Their skimmer ride seemed to be taking a long time, she thought once she was finished. She mentioned this to Opera, and he nodded soberly. Otherwise, he made no comment. I won’t be disembodied tomorrow, she told herself.
Then she added, Today, I mean today.
She felt certain now. Secure. She was glad for this chance and for this dear new friend, and it was too bad she’d have to leave so quickly, escaping into the relative safety of space. Perhaps there were more people like Opera . . . people who would be kind to her, appreciating her circumstances and desires . . . supportive and interesting companions in their own right. . . .
And suddenly the skimmer was slowing, preparing to stop.
When Opera said, “Almost there,” she felt completely at ease. Entirely calm. She shut her eyes and saw the raw, wild mountains on Erindi 3, storm clouds gathering and flashes of lightning piercing the howling winds. She summoned a different day, and saw Tyson standing against the storms, smiling, beckoning for her to climb up to him just as the first cold, fat raindrops smacked against her face. The skimmer’s hatch opened with a hiss.
Sunlight streamed inside, and she thought: Dawn. By now, sure . . .
Opera rose and stepped outside, then held a hand out to Pico. She took it with both of hers and said,
“Thank you,” while rising, looking past him and seeing the paddock and the familiar faces, the green ground and the giant tent with its doorways opened now, various birds flying inside and out again . . . and Pico most surprised by how little she was surprised, Opera still holding her hands, and his flesh dry, the hand perfectly calm.
The autodocs stood waiting for orders.
This time, Pico had been carried from the skimmer, riding cradled in a robot’s arms. She had taken just a few faltering steps before half-crumbling. Exhaustion was to blame. Not fear. At least it didn’t feel like fear, she told herself. Everyone told her to take it easy, to enjoy her comfort; and now, finding herself flanked by autodocs, her exhaustion worsened. She thought she might die before the cutting began, too tired now to pump her own blood or fire her neurons or even breathe. Opera was standing nearby, almost smiling, his pleasure serene and chilly and without regrets. He hadn’t said a word since they left the skimmer.
Several others told her to sit, offering her a padded seat with built-in channels to catch any flowing blood. Pico took an uneasy step toward the seat, then paused and straightened her back, saying, “I’m thirsty,” softly, her words sounding thoroughly parched.
“Pardon?” they asked.
“I want to drink . . . some water, please . . . ?”
Faces turned, hunting for a cup and water.
It was Opera who said, “Will the pond do?” Then he came forward, extending an arm and telling everyone else, “It won’t take long. Give us a moment, will you?” Pico and Opera walked alone.
Last night’s ducks were sleeping and lazily feeding. Pico looked at their metallic green heads, so lovely that she ached at seeing them, and she tried to miss nothing. She tried to concentrate so hard that time itself would compress, seconds turning to hours, and her life in that way prolonged. Opera was speaking, asking her, “Do you want to hear why?” She shook her head, not caring in the slightest.
“But you must be wondering why. I fool you into believing that I’m your ally, and I manipulate you—”
“Why?” she sputtered. “So tell me.”
“Because,” he allowed, “it helps the process. It helps your integration into us. I gave you a chance for doubts and helped you think you were fleeing, convinced you that you’d be free . . . and now you’re angry and scared and intensely alive. It’s that intensity that we want. It makes the neurological grafts take hold. It’s a trick that we learned since the Kyber left Earth. Some compilations tried to escape, and when they were caught and finally incorporated along with their anger—”
“Except, I’m not angry,” she lied, gazing at his self-satisfied grin.
“A nervous system in flux,” he said. “I volunteered, by the way.” She thought of hitting him. Could she kill him somehow?
But instead, she turned and asked, “Why this way? Why not just let me slip away, then catch me at the spaceport?”
“You were going to drink,” he reminded her. “Drink.” She knelt despite her hip’s pain, knees sinking into the muddy bank and her lips pursing, taking in a long, warmish thread of muddy water, and then her face lifting, the water spilling across her chin and chest, and her mouth unable to close tight.
“Nothing angers,” he said, “like the betrayal of someone you trust.” True enough, she thought. Suddenly she could see Tyson leaving her alone on the ocean floor, his private fears too much, and his answer being to kill himself while dressed up in apparent bravery. A kind of betrayal, wasn’t that? To both of them, and it still hurt. . . .
“Are you still thirsty?” asked Opera.
“Yes,” she whispered.
“Then drink. Go on.”
She knelt again, taking a bulging mouthful and swirling it with her tongue. Yet she couldn’t make herself swallow, and after a moment, it began leaking out from her lips and down her front again. Making a mess, she realized. Muddy, warm, ugly water, and she couldn’t remember how it felt to be thirsty. Such a little thing, and ordinary, and she couldn’t remember it.
“Come on, then,” said Opera.
She looked at him.
He took her arm and began lifting her, a small, smiling voice saying, “You’ve done very well, Pico. You have. The truth is that everyone is very proud of you.”
She was on her feet again and walking, not sure when she had begun moving her legs. She wanted to poison her thoughts with her hatred of these awful people, and for a little while, she could think of nothing else. She would make her mind bilious and cancerous, poisoning all of these bastards and finally destroying them. That’s what she would do, she promised herself. Except, suddenly she was sitting on the padded chair, autodocs coming close with their bright, humming limbs; and there was so much stored in her mind—worlds and people, emotions heaped on emotions—and she didn’t have the time she would need to poison herself.
Which proved something, she realized.
Sitting still now.
Sitting still and silent. At ease. Her front drenched and stained brown, but her open eyes calm and dry.
First published in The Magazine of Fantasy and Science Fiction, June 1993.
About the Author
Robert Reed has had eleven novels published, starting with The Leeshore in 1987 and most recently with The Well of Stars in 2004. Since winning the first annual L. Ron Hubbard Writers of the Future contest in 1986 (under the pen name Robert Touzalin) and being a finalist for the John W. Campbell Award for best new writer in 1987, he has had over 200 shorter works published in a variety of magazines and anthologies. Eleven of those stories were published in his critically-acclaimed first collection, The Dragons of Springplace, in 1999. Twelve more stories appear in his second collection, The Cuckoo’s Boys [2005]. In addition to his success in the U.S., Reed has also been published in the U.K., Russia, Japan, Spain and in France, where a second (French-language) collection of nine of his shorter works, Chrysalide, was released in 2002. Bob has had stories appear in at least one of the annual “Year’s Best” anthologies in every year since 1992. Bob has received nominations for both the Nebula Award (nominated and voted upon by genre authors) and the Hugo Award (nominated and voted upon by fans), as well as numerous other literary awards (see Awards). He won his first Hugo Award for the 2006 novella “A Billion Eves“. He is currently working on a Great Ship trilogy for Prime Books, and of course, more short pieces.
Finisterra
David Moles
1. Encantada
Bianca Nazario stands at the end of the world.
The firmament above is as blue as the summer skies of her childhood, mirrored in the waters of la caldera; but where the skies she remembers were bounded by mountains, here on Sky there is no real ho
rizon, only a line of white cloud. The white line shades into a diffuse grayish fog that, as Bianca looks down, grows progressively murkier, until the sky directly below is thoroughly dark and opaque.
She remembers what Dinh told her about the ways Sky could kill her. With a large enough parachute, Bianca imagines, she could fall for hours, drifting through the layered clouds, before finding her end in heat or pressure or the jaws of some monstrous denizen of the deep air.
If this should go wrong, Bianca cannot imagine a better way to die.
Bianca works her way out a few hundred meters along the base of one of Encantada’s ventral fins, stopping when the dry red dirt beneath her feet begins to give way to scarred gray flesh. She takes a last look around: at the pall of smoke obscuring the zaratán’s tree-lined dorsal ridge, at the fin she stands on, curving out and down to its delicate-looking tip, kilometers away. Then she knots her scarf around her skirted ankles and shrugs into the paraballoon harness, still warm from the bungalow’s fabricators. As the harness tightens itself around her, she takes a deep breath, filling her lungs. The wind from the burning camp smells of wood smoke and pine resin, enough to overwhelm the taint of blood from the killing ground.
Blessed Virgin, she prays, be my witness: this is no suicide.
This is a prayer for a miracle.
She leans forward.
She falls.
2. The Flying Archipelago
The boat-like anemopter that Valadez had sent for them had a cruising speed of just less than the speed of sound, which in this part of Sky’s atmosphere meant about nine hundred kilometers per hour. The speed, Bianca thought, might have been calculated to bring home the true size of Sky, the impossible immensity of it. It had taken the better part of their first day’s travel for the anemopter’s point of departure, the ten-kilometer, billion-ton vacuum balloon Transient Meridian, to drop from sight—the dwindling golden droplet disappearing, not over the horizon, but into the haze. From that Bianca estimated that the bowl of clouds visible through the subtle blurring of the anemopter’s static fields covered an area about the size of North America.
She heard a plastic clattering on the deck behind her, and turned to see one of the anemopter’s crew, a globular, brown-furred alien with a collection of arms like furry snakes, each arm tipped with a mouth or a round and curious eye. The firija were low-gravity creatures; the ones Bianca had seen on her passage from Earth had tumbled joyously through the Caliph of Baghdad’s inner ring spaces like so many radially symmetrical monkeys. The three aboard the anemopter, in Sky’s heavier gravity, had to make do with spindly-legged walking machines, and there was a droop in their arms that was both comical and melancholy.
“Come forward,” this one told Bianca in fractured Arabic, its voice like a Peruvian pipe ensemble. She thought it was the one that called itself Ismaíl. “Make see archipelago.”
She followed it forward to the anemopter’s rounded prow. The naturalist, Erasmus Fry, was already there, resting his elbows on the rail, looking down.
“Pictures don’t do them justice, do they?” he said.
Bianca went to the rail and follows the naturalist’s gaze. She did her best to maintain a certain stiff formality around Fry; from their first meeting aboard Transient Meridian she’d had the idea that it might not be good to let him get too familiar. But when she saw what Fry was looking at, the mask slipped for a moment, and she couldn’t help a sharp, quick intake of breath.
Fry chuckled. “To stand on the back of one,” he said, “to stand in a valley and look up at the hills and know that the ground under your feet is supported by the bones of a living creature—there’s nothing else like it.” He shook his head.
At this altitude they were above all but the highest-flying of the thousands of beasts that made up Septentrionalis Archipelago. Bianca’s eyes tried to make the herd (or flock, or school) of zaratanes into other things: a chain of islands, yes, if she concentrated on the colors, the greens and browns of forests and plains, the grays and whites of the snowy highlands; a fleet of ships, perhaps, if she instead focused on the individual shapes, the keel ridges, the long, translucent fins, ribbed like Chinese sails.
The zaratanes of the archipelago were more different from one another than the members of a flock of birds or a pod of whales, but still there was a symmetry, a regularity of form, the basic anatomical plan— equal parts fish and mountain—repeated throughout, in fractal detail from the great old shape of Zaratán Finisterra, a hundred kilometers along the dorsal ridge, down to the merely hill-sized bodies of the nameless younger beasts. When she took in the archipelago as a whole, it was impossible for Bianca not to see the zaratanes as living things.
“Nothing else like it,” Fry repeated.
Bianca turned reluctantly from the view, and looked at Fry. The naturalist spoke Spanish with a flawless Miami accent, courtesy, he’d said, of a Consilium language module. Bianca was finding it hard to judge the ages of extrañados, particularly the men, but in Fry’s case she thought he might be ten years older than Bianca’s own forty, and unwilling to admit it—or ten years younger, and in the habit of treating himself very badly. On her journey here she’d met cyborgs and foreigners and artificial intelligences and several sorts of alien—some familiar, at least from media coverage of the hajj, and some strange—but it was the extrañados that bothered her the most. It was hard to come to terms with the idea of humans born off Earth, humans who had never been to Earth or even seen it; humans who, many of them, had no interest in it.
“Why did you leave here, Mr. Fry?” she asked.
Fry laughed. “Because I didn’t want to spend the rest of my life out here.” With a hand, he swept the horizon. “Stuck on some Godforsaken floating island for years on end, with no one but researchers and feral refugees to talk to, nowhere to go for fun but some slum of a balloon station, nothing but a thousand kilometers of air between you and Hell?” He laughed again. “You’d leave, too, Nazario, believe me.”
“Maybe I would,” Bianca said. “But you’re back.”
“I’m here for the money,” Fry said. “Just like you.”
Bianca smiled, and said nothing.
“You know,” Fry said after a little while, “they have to kill the zaratanes to take them out of here.” He looked at Bianca and smiled, in a way that was probably meant to be ghoulish. “There’s no atmosphere ship big enough to lift a zaratán in one piece—even a small one. The poachers deflate them—gut them— flatten them out and roll them up. And even then, they throw out almost everything but the skin and bones.”
“Strange,” Bianca mused. Her mask was back in place. “There was a packet of material on the zaratanes with my contract; I watched most of it on the voyage. According to the packet, the Consilium considers the zaratanes a protected species.”
Fry looked uneasy, and now it was Bianca’s turn to chuckle.
“Don’t worry, Mr. Fry,” she said. “I may not know exactly what it is Mr. Valadez is paying me to do, but I’ve never had any illusion that it was legal.”
Behind her, the firija made a fluting noise that might have been laughter.
3. The Steel Bird
When Bianca was a girl, the mosque of Punta Aguila was the most prominent feature in the view from her fourth-floor window, a sixteenth-century structure of tensegrity cables and soaring catenary curves, its spreading white wings vaguely—but only vaguely—recalling the bird that gave the city its name. The automation that controlled the tension of the cables and adjusted the mosque’s wings to match the shifting winds was hidden within the cables themselves, and was very old. Once, after the hurricane in the time of Bianca’s grandfather, it had needed adjusting, and the old men of the ayuntamiento had been forced to send for extrañado technicians, at an expense so great that the jizyah of Bianca’s time was still paying for it.
But Bianca rarely thought of that. Instead she would spend long hours surreptitiously sketching those white wings, calculating the weight of the structure and t
he tension of the cables, wondering what it would take to make the steel bird fly.
Bianca’s father could probably have told her, but she never dared to ask. Raúl Nazario de Arenas was an aeronautical engineer, like the seven generations before him, and flight was the Nazarios’ fortune; fully a third of the aircraft that plied the skies over the Rio Pícaro were types designed by Raúl or his father or his wife’s father, on contract to the great moro trading and manufacturing families that were Punta Aguila’s truly wealthy.
Because he worked for other men, and because he was a Christian, Raúl Nazario would never be as wealthy as the men who employed him, but his profession was an ancient and honorable one, providing his family with a more than comfortable living. If Raúl Nazario de Arenas thought of the mosque at all, it was only to mutter about the jizyah from time to time—but never loudly, because the Nazarios, like the other Christians of Punta Aguila, however valued, however ancient their roots, knew that they lived there only on sufferance.
But Bianca would sketch the aircraft, too, the swift gliders and lumbering flying boats and stately dirigibles, and these drawings she did not have to hide; in fact for many years her father would encourage her, explaining this and that aspect of their construction, gently correcting errors of proportion and balance in Bianca’s drawings; would let her listen in while he taught the family profession to her brothers, Jesús the older, Pablo the younger.
This lasted until shortly before Bianca’s quinceañera, when Jesús changed his name to Walíd and married a moro’s daughter, and Bianca’s mother delivered a lecture concerning the difference between what was proper for a child and what was proper for a young Christian woman with hopes of one day making a good marriage.
It was only a handful of years later that Bianca’s father died, leaving a teenaged Pablo at the helm of his engineering business; and only Bianca’s invisible assistance and the pity of a few old clients had kept contracts and money coming into the Nazario household.
Clarkesworld Magazine Issue 79 Page 9
