]–[>], [>]
separations and reconciliations with Streisand, [>], [>]–[>], [>], [>], [>]
response to Streisand’s acting suggestions, [>]–[>]
Robbins’s respect for, [>]
self-doubt, shyness, [>], [>]
similarities to Arnstein, [>], [>], [>]
at Streisand’s Wholesale interview, [>]
sweating problem, [>]
teenage modeling career, [>]
television appearances, [>]
at 20th birthday party, [>]–[>]
at 22nd birthday party, [>]
Gould, Jason, [>]
Goulet, Robert, [>]
Graham, Sheilah, [>], [>]
Grammercy Arts Theatre, New York City, [>]
Grammy Awards
Album of the Year, [>]
banquet, [>]–[>]
Best Female Vocal Performance, [>]
nominations, [>]
grandparents, [>], [>]–[>]
gratitude, difficulty expressing, [>]–[>], [>], [>]–[>], [>], [>]–[>], [>]–[>]
Graves, Robert (The White Goddess), [>]
Greene, Milton, [>]
Gregory, Dick, [>]
Greneker, Claude, [>]
Grey, Joel, [>]
Griffin, Merv, [>]–[>]
Griffith, D. W., [>]
Gruber, Les and Sam, [>]–[>], [>], [>]–[>]
Guest House (radio show), [>]
Gypsy (musical), [>], [>], [>]–[>]
Hagman, Larry, [>]
Hamel, Reese, [>], [>]
Hamill, Pete, [>]–[>]
Hampton, Dawn, [>], [>]
Haney, Carol
choreography for Funny Girl, [>], [>]–[>], [>]–[>], [>]
death, [>]–[>]
firing from Funny Girl, [>]
Happiest Girl in the World, The (musical), [>]
“Happy Days Are Here Again”
arrangement of, stories about, [>], [>]
on the The Barbra Streisand Album, [>]–[>]
at the Blue Angel, [>]–[>]
on The Dinah Shore Show, [>]–[>]
in duet with Garland, [>], [>]
on The Garry Moore Show, [>]–[>]
at the Hollywood Bowl concert, [>]
at the hungry i, [>]
nomination for Grammy, [>], [>]
performance for President Kennedy, [>]–[>], [>]
Harford, Margaret, [>]
Harmonie Club, New York City, performance at, [>]
Harrahs, Lake Tahoe, engagement at, [>], [>], [>]
Harrington, Pat, Jr., [>]–[>]
Harris, Barbara, [>]
Harris, Bob, [>]
Harris, Jack, Detroit, radio show interview and performance, [>]
Harris, Jeff, [>]–[>]
Hart, Lorenz, [>], [>]–[>]
Harvey, Laurence, [>]
Hatful of Rain, A (musical) tour, [>]
Hawks, Howard, [>]
Hayward, Susan, [>]–[>], [>]
Hecht, Ben, [>]–[>]
Heimer, Mel, [>]
Hello, Dolly!, [>]
Henderson, Florence, [>], [>], [>]
Henry V (Shakespeare), [>], [>]–[>], [>]–[>]
Hepburn, Audrey, [>], [>]
Herald Tribune, reviews in, [>], [>], [>]
heroes, role models
Gould’s, [>]–[>]
lack of interest in, [>], [>], [>], [>]–[>], [>], [>]
Hildy (in On the Town), [>]–[>]
Hobin, Bill, [>]–[>]
Hoffman, Dustin, [>], [>]
Holiday, Billie, [>], [>]
Holiday magazine, Streisand profile in, [>]–[>]
Holliday, Judy, [>]
Hollywood, CA. See also Cocoanut Grove, Los Angeles
appeal of, [>], [>]–[>]
desire to make impression in, [>]–[>]
Hollywood Bowl concert, [>]–[>]
Hollywood Reporter, gossip about Streisand in, [>]–[>]
“Home” (Funny Girl), [>]
Home of the Brave (play), [>]
honeymoon, [>]–[>]
Hope, Bob, [>]
Hopper, Hedda
on casting of Nick Arnstein, [>]
on Cocoanut Grove debut, [>], [>]
on efforts to improve Funny Girl, [>]
on What’s in It for Me?, [>]
hot-water bottle doll, [>]
House of Flowers (musical), [>]–[>]
House Un-American Activities Committee (HUAC), [>], [>], [>]
Howard, Bart, [>]
“Howdy Neighbor” duet, with Garland, [>]
How to Succeed in Business Without Really Trying (musical), [>], [>]
Hudson, Rock, [>]–[>]
Hughes, Elinor, [>], [>]–[>]
hungry i
Streisand’s performances at, [>]–[>], [>]–[>]
as venue, importance of, [>]–[>], [>]
Hyman, Eliot, [>]
“I Am Woman,” recording and reception of, [>]
I Can Get It for You Wholesale (movie), [>]–[>]
I Can Get It for You Wholesale (musical). See also Gould, Elliott; Miss Marmelstein
auditions, casting, [>], [>]–[>], [>]
book, story, [>]–[>], [>]
boredom with repetitiveness of, [>]–[>], [>], [>]
Boston previews, reviews, [>], [>], [>]
Broadway opening, [>]–[>]
cast album, [>]
closing, [>]
move to Broadway Theatre, [>]
New York reviews, [>]–[>]
publicity for, [>]
rehearsals, [>]–[>], [>]
Streisand’s contract and billing, [>], [>]
team assembled for, [>], [>]
Tony nominations, [>]
“If a Girl Isn’t Pretty” (Funny Girl), [>]
“I Had Myself a True Love” (Arlen), [>]
I Hate Music: A Cycle of Five Kids’ Songs for Soprano and Piano (Bernstein), [>]
I’ll Cry Tomorrow (Roth), [>]
illnesses, stress-related, [>]–[>], [>], [>]
“I’ll Tell the Man in the Street,” recording of, [>]
Imperial Theatre, New York City, Funny Girl auditions, [>]
“I’m the Greatest Star” (Funny Girl), [>]–[>]
Insect Comedy, The (Čapek and Čapek)
auditions, [>]–[>], [>]
hopes for, [>]
Kind’s invitation to see, [>]
1948 production, [>]
rehearsals for, [>]–[>]
reviews, [>]
role of Clythia, [>], [>]
run of, [>]
insecurity. See self-doubt
Irma la Douce (musical), touring company, [>]–[>], [>], [>]
Irv Kupcinet Show, The, [>]
“I Stayed Too Long at the Fair” (Barnes)
at the Cocoanut Grove, [>]
on PM East, [>]
on The Second Barbra Streisand Album, [>], [>]–[>]
“It Had to Be You,” on The Third Album, [>]
“I Want to Be Bad,” at the Bon Soir debut, [>]–[>], [>]
“I Want to Hold Your Hand,” [>]
“I Wish I Were in Love Again” duet, with Rooney, [>]–[>]
Jack Barry Show (television), [>]
Jack Paar Show, appearances on, [>], [>]–[>], [>]–[>]
Jacobson, Max, [>]
Jacoby, Herbert, [>], [>]
Jamaica, shooting of The Confession in, [>], [>]
“Jazz on the Hudson” cruise series, [>]
Jewish identity/religion
and challenges facing women in show business, [>]
Gould’s connection to, [>]
Robbins’ response to, [>]
role in Streisand’s success, [>]–[>]
Streisand’s Jewish education, [>]
Jewison, Norman, [>]
Joe Franklin Show (television), appearances on, [>], [>]
Jones, Candy, [>]
Jones, Jack, [>]
Jordan, G. Adam, [>]
Jordan, Lee, [>]
Judge, Frank, [>]
Judy Garland Show (television)
appearance on, [>]–[>], [>], [>]
Emmy nominations for, [>]
final taping for, [>]–[>]
McDowall’s photographs during, [>]
Merman’s surprise appearance, [>]–[>]
production and ratings problems, [>]–[>]
reviews, [>]
script for, [>]
Julie and Carol at Carnegie Hall (television special), [>], [>]
Juliet (in Romeo and Juliet), ambition to play, [>], [>], [>], [>], [>], [>]
By Jupiter (Rodgers and Hart), [>]
Kahn, Charles, [>]–[>], [>]
Kander, John, [>]
Kane, Helen, [>]
Kanin, Garson
crediting on Playbill for Funny Girl, [>]
departure from Funny Girl, [>]
directorial style, inputs, [>], [>]–[>], [>]
hiring to direct Funny Girl, [>]
homosexuality, [>]
response to reviews, [>]
self-aggrandizement by, [>]
Streisand’s problems with, [>]–[>], [>], [>]
Kapralik, David, [>]–[>], [>]
Karp, Oscar, [>]
Kaufman Schwartz and Associates, [>]
Kaye, Danny, [>]
Kazan, Lainie
ambition to play Brice, [>]
costumes in Funny Girl, [>]
conflicts with Streisand, [>], [>]
hiring to play Vera in Funny Girl, [>]
on impact of Haney’s dismissal from Funny Girl, [>]
relationship with Peter Daniels, [>]
relationship with Stark, [>]–[>]
Robbins’ efforts to fire from Funny Girl, [>]
on Robbins’s relationship with Streisand, [>]
on Streisand’s inputs during Fanny Girl rehearsals, [>]–[>]
on Styne, [>]
Keefe Brasselle Show, The (television), [>]–[>], [>]
“Keepin’ Out of Mischief Now” (Waller)
at the Bon Soir, [>], [>]
recording of, [>]
Kelly, Kevin, reviews, [>]–[>], [>]
Kelly, Pat, [>]–[>]
Kennedy, John F.
assassination, [>]–[>], [>], [>]
election, [>]
invitation to sing for, [>], [>]
performance for, [>], [>]
request for autograph from, [>]
request for copy of “Happy Days,” [>]
Kennedy, Ray, [>]–[>]
Kerr, Walter, reviews by, [>], [>]–[>], [>]
Kilgallen, Dorothy
on casting of Brice role, [>]–[>]
column about Wholesale, [>]–[>]
on cultural renaissance, [>]
on Funny Girl previews in Boston, [>]
negative reviews and gossip, [>]–[>]
on Phyllis Diller, [>]
positive reviews and gossip, [>]–[>]
on publicity for Funny Girl, [>]
review of Bon Soir debut, [>]–[>], [>]–[>]
on Streisand’s Columbia Records contract, [>]–[>]
on Streisand’s fan base, [>]–[>]
on The Third Album, [>]
Kind, Diana Streisand (mother)
at Bon Soir performance, [>]–[>]
chicken soup and grocery gifts, [>], [>], [>]
inability to express love, praise, [>], [>]–[>], [>]–[>], [>]
marriage to Louis Kind, [>], [>]–[>]
MGM audition, [>]–[>]
move to Manhattan, [>]
at party following Funny Girl opening, [>]–[>]
protectiveness, [>]–[>], [>], [>]–[>], [>]–[>]
recording at Nola Recording Studio, [>]
relationship with Lippner, [>], [>]
relationship with Rosalind, [>], [>]
relationship with Streisand, [>]–[>], [>], [>], [>]–[>], [>]–[>]
religious practice, [>]
response to first husband’s death, [>]
response to Kilgallen’s review, [>]
Streisand’s search for approval from, [>]–[>], [>]
support for career-building efforts, [>], [>]
on tensions between Streisand and Gould, [>]
at Theater Studio performance, [>]
at 20th birthday party, [>]–[>]
voice and early musical ambitions, [>], [>]
wedding gift, [>]
work to support family, [>], [>]
Kind, Louis (stepfather), [>], [>]–[>]
Kind, Rosalind (Rozzie, stepsister)
friendship with Lippner, [>]–[>]
introduction to the Winter Garden Kids, [>]
relationship with mother, [>], [>]
singing career, [>]
time spent with sister, [>]
at 20th birthday party, [>]–[>]
King Features Syndicate column, [>]
Kitt, Eartha, [>]
Kleiner, Dick, [>], [>], [>]
Koerner, Henry, [>]
Kruschen, Jack, [>]
Kuo, Irene Yuan, [>]
Kwan, Nancy, [>]
Lady’s Not for Burning, The (Fry), [>]
Laico, Frank, [>], [>]–[>]
Landesman, Fran, [>]
Landesman, Jay, [>]–[>]
Lane, Burton, [>]
Lang, Harold, [>]
Lasser, Louise, [>]–[>], [>], [>]
Las Vegas performances, [>]–[>], [>], [>]
Laurents, Arthur
appeal of the unusual to, [>]
at Blue Angel performance, [>]
changes in book for Wholesale, [>]
conflicts with Merrick, [>]
conflicts with Streisand, [>]–[>], [>]
directorial style, [>], [>], [>], [>]–[>], [>]
movie credits, [>]
optimism about Wholesale and its cast, [>]
on Ray Stark, [>]
on relationship between Gould and Streisand, [>], [>]
and rewrites of Wholesale script, [>], [>], [>]
support for Streisand, [>]–[>], [>], [>]–[>]
at Wholesale auditions, [>]–[>], [>]
and What’s in It for Me?, [>]
La Vie en Rose nightclub, [>]
Lawrence, Gertrude, [>]–[>]
Lawrence, Steve, [>]
Layton, Evelyn, [>], [>]
Layton, Joe, [>], [>], [>]
Leave It to Jane (musical), [>]
Lee, Michele, [>]
Leeds, Phil, [>]–[>]
Lennart, Isobel
at Blue Angel performance, [>]
conflation of Brice with Streisand, [>]
depiction of Arnstein, [>]
meeting with Streisand in LA, [>]
relationship with Robbins, [>]–[>], [>], [>]
relationship with Stark, [>]
script, rewrites for Funny Girl, [>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>]
Lennon, John, [>]
Leonard, Jack E., [>]
Leonard, Will, review by, [>]
Leonetti, Tommy, [>]
Leong, Terry
at Bon Soir debut, [>]
estrangement from Streisand, [>], [>], [>]
fashion sense, style lessons, [>]–[>], [>]–[>], [>]
on Streisand’s name change, [>]–[>]
at 20th birthday party, [>]
Lerner, Alan Jay, [>]
Lesner, Sam, review by, [>]
Lewis, Bob, [>]
Lewis, George Q., [>]–[>]
Liberace, [>]–[>], [>]
Liberson, Marty, [>], [>]–[>]
Lido Club, Long Beach, NY, performance at, [>]
Lieberson, Goddard. See also Columbia Records and specific record albums
background and accomplishments, [>]–[>]
contract with Streisand, [>], [>]–[>]
growing support for Streisand, [>]–[>], [>]
initial interview with Streisand, [>]–[>]
Jewish identity, [>]
at recording of Bon Soir perfor
mance, [>]–[>]
relationship with Brice, [>]
reluctance to record Streisand, [>], [>]–[>], [>], [>]
Liesel (in Sound of Music), audition for, [>]–[>]
Life magazine cover story, [>], [>]–[>]
likes and dislikes, [>]–[>]
Lillie, Beatrice, [>]
Linn, Bambi, [>]
the Lion (nightclub)
coat-check job, [>]
Dawn Hampton performance, [>
Hello, Gorgeous: Becoming Barbra Streisand Page 65
