by Iris Murdoch
Crimond nodded his head, not looking at Duncan, still trying feebly to push him away with a hand wet with tears.
Duncan went out, closing the door of the playroom, went up the stairs and quietly let himself out into the icy cold street. Cars were passing, people were walking. No one, evidently, had paid attention to a revolver shot. Duncan set off to walk to the Underground station, a taxi was too risky, anyway he would be unlikely to meet one. He turned up his coat collar and hunched his head down inside it and walked fast but not too fast. When he reached the station he heard the sound of a police car in the distance. Perhaps Crimond had pulled himself together and got his story ready and made the telephone call.
Duncan returned as quickly as possible to the office, amazed to find that he was able to arrive there before lunch time. No one seemed to have remarked his absence. Duncan rang Jean on some vague pretext. She sounded very glad to hear his voice. She said she had rung earlier, he said he was at a meeting. Duncan had lunch in the office canteen and chatted conspicuously with a number of people. He ate his lunch. On the way home he bought the evening paper as usual. There was a small confused item about an accident with a gun. The reporter had not even taken in who Crimond was. So brief is mortal fame, Duncan reflected, as he sat in the train going home.
PART THREE
Spring
Rose was standing at the window of her bedroom looking out at the sun shining upon the long wide lawn and the Italian fountain and the huge handsome chestnut trees and some fields full of black and white cows and some sloping woodlands and a receding horizon of hills. The funeral was over, the visiting mourners were gone. This was not the funeral of Jenkin Riderhood, now in the past, but the funeral of Reeve’s wife, Laura Curtland. Rose was not at Boyars but at the house in Yorkshire. At Boyars the snowdrops were over, but here in the north a few clumps lingered in sheltered corners under still leafless trees and bushes. In the birch copse beyond the lawn the early double daffodils were coming into flower.
Laura Curtland, so long a malade imaginaire, had vindicated her status by suddenly dying. After maintaining for years that she had cancer when she had not, she developed a quick inoperable tumour and passed away. Perhaps, everyone said later, she had in some sense been right all the time. Laura’s sudden departure caused a good deal of surprise, some dismay, and a certain amount of terrible grief. At Fettiston (this was the name of the house) grief, shared by the servants, prevailed. A few village people shed tears too. The relations, with the exception of Laura’s husband and children, were calm. Rose, who had never particularly got on with Laura, found herself wishing that she had made more effort to get to know someone of whose good qualities she was now suddenly aware. Rose had felt that Laura was hostile, anxious to keep Rose at a distance. Perhaps, Rose now reflected, Laura had reasonably felt that Rose neglected them, found them dull, spent minimal time in Yorkshire, had made a rival ‘family’ for herself in London. Rose was moved, and deeply moved, by the evident, even frantic, anguish of Reeve and Neville and Gillian. The flowing tears of cook and maids, the bowed heads of sorrowing gardeners, also counted as evidence. From her chaise longue Laura has presumably not only organised that large house and garden, but aroused affection in those whom she directed as well as enjoying the absolute love of her nearest and dearest. Rose had been aware that Laura was not a fool, but in some way she had never taken her seriously, and no doubt Laura sensed this. Of course all these sensible reflections came too late.
Rose, who had come before the funeral and stayed on at the request of Reeve and the children, had now been at Fettiston for over two weeks. Rose was surprised later, though at the time it seemed natural and inevitable, at the speed with which it was she who, in the immediate management of the scene, took Laura’s place. Reeve and Neville and Gillian, helplessly overwhelmed by grief, begged Rose to take charge and, without being told to, the servants all ran to her with their problems. The Vicar rang Rose about the funeral arrangements, and Rose extracted Reeve’s wishes. Rose organised the ‘party’ after the funeral, and allotted bedrooms to relations who were staying the night. She also decided what, in the emergency, to delegate to Mrs Keithley, the extremely able cook. Of course Rose was glad to be of use; and a little more than that, she felt a certain ambiguous gratification at being suddenly important in a house where she had often felt she counted for little. Fettiston was a larger and far more beautiful house than Boyars. It was a pure simple unspoilt eighteenth-century house built in a local stone which varied in colour between a liquid brown and a faint rose. An ancestor who had visited Vicenza had adorned the balustraded roof with rows of statues, which had been removed to discreet places in the garden by Reeve’s and Rose’s great-grandfather. The house sat upon a wide terrace reached from the lawn by a fine narrowing stone stairway. Upon the lawn was the fountain, a rather more successful addition by the same ancestor. Beyond was the vista of English countryside, and farther away the slopes of the Pennines fading (today), outline against outline, into a blue distance which became the sky. Rose had never had any strong sense of ‘family possessions’ or indeed of family, beyond her parents and Sinclair. After they were dead she had settled to an idea of herself as having friends but, except in some formal or literal sense, no relations. She felt no belongingness to ‘the Curtlands’, no ‘old Yorkshire family’ bond, though the ‘old house’ had been in Yorkshire and all her forebears had lived there. (A local joke had it that when Curtlands referred to ‘the wars’, they meant the Wars of the Roses.) Rose was fond of Boyars, but would not have felt any great or special pang if she had had to sell it. Now, experiencing the Yorkshire house more intimately, she thought how odd it must be for Neville and Gillian, though perhaps after all they found it natural, to feel that this place was their place, to be entrusted to them and to their children and to their children’s children, and filled with the pale strong presences of their ancestors, whose pictures, painted, unfortunately, by minor artists, hung (mostly) in the larger rooms, though some were banished to the bedrooms. On the wall of Rose’s bedroom was a small awkward seventeenth-century picture of a rather touching lady, who had lived before Fettiston was built or thought of, who looked remarkably like Gillian.
The drama, for it was that among other things, of Laura’s death had interrupted Rose’s prolonged period of mourning for Jenkin. In a sad but understandable way it had come as an almost welcome interruption. It had removed Rose from the dark obsessive almost maddening atmosphere in London, to a place where her emotions were less deeply involved and where there were many practical things she could do. Her usual Christmas visit to Yorkshire, coming fairly soon after Jenkin’s death, and before Laura’s condition was diagnosed, had been a nightmare. Christmas at Fettiston was celebrated, as usual, with every extreme of jollity, log fires, Christmas trees, mountains of holly and ivy and mistletoe from the garden, carols, indoor games, excessive eating and drinking, and manifold exchanges of beautifully wrapped presents. Sleigh rides, skiing and skating were also hoped for, but a perverse period of warm weather made these impossible. Rose, hating every moment, got away as soon as she could. She had said nothing to her cousins about the terrible thing which had happened, and they made only perfunctory enquiries about her life elsewhere. Gerard, in so far as he had ‘spent’ or ‘noticed’ Christmas, passed it with Gideon and Patricia. It had been a notable occasion because, evidently persuaded by Gideon, Tamar and Violet had joined them. Jean and Duncan were in France as usual. Lily went to stay with her friend Angela Parke. Gulliver was said to be ‘in the north’, in Leeds or Newcastle. Rose had at first intended to stay in London with Gerard, but he had urged her to go to Yorkshire. In fact both Rose and Gerard felt a certain relief at being separated. They had spent too long grieving together and helping to make each other even more miserable. It was perhaps ‘good for them’ to be with people less affected, or unaffected, with whom they would have to behave in ordinary ways. Rose had become aware, after the appalling shock of his death, how much, how much more tha
n she had ever realised, she had loved and depended on Jenkin. A slight haze had perhaps always, for her, rested upon him because of an old jealousy of Gerard’s affection for him, a sense as if one day Jenkin might take Gerard away from her altogether. Now she remembered what a wonderful presence Jenkin had been in her life, he had indeed ‘given a soul to all things’; and remembering his wisdom, his particular gentleness, his kindness to her, the unique charm of his physical being, it also seemed to her that he had perhaps loved her with some kind of special love. This thought made her particularly miserable, mingling her sorrow with remorse. Life without Jenkin seemed impossible, too much had been taken away. Her own mourning had of course blended with Gerard’s much greater grief. Gerard’s grief had appalled Rose, and wounded her the more because she could do nothing for it. Inevitably this death made them speak of Sinclair and renew their old sorrow. Rose had forgotten that Gerard could cry, and cry so terribly, sobbing and shedding wild tears as women do.
What, as time passed, they more and more discussed, and made themselves more wretched thereby, was the extraordinary nature of that death, the circumstances, the accident. Here, after a while, they found themselves asking and saying the same things over and over again. Well, it was an accident, wasn’t it, and accidents are bizarre. To the police and at the inquest Crimond had explained in the utmost detail what had happened, how he and Jenkin had been discussing Crimond’s marksmanship, and had had a bet on his ability, how Jenkin had gone down near the target, how Crimond had told him to keep clear, and, concentrating upon his aim, had fired just as Jenkin turned and moved to say something to him, not realising he was in the line of fire. It was a simple, awful accident. The verdict was death by misadventure. Crimond’s evident grief impressed the police and the coroner. Many reliable people were ready to testify that Crimond and Jenkin were friends, no one suggested they were dangerously close friends. Jenkin’s golden character was attested by all. There was no suggestion of a sordid homosexual feud, nothing about jealousy, or about money, no shadow of any motive for foul play. If there was carelessness, it was on both parts. Crimond did get into trouble for possessing firearms without a licence, and was heavily fined. The police searched his flat but found nothing incriminating. He had never, in fact, even in his days of fame, been a terrorist suspect. He was now, so long had he been a recluse, scarcely news at all. No keen young reporter, apt to find out some hidden infamy, was sent to pursue the case. It did not seem to occur to anybody that there might have been a quarrel about politics. There was at that moment a great deal of ‘news’ around and plenty of far more scandalous and violent and sickening goings-on involving far more famous and important people. This odd little accident attracted small attention. Gerard did not expect, or receive, any communication from Crimond after the event, and of course neither Jean nor Duncan heard anything. The only person Crimond was known to have communicated with was Jenkin’s schoolmaster friend, Marchment, who mentioned in the course of his testimony that Crimond had telephoned him from a call box just after Jenkin’s death and immediately after he had rung the police, and told him briefly what had happened; and that Crimond had later told him the whole story in much greater detail. Gerard telephoned Marchment, then went to see him, and received the same account. So it was an accident. It was not possible, was it, that Crimond had murdered Jenkin? No, it was not possible. There was no conceivable motive. Surely it was not possible?
In all these rather horrible discussions Rose took part with a rather important reservation. She had, now, her own rather special view of Crimond, ‘her Crimond’, which must be henceforth and forever her darkest secret. Rose had, even before Jenkin’s death, recovered from what now looked like the amazing, unique, inexplicable fit of insanity wherein she had felt herself to be madly in love with Crimond, during which Crimond from being nothing had become everything. Rose, who had at once told herself to ‘return to reality’, had managed reasonably well to do so within a few days of her ‘seizure’. Gradually the lurid glow faded, her usual attachments regained their power, above all the agonising, tormenting sense of a possibility, a possible move, began to leave her; and she was able to be thankful that she had not found Crimond in the street when she ran down after him, had not written him a compromising letter whose existence would have disturbed her ever after. Of course she couldn’t love Crimond! She loved Gerard, and could not, for thousands of reasons, love both of them. Moreover, she absolutely could not, for Jean’s sake, have anything to do with Crimond. Crimond was a person she disapproved of, was perhaps even a mad person – what could have been madder than that sudden proposal? He was not someone with whom she could envisage spending time, let alone developing any close relation. One of her best comforts, in the early days of her recovery, was the thought that Crimond was actually a bit deranged and would have repented of his rash idea soon enough if Rose had shown any interest in it! All the same, and she realised this as soon as she was able to tell herself that it was over, something remained, and perhaps, Rose told herself with an odd mixture of sadness and pleasure, would always remain. There was some bond between her and that man, which was there even if, as was likely, he regretted his move and saw it as an aberration; and even if he now consoled himself by hating her for her graceless reception of him. Rose could not perceive exactly what this residuum was. No doubt it was something which would wear and change with time. It was partly that she was, in retrospect, so flattered, and so touched, by his suggestion. It is hard for a woman not to feel some kindness for a man who adores her. He, strange Crimond, whom people feared and hated, had been for a moment at her feet. How surprised everyone would be – but of course no one would ever know. But there was also another, and better, she felt, component. For a short time she had loved Crimond, her love, like a laser beam, had reached right into him, finding, however blindly, the real Crimond, the lovable Crimond, who therefore must exist. She did not allow herself to imagine that she would ever tell Crimond that she had loved him; and she could scarcely, even much later, apologise suitably for her rudeness without in some way hinting at those very different feelings. In that direction, there was no road. But her wish that somehow he could know remained as a point of pain, and she guarded her curious knowledge of him like the emblem of a forbidden religion.
This was her state before the news of Jenkin’s death and its strange circumstances. The shock of this frightful blankly inexplicable disaster brought back to Rose her view of Crimond as something black and lethal. Rose and Gerard agreed that they could not and must not entertain the notion that their friend had been murdered. It was too incredible and too awful a charge to set up without a shred of evidence. ‘We mustn’t formulate this hypothesis, even to ourselves,’ said Gerard. But they had formulated it, and were upset and sickened to find it being freely uttered by others, based simply upon malicious speculation. Here again Rose had her own private torment: it came into her mind that Crimond had indeed killed Jenkin, as an act of revenge against her, and against Gerard whom he might blame for Rose’s rejection of him. This idea, when it suddenly appeared, caused her such agony that she felt she might go mad, even be mad enough to blurt out the whole thing to Gerard simply so that he could share her misery. She thought, so I am really responsible for Jenkin’s death, if only I had been kinder to Crimond, if I hadn’t been so cruel and scornful… Here however Rose’s deep base of sanity eventually prevailed, her strong moral sense joined with her sense of self-preservation, and she judged this picture of the matter to be not only a crazy, but an evil fantasy.
Within a short space of time Rose had attended two burial services, both of them Anglican. Gerard, who had instantly taken it on himself to organise Jenkin’s funeral, had decided that since Jenkin had latterly appeared to be something of a fellow traveller of the Christian faith, the solemn words of the Prayer Book, so sober and so beautiful, should bid him farewell. Jenkin had no family; but at the funeral a surprisingly large number of people whom Rose and Gerard had never seen before appeared and ma
nifested their grief. Gerard decreed cremation, because he vaguely recalled Jenkin having approved of it, but chiefly because he could not bear the idea of his friend’s body continuing to exist, rotting away in the earth. Better not to be. Laura of course was buried in the churchyard of the parish church in a place reserved for Curtlands. An argument about her tombstone was already going on. The two services were similar, except that the body of the departed was committed, in one case ‘to the earth’, in the other case ‘to the fire’. Earth to earth, ashes to ashes, dust to dust.
Later that morning Rose was sitting in the library, where Reeve Curtland had been writing letters answering the numerous expressions of condolence upon Laura’s death. The young people had departed, Neville to St Andrews where he was in his last year of studying history, Gillian to Leeds where she was in her first year of psychology. Both of them had failed to get into Oxford, but were proving it possible to flourish elsewhere. Reeve, who had also failed to get into Oxford had, as he often complained, passed a gloomy and profitless period at a minor London college. It had only lately occurred to her that Reeve, who was about her age, might have envied and perhaps disapproved of the golden times which Sinclair and the others were obviously having at the old university. Reeve had cheered up considerably, however, as uncharitable observers remarked, when his father inherited the title. The Curtlands were Anglicans, not Nonconformists or Quakers, but there was a puritanical streak which emerged at intervals. A Curtland had been an officer in Cromwell’s army. Rose’s Anglo-Irish mother had cheerfully tolerated Sinclair’s homosexuality, but her gentle father had been quietly shocked. Of course Rose had never discussed these matters, or indeed anything of grave importance, with Reeve. Always searching for likenesses, she discerned in Neville’s blond handsomeness a certain look of Sinclair. It was certainly clear that Neville, always nearly engaged to different girls, did not share his cousin’s ambiguous propensities. Reeve bore no marked resemblance to any of his relations or ancestors, he certainly lacked the jaunty look which Curtland men seemed to have had, judging from the family portraits, a look which both Sinclair and Neville pre-eminently incarnated. He was not, like them, tall. He had mousy brown hair, not grey but balding a little, dark brown soft puzzled anxious eyes, a ruddy complexion and a much lined brow where the pitted rubbery flesh rose in little hillocks. His lips were anxious too. His eyebrows thick and furry. He somehow managed to look young. He was often shy and even gauche in conversation, unlike his son. He liked to stay at home all the time and work on innumerable jobs. He always wore a tie, even when out on the tractor. In spite of his awkwardness and sometimes maddeningly tentative approach to the world, he did not lack charm, perhaps the charm of some timid touching animal. As people also observed about him, he did in fact, for all his poor showing, manage his estate, and his investments, reasonably well. He also played the piano creditably and painted in water-colours.
