The Geneva Deception
James Twining
Mafia, a secret society and the world's greatest treasures all converge in James Twining's all new jaw-dropping thriller featuring reformed art thief Tom Kirk. It begins with a young man hanging from the Ponte Sant' Angelo Rome, his pockets weighed down with lead whilst the current of the river below slowly tightens the noose around his neck. Meanwhile, in Las Vegas, retired art thief Tom Kirk is asked by an old friend to investigate a case involving the theft of a long lost Caravaggio painting. When tragedy strikes Tom is left holding a blood-soaked body. Back in Rome police Lieutenant Allegra Damico has been called to the Parthenon where a second body has been found, but this time the body is surrounded by mannequins. When a third body is found crucified upside down in the middle of the ancient forum Allegra realises there is a sinister link between the murders. Someone is staging famous Caravaggio paintings. Suspecting the detective leading the case is corrupt Allegra begins her own investigation. Spurred on by grief and the desire to avenge the murder of his friend, Tom follows a trail to Rome where he finds Allegra piecing together a similar mystery. Before long they both find themselves submerged in a vast criminal conspiracy involving the police, politicians, the church and a secret society born of a pact between two Mafia families decades before.
James Twining
The Geneva Deception
The fourth book in the Tom Kirk series, 2009
To Jack, Jill and Herbie. Vegas, baby.
‘There is a house in New Orleans They call the Rising Sun It’s been the ruin of many a poor boy And me, Oh Lord! was one’
Traditional American folk song
Historical background
This story was inspired by a Carabinieri raid on a warehouse in the Geneva Freeport in 1995 and their discovery within it of over ten thousand illegally excavated antiquities worth over $35 million. The resulting investigation implicated the mafia and raised questions over the role of some of the world’s largest museums, collectors and auction houses in the multi-million-dollar international trade in illicit cultural artefacts.
All descriptions and background information provided on works of art, artists, thefts, antiquities smuggling, ‘orphans’, illegal excavation practices, and architecture are accurate, apart from the Desposito Eroli in Rome, which I have altered to suit my purpose.
For more information on the author and on the fascinating history, people, places, art and artefacts that feature in The Geneva Deception and the other Tom Kirk novels, please visit www.jamestwining.com
Excerpt
Extract from the Amherst Papyrus, original court records from the reign of Ramses IX (-1110 BC); translated by J. H. Breasted, Ancient Records of Egypt , Book IV (1904)
We opened their coffins and their coverings in which they were. We found this august mummy of this king…Its coverings were wrought with gold and silver, within and without; inlaid with every splendid costly stone.
We stripped off the gold, which we found on the august mummy of this god, and its amulets and ornaments which were at its throat, and the coverings wherein it rested. [We] found the King’s wife likewise; we stripped off all that we found on her likewise. We set fire to their coverings. We stole their furniture, which we found with them, being vases of gold, silver, and bronze.
We divided, and made the gold which we found on these two gods, on their mummies, and the amulets, ornaments and coverings, into eight parts.
Extract from letter written by Thomas Bruce, the seventh Earl of Elgin, to Giovanni Lusieri, 1801
I should wish to have, of the Acropolis, examples in the actual object of each thing, and architectural ornament – of each cornice, each frieze, each capital of the decorated ceilings, of the fluted columns – specimens of the different architectural orders and of the variant forms of the orders – of metopes and the like, as much as possible. Finally everything in the way of sculpture, medals and curious marbles that can be discovered by means of assiduous and indefatigable excavation.
PROLOGUE
‘I see wars, terrible wars, and the Tiber foaming with blood’
Virgil, The Aeneid, Book VI, 86
ONE
Ponte Duca d’Aosta, Rome 15th March – 2.37 a.m.
The cold kiss roused him.
A teasing, tentative embrace, it nibbled playfully at his ear and then, growing in confidence, slipped down to nuzzle against his naked throat.
Eyes screwed shut, cheek pressed against the wooden decking, Luca Cavalli knew that he should enjoy this moment while it lasted. So he lay there, cradled by the darkness, the gentle swell of the river rocking him softly, concentrating on keeping the steady cadence of his breathing constant. So they wouldn’t notice he was awake.
Ahead of him, near the bow, a small pool of rainwater had gathered. He could hear it sloshing from side to side under the duckboards as the boat swayed, smell the rainbow shimmer of engine oil dancing across its surface, the heady scent catching in the back of his throat like an exotic perfume. He had a strange, uncontrollable urge to swallow, to taste the raw truth of this moment while he still could.
The momentary stutter in his breathing’s rhythmic beat was all it took. Immediately, the thin lips resting against his skin parted with a snarl, and the sharp teeth of the knife’s serrated edge bit into him savagely. He was hauled upright, eyes blinking, shoulders burning where his wrists had been zip-locked behind his back.
There were three of them in all. One at the helm, his slab hands gripping the wheel. One perched on the bench opposite, a gun wedged into the waistband of his jeans and a cigarette balancing on his lip. One hugging him close, the knife he had caressed his cheek with only a few moments before now pressed hard against his belly.
They were silent, although there was something noisily boastful about their lack of disguise, as if they wanted him to know that they would never be caught, never allow themselves to be picked out from some Questura line-up. Perhaps because of this, the longer he gazed at them, the more featureless they appeared to become, their cruel faces melting into black shadows that he imagined travelled on the wind and lived in dark places where the light feared to go.
Instead, he was struck by their almost monastic serenity. Mute, their eyes fixed resolutely on the horizon, it was as if they had been chosen to complete some divinely ordained quest. Part of him envied their solemn determination, their absolute certainty in their purpose, however base. These were not people whose loyalty could be bought or trust swayed. They were true believers. Perhaps if he’d shared their unswerving faith, he might have avoided his present damnation.
Cavalli gave a resigned shrug and glanced over the side. The river was engorged and running fast, the sharp ripples on the water’s ebony surface betraying the occasional patches of shallower ground where the current tripped and dragged against the muddy bed. Above them the streetlights glowed through the trees that lined the embankments on both sides, casting their skeletal shadows down on to the water. The roads appeared quiet, the occasional yellow wash of a car’s headlights sweeping through the gloom overhead as it turned, like a distant lighthouse urging him to safety.
Cavalli realised then that the engine wasn’t running, and that this whole time they had been carried forward noiselessly on the river’s powerful muscle as it flexed its way through the city. Peering behind them, he could see that because of this, and like some infernal, enchanted craft, they had left no wake behind them, apart from a momentary fold in the river’s dark velvet that was just as soon ironed flat again.
The gallows creak of the trees as they passed under the Ponte Cavour interrupted his thoughts. He glanced up fearfully and caught sight of the cylindrical mass of the Castel Sant’Angelo up ahead, the blemishes in its anci
ent walls concealed by the sodium glare of the lighting that encircled it. To its rear, he knew, was the Passetto, the corridor that had for centuries served as a secret escape route from the Vatican to the castle’s fortified sanctuary. For a moment, he allowed himself to imagine that he too might yet have some way out, some hidden passage to safety. If only he could find it.
Still the current carried them forward, steering them towards the Ponte Sant’ Angelo and the carved angels lining its balustrades, as if gathered to hear his final confession. It was a strangely comforting thought, although as they drew closer, he realised that even this harmless conceit was to be denied him. The pale figures all had their backs to the river. They didn’t even know he was there.
Abruptly, the helmsman whistled, violating the code of silence that had been so religiously observed until now. Up ahead a light flashed twice from the bridge. Someone was expecting them.
Immediately the engine kicked into life as the helmsman wrestled control from the current and steered them towards the left-hand arch. The two other men jumped up, suddenly animated, one of them readying himself with a rope, the other tipping the fenders into place along the port gunwales. As they passed under the arch, the helmsman jammed the throttle into reverse and expertly edged the boat against the massive stone pier, the fenders squealing in protest, the rattle of the exhaust echoing noisily off the vaulted roof. He nodded at the others and they leapt forward to secure the boat to the rusting iron rings embedded in the wall, leaving just enough play for the craft to ride the river’s swell. Then he switched the engine off.
Instantly, a bright orange rope came hissing out of the darkness, the excess coiling in the prow. The helmsman stepped forward and tugged on it to check it was secure, then found the end and held it up. It had already been tied into a noose.
Now, as he understood that there was to be no last-minute reprieve, that this was how it was really going to end, Cavalli felt afraid. Desperate words began to form in his mouth, screams rose from his stomach. But no sound came out, as if he had somehow been bound into the same demonic vow of silence that his captors seemed to have taken.
Hauling him out of his seat, the two other men dragged him over to where the helmsman was looping the surplus rope around his arm, and forced him on to his knees. Cavalli gave him a pleading look, gripped by some basic and irrational need to hear his voice, as if this final and most basic act of human communion might somehow help soften the ordeal’s cold, mechanised efficiency. But instead, the noose was simply snapped over his head and then jerked tight, the knot biting into the nape of his neck. Then he was silently lifted to the side and carefully lowered into the freezing water.
He gasped, the change in temperature winding him. Treading water, he looked up at the boat, not understanding why they had tied the rope so long, its loose coils snaking through the water around him. The three men, however, hadn’t moved from the side rail, an expectant look on their faces as if they were waiting for something to happen. Waiting, he realised as he drifted a few feet further away from the boat, for the current to take him.
Without warning, the river grabbed on to him, nudging him along slowly at first and then, as he emerged out from under the bridge, tugging at his ankles with increasing insistence. He drew further away, the rope gently uncoiling in the water, the steep angle of the cord where it ran down from the bridge’s dark parapet getting closer and closer to him as the remaining slack paid out.
It snapped tight. Choking, his body swung round until he was half in and half out of the water, the current hauling at his hips and legs, the rope lifting his head and upper body out of the river, the tension wringing the water from the fibres.
He kicked out frantically, his ears flooding with an inhuman gurgling noise that he only vaguely recognised as his own voice. But rather than free himself, all he managed to do was flip himself on to his front so that he was face down over the water.
Slowly, and with his reflection staring remorselessly back up at him from the river’s dark mirror, Cavalli watched himself hang.
PART ONE
‘The die has been cast’
Julius Caesar
(according to Suetonius, Divus Julius, paragraph 33)
TWO
Arlington National Cemetery, Washington DC 17th March – 10.58 a.m.
One by one, the limousines and town cars drew up, disgorged their occupants on to the sodden grass, and then pulled away to a respectful distance. Parked end-to-end along the verge, they formed an inviolable black line that followed the curve of the road and then stretched down the hill and out of sight, their exhaust fumes pinned to the road by the rain as they waited.
A handful of secret service agents were patrolling the space between the burial site and the road. Inexplicably, a few of them were wearing sunglasses despite the black clouds that had sailed up the Potomac a few days ago and anchored themselves over the city. Their unsmiling presence made Tom Kirk feel uncomfortable, even though he knew it shouldn’t. After all, it had been nearly two years now. Two years since he’d crossed over to the other side of the law. Two years since he’d teamed up with Archie Connolly, his former fence, to help recover art rather than steal it. Clearly it was going to take much longer than that to shake off instincts acquired in a lifetime on the run.
There were three rows of seats arranged in a horseshoe around the flag-draped coffin, and five further rows of people standing behind these. A pretty good turnout, considering the weather. Tom and Archie had stayed back, sheltering under the generous spread of a blossoming tree halfway up the slope that climbed gently to the left of the grave.
As they watched, ceremony’s carefully choreographed martial beauty unfolded beneath them. The horse-drawn caisson slowly winding its way up the hill, followed by a single riderless horse, its flanks steaming, boots reversed in the stirrups to symbolise a fallen leader. The immaculate presenting of arms by the military escort, water dripping from their polished visors. The careful securing and transport of the coffin to the grave by a casket party made up of eight members of the 101st Airborne, Tom’s grandfather’s old unit. The final adjustments to the flag to ensure that it was stretched out and centred, the reds, blues and whites fighting to be seen through the tenebrous darkness.
From his vantage point, Tom recognised a few of the faces sheltering under the thicket of black umbrellas, although most were strangers to him and, he suspected, would have been to his grandfather too. That figured. Funerals were a vital networking event for the DC top brass – a chance to talk to the people you normally couldn’t be seen with; a chance to be seen with the people who normally wouldn’t talk to you. Deals were done, handshakes given, assurances provided. In this city, death was known to have breathed life into many a stuttering career or stalled bill.
There was perhaps, Tom suspected, another, more personal reason for their presence too. After all, like them, Trent Clayton Jackson Duval III had been an important man – a senator, no less. And as such it was in their shared interest to ensure that he got a proper send off. Not because they cared about him particularly, although as a war hero, ‘Trigger’ Duval commanded more respect than most. Rather because they knew, as if they were all party to some secret, unspoken pact, that it was only by reinforcing these sorts of traditions that they could safeguard their prerogative to a similarly grand send off when their own time came.
‘Who’s the bird?’ Archie sniffed. In his midforties, about five foot ten and unshaven with close cropped blond hair, Archie had the squareshouldered, rough confidence of someone who didn’t mind using their fists to start or settle an argument. This was at odds with the patrician elegance of his clothes, however; a three-buttoned, ten-ounce, dark grey Anderson & Sheppard suit, crisp white Turnbull and Asser shirt, and woven black silk Lewin’s tie hinting at a rather more considered and refined temperament. Tom knew that many struggled to reconcile this apparent incongruity, although the truth was that both were valid. It was only a short distance from the rain-lashed trestle t
ables of Bermondsey Market to Mayfair’s panelled auction rooms, but for Archie it had been a long and difficult journey that had required this expensive camouflage to travel undetected. Tom rather suspected that he now deliberately played off the contradiction, preferring to keep people guessing which world he was from rather than pin him down to one or the other.
‘Miss Texas,’ Tom answered, knowing instinctively that his eye would have been drawn to the platinum blonde in the front row. ‘Or she was a few years ago. The senator upgraded after meeting her on the campaign trail. He left her everything.’
‘I’ll bet he did, the dirty old bastard.’ Archie grinned. ‘Look at the size of those puppies! She’d keel over in a strong wind.’
The corners of Tom’s mouth twitched but he said nothing, finding himself wondering if her dark Jackie O glasses were to hide her tears or to mask the fact that she had none. The chaplain started the service.
‘You sure you don’t want to head down?’ Archie was holding up a Malacca-handled Brigg umbrella. A gold identity bracelet glinted on his wrist where his sleeve had slipped back.
‘This is close enough.’
‘Bloody long way to come if all we’re going to do is stand up here getting pissed on,’ Archie sniffed, peering out disconsolately at the leaden skies. ‘They invited you, didn’t they?’
‘They were being polite. They never thought I’d actually show. I’m not welcome here. Not really.’
The empty caisson pulled away, the horses’ hooves clattering noisily on the blacktop, reins jangling.
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