'He is handsome, I suppose,' she said dismissively. 'But actors are such girls about their looks. I can't take a man seriously who worries about eye-drops and mascara.'
I turned to her. 'Who's asking you to take him seriously?' I said.
Edith returned to her plate.
ELEVEN
The Countess Broughton lay brooding in her bath, occasionally wriggling her body to disperse the hot water trickling from the tap that she operated expertly with her toes. Soon Mary would be bringing up her breakfast and would be surprised to find her in the bathroom. She was breaking the routine that had already somehow contrived to become established in her cabined life. Even Charles had looked startled when she had rolled out of bed and started to run the water. 'Are you having your bath, now?' he said, watching her like a puzzled puppy. Hardly daring to question her actions, and yet, as ever, fearful of change.
'Yes. Why shouldn't I?'
'No reason. No reason.' Charles was not a fighter. 'You normally have it after your breakfast, that's all.'
'I know. And this morning I'm having it before my breakfast. All right?'
'Yes. Yes. Of course.' He raised his voice, as she moved into the bathroom and started to clean her teeth. 'I'm going up to Brook Farm with Roberts. Do you want to come?'
'Not really.'
'We can look over what has to be done. I don't think much, if they only want it for a few weeks. It seems an odd idea to me. Wouldn't they be better off in a hotel?'
'Well, obviously they don't think so.'
'No. No, I suppose they don't. Well then. Did you like the other two?'
'I hardly spoke to them. Your parents didn't give me much of a look in.'
Charles laughed. 'I must say that Bella gave the Guv'nor a pretty good evening. I can see him wandering up to Brook Farm to see if she wants a cup of sugar. Russell looks a bit of a smoothy to me.'
'Googie seemed very taken with him.'
But Charles had said all he wanted to say. Leaving his wife to her novel arrangements, he pushed off into his dressing room.
Whatever he may have sounded like, he didn't object in the least to letting the farmhouse. Far from it. It gave him an excuse to gee up its completion and now that Edith had gone off the idea of living there he was anxious to hurry up and get the place rented and dealt with. Its empty, pretty rooms, which they had discussed together in such detail just after their marriage, were a reproach to him, a bewildering reminder of his failure to —what? To understand? But what was it he was supposed to be understanding? One minute, they seemed to be having such fun 'setting up home'. He would puzzle obediently over little squares of wallpaper and swatches of fabric (although he couldn't have cared less which she chose) and they would refer coyly to one of the bedrooms possibly being 'useful' later on, as they planned a better bathroom for it than the room might reasonably have expected. Then the next moment it all seemed somehow… Charles was aware of his wife's dissatisfaction. He was sufficiently anxious as to her well-being not to wish to ignore any signs of her unhappiness but he couldn't see where it had come from. What had changed? Certainly, he was completely stumped when it came to progressing the situation. He offered to spend more time in London but, no, that was not the answer. He invited her to take more of a role in running the house shop and the visitors' centre but, no, she thought she'd be treading on his mother's toes. In the end, he had hoped that doing up Brook Farm and perhaps generating a social life down in Sussex that was separate from his parents'
might do the trick but one day Edith had suddenly decided that she didn't want to leave the main house after all and then he had really come to a full stop. 'I just can't quite see us sitting there staring at each other, can you?' she said lightly. These words struck a low and sombre note in Charles's heart because of course this was exactly what he had envisaged. The two of them, possibly eating at the kitchen table or with trays on their laps in the little library, watching television, chatting over the day's dramas…
Charles's real difficulty, as he would freely admit (to himself, at least) was that he just couldn't see what was wrong with their life. He couldn't grasp what was wrong with seeing the same people and having the same conversations and doing the same things month after month, year after year. His annual round had always been circumscribed by the usual demands: shooting until the end of January, hunting on until March, a bit of time in London, then perhaps a trip away, fishing somewhere and up to Scotland for some stalking. What could be the matter with that? Well, obviously something was the matter with it, but he couldn't see it. And quite what he was supposed to do next to please this wife whom he loved but who bit his head off at the slightest provocation was a serious conundrum to him. A conundrum he was unlikely to solve that morning, he thought, as he put on his tweed jacket and started downstairs for breakfast with his father in the dining room.
Meanwhile, Edith lay back silently in the warm water, listening to his footsteps clattering on the polished wood of the great staircase. She knew she was a worry to Charles, but in some odd and undefined way, she thought he deserved a bit of worry.
And this morning, more than usual, she was disturbed and yet she hardly knew why. It was as if some kind of creeping rot had infiltrated itself behind the grand structure of her life and could only be detected by the faintest, acrid smell in the most sensitive of nostrils. There was a knock at the bedroom door and Mary came in with the tray. 'Milady?'
'I'm in here, Mary. Just leave it.'
'Are you all right, Milady?' Mary's voice, hovering discreetly near the open bathroom door, was tinged with worry occasioned, presumably, by this fractional alteration of routine.
'I'm fine, Mary. Thank you. Just leave the tray. I'll be straight out.'
'Very good, Milady.'
Edith listened to the maid bustling about in the bedroom until the door closed and she heard the footsteps retreating along the corridor.
How ordinary her life seemed to her. Today it seemed to be drenched in a kind of grey ordinariness that suffused the atmosphere of these stuffy, chintz-filled rooms and hovered like a mist above the waters of the bath. And yet, how recently these details — these Miladys, these echoing footsteps on polished floors, these male breakfasts far below, sparkling with silver dishes, these lace-covered trays glistening with exquisite china — how sweet to the senses these touches had been. In those early days at Broughton how much pleasure had she derived simply from the monograms on her linen, from the damask-covered bergères in her room, from the Derby figures on her desk, from the telephone with its buttons for 'stables'
and 'kitchen', from the footman, Robert, blushing with nervousness when he came to collect her emptied luggage, from the swans on the lake, from the very trees in the park.
She was a princess in fairyland. And how quickly she had learned the tricks of graciousness, of being showily unaware of her setting, of making people ill at ease with her studied relaxation. She delighted in the Eastons' discomfort in their triumph, as they found themselves at the Broughton table (at last!) surrounded by people all of whom knew each other and none of whom knew them. She had quite consciously imitated some of the tricks of the late Princess of Wales in the way she perfected her warm and delightful manner for the village, that combination of undisappointing celebrity and studied informality that was guaranteed to win all hearts. She would glow and gush as she was escorted round the new playgroup facilities or as she gave away prizes at the flower show, winning new friends, disarming old critics. What fun it was to catch the children shyly glancing at her and to disarm them with a sudden, winning smile and then to follow it up with a sunbeam directed at the mothers. But then again it was so easy…
With a low groan, she pulled herself out of the water, shut off the tap, pulled out the plug and sloped through into her bedroom to pick at her breakfast. Mary had tidied her bed and lit the fire — the dernier cri of luxury, particularly in September — and her tray, as pretty as ever, had been left on the table in the middle of the room. Nest
ling among the charming flowered china were her letters, appeals, thank-yous, invitations to boring parties in the country, which they would be going to, and amusing parties in London, which they would not. She flicked through them idly as she bit into a piece of toast, mid-brown with its crusts carefully removed. Mary had tidied her clothes, a tweed skirt, a cotton shirt, a jersey with a rabbit motif. She would wear these things, with some pearls and some not very sensible shoes, as a costume for the endless part that she found herself playing. She thought of her day: some errands, the librarian, Mr Cook, to luncheon ('luncheon' —
she even thought in the language of her role), a committee meeting in the village to discuss the summer show, a cousin of Googie's for tea. It was a dreary prospect.
But although she had already decided that resuming a London life would not be sensible for her, Edith had not at this point fully articulated her objections to it. She would murmur that it was a 'bad idea' without specifics. She explained these feelings to herself with observations on how 'left out' Charles would feel with her friends. After all, his London acquaintance was tremendously similar to the people they spent their time with in Sussex. And anyway it was true, or sort of true, when she told people how much he hated London and that (at this stage at least) she too had 'come to the end of it'. Still, she was aware that she was talking about being in London with Charles. There was already a potentially fatal sense that it might be more amusing, and therefore more dangerous, to be in the capital on her own. Even so, it was only occasionally, and then in a very faint voice, that she actually admitted to herself she was ready to take a lover.
Edith prided herself on having become, more or less instantly, a Great Lady, on obeying all the rules of her new life as one born to it. Of course, by this time, she had pretty well lost touch with the fact that she was not born to it. She had succumbed to her mother's self-image, and now imagined, in some mysterious way, that she had grown up in the Gentry and simply married into the Nobility. This was completely untrue but as an argument it had the supreme merit of allowing her to feel less grateful to Charles than she had formerly felt obliged.
Inevitably, part of her newly acquired rank was the morality it brought with it. She had proudly discarded the last traces of middle-class fastidiousness and assumed, without a struggle, the cold, hard-headed values that were the other facet of the Great World whose cause she had espoused. She had rapidly become one of those flawlessly-dressed women who lunch together and say things like: 'Why did he make such a fuss? The two boys were definitely his', or 'Stupid woman, it would have blown over in a year or two', or 'Oh, she doesn't mind a bit. Her lover's just moved here from Paris', and they lower their voices conspiratorially, half hoping to be overheard, as they bite into a leaf of radicchio. She had acquired the pretended horror of publicity and the genuine horror of scandal that are the hallmarks of Charles's class. And yet there was something truly felt even in these stock attitudes. Edith did not admire scandal. Above all, she did not admire people who had 'brought it off, and then 'made a mess of it'. She had brought it off and she had every intention of dying in the saddle.
And yet… and yet… with all these thoughts floating through her brain, she took another bite of toast and decided that perhaps she would, after all, go down with Charles to see Brook Farm.
===OO=OOO=OO===
She did not need to tell me later that she had gone on the tour of inspection, as I was watching from one of the windows on the Garden Front when they set off. It was our second day in the house and we were having one of those bitty, unsatisfactory mornings of being filmed coming out of doors and walking up and down corridors. All very useful to get the feel of a costume, of course, or to make friends with the cameraman, but not exactly demanding. Bella was sitting next to me on the window seat, laced into a brown travelling outfit this time, busily engaged in rolling a rather meagre cigarette, this habit being the last obvious trace of her earlier, sixties bohemianism. Simon was with us but not in costume as he was not called that day.
He was simply one of those actors who cannot stay away from the set, who would rather be called for a one-minute pick-up shot and spend the day waiting in makeup, than actually take some time off.
'Where are they going?' said Bella, as we watched the pair of them strike off across the park.
'Charles said he'd look over the farmhouse for us, and see if anything needed doing.'
'How long before we can move in, do you think?'
I shrugged. 'Straight away, I gather. If we don't mind roughing it a bit.'
'God knows I'd sleep on a mountain side rather than spend another night in that hotel,' said Bella with a wry laugh as she held a flame to her apparently non-flammable, little smoke.
Simon took another look at the departing figures below. 'I think I might go up there with them. I can tell him if he's fussing unnecessarily. After all, we want to get in tonight if we can.' He nodded and walked off down the corridor. Bella and I watched him go in silence. She spoke first.
'Off he goes. To break more hearts.'
'Don't you like him?'
She bent down to concentrate harder on her dingy little fag. 'What's not to like? I just get a bit worn out with all that charm.'
'I shouldn't think Charles would notice it,' I said.
'Maybe not. But she will. And judging by last night I'm not sure she'll like it much. I hope he doesn't bugger things up before we've even moved in.'
He didn't. Or not enough to prevent us taking up residence that night. We had broken for lunch and were sitting at a rickety caterers' table on the gravel in front of the house, making the best of our cardboard lunch, when Simon returned in triumph, dancing and punching the air as he spoke. 'We're in!'
'When?'
'Today.'
'What about the hotel?'
'All done. I've given them notice for the three of us and told them we'll be back to pack and pay as quickly as we can.
They're making so much money out of the film they didn't complain too much.' He beamed. 'Edith and Charles have asked us back for supper tonight so we don't have to worry about any shopping.'
'But how very generous of Edith and Charles.' Bella let the unaccustomed names linger on her tongue with a conspiratorial half-smile at me. I could see that Simon was destined to give her a great deal of amusement.
It was of course rather a bore to have to return to Broughton for the second evening running and make more polite conversation with 'Tigger' and 'Googie'. Bella and I confessed later that we had each privately thought of chucking. I would imagine that Simon had no such scruples. But in the event we came independently to the conclusion that it would have been a churlish return for what was both a favour and a dramatic improvement in our lot, so once again, shortly after eight o'clock, we crunched our car to a halt and made for the front door.
Simon was a changed man. The night before, his general braggadocio (unbeknownst to him, of course) had betrayed his social unease even to the unobservant. He had dropped names that had no kudos and spoken of social events that had either no currency value or with which he was clearly completely unfamiliar. In the end it was hard to resist a twinge of sympathy for his gaucheness despite the success he was having with his hostess. Like many actors, or civilians for that matter, he had been caught out by the need to demonstrate his right to belong in a world that he had long claimed as his own but seldom, if ever, penetrated. Tonight, however, he was free. He had that glow that distinguishes the insecure egomaniac when they find that their doubts were ill-founded and that they are liked. It was hard to avoid catching Bella's smiling eye as we made our way up to the family drawing room, with Simon trailing his hand along the gleaming banister and chattering amiabilities to the butler all the way, very much the Friend of the Family. Once there, we witnessed him greeting both Lord and, particularly, Lady Uckfield as Old Pals.
Of course, one of the basic truths of life is that, as a general rule, the world takes you at your own estimation. Just as the inexperienced hoste
ss will tremble over her guest list, pondering endlessly whether or not she dare invite some grandee or media personality she hardly knows, only to discover in later years that nobody usually questions anyone's 'right' to send them Edith. The others started to snicker, as the blonde on the stage frisked and shouted her silly lyrics about striking it lucky.
Charles was silent. The performer beckoned him up onto the stage and clearly this was part of what had been pre-arranged but he shook his head and kept his seat, with no change in his expression. The boy/girl looked, puzzled, over to where Peter was sitting with a laughing Eric and a couple of the others. The act was grinding to a halt. In another moment, Peter jumped up onto the stage as her partner and the dance went on. Towards the end, Peter was given a cardboard jewel-box to present to her, which he did, going down on one knee. 'Edith' opened it and started to deck herself out in the glittering gewgaws within. I was reminded of Gillray's cartoon attacks on the actress, Elizabeth Farren, who succeeded in marrying the Earl of Derby in the 1790s. At the bottom of the box was a little coronet, a pantomime walk-down affair, bright with coloured glass. At the last note of the song 'Edith' took it up and planted it on her head.
In fairness to Peter Broughton I'm sure he hadn't quite hoisted in how fantastically offensive the cumulative effect of all this would be to Charles. Certainly the last thing he wanted was for the evening to end as it did. Peter was not one of the cleverest, poor soul, and I remember I thought then that Chase or one of the others must have embellished his original idea of simply having someone impersonate Edith, which, in itself, if 'she' had just sung a love song, could have been quite amusing. As it was, and without I think Peter's really knowing, she was lampooned as a greedy, social-climbing adventuress in front of her bridegroom. Chase and some of the others were applauding loudly. They were sitting behind Charles and so could not see the expression on his face, though for the life of me I can't imagine how they thought he was going to find it funny. But Chase was one of those who insults you and then says, 'Can't you take a joke?' and I suppose he had done this so often he had begun to think these insults really were jokes and that Charles, or anyone who couldn't take them, was simply being dull.
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