===OO=OOO=OO===
Simon made a show of fuss in getting out his car keys so that the other Broughton cars had all pulled away as he started the motor. He turned to look at Edith. She hugged her coat around her and leaned back against the window. They were two games players, with equal hands, and now at last they were alone with intent. 'With intent' because something in the nature of Edith's rudeness to Charles, something in the brashness of Simon's offer of a lift, had signalled to both of them that the fun was about to begin. Looking at Simon's roguish smile, the slightly crooked crease by the side of his mouth where his beard was beginning to push through, Edith felt a tremor of sexual excitement shiver through her body. She was startled by the immediacy of her own lust. She had been with men who had attracted her, she remembered enjoying making love with George and there had been a time, admittedly mostly before her marriage, when she had relished the thought of being alone with Charles, but she was sharply aware that this was something rather different. Looking into Simon's dark blue eyes, she realised she simply and absolutely wanted to be naked with him. She wanted to feel his hard, nude body against and inside hers. She felt hot and faintly uncomfortable. The terrifying, exhilarating thrill of her principles deserting her rippled through her stomach.
'Hadn't we better get going?' she said.
Simon was watching her carefully. Her blonde hair fell over her grey-blue eyes and she pushed it out of the way with a slightly petulant gesture. Her lips had not shut again after she spoke but stayed moist and parted with her white teeth just visible in the darkness. He too was excited but not in quite the same way as she. He had made love to a good many pretty women in his time and it was not the thought of the sexual delights to come that aroused him. It was the certain and confirmed knowledge of her attraction to him.
He was intensely aware of his own beauty. What is more he respected and enjoyed it as he sensed, quite rightly, that it was the core of his power. It was this simple truth that was at the epicentre of his flirtatious charm. From everyone, friend or foe, man or woman, he needed to eke out some response to his own physical desirability. Only then, in the warm glow of these aliens' admiration could he relax and be happy. The more threatening the situation, the more necessary it became to be wanted and wanted physically. He spent his life throwing out smouldering looks, laughing mysteriously, winking and twinkling at strangers solely in order to reassure himself that he was in control. Needless to say, he left behind a bewildered trail of wounded, who had responded for weeks or even months to clear signs of sexual and romantic interest only to find, once they were captive, that he had no more need of their love than if they had been trees in the field.
He did not trouble himself much over his search for constant reassurance. He simply expected his looks to break down all barriers, even if he did glimpse dimly that this is not the behaviour of a securely-based personality. In a way, this lack of faith in his other qualities meant that his vanity was closely entwined with a kind of modesty. He had no real respect for his own intellect, and socially, for all his bravado, he knew he could be clumsily inept. Given these reasons, it was probably inevitable that his bourgeois yearnings coupled to his compulsion to inflame desire should have led him to Edith. The irony being that she saw in him some kind of escape from the Broughton life, while he, conversely, saw her as the entree to it. At this stage of the proceedings however these truths were concealed from them both. They were, in short, enraptured with each other.
Lust, that state commonly known as 'being in love', is a kind of madness. It is a distortion of reality so remarkable that it should, by rights, enable most of us to understand the other forms of lunacy with the sympathy of fellow-sufferers. And yet as we all know, it is a madness that, however ferocious, seldom, if ever, lasts. Nor, contrary to the popular teaching on the subject, does lust usually give way to a 'deeper and more meaningful love'. There are exceptions of course. Some spouses
'love' forever. But, as a rule, if the couple is truly well matched, it gives way to a warm and interdependent friendship enriched with physical attraction. Should they be ill-assorted it simply fades into boredom or, if they have the misfortune to be married in the interim, dull hatred. But, paradoxically, mad and suffering as one is in the heat of the flame, few of us are glad as we feel passion slip away. How many of us, re-meeting objects of desire who once burned a scar through seasons and even years, whose voices on the telephone could start up flights of butterflies, whose slightest expression could set off a peal of tremulous sexual bells in our vitals, search our inner selves in vain for the least attraction to the face before us? How many of us, having cried bitter, rancid tears over a failed love, are actually disappointed when we discover, seeing the adored one again, that all trace of their power over us is gone? How often one has resisted the freedom-giving knowledge that they have actually begun to irritate us as that seems like the worst kind of disloyalty to our own dreams. No, while most people have been at their unhappiest when in love, it is nevertheless the state the human being yearns for above all. It was not that Edith really saw Simon as any solid part of her future life, entranced as she was. But she had long forgotten her early irritation with his flirtatious verbosity and now she loved to listen to his trials, to his hopes, to his dreams — as much as anything because she loved watching the way his mouth moved — and then, wonderful looking as he was, he made her feel so warm and so wanted. She liked physically to be near him, to let his arm brush her sleeve, his hand graze hers, but she thought no further than that. Or had not up to this moment. Unfortunately for her, he had come into her life at a time of wretched ennui. Before her marriage, yawning over her estate agent's telephone, she had dreamed of all the variety that her new life would bring her but she had not allowed for the fact that within months that new life would have acquired a sameness all its own. And so she was bored and, having expected nothing but excitement in the fulfilment of her social pretensions, she thought boredom more terrible than it is.
Slowly but inexorably she had allowed her residual affection for Charles to be driven out by his inability to interest her.
Although, somewhere in her brain, Edith was aware that she need not have. If, like her mother-in-law before her, she had early on faced and dealt with the limitations of her husband then there could have been fondness between them. If she had ceased to look to him for her amusement, then she might have relied on him only for those things he could have given her: loyalty, security, even love in his unimaginative way. But, just as she had never really faced within herself that she had deliberately married a man she did not love for his position, so she could not now accept the responsibility for the fact that she was living with a man who was duller and stupider than she. It seemed to Edith to be Charles's fault that her life was so dreary, it was Charles's fault that they did not have a vivid round in London, it was Charles's fault that she dreaded their times together more than the hours she spent alone. Added to which she had already slid into that dangerous option, open only to those with high-profile, 'public' lives, of playing the part of the happy and gracious wife to an adoring crowd, which must always serve to throw the frigid inertia of her life at home into sharp relief. As popular as she was with the villagers, with her charities, with the estate workers, she had even begun to think that this happy and elegant woman she saw reflected in their eyes (and in the local press) was some kind of real truth and that it must be Charles's fault that he did not respond to her as her adoring, provincial fans did.
Not that she had any substantial taste for danger. She had accepted Simon's offer of a ride home as much to irritate her mother-in-law as anything else. She was, in fact, surprised if anything at the strength of her physical attraction to him when they found themselves, as they now did for the first time, alone and in the dark. But what took her even more unawares was an aerated sense of the raising of her spirits and with it that heady flavour of unexplored potential. This, she suddenly knew in a blinding flash of revelation, was the very thing she ha
d most missed since her marriage. For months now there had seemed to be no open-endedness about her existence. All the decisions had been taken and must now be lived with. And yet here she was, looking at the corduroy of Simon's trousers stretched over the muscles of his thigh, and sensing a delicious awareness that there were still unplanned-for possibilities between her and death.
===OO=OOO=OO===
The Uckfields asked us in for a drink when we arrived at Broughton. I think they might have preferred us just to head for home but we accepted, partly out of politeness but also from that ghoulish sense that we all feel when we suspect an evening is not yet quite over. We were (or rather I was) still curious as to whether Charles really had gone to bed, how long it would take Simon and Edith to get home, how Lady Uckfield would behave — any number, in fact, of the different aspects of the case still to be revealed.
Charles was in the drawing room. He had hardly touched the whisky on the table beside his chair and was, I suspect, staring into mid-air until he heard our step. At any rate he seemed to be very puzzled by the women's magazine he had snatched up as we came in. He fetched Scotches for his father and me and some water for Adela (her customary, somewhat lacklustre late-night refreshment) and we all sat down. We had not been there long before the unmistakable sounds of Eric on the staircase told us that the Range Rover at least was back. The four of them came into the room.
'Where's Edith?' said Eric brightly, happy of course to see that she was not back and that therefore he might score some points off her.
'I hope they haven't broken down,' said Adela firmly.
'Oh dear. Might they have?' said Lady Uckfield.
Under silent instruction from Adela, I nodded. 'Simon's car is the most frightful wreck. I do hope not.'
Lady Uckfield recognised instantly that this was a life raft that she could rope to her decks in case of future need. She was not exactly grateful. For her to register gratitude she would have had first to admit to herself that there was anything wrong.
But she was noticeably warm as she joined Adela on the sofa and started to question her about her aunt.
Eric had another try. 'They took forever before they even started the car,' he said. 'We were loaded up and out of the gates before I heard the engine.' But the initiative had slipped from him. The later the errant couple were, the more the family could hide behind fear of a break-down or an accident. All other possible reasons for lateness had by this means been painlessly obviated.
As the conversation became more general and people flopped down into the various chairs and sofas around the room, Charles came up and asked me if I would join him in his office. I forget his excuse, some book or picture he had been meaning to show me, the usual sort of thing, but we both knew that he simply wanted to talk to me alone. I nodded and followed him out, uncomfortably aware of Chase's slightly quizzical smile, and we started down a corridor to the left. I wasn't looking forward to the interview as I had begun to feel responsible for the mayhem that even then I was only just starting to admit might be looming. I had after all been the one to introduce Simon to them. Had I not been in the film I am quite sure he would never have penetrated the charmed circle of the family.
Charles's office, its door sporting one of those 'private' notices that give one such pleasure to set aside, was a smallish corner room some distance away from the drawing and dining rooms used by the family. It was an extension of the main library, still on the principal floor, and so had handsome cornices and door cases and, by day, a fine view across the park from both of its tall windows. A pair of double doors would have connected it to the larger room if they were opened, which, as the library was one of the rooms on the public tour, they seldom if ever were. The fireplace was a delicate one of some kind of pinkish marble and the walls themselves had been covered with crimson damask that stretched from dado to ceiling.
Against it stood high, glazed bookcases that looked as if they had been made for the room. A portrait of some female forebear, painted in a costume for a fancy-dress ball, hung over the chimneypiece, the gilded frame and the marble shelf below stuffed with a mass of invitations, snapshots, notes, postcards — the usual paper chaos with which the upper classes demonstrate their ease with their elegant surroundings.
'This is very nice,' I said. 'Where's Edith's sitting room? Is it next door?'
Charles shook his head. 'Upstairs,' he muttered. 'Quite near our bedroom.'
He stared at me mutely and rather than return his anguished glance, I started to peer at the spines of the books in the cases round the room. Can You Forgive Her? by Trollope caught my eye and gave me a disloyal inner smile. He Knew He Was Right by the same author sobered me up. I don't know that I had then any real understanding of Charles's capacity for jealousy, since I had no true knowledge of his capacity for emotion. The fact that someone is not particularly intelligent is no guide in these things. People may be stupid and extremely complicated just as they can be clever and incapable of deep feeling.
'What do you think?' I heard him say and for a moment I wondered if I was being asked my opinion of some unusual book but catching sight of Charles's face, I thought this was probably not the case. Just to be safe I answered with a question:
'What do you mean?'
'What are they up to?'
He was gruff and tweedy in his manner and I realised that we were embarking on what is called a 'man-to-man' talk. I shuddered at the prospect. Apart from anything else I am a firm believer in the 'least said soonest mended' school of marital harmony — a belief incidentally quite unshaken by marriage itself.
'Oh, Charles, come on,' I said warmly, implying that they couldn't possibly be 'up to' anything. I am not sure whether I was being dishonest in taking this tack. I rather think not. It seems naive but although, looking back, it is clear that Edith and Simon were drawn to each other from the second day, I don't know that their mutual attraction had really impinged itself on me much before that evening.
'You come on,' said Charles, more sharply than usual.
'Look,' I was very conciliatory, 'if you're asking me if I know anything, I don't. If you're asking if I think anything, I don't either. Much. I think they like each other, that's all. Is that so terrible? Haven't you ever wanted to flirt with anyone since you were married?'
'No,' said Charles, slumping into a Chippendale chair, and resting his elbows on a charming and untidy partner's desk. He let his head fall forward into his hands as he spoke and started to push his fingers through his hair. He was posing for a statue of misery. I felt wrong-footed in that I had judged badly to think that warm reassurance would do the trick and yet I didn't want to lead the way into a different level of intimacy, which Charles, whom after all I did not even then know well, might regard as an impertinence. I felt sorry for the fellow and wished to find a way to lighten rather than increase his load. My detached ruminations were interrupted by a sigh from the desk.
'She doesn't love me, you see.' He spoke to a pile of papers beneath his face but since the remark was presumably addressed to me, I tried to assess the correct level of response.
Of course, what made this doubly hard was that Charles's statement, bald as it was, was essentially true. There was no question in my mind but that Edith did not then love him. She did not desire him (which of course I only surmised at that time), she did not enjoy his company, she did not share his interests, she did not like most of his friends. I do not think, then or later, that she ever actually disliked him but I could hardly say that in answer to Charles's cry of pain. I was silent, which I suppose was in itself a tacit agreement, and Charles looked up. I cannot say how moved I was by the terrible suffering in his simple, county face. His narrow eyes were reddening with tears, which had already begun to run down his large and bony nose. His hair, normally as sleek as a 1930s advertisement for unguent, was ruffled and untidy and sticking up in awkward little spikes. Great grief can be worn charmingly by a beauty and I have seen a lot of gracious dignity at funerals in my time b
ut it is my experience that when grief is becoming it is also suspect. Real unhappiness is ugly and wounding and scarring to the soul.
I blush to recall that I was surprised that Charles — nice, bluff Charles with his shooting and his hedgerows and his dogs —
had a heart that could be broken. But he had and I was there to witness its breaking.
Before I could say anything there was a sound from the corridor outside. 'Charles?' It was Lady Uckfield. Rather than commit, even in a moment of emotional tension such as this, the social solecism of knocking at a sitting-room door (an action that, with white-gloved butlers, always plays so prominent a part in inaccurate television period drama) she contrived to wrestle with the door knob as if it would have been easier to get into the Ark of the Covenant. At any rate, having given us both enough time to dress had we so needed let alone dry our tears, she opened the door and came into the room. 'Ah, Charles,' she smiled easily into her son's face, ignoring the Fall of Rome that was written there, 'Edith's back. They got stuck getting out of the town. Too boring.' She nodded towards me. 'Your friend's gone straight on up to the farm.' Charles nodded his thanks in a kind of daze and started back towards the drawing room. I would have followed but Lady Uckfield, with an almost imperceptible pressure on my arm, held me back.
'We'd better be off, too.' I said. 'Where's Bob? I must thank him for dinner.'
'He's gone to bed,' she replied. 'Your nice Adela said thank you.' We were silent. She stood by the fireplace, idly fingering the pasteboard squares that summoned her child to various festivities. There was only one light on in the farthest corner of the room, a glass and ormolu desk lamp, which threw longish shadows about her and in the half-light grooved her face cruelly.
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