Robert Browning - Delphi Poets Series

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Robert Browning - Delphi Poets Series Page 125

by Robert Browning


  No gripe in the act, let fall no money-piece.

  Hence a plan for so plaguing, body and soul,

  His wife, so putting, day by day and hour by hour,

  The untried torture to the untouched place,

  As must precipitate an end foreseen,

  Goad her into some plain revolt, most like

  Plunge upon patent suicidal shame,

  Death to herself, damnation by rebound

  To those whose hearts he, holding hers, holds still:

  Such a plan as, in its completeness, shall

  Ruin the three together and alike,

  Yet leave himself in luck and liberty,

  No claim renounced, no right a forfeiture,

  His person unendangered, his good fame

  Without a flaw, his pristine worth intact, —

  While they, with all their claims and rights that cling,

  Shall forthwith crumble off him every side,

  Scorched into dust, a plaything for the winds.

  As when, in our Campagna, there is fired

  The nest-like work that lets a peasant house;

  And, as the thatch burns here, there, everywhere,

  Even to the ivy and wild vine, that bound

  And blessed the hut where men were happy once,

  There rises gradual, black amid the blaze,

  Some grim and unscathed nucleus of the nest, —

  Some old malicious tower, some obscene tomb

  They thought a temple in their ignorance,

  And clung about and thought to lean upon —

  There laughs it o’er their ravage, — where are they?

  So did his cruelty burn life about,

  And lay the ruin bare in dreadfulness,

  Try the persistency of torment so

  O’ the wife, that, at some fierce extremity,

  Some crisis brought about by fire and flame,

  The patient stung to frenzy should break loose,

  Fly anyhow, find refuge anywhere,

  Even in the arms of who might front her first,

  No monster but a man — while nature shrieked

  “Or thus escape, or die!” The spasm arrived,

  Not the escape by way of sin, — O God,

  Who shall pluck sheep Thou holdest, from Thy hand?

  Therefore she lay resigned to die, — so far

  The simple cruelty was foiled. Why then,

  Craft to the rescue, craft should supplement

  Cruelty and show hell a masterpiece!

  Hence this consummate lie, this love-intrigue,

  Unmanly simulation of a sin,

  With place and time and circumstance to suit —

  These letters false beyond all forgery —

  Not just handwriting and mere authorship,

  But false to body and soul they figure forth —

  As though the man had cut out shape and shape

  From fancies of that other Aretine,

  To paste below — incorporate the filth

  With cherub faces on a missal-page!

  Whereby the man so far attains his end

  That strange temptation is permitted, — see!

  Pompilia, wife, and Caponsacchi, priest,

  Are brought together as nor priest nor wife

  Should stand, and there is passion in the place,

  Power in the air for evil as for good,

  Promptings from heaven and hell, as if the stars

  Fought in their courses for a fate to be.

  Thus stand the wife and priest, a spectacle,

  I doubt not, to unseen assemblage there.

  No lamp will mark that window for a shrine,

  No tablet signalise the terrace, teach

  New generations which succeed the old,

  The pavement of the street is holy ground;

  No bard describe in verse how Christ prevailed

  And Satan fell like lightning! Why repine?

  What does the world, told truth, but lie the more?

  A second time the plot is foiled; nor, now,

  By corresponding sin for countercheck,

  No wile and trick to baffle trick and wile, —

  The play of the parents! Here the blot is blanched

  By God’s gift of a purity of soul

  That will not take pollution, ermine-like

  Armed from dishonour by its own soft snow.

  Such was this gift of God who showed for once

  How He would have the world go white: it seems

  As a new attribute were born of each

  Champion of truth, the priest and wife I praise, —

  As a new safeguard sprang up in defence

  Of their new noble nature: so a thorn

  Comes to the aid of and completes the rose —

  Courage to-wit, no woman’s gift nor priest’s,

  I’ the crisis; might leaps vindicating right.

  See how the strong aggressor, bad and bold,

  With every vantage, preconcerts surprise,

  Flies of a sudden at his victim’s throat

  In a byeway, — how fares he when face to face

  With Caponsacchi? Who fights, who fears now?

  There quails Count Guido, armed to the chattering teeth,

  Cowers at the steadfast eye and quiet word

  O’ the Canon at the Pieve! There skulks crime

  Behind law called in to back cowardice!

  While out of the poor trampled worm the wife,

  Springs up a serpent!

  But anon of these!

  Him I judge now, — of him proceed to note,

  Failing the first, a second chance befriends

  Guido, gives pause ere punishment arrive.

  The law he called, comes, hears, adjudicates,

  Nor does amiss i’ the main, — secludes the wife

  From the husband, respites the oppressed one, grants

  Probation to the oppressor, could he know

  The mercy of a minute’s fiery purge!

  The furnace-coals alike of public scorn,

  Private remorse, heaped glowing on his head,

  What if, — the force and guile, the ore’s alloy,

  Eliminate, his baser soul refined —

  The lost be saved even yet, so as by fire?

  Let him, rebuked, go softly all his days

  And, when no graver musings claim their due,

  Meditate on a man’s immense mistake

  Who, fashioned to use feet and walk, deigns crawl —

  Takes the unmanly means — ay, though to end

  Man scarce should make for, would but reach thro’ wrong, —

  May sin, but must not needs shame manhood so:

  Since fowlers hawk, shoot, nay and snare the game,

  And yet eschew vile practice, nor find sport

  In torch-light treachery or the luring owl.

  But how hunts Guido? Why, the fraudful trap —

  Late spurned to ruin by the indignant feet

  Of fellows in the chase who loved fair play —

  Here he picks up the fragments to the least,

  Lades him and hies to the old lurking-place

  Where haply he may patch again, refit

  The mischief, file its blunted teeth anew,

  Make sure, next time, a snap shall break the bone.

  Craft, greed and violence complot revenge:

  Craft, for its quota, schemes to bring about

  And seize occasion and be safe withal:

  Greed craves its act may work both far and near,

  Crush the tree, branch and trunk and root beside,

  Whichever twig or leaf arrests a streak

  Of possible sunshine else would coin itself,

  And drop down one more gold piece in the path.

  Violence stipulates “Advantage proved,

  “And safety sure, be pain the overplus!

  “Murder with jagged knife! Cut but tear too!

  “Foiled oft, starved long, gl
ut malice for amends!”

  And, last, craft schemes, — scheme sorrowful and strange

  As though the elements, whom mercy checked,

  Had mustered hate for one eruption more,

  One final deluge to surprise the Ark

  Cradled and sleeping on its mountain-top:

  The outbreak-signal — what but the dove’s coos

  Back with the olive in her bill for news

  Sorrow was over? ‘Tis an infant’s birth,

  Guido’s first born, his son and heir, that gives

  The occasion: other men cut free their souls

  From care in such a case, fly up in thanks

  To God, reach, recognise His love for once:

  Guido cries “Soul, at last the mire is thine!

  “Lie there in likeness of a money-bag,

  “This babe’s birth so pins down past moving now,

  “That I dare cut adrift the lives I late

  “Scrupled to touch lest thou escape with them!

  “These parents and their child my wife, — touch one

  “Lose all! Their rights determined on a head

  “I could but hate, not harm, since from each hair

  “Dangled a hope for me: now — chance and change!

  “No right was in their child but passes now

  “To that child’s child and through such child to me.

  “I am the father now, — come what, come will,

  “I represent my child; he comes between —

  “Cuts sudden off the sunshine of this life

  “From those three: why, the gold is in his curls!

  “Not with old Pietro’s, Violante’s head,

  “Not his grey horror, her more hideous black —

  “Go these, devoted to the knife!”

  ’Tis done:

  Wherefore should mind misgive, heart hesitate?

  He calls to counsel, fashions certain four

  Colourless natures counted clean till now,

  — Rustic simplicity, uncorrupted youth,

  Ignorant virtue! Here’s the gold o’ the prime

  When Saturn ruled, shall shock our leaden day —

  The clown abash the courtier! Mark it, bards!

  The courtier tries his hand on clownship here,

  Speaks a word, names a crime, appoints a price, —

  Just breathes on what, suffused with all himself,

  Is red-hot henceforth past distinction now

  I’ the common glow of hell. And thus they break

  And blaze on us at Rome, Christ’s Birthnight-eve!

  Oh angels that sang erst “On the earth, peace!

  “To man, good will!” — such peace finds earth to-day!

  After the seventeen hundred years, so man

  Wills good to man, so Guido makes complete

  His murder! what is it I said? — cuts loose

  Three lives that hitherto he suffered cling,

  Simply because each served to nail secure,

  By a corner of the money-bag, his soul, —

  Therefore, lives sacred till the babe’s first breath

  O’erweights them in the balance, — off they fly!

  So is the murder managed, sin conceived

  To the full: and why not crowned with triumph too?

  Why must the sin, conceived thus, bring forth death?

  I note how, within hair’s-breadth of escape,

  Impunity and the thing supposed success,

  Guido is found when the check comes, the change,

  The monitory touch o’ the tether — felt

  By few, not marked by many, named by none

  At the moment, only recognised aright

  I’ the fulness of the days, for God’s, lest sin

  Exceed the service, leap the line: such check —

  A secret which this life finds hard to keep,

  And, often guessed, is never quite revealed.

  Guido must needs trip on a stumbling-block

  Too vulgar, too absurdly plain i’ the path!

  Study this single oversight of care,

  This hebetude that mars sagacity,

  Forgetfulness of what the man best knew!

  Here is a stranger who, with need to fly,

  Needs but to ask and have the means of flight.

  Why, the first urchin tells you, to leave Rome,

  Get horses, you must show the warrant, just

  The banal scrap, clerk’s scribble, a fair word buys,

  Or foul one, if a ducat sweeten word, —

  And straight authority will back demand,

  Give you the pick o’ the post-house! — in such wise,

  The resident at Rome for thirty years,

  Guido, instructs a stranger! And himself

  Forgets just this poor paper scrap, wherewith

  Armed, every door he knocks at opens wide

  To save him: horsed and manned, with such advance

  O’ the hunt behind, why ‘twere the easy task

  Of hours told on the fingers of one hand,

  To reach the Tuscan Frontier, laugh at home,

  Light-hearted with his fellows of the place, —

  Prepared by that strange shameful judgment, that

  Satire upon a sentence just pronounced

  By the Rota and confirmed by the Granduke, —

  Ready in a circle to receive their peer,

  Appreciate his good story how, when Rome,

  The Pope-King and the populace of priests

  Made common cause with their confederate

  The other priestling who seduced his wife,

  He, all unaided, wiped out the affront

  With decent bloodshed and could face his friends,

  Frolic it in the world’s eye. Ay, such tale

  Missed such applause, all by such oversight!

  So, tired and footsore, those blood-flustered five

  Went reeling on the road through dark and cold,

  The few permissible miles, to sink at length,

  Wallow and sleep in the first wayside straw,

  As the other herd quenched, i’ the wash o’ the wave,

  — Each swine, the devil inside him: so slept they,

  And so were caught and caged — all through one trip,

  Touch of the fool in Guido the astute!

  He curses the omission, I surmise,

  More than the murder. Why, thou fool and blind,

  It is the mercy-stroke that stops thy fate,

  Hamstrings and holds thee to thy hurt, — but how?

  On the edge o’ the precipice! One minute more,

  Thou hadst gone farther and fared worse, my son,

  Fathoms down on the flint and fire beneath!

  Thy comrades each and all were of one mind

  Straightway, thy murder done, to murder thee

  In turn, because of promised pay withheld.

  So, to the last, greed found itself at odds

  With craft in thee, and, proving conqueror,

  Had sent thee, the same night that crowned thy hope,

  Thither where, this same day, I see thee not,

  Nor, through God’s mercy, need, to-morrow, see.

  Such I find Guido, midmost blotch of black

  Discernible in this group of clustered crimes

  Huddling together in the cave they call

  Their palace, outraged day thus penetrates.

  Around him ranged, now close and now remote,

  Prominent or obscure to meet the needs

  O’ the mage and master, I detect each shape

  Subsidiary i’ the scene nor loathed the less,

  All alike coloured, all descried akin

  By one and the same pitchy furnace stirred

  At the centre: see, they lick the master’s hand, —

  This fox-faced horrible priest, this brother-brute

  The Abate, — why, mere wolfishness looks well,

  Guido stands honest in the red o’ the flame,

>   Beside this yellow that would pass for white,

  This Guido, all craft but no violence,

  This copier of the mien and gait and garb

  Of Peter and Paul, that he may go disguised,

  Rob halt and lame, sick folk i’ the temple-porch!

  Armed with religion, fortified by law,

  A man of peace, who trims the midnight lamp

  And turns the classic page — and all for craft,

  All to work harm with, yet incur no scratch!

  While Guido brings the struggle to a close,

  Paul steps back the due distance, clear o’ the trap

  He builds and baits. Guido I catch and judge;

  Paul is past reach in this world and my time:

  That is a case reserved. Pass to the next,

  The boy of the brood, the young Girolamo

  Priest, Canon, and what more? nor wolf nor fox,

  But hybrid, neither craft nor violence

  Wholly, part violence part craft: such cross

  Tempts speculation — will both blend one day,

  And prove hell’s better product? Or subside

  And let the simple quality emerge,

  Go on with Satan’s service the old way?

  Meanwhile, what promise, — what performance too!

  For there’s a new distinctive touch, I see,

  Lust — lacking in the two — hell’s own blue tint

  That gives a character and marks the man

  More than a match for yellow and red. Once more,

  A case reserved: should I doubt? Then comes

  The gaunt grey nightmare in the furthest smoke,

  The hag that gave these three abortions birth,

  Unmotherly mother and unwomanly

  Woman, that near turns motherhood to shame,

  Womanliness to loathing: no one word,

  No gesture to curb cruelty a whit

  More than the she-pard thwarts her playsome whelps

  Trying their milk-teeth on the soft o’ the throat

  O’ the first fawn, flung, with those beseeching eyes,

  Flat in the covert! How should she but couch,

  Lick the dry lips, unsheathe the blunted claw,

  Catch ‘twixt her placid eyewinks at what chance

  Old bloody half-forgotten dream may flit,

  Born when herself was novice to the taste,

  The while she lets youth take its pleasure. Last,

  These God-abandoned wretched lumps of life,

  These four companions, — country-folk this time,

  Not tainted by the unwholesome civic breath,

  Much less the curse o’ the court! Mere striplings too,

  Fit to do human nature justice still!

  Surely when impudence in Guido’s shape

  Shall propose crime and proffer money’s-worth

  To these stout tall bright-eyed and black-haired boys,

  The blood shall bound in answer to each cheek

 

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