative theatre. Verdict: took his own life while the balance of mind was disturbed.
The voice of the police inspector, Hughes, landed in his head. Are you sure he didn't say anything to you, Mrs Morrison, by way of suicide note, so to speak? Or did he assume, do you think, that his method of taking his own life would be self-explanatory?
Well, he was a crank, wasn't he? You only had to read his book.
He wondered if the day would ever come when an inquest would concede that the balance of mind might be affected by prevailing psychic conditions.
Bloody New Age crap.
There was a stench of rancid fat. He felt sick.
It would be good, in a way, to be out in the fresh air.
As Col turned the corner of the back street linking the town hall with the churchyard, there was an enormous splintering roar and a belch that shook the ground. And then - as if massive furnace doors had been flung wide - huge, muscular arms of flame reached out for the heavens.
'Go easy,' Col said. 'I think the church roof's collapsed.'
There were about twenty men with him, the youngest and strongest of them. Bill Davies, the butcher, was there, and the three burly Gwatkin brothers.
'God preserve us,' one of them said and then turned away, embarrassed, his face already reddened in the glare from the church.
'It's down to you now,' Col said. He hoped to God the stone walls of the church would contain the fire so that it wouldn't spread into the town, but the heat was unbelievable; anything could happen. Crackling splinters - in fact, great burning brands - were being thrown off, and every so often there'd be a chaotic clanging of the bells.
'What we're going to do . . .' Col said. 'All over the churchyard, you'll see pieces of wood ablaze. I want six of you to get the ones you can handle at one end and bring them out. This is bloody dangerous, so be damned careful, but we've got to have light where we're going.'
'Why can't we just go 'ome and get torches?' a young lad of seventeen or eighteen, said.
'Do as he says, boy,' Bill Davies grunted. 'Nobody goes out of this street. You step into that square, you'll wish you'd stayed and burned.'
As a handful of men climbed over the churchyard wall, Bill Davies took Col aside. 'I'm not wrong, am I, Colonel?'
'Look, be a good chap . . .'
'Tell me. Colonel. I 'ave to know, see. Is it . . . in that square ... Oh hell, is it the year 1593 over there, or is it an illusion? Is this town living an illusion, do you know?'
Joe Powys went up the stairs, past a small landing with an oak door four inches thick, which was open, revealing the stairs up to the attic.
Walking up the steps, towards the death-chamber of Michael Wort with what he believed to be the head of Michael Wort in a wooden box under his arm.
People like me would no more come up here alone, he remembered thinking, than pop into a working abattoir to shelter from the rain.
But you aren't alone, are you?
The box was heavy.
Trying to avoid touching the walls because the stone was slick with something that felt like mucous. Suspecting that if he switched off the lamp, it would glow on the stones, luminous.
And so he came, at last, to the alcove leading to the prospect chamber.
When he put down the box to open the door, he felt Rachel was standing at his side. Remembering being here with her. How two wafers of light from holes in the roof had crossed just above her head and he'd recalled her standing by the window of the room at the Cock, naked and pale and ethereal.
Now he could almost see her calm, silvery shade; they'd go hand in hand into the prospect chamber.
This . . . is the only part of the house I really like.
And together they'd take the head of Michael Wort back into
the night.
He turned the metal handle and put his shoulder to the old, oak door.
New Age Heaven.
Blissful, blissful, blissful.
'I want to touch him,' the woman next to her cried. 'I want to bathe in him.'
Michael, Michael, MICHAEL, MICHAEL!
The Being of Light lifted his head and spread his arms to embrace his town. Bright people were gathering around him, both sexes, shimmering, all shapes and sizes, from the large, smiling man in the incandescent white suit to the tiny little lady, mouth opening in delight to reveal small, sharp white teeth, like a fish's, like . . . like . . .
Couldn't remember.
But she didn't want to remember. She'd never fell so warm and yet so free. She saw herself soaring above Crybbe, and the town was decked out in ribbons of soft, coloured light anchored by ice-bright, luminescent standing stones. Floating over square, she saw the old buildings in a lambent Christmas-card glow. But some of them were not so old, their timbers looked sturdy and neatly dovetailed, especially the inn, which had a simple strength and a sign with a large, rough beast upon it, and indeed, there were farm animals in the square around a cart with wooden wheels and sacks of grain on it. There was a cow, three horses, a pig. And a dog! Black and white like . . . like . . .
Couldn't remember.
'Fay.'
Who was Fay?
'Listen to me.'
'Yes,' she sang. 'Yes, yes, yes, I'm listening.'
But she had no intention of listening; this was the wrong voice. It didn't sound like a cello, it sounded old and frail, an ancient banjo, cracked and out of tune.
She laughed.
Everyone was laughing.
New Age Heaven.
'Fay,' Alex said into her ear. 'Listen to me, please.'
'Yes, yes, yes,' she sang. 'But you'll have to come with me. Can you float? Can you float like me?'
She wasn't floating. She was part of a group of thirty or forty people, hands linked, slowly and gloomily moving around in an untidy, irregular circle.
Alex could see most of them now, in the spluttering amber of the blazing church.
In the centre of the square, where, in many towns, there was a cross, a man stood. A tall man, stripped to the waist. He had dark, close-shaven hair and a black beard. His eyes were closed. He was sweating. His arms hung by his side but slightly apart from his body, the palms of his hands upturned. The ragged circle of people moved around him, anticlockwise.
The old buildings seemed to be leaning out of their foundations and into the firelight, like starved tramps at a brazier. The buildings had never looked more decrepit or as close to collapse.
Similarly, the people. Alex followed Fay around, walking behind her, peering into the faces of the men and women in the circle, horrified at how weak and drained they looked, some of them obviously ill. On one side of his daughter was a stocky man with a sagging belly and one eye badly bloodshot. He was moaning faintly and saliva dribbled down his chin. Fay's other hand lay limply in a flabby hand full of rings, obviously not very expensive ones, for they looked tarnished now and the joints of the fingers were swollen around them. The woman's hair was in wild, white corkscrews; her lips were drawn back into a frozen rictus; she was breathing in spurts through clenched teeth.
Diametrically opposite this woman, Alex saw Fay's ex-husband Guy Morrison, his blond hair matt-flat, exposing a large, white bald patch; his mouth down-turned, forming pouches of slack skin from his cheek to his once-proud jawline. Next to him a fat girl was sobbing inconsolably to herself as she moved sluggishly over the cobbles. On the other side of this girl, a thin woman with shorn hair was breathing with difficulty, in snorts, blood sparkling on her upper lip and around her nose, from which a small ring hung messily from a torn flap of skin, and every time she took a breath part of the ring disappeared into a nostril. She didn't seem aware of her physical distress; nor did any of the others.
'Fay,' Alex whispered.
Fay's skin was taut and pallid, her green eyes frozen open, her lips stretched in anguish, which made the words issuing from them all the more pathetic.
'Flying away, high, into the light. Can't keep up with me, can you?'
He didn't even try. He stood in the shadows and watched her drift away.
He'd had to stop himself from pulling her out of the circle. He had the awful feeling that he would simply detach her body, that her mind would remain in the ring and she would never get it back, would be a vegetable.
Which was the very worst thing of all; Alex knew this.
He stood and watched her for two more circuits of the square. A lurid flaring of amber from the dying church picked out that woman from The Gallery, ugly blue bruises around her throat, dried vomit on her chin, coughing weakly; couldn't see her husband.
Very gently he separated Fay's fingers from those of the woman next to her and slipped her small, cold right hand into his left. With his right hand he found the damp, fleshy finger of the white-haired woman.
And so Alex slipped into the circle and began to move slowly round.
He realized at once that he'd made a terrible, terrible mistake.
His legs began to feel heavy and cumbersome. At first he felt as if he'd stepped into a pair of Wellingtons several sizes too big and was wading in them through thick, muddy water, and then the weight spread up to his thighs - he was in the middle of a river in cumbersome waders - and finally it was as though both legs had been set in concrete; how he managed to move he didn't know, but he kept on, at funereal pace, his arms feeling limp as though the blood were draining away into the other hands, his life energy passed along the chain.
Progressive torpor. This was how it happened. Initiation ceremony. They were always saying, the newcomers, how much they wanted to fit in, become part of the community.
Now here they were, all these bright, clever, New Age folk, achieving overnight what some people waited years to attain.
All moving at last to the rhythm of Crybbe.
PART NINE
In actuality, of course, dowsing as an activity is no more
spiritual than riding a bicycle: spirituality is in the
person . . . Compared to this rich matrix of mystery the
New Age 'energy' ideas are conceptually bankrupt.
PAUL DEVEREUX
Earth Memory - the Holistic
Earth Mysteries Approach to
Decoding Ancient Sacred Sites
CHAPTER 1
THE digger was crunching through the wood like a rhino on heat, Gomer Parry at the wheel, grinning like a maniac, dead cigarette, burned to the filter, clenched between his teeth. Minnie Seagrove holding on to the makeshift passenger seat, which didn't have a working safety-belt, a three-legged black and white dog balancing, just about, on her knee and glaring out of the window, barking away.
This had all come about after they arrived back at Minnie's bungalow and Gomer, spotting the flames coming out of the town, reckoning it had to be the church, raced to Minnie's phone to summon the fire brigade and found the bloody old phone lines were down or something.
Anyway, the phone was off and so was the one in the kiosk by the layby.
'Something bloody funny yere.'
They'd climbed back into the digger, Gomer heading back towards the town, foot down, headlight blasting at the night and then - 'Oh my God, Gomer, look out!'
Bloody great wall of metal, Minnie's hands over her eyes, the dog going berserk and Gomer flattening the brakes and damn near wrenching the ole wheel out of its socket.
Flaming great articulated lorry had jack-knifed across the road at - precisely - the spot Gomer himself went adrift earlier on. Was this a coincidence? Like hell it was.
No sign of the driver, no blood in the cab, couldn't have been hurt, must've buggered off for help. So Gomer did this dynamite three-point turn and they were thundering off again.
'Gonna find out what the bloody 'ell's afoot, 'ang on to your knickers - sorry, Minnie, but I've 'ad en
ough o' this mystery. You can push Gomer Parry just so far, see.'
'Where are we going, Gomer?'
'Back way into Crybbe. Tradesman's entrance. Never done it all the way on four wheels before.'
And Gomer lit up a ciggy one-handed and spun the digger off the road and into the field, keeping well away from the Tump this lime, although he could tell it'd taken a hammering tonight, that ole thing, not got the power it had, see, just massive great lump of ole horseshit now, sorry Minnie.
So it was round the back of the Tump, back to the Court and into the wood.
'Ole bridle path, see.'
'But we can't get through here, Gomer.' Minnie no doubt wondering, by this time, why he didn't drop her off home. But it wasn't safe for a woman alone tonight. Besides, he liked an audience, did Gomer Parry. Not been the same since the wife snuffed it.
'If a 'orse can make it up here,' he told Minnie, 'Gomer Parry can do it in the best one-off, customized digger ever built.'
So now the digger was flattening bushes either side and ripping off branches. 'Five minutes gets us out the back, bottom end of the churchyard, and we can see what the score is . . .'
'Fuckin' Nora, what the 'ell's this?'
For the second time in ten minutes, Gomer was on top of the brakes and Minnie was pulling her nails off on the lumpy vinyl passenger seat.
The headlight'd found a bloody great stone right in the middle of the flaming road.
'Who the . . . put that thing there?' Gomer was out of his cab sizing up the stone, seven or eight feet tall but not too thick. Arnold, out of the cab, too, standing next to Gomer barking at the stone, looking up at Gomer, barking at the stone again.
'What you reckon to this then, boy?'
Woof, Arnold went. Smart dog.
'Dead right, boy,' said Gomer, looking up at the bright orange sky, like an early dawn 'cept for the sparks. 'Dead right.'
