She stood still awhile.
“How do I know,” she said at last, “that you are what you seem to be?”
“You don’t,” said he. “I don’t know what I seem, to you.”
She brooded again. “You could trick me into seeing you as-” She broke off, for he had raised his hand and pointed upward, the briefest sketch of a gesture. She thought he was casting a spell, and drew back quickly towards the door; but following his gesture, her eyes found high in the dark arching roof the small square that was the spy hole from the treasury of the Twin Gods’ temple.
There was no light from the spy hole; she could see nothing, hear no one overhead there; but he had pointed, and his questioning gaze was on her.
Both held perfectly still for some time.
“Your magic is mere folly for the eyes of children,” she said clearly. “It is trickery and lies. I have seen enough. You will be fed to the Nameless Ones. I shall not come again.”
She took her lantern and went out, and sent the iron bolts home firm and loud. Then she stopped there outside the door and stood dismayed. What must she do?
How much had Kossil seen or heard? What had they been saying? She could not remember. She never seemed to say what she had intended to say to the prisoner. He always confused her with his talk about dragons, and towers, and giving names to the Nameless, and wanting to stay alive, and being grateful for her cloak to lie on. He never said what he was supposed to say. She had not even asked him about the talisman, which she still wore, hidden against her breast.
That was just as well, since Kossil had been listening.
Well, what did it matter, what harm could Kossil do? Even as she asked herself the question she knew the answer. Nothing is easier to kill than a caged hawk. The man was helpless, chained there in the cage of stone. The Priestess of the Godking had only to send her servant Duby to throttle him tonight; or if she and Duby did not know the Labyrinth this far, all she need do was blow poison-dust down the spy hole into the Painted Room. She had boxes and phials of evil substances, some to poison food or water, some that drugged the air, and killed, if one breathed that air too long. And he would be dead in the morning, and it would all be over. There would never be a light beneath the Tombs again.
Arha hastened through the narrow ways of stone to the entrance from the Undertomb, where Manan waited for her, squatting patient as an old toad in the dark. He was uneasy about her visits to the prisoner. She would not let him come with her all the way, so they had settled on this compromise. Now she was glad that he was there at hand. Him, at least, she could trust.
“Manan, listen. You are to go to the Painted Room, right now. Say to the man that you’re taking him to be buried alive beneath the Tombs.” Manan’s little eyes lit up. “Say that aloud. Unlock the chain, and take him to-” She halted, for she had not yet decided where she could best hide the prisoner.
“To the Undertomb,” said Manan, eagerly.
“No, fool. I said to say that, not do it. Wait-”
What place was safe from Kossil and Kossil’s spies? None but the deepest places underground, the holiest and most hidden places of the domain of the Nameless, where she dared not come. Yet would Kossil not dare almost anything? Afraid of the dark places she might be, but she was one who would subdue her fear to gain her ends. There was no telling how much of the plan of the Labyrinth she might actually have learned, from Thar, or from the Arha of the previous life, or even from secret explorations of her own in past yeas; Arha suspected her of knowing more than she pretended to know. But there was one way she surely could not have learned, the best-kept secret.
“You must bring the man where I lead you, and you must do it in the dark. Then when I bring you back here, you will dig a grave in the Undertomb, and make a coffin for it, and put it in the grave empty, and fill in the earth again, yet so that it can be felt and found if someone sought for it. A deep grave. Do you understand?”
“No,” said Manan, dour and fretful. “Little one, this trickery is not wise. It is not good. There should not be a man here! There will come a punishment-”
“An old fool will have his tongue cut out, yes! Do you dare tell me what is wise? I follow the orders of the Dark Powers. Follow me!”
“I’m sorry, little mistress, I’m sorry…”
They returned to the Painted Room. There she waited outside in the tunnel, while Manan entered and unlocked the chain from the hasp in the wall. She heard the deep voice ask, “Where now, Manan?” and the husky alto answer, sullenly, “You are to be buried alive, my mistress says. Under the Tombstones. Get up!” She heard the heavy chain crack like a whip.
The prisoner came out, his arms bound with Manan’s leather belt. Manan came behind, holding him like a dog on a short leash, but the collar was around his waist and the leash was iron. His eyes turned to her, but she blew out her candle and without a word set off into the dark. She fell at once into the slow but fairly steady pace that she usually kept when she was not using a light in the Labyrinth, brushing her fingertips very lightly but almost constantly along the walls on either side. Manan and the prisoner followed behind, much more awkward because of the leash, shuffling and stumbling along. But in the dark they must go; for she did not want either of them to learn this way.
A left turn from the Painted Room, and pass two openings; go right at the Four Ways, and pass the opening to the right; then a long curving way, and a flight of steps down, long, slippery, and much too narrow for normal human feet. Farther than these steps she had never gone.
The air was fouler here, very still, with a sharp odor to it. The directions were clear in her mind, even the tones of Thar’s voice speaking them. Down the steps (behind her, the prisoner stumbled in the pitch blackness, and she heard him gasp as Manan kept him afoot with a mighty jerk on the chain), and at the foot of the steps turn at once to the left. Hold the left, then for three openings, then the first right, then hold to the right. The tunnels curved and angled, none ran straight. “Then you must skirt the Pit,” said Thar’s voice in the darkness of her mind, “and the way is very narrow.”
She slowed her step, stooped over, and felt before her with one hand along the floor. The corridor now ran straight for a long way, giving false reassurance to the wanderer. All at once her groping hand, which never ceased to touch and sweep the rock before her, felt nothing. There was a stone lip, an edge: beyond the edge, void. To the right the wall of the corridor plunged down sheer into the pit. To the left there was a ledge or curb, not much more than a hand’s breadth wide.
“There is a pit. Face the wall to the left, press against it, and go sideways. Slide your feet. Keep hold of the chain, Manan… Are you on the ledge? It grows narrower. Don’t put your weight on your heels. So, I’m past the pit. Reach me your hand. There…”
The tunnel ran in short zigzags with many side openings. From some of these as they passed the sound of their footsteps echoed in a strange way, hollowly; and stranger than that, a very faint draft could be felt, sucking inward. Those corridors must end in pits like the one they had passed. Perhaps there lay, under this low part of the Labyrinth, a hollow place, a cavern so deep and so vast that the cavern of the Undertomb would be little in comparison, a huge black inward emptiness.
But above that chasm, where they went in the dark tunnels, the corridors grew slowly narrower and lower, until even Arha must stoop. Was there no end to this way?
The end came suddenly: a shut door. Going bent over, and a little faster than usual, Arha ran up against it, jarring her head and hands. She felt for the keyhole, then for the small key on her belt-ring, never used, the silver key with the haft shaped like a dragon. It fit, it turned. She opened the door of the Great Treasure of the Tombs of Atuan. A dry, sour, stale air sighed outward through the dark.
“Manan, you may not enter here. Wait outside the door.”
“He, but not I?”
“If you enter this room, Manan, you will not leave it. That is the law for all but me. No m
ortal being but I has ever left this room alive. Will you go in?”
“I will wait outside,” said the melancholy voice in the blackness. “Mistress, mistress, don’t shut the door-” ,
His alarm so unnerved her that she left the door ajar. Indeed the place filled her with a dull dread, and she felt some mistrust of the prisoner, pinioned though he was. Once inside, she struck her light. Her hands trembled. The lantern candle caught reluctantly; the air was close and dead. In the yellowish flicker that seemed bright after the long passages of night, the treasure room loomed about them, full of moving shadows.
There were six great chests, all of stone, all thick with a fine gray dust like the mold on bread; nothing else. The walls were rough, the roof low. The place was cold, with a deep and airless cold that seemed to stop the blood in the heart. There were no cobwebs, only the dust. Nothing lived here, nothing at all, not even the rare, small, white spiders of the Labyrinth. The dust was thick, thick, and every grain of it might be a day that had passed here where there was no time or light: days, months, years, ages all gone to dust.
“This is the place you sought,” Arha said, and her voice was steady. “This is the Great Treasure of the Tombs. You have come to it. You cannot ever leave it.”
He said nothing, and his face was quiet, but there was in his eyes something that moved her: a desolation, the look of one betrayed.
“You said you wanted to stay alive. This is the only place I know where you can stay alive. Kossil will kill you or make me kill you, Sparrowhawk. But here she cannot reach.”
Still he said nothing.
“You could never have left the Tombs in any case, don’t you see? This is no different. And at least you’ve come to… to the end of your journey. What you sought is here.”
He sat down on one of the great chests, looking spent. The trailing chain clanked harshly on the stone. He looked around at the gray walls and the shadows, then at her.
She looked away from him, at the stone chests. She had no wish at all to open them. She did not care what marvels rotted in them.
“You don’t have to wear that chain, in here.” She came to him and unlocked the iron belt, and unbuckled Manan’s leather belt from his arms. “I must lock the door, but when I come I will trust you. You know that you cannot leave– that you must not try? I am their vengeance, I do their will; but if I fail them -if you fail my trust– then they will avenge themselves. You must not try to leave the room, by hurting me or tricking me when I come. You must believe me.”
“I will do as you say,” he said gently.
“I’ll bring food and water when I can. There won’t be much. Water enough, but not much food for a while; I’m getting hungry, do you see? But enough to stay alive on. I may not be able to come back for a day or two days, perhaps even longer. I must get Kossil off the track. But I will come. I promise. Here’s the flask. Hoard it, I can’t come back soon. But I will come back.”
He raised his face to her. His expression was strange. “Take care, Tenar,” he said.
Names
She brought Manan back through the winding ways in the dark, and left him in the dark of the Undertomb, to dig the grave that must be there as proof to Kossil that the thief had indeed been punished. It was late, and she went straight to the Small House to bed. In the night she woke suddenly; she remembered that she had left her cloak in the Painted Room. He would have nothing for warmth in that dank vault but his own short cloak, no bed but the dusty stone. A cold grave, a cold grave, she thought miserably, but she was too weary to wake up fully, and soon slipped back into sleep. She began to dream. She dreamt of the souls of the dead on the walls of the Painted Room, the figures like great bedraggled birds with human hands and feet and faces, squatting in the dust of the dark places. They could not fly. Clay was their food and dust their drink. They were the souls of those not reborn, the ancient peoples and the unbelievers, those whom the Nameless Ones devoured. They squatted all around her in the shadows, and a faint creaking or cheeping sound came from them now and then. One of them came up quite close to her. She was afraid at first and tried to draw away, but could not move. This one had the face of a bird, not a human face; but its hair was golden, and it said in, a woman’s voice, “Tenar,” tenderly, softly, “Tenar.”
She woke. Her mouth was stopped with clay. She lay in a stone tomb, underground. Her arms and legs were bound with graveclothes and she could not move or speak.
Her despair grew so great that it burst her breast open and like a bird of fire shattered the stone and broke out into the light of daythe light of day, faint in her windowless room.
Really awake this time, she sat up, worn out by that night’s dreaming, her mind befogged. She got into her clothes, and went out to the cistern in the walled courtyard of the Small House. She plunged her arms and face, her whole head, into the icy water until her body jumped with cold and her blood raced. Then flinging back her dripping hair she stood erect and looked up into the morning sky.
It was not long past sunrise, a fair winter’s day. The sky was yellowish, very clear. High up, so high he caught the sunlight and burned like a fleck of gold, a bird was circling, a hawk or desert eagle.
“I am Tenar,” she said, not aloud, and she shook with cold, and terror, and exultation, there under the open, sunwashed sky. “I have my name back. I am Tenar!”
The golden fleck veered westward towards the mountains, out of sight. Sunrise gilded the eaves of the Small House. Sheep bells clanked, down in the folds. The smells of woodsmoke and buckwheat porridge from the kitchen chimneys drifted on the fine, fresh wind.
“I am so hungry… How did he know? How did he know my name?… Oh, I’ve got to go eat, I’m so hungry…”
She pulled up her hood and ran off to breakfast.
Food, after three days of semi-fasting, made her feel solid, gave her ballast; she didn’t feel so wild and lighthearted and frightened. She felt quite capable of handling Kossil, after breakfast.
She came up beside the tall, stout figure on the way out of the dining hall of the Big House, and said in a low voice, “I have done away with the robber… What a fine day it is!”
The cold gray eyes looked sidelong at her from the black hood.
“I thought that the Priestess must abstain from eating for three days after a human sacrifice?”
This was true. Arha had forgotten it, and her face showed that she had forgotten.
“He is not dead yet,” she said at last, trying to feign the indifferent tone that had come so easily a moment ago. “He is buried alive. Under the Tombs. In a coffin. There will be some air, the coffin isn’t sealed, it’s a wooden one. It will go quite slowly; the dying. When I know he is dead then I’ll begin the fast.”
“How will you know?”
Flustered, she hesitated again. “I will know. The… My Masters will tell me.”
“I see. Where is the grave?”
“In the Undertomb. I told Manan to dig it beneath the Smooth Stone.” She must not answer so quickly, in that foolish, appeasing tone; she must be on her dignity with Kossil.
“Alive, in a wooden coffin. That’s a risky thing with a sorcerer, mistress. Did you make sure his mouth was stopped so he cannot say charms? Are his hands bound? They can weave spells with the motion of a finger, even when their tongues are cut out.”
“There is nothing to his sorcery, it is mere tricking,” the girl said, raising her voice. “He is buried, and my Masters are waiting for his soul. And the rest does not concern you, priestess!”
This time she had gone too far. Others could hear; Penthe and a couple of other girls, Duby, and the priestess Mebbeth, all were in hearing distance. The girls were all ears, and Kossil was aware of it.
“All that happens here is my concern, mistress. All that happens in his realm is the concern of the Godking, the Man Immortal, whose servant I am. Even into the places underground and into the hearts of men does he search and look, and none shall forbid him entrance!”
; “I shall. Into the Tombs no one comes if the Nameless Ones forbid it. They were before your Godking and they will be after him. Speak softly of them, priestess. Do not call their vengeance on you. They will come into your dreams, they will enter the dark places in your mind, and you will go mad.”
The girl’s eyes were blazing. Kossil’s face was hidden, drawn back into the black cowl. Penthe and the others watched, terrified and enthralled.
“They are old,” Kossil’s voice said, not loud, a whistling thread of sound out of the depths of the cowl. “They are old. Their worship is forgotten, save in this one place. Their power is gone. They are only shadows. They have no power any more. Do not try to frighten me, Eaten One. You are the First Priestess; does that not mean also that you are the last?… You cannot trick me. I see into your heart. The darkness hides nothing from me. Take care, Arha!”
She turned and went on, with her massive, deliberate steps, crushing the frost-starred weeds under her heavy, sandaled feet, going to the white-pillared house of the Godking.
The girl stood, slight and dark, as if frozen to earth, in the front courtyard of the Big House. Nobody moved, nothing moved, only Kossil, in all the vast landscape of court and temple, hill and desert plain and mountain.
“May the Dark Ones eat your soul, Kossil!” she shouted in a voice like a hawk’s scream, and lifting her arm with the hand stretched out stiff, she brought the curse down on the priestess’ heavy back, even as she set foot on the steps of her temple. Kossil staggered, but did not stop or turn. She went on, and entered the Godking’s door.
Arha spent that day sitting on the lowest step of the Empty Throne. She dared not go into the Labyrinth; she would not go among the other priestesses. A heaviness filled her, and held her there hour after hour in the cold dusk of the great hall. She stared at the pairs of thick pale columns going off into the gloom at the distant end of the hall, and at the shafts of daylight that slanted in from holes in the roof, and at the thick-curling smoke from the bronze tripod of charcoal near the Throne. She made patterns with the little bones of mice on the marble stair, her head bowed, her mind active and yet as if stupefied. Who am I? she asked herself, and got no answer.
The Tombs of Atuan Page 9
