The Sorceress sotinf-3

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The Sorceress sotinf-3 Page 34

by Michael Scott


  Clarent.

  He'd seen the boy throw the sword… but he hadn't seen him pick it up. Dee rolled over in the mud and discovered the blade lying on the ground next to him. Gently, almost reverently, he lifted it out of the dirt and then lay back on the earth, the blade flat on his chest, both hands resting across the hilt.

  Five hundred years he had been searching for this weapon. It was a quest that had taken him all over the world and into the Shadowrealms. He laughed, the sound high-pitched, almost hysterical. And he had finally found it back almost where it started. One of the first places he'd looked for the blade was under the Altar Stone at Stonehenge; he'd been fifteen years old at the time, and Henry VIII had been on the throne.

  Still lying on the ground, Dee reached under his coat and pulled out Excalibur, holding it in his right hand. Then he raised both weapons aloft. The swords moved in his grasp, twitching toward one another, the round hilts rotating, blades gently smoking. An icy chill started up one side of his body; a searing warmth flowed up the other side. His aura popped alight, steaming off his flesh in long yellow tendrils, and he felt his aches fade, his cuts and bruises heal. The Magician brought the two swords close, blade crossing blade.

  And then they suddenly snapped together, as if magnetized. He tried to pull them apart, but they slotted together, fitting one into the other, then clicked and fused, blade to blade, hilt to hilt, to create a single rather ordinary-looking sword, that leaked gray smoke.

  A figure shuffled out of the darkness, an old man bundled up in dozens of coats. Yellow light danced off his wild hair and unkempt beard, and his bright blue eyes were lost and distant. He looked at the sword, focusing, concentrating, remembering. He reached out with one trembling finger to stroke the cold stone, and then his eyes filled with tears. "The two that are one," he mumbled, "the one that is all." Then the Ancient of Days turned and shuffled off into the night. End of Book Three

  It is nighttime when Sophie and Josh arrive at the prehistoric circle of standing stones on Salisbury Plain, England, and they only catch glimpses of these remnants of a once-great monument, one of the most recognizable archaeological sites in the world.

  Stonehenge was built in three reasonably distinct phases. What remains today are the tumbled ruins of all the stages. Although there is evidence to suggest that humans were active around the area of Salisbury Plain (which would have been wooded at the time) about eight thousand years ago, the first building phase dates back over five thousand years. Using deer antlers, stones and wooden tools, the earliest builders scraped out a huge ring 6 feet wide and 320 feet in diameter. Its center was nearly 7 feet deep in places. One arc was left open and two stones were erected as gateposts. One of these stones survives: the Slaughter Stone.

  The next phase began around five thousand years ago. Nothing from this phase remains visible, but there is archaeological evidence that a wood structure was erected within the circle. Shards of pottery and burnt bone have been found here, and there is a suggestion that Stonehenge may have been a place of burial or possibly sacrifice.

  Over the next thousand years, Stonehenge was enlarged, altered and changed. The great stones that survive today date from this period of building.

  It is estimated that up to eighty bluestone pillars were set up in the center of the circle. The pillars formed two half circles, one inside the other. Each of these huge stones weighed at least four tons and had been quarried from a site in the Preseli Mountains in Wales, more than 240 miles away. Just transporting the huge slabs of stone through densely wooded countryside, across mountains and rivers, was an extraordinary feat and shows how important Stonehenge was to the ancient peoples who built it. The enormous Altar Stone, which Nicholas Flamel lies down on, may well have stood as a huge upright. It weighs six tons.

  Around this time, the entranceway was widened, and sunrise-especially on the morning of the summer solstice-would have sent long shadows spiking deep into the heart of the circle. At sunset in midwinter, the sun would have sunk between the stones.

  Later still, perhaps a little over four thousand years ago, a circle of thirty capped stones was erected. This was another extraordinary feat. Each of the standing stones weighs around twenty-five tons. The stones came from a quarry more than twenty miles north of Stonehenge and were carefully cut, polished and shaped. Within this circle there were five trilithons arranged in a half circle, with the smallest at the outermost edges and the largest in the middle. The "smallest" trilithon was twenty feet tall.

  Over the centuries, the site was abandoned and fell into disarray. Nature, the elements and the great weight of the stones pulled some of them to the ground, and gradually the order and arrangement of the circle became confused and was lost.

  Stonehenge is striking, spectacular and mysterious, and despite centuries of research, we still do not know what it was used for. Was it a burial site or, as many suggest, a place of worship? It is now associated with druidism, the religion of the ancient Celts, and while the Celts certainly used it, and many of the other stone circles and monuments that littered the countryside, they did not construct it. There are countless myths and legends associated with the site; it is even linked with Merlin and the Arthurian cycle.

  One of the most shocking surprises people discover when visiting Stonehenge is just how close the roads are to this ancient monument. The A344-the road where Josh finally abandons the car-runs remarkably close to the original five-thousand-year-old circle.

  Stonehenge is now a World Heritage Site.

  Point Zero also exists.

  The official center of Paris, France, is located on the square in front of Notre Dame Cathedral and is exactly as described in The Sorceress. Set into the cobblestones is a circle composed of four segments. Inscribed on the four segments are the words POINT ZERO DES ROUTES DE FRANCE. In the middle of the circle is a sunburst design with eight spiked arms radiating from its center.

  There are Point Zero or Kilometer Zero markers in many cities around the world, and these are the locations from which all distances in these cities are measured. Some are stones set into the ground, while others are plaques or monuments.

  Standing on the Paris stone at the solar noon is not recommended-you know what happened to Scathach and Joan!

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