He paid no heed to it that his stock of money was running perilously low, nor that he had ceased to work. Ceased to work? He had not ceased to work. They knew very little about it who supposed that Oleron had ceased to work! He was in truth only now beginning to work. He was preparing such a work . . . such a work . . . such a Mistress was a-making in the gestation of his Art . . . let him but get this period of probation and poignant waiting over and men should see . . . How should men know her, this Fair One of Oleron’s, until Oleron himself knew her? Lovely radiant creations are not thrown off like How-d’ye-do’s. The men to whom it is committed to father them must weep wretched tears, as Oleron did, must swell with vain presumptuous hopes, as Oleron did, must pursue, as Oleron pursued, the capricious, fair, mocking, slippery, eager Spirit that, ever eluding, ever sees to it that the chase does not slacken. Let Oleron but hunt this Huntress a little longer . . . he would have her sparkling and panting in his arms yet . . . Oh no: they were very far from the truth who supposed that Oleron had ceased to work!
And if all else was falling away from Oleron, gladly he was letting it go. So do we all when our Fair Ones beckon. Quite at the beginning we wink, and promise ourselves that we will put Her Ladyship through her paces, neglect her for a day, turn her own jealous wiles against her, flout and ignore her when she comes wheedling; perhaps there lurks within us all the time a heartless sprite who is never fooled; but in the end all falls away. She beckons, beckons, and all goes . . .
And so Oleron kept his strategic post within the frame of his bedroom door, and watched, and waited, and smiled, with his finger on his lips . . . It was his duteous service, his worship, his troth-plighting, all that he had ever known of Love. And when he found himself, as he now and then did, hating the dead man Madley, and wishing that he had never lived, he felt that that, too, was an acceptable service . . .
But, as he thus prepared himself, as it were, for a Marriage, and moped and chafed more and more that the Bride made no sign, he made a discovery that he ought to have made weeks before.
It was through a thought of the dead Madley that he made it. Since that night when he had thought in his greenness that a little studied neglect would bring the lovely Beckoner to her knees, and had made use of her own jealousy to banish her, he had not set eyes on those fifteen discarded chapters of Romilly. He had thrown them back into the window-seat, forgotten their very existence. But his own jealousy of Madley put him in mind of hers of her jilted rival of flesh and blood, and he remembered them . . . Fool that he had been! Had he, then, expected his Desire to manifest herself while there still existed the evidence of his divided allegiance? What, and she with a passion so fierce and centred that it had not hesitated at the destruction, twice attempted, of her rival? Fool that he had been! . . .
But if that was all the pledge and sacrifice she required she should have it – ah, yes, and quickly!
He took the manuscript from the window-seat, and brought it to the fire.
He kept his fire always burning now; the warmth brought out the last vestige of odour of the flowers with which his room was banked. He did not know what time it was; long since he had allowed his clock to run down – it had seemed a foolish measurer of time in regard to the stupendous things that were happening to Oleron; but he knew it was late. He took the Romilly manuscript and knelt before the fire.
But he had not finished removing the fastening that held the sheets together before he suddenly gave a start, turned his head over his shoulder, and listened intently. The sound he had heard had not been loud – it had been, indeed, no more than a tap, twice or thrice repeated – but it had filled Oleron with alarm. His face grew dark as it came again.
He heard a voice outside on his landing.
‘Paul! . . . Paul! . . . ’
It was Elsie’s voice.
‘Paul! . . . I know you’re in . . . I want to see you . . . ’
He cursed her under his breath, but kept perfectly still. He did not intend to admit her.
‘Paul! . . . You’re in trouble . . . I believe you’re in danger . . . at least come to the door! . . . ’
Oleron smothered a low laugh. It somehow amused him that she, in such danger herself, should talk to him of his danger! . . . Well, if she was, serve her right; she knew, or said she knew, all about it . . .
‘Paul! . . . Paul! . . . ’
‘Paul! . . . Paul! . . . ’ He mimicked her under his breath.
‘Oh, Paul, it’s horrible! . . . ’
Horrible, was it? thought Oleron. Then let her get away . . .
‘I only want to help you, Paul . . . I didn’t promise not to come if you needed me . . . ’
He was impervious to the pitiful sob that interrupted the low cry. The devil take the woman! Should he shout to her to go away and not come back? No: let her call and knock and sob. She had a gift for sobbing; she mustn’t think her sobs would move him. They irritated him, so that he set his teeth and shook his fist at her, but that was all. Let her sob.
‘Paul! . . . Paul! . . . ’
With his teeth hard set, he dropped the first page of Romilly into the fire. Then he began to drop the rest in, sheet by sheet.
For many minutes the calling behind his door continued; then suddenly it ceased. He heard the sound of feet slowly descending the stairs. He listened for the noise of a fall or a cry or the crash of a piece of the handrail of the upper landing; but none of these things came. She was spared. Apparently her rival suffered her to crawl abject and beaten away. Oleron heard the passing of her steps under his window; then she was gone.
He dropped the last page into the fire, and then, with a low laugh rose. He looked fondly round his room.
‘Lucky to get away like that,’ he remarked. ‘She wouldn’t have got away if I’d given her as much as a word or a look! What devils these women are! . . . But no; I oughtn’t to say that; one of ’em showed forbearance . . . ’
Who showed forbearance? And what was forborne? Ah, Oleron knew! . . . Contempt, no doubt, had been at the bottom of it, but that didn’t matter: the pestering creature had been allowed to go unharmed. Yes, she was lucky; Oleron hoped she knew it . . .
And now, now, now for his reward!
Oleron crossed the room. All his doors were open; his eyes shone as he placed himself within that of his bedroom.
Fool that he had been, not to think of destroying the manuscript sooner! . . .
How, in a houseful of shadows, should he know his own Shadow? How, in a houseful of noises, distinguish the summons he felt to be at hand? Ah, trust him! He would know! The place was full of a jugglery of dim lights. The blind at his elbow that allowed the light of a street lamp to struggle vaguely through – the glimpse of greeny blue moonlight seen through the distant kitchen door – the sulky glow of the fire under the black ashes of the burnt manuscript – the glimmering of the tulips and the moon-daisies and narcissi in the bowls and jugs and jars – these did not so trick and bewilder his eyes that he would not know his Own! It was he, not she, who had been delaying the shadowy Bridal; he hung his head for a moment in mute acknowledgment; then he bent his eyes on the deceiving, puzzling gloom again. He would have called her name had he known it – but now he would not ask her to share even a name with the other . . .
His own face, within the frame of the door, glimmered white as the narcissi in the darkness . . .
A shadow, light as fleece, seemed to take shape in the kitchen (the time had been when Oleron would have said that a cloud had passed over the unseen moon). The low illumination on the blind at his elbow grew dimmer (the time had been when Oleron would have concluded that the lamplighter going his rounds had turned low the flame of the lamp). The fire settled, letting down the black and charred papers; a flower fell from a bowl, and lay indistinct upon the floor; all was still; and then a stray draught moved through the old house, passing bef
ore Oleron’s face . . .
Suddenly, inclining his head, he withdrew a little from the door-jamb. The wandering draught caused the door to move a little on its hinges. Oleron trembled violently, stood for a moment longer, and then, putting his hand out to the knob, softly drew the door to, sat down on the nearest chair, and waited, as a man might await the calling of his name that should summon him to some weighty, high and privy Audience . . .
11
One knows not whether there can be human compassion for anaemia of the soul. When the pitch of Life is dropped, and the spirit is so put over and reversed that that only is horrible which before was sweet and worldly and of the day, the human relation disappears. The sane soul turns appalled away, lest not merely itself, but sanity should suffer. We are not gods. We cannot drive out devils. We must see selfishly to it that devils do not enter into ourselves.
And this we must do even though Love so transfuse us that we may well deem our nature to be half divine. We shall but speak of honour and duty in vain. The letter dropped within the dark door will lie unregarded, or, if regarded for a brief instant between two unspeakable lapses, left and forgotten again. The telegram will be undelivered, nor will the whistling messenger (wiselier guided than he knows to whistle) be conscious as he walks away of the drawn blind that is pushed aside an inch by a finger and then fearfully replaced again. No: let the miserable wrestle with his own shadows; let him, if indeed he be so mad, clip and strain and enfold and couch the succubus; but let him do so in a house into which not an air of Heaven penetrates, nor a bright finger of the sun pierces the filthy twilight. The lost must remain lost. Humanity has other business to attend to.
For the handwriting of the two letters that Oleron, stealing noiselessly one June day into his kitchen to rid his sitting-room of an armful of fetid and decaying flowers, had seen on the floor within his door, had had no more meaning for him than if it had belonged to some dim and faraway dream. And at the beating of the telegraph-boy upon the door, within a few feet of the bed where he lay, he had gnashed his teeth and stopped his ears. He had pictured the lad standing there, just beyond his partition, among packets of provisions and bundles of dead and dying flowers. For his outer landing was littered with these. Oleron had feared to open his door to take them in. After a week, the errand lads had reported that there must be some mistake about the order, and had left no more. Inside, in the red twilight, the old flowers turned brown and fell and decayed where they lay.
Gradually his power was draining away. The Abomination fastened on Oleron’s power. The steady sapping sometimes left him for many hours of prostration gazing vacantly up at his red-tinged ceiling, idly suffering such fancies as came of themselves to have their way with him. Even the strongest of his memories had no more than a precarious hold upon his attention. Sometimes a flitting half-memory, of a novel to be written, a novel it was important that he should write, tantalised him for a space before vanishing again; and sometimes whole novels, perfect, splendid, established to endure, rose magically before him. And sometimes the memories were absurdly remote and trivial, of garrets he had inhabited and lodgings that had sheltered him, and so forth. Oleron had known a good deal about such things in his time, but all that was now past. He had at last found a place which he did not intend to leave until they fetched him out – a place that some might have thought a little on the green-sick side, that others might have considered to be a little too redolent of long-dead and morbid things for a living man to be mewed up in, but ah, so irresistible, with such an authority of its own, with such an associate of its own, and a place of such delights when once a man had ceased to struggle against its inexorable will! A novel? Somebody ought to write a novel about a place like that! There must be lots to write about in a place like that if one could but get to the bottom of it! It had probably already been painted, by a man called Madley who had lived there . . . but Oleron had not known this Madley – had a strong feeling that he wouldn’t have liked him – would rather he had lived somewhere else – really couldn’t stand the fellow – hated him Madley, in fact. (Aha! that was a joke!). He seriously doubted whether the man had led the life he ought; Oleron was in two minds sometimes whether he wouldn’t tell that long-nosed guardian of the public morals across the way about him; but probably he knew, and had made his praying hullabaloos for him also. That was his line. Why, Oleron himself had had a dust-up with him about something or other . . . some girl or other . . . Elsie Bengough her name was, he remembered . . .
Oleron had moments of deep uneasiness about this Elsie Bengough. Or rather, he was not so much uneasy about her as restless about the things she did. Chief of these was the way in which she persisted in thrusting herself into his thoughts; and, whenever he was quick enough, he sent her packing the moment she made her appearance there. The truth was that she was not merely a bore; she had always been that; it had now come to the pitch when her very presence in his fancy was inimical to the full enjoyment of certain experiences . . . She had no tact; really ought to have known that people are not at home to the thoughts of everybody all the time; ought in mere politeness to have allowed him certain seasons quite to himself; and was monstrously ignorant of things if she did not know, as she appeared not to know, that there were certain special hours when a man’s veins ran with fire and daring and power, in which . . . well, in which he had a reasonable right to treat folk as he had treated that prying Barrett – to shut them out completely . . . But no: up she popped, the thought of her, and ruined all. Bright towering fabrics, by the side of which even those perfect, magical novels of which he dreamed were dun and grey, vanished utterly at her intrusion. It was as if a fog should suddenly quench some fair-beaming star, as if at the threshold of some golden portal prepared for Oleron a pit should suddenly gape, as if a bat-like shadow should turn the growing dawn to mirk and darkness again . . . Therefore, Oleron strove to stifle even the nascent thought of her.
Nevertheless, there came an occasion on which this woman Bengough absolutely refused to be suppressed. Oleron could not have told exactly when this happened; he only knew by the glimmer of the street lamp on his blind that it was some time during the night, and that for some time she had not presented herself.
He had no warning, none, of her coming; she just came – was there. Strive as he would, he could not shake off the thought of her nor the image of her face. She haunted him.
But for her to come at that moment of all moments! . . . Really, it was past belief! How she could endure it, Oleron could not conceive! Actually, to look on, as it were, at the triumph of a Rival . . . Good God! It was monstrous! Tact – reticence – he had never credited her with an overwhelming amount of either: but he had never attributed mere – oh, there was no word for it! Monstrous – monstrous! Did she intend thenceforward . . . Good God! to look on! . . .
Oleron felt the blood rush up to the roots of his hair with anger against her.
‘Damnation take her!’ he choked . . .
But the next moment his heat and resentment had changed to a cold sweat of cowering fear. Panic-stricken, he strove to comprehend what he had done. For though he knew not what, he knew he had done something, something fatal, irreparable, blasting. Anger he had felt, but not this blaze of ire that suddenly flooded the twilight of his consciousness with a white infernal light. That appalling flash was not his – not his that open rift of bright and searing Hell – not his, not his! His had been the hand of a child, preparing a puny blow; but what was this other horrific hand that was drawn back to strike in the same place? Had he set that in motion? Had he provided the spark that had touched off the whole accumulated power of that formidable and relentless place? He did not know. He only knew that that poor igniting particle in himself was blown out, that – Oh, impossible! – a clinging kiss (how else to express it?) had changed on his very lips to a gnashing and a removal, and that for very pity of the awful odds he must cry out to her against whom he had lately
raged to guard herself . . . guard herself . . .
‘Look out!’ he shrieked aloud . . .
The revulsion was instant. As if a cold slow billow had broken over him, he came to to find that he was lying in his bed, that the mist and horror that had for so long enwrapped him had departed, that he was Paul Oleron, and that he was sick, naked, helpless, and unutterably abandoned and alone. His faculties, though weak, answered at last to his calls upon them; and he knew that it must have been a hideous nightmare that had left him sweating and shaking thus.
Yes, he was himself, Paul Oleron, a tired novelist, already past the summit of his best work, and slipping downhill again empty-handed from it all. He had struck short in his life’s aim. He had tried too much, had over-estimated his strength, and was a failure, a failure . . .
It all came to him in the single word, enwrapped and complete; it needed no sequential thought; he was a failure. He had missed . . .
And he had missed not one happiness, but two. He had missed the ease of this world, which men love, and he had missed also that other shining prize for which men forgo ease, the snatching and holding and triumphant bearing up aloft of which is the only justification of the mad adventurer who hazards the enterprise. And there was no second attempt. Fate has no morrow. Oleron’s morrow must be to sit down to profitless, ill-done, unrequired work again, and so on the morrow after that, and the morrow after that, and as many morrows as there might be . . .
He lay there, weakly yet sanely considering it . . .
The Dead of Night Page 8
