'This is very nice,' I said. 'Where's Edith's sitting room? Is it next door?'
Charles shook his head. 'Upstairs,' he muttered. 'Quite near our bedroom.'
He stared at me mutely and rather than return his anguished glance, I started to peer at the spines of the books in the cases round the room. Can You Forgive Her? by Trollope caught my eye and gave me a disloyal inner smile. He Knew He Was Right by the same author sobered me up. I don't know that I had then any real understanding of Charles's capacity for jealousy, since I had no true knowledge of his capacity for emotion. The fact that someone is not particularly intelligent is no guide in these things. People may be stupid and extremely complicated just as they can be clever and incapable of deep feeling.
'What do you think?' I heard him say and for a moment I wondered if I was being asked my opinion of some unusual book but catching sight of Charles's face, I thought this was probably not the case. Just to be safe I answered with a question:
'What do you mean?'
'What are they up to?'
He was gruff and tweedy in his manner and I realised that we were embarking on what is called a 'man-to-man' talk. I shuddered at the prospect. Apart from anything else I am a firm believer in the 'least said soonest mended' school of marital harmony — a belief incidentally quite unshaken by marriage itself.
'Oh, Charles, come on,' I said warmly, implying that they couldn't possibly be 'up to' anything. I am not sure whether I was being dishonest in taking this tack. I rather think not. It seems naive but although, looking back, it is clear that Edith and Simon were drawn to each other from the second day, I don't know that their mutual attraction had really impinged itself on me much before that evening.
'You come on,' said Charles, more sharply than usual.
'Look,' I was very conciliatory, 'if you're asking me if I know anything, I don't. If you're asking if I think anything, I don't either. Much. I think they like each other, that's all. Is that so terrible? Haven't you ever wanted to flirt with anyone since you were married?'
'No,' said Charles, slumping into a Chippendale chair, and resting his elbows on a charming and untidy partner's desk. He let his head fall forward into his hands as he spoke and started to push his fingers through his hair. He was posing for a statue of misery. I felt wrong-footed in that I had judged badly to think that warm reassurance would do the trick and yet I didn't want to lead the way into a different level of intimacy, which Charles, whom after all I did not even then know well, might regard as an impertinence. I felt sorry for the fellow and wished to find a way to lighten rather than increase his load. My detached ruminations were interrupted by a sigh from the desk.
'She doesn't love me, you see.' He spoke to a pile of papers beneath his face but since the remark was presumably addressed to me, I tried to assess the correct level of response.
Of course, what made this doubly hard was that Charles's statement, bald as it was, was essentially true. There was no question in my mind but that Edith did not then love him. She did not desire him (which of course I only surmised at that time), she did not enjoy his company, she did not share his interests, she did not like most of his friends. I do not think, then or later, that she ever actually disliked him but I could hardly say that in answer to Charles's cry of pain. I was silent, which I suppose was in itself a tacit agreement, and Charles looked up. I cannot say how moved I was by the terrible suffering in his simple, county face. His narrow eyes were reddening with tears, which had already begun to run down his large and bony nose. His hair, normally as sleek as a 1930s advertisement for unguent, was ruffled and untidy and sticking up in awkward little spikes. Great grief can be worn charmingly by a beauty and I have seen a lot of gracious dignity at funerals in my time but it is my experience that when grief is becoming it is also suspect. Real unhappiness is ugly and wounding and scarring to the soul.
I blush to recall that I was surprised that Charles — nice, bluff Charles with his shooting and his hedgerows and his dogs —
had a heart that could be broken. But he had and I was there to witness its breaking.
Before I could say anything there was a sound from the corridor outside. 'Charles?' It was Lady Uckfield. Rather than commit, even in a moment of emotional tension such as this, the social solecism of knocking at a sitting-room door (an action that, with white-gloved butlers, always plays so prominent a part in inaccurate television period drama) she contrived to wrestle with the door knob as if it would have been easier to get into the Ark of the Covenant. At any rate, having given us both enough time to dress had we so needed let alone dry our tears, she opened the door and came into the room. 'Ah, Charles,' she smiled easily into her son's face, ignoring the Fall of Rome that was written there, 'Edith's back. They got stuck getting out of the town. Too boring.' She nodded towards me. 'Your friend's gone straight on up to the farm.' Charles nodded his thanks in a kind of daze and started back towards the drawing room. I would have followed but Lady Uckfield, with an almost imperceptible pressure on my arm, held me back.
'We'd better be off, too.' I said. 'Where's Bob? I must thank him for dinner.'
'He's gone to bed,' she replied. 'Your nice Adela said thank you.' We were silent. She stood by the fireplace, idly fingering the pasteboard squares that summoned her child to various festivities. There was only one light on in the farthest corner of the room, a glass and ormolu desk lamp, which threw longish shadows about her and in the half-light grooved her face cruelly.
For once she looked her years. The glamorous veil of her manner was momentarily lifted and a tired, worried woman in late middle-age was revealed to the naked eye.
'Well, this is a pretty kettle of fish,' she said, not looking up from the invitation to a wedding on which I could see a tick and 'Acc' in Edith's loose scrawl.
'Oh, I don't know,' I replied. My position was an awkward one for, after all, I was in that house as a friend of Edith. It behoved me to be loyal to her and yet I did think she had behaved foolishly. I was not, if you like, 'on her side' while finding it unsuitable that I should be on anyone else's.
'Well, I do.' She paused while I looked up in answer to her acid tone. 'It's worse than you think. Eric was by his car when they arrived. He saw them kissing.'
I was for a moment what a cockney friend of mine would call gobsmacked. I had thought we had been fringing around slight improprieties brought on by Edith's tedium. I had expected a little chat about Edith 'bucking up'. Of course, I suspected at once that Eric was not 'by his car' when they drove up but was quite consciously concealed somewhere near the entrance that he might not miss this Heaven-sent chance to nail Edith, whom, by this stage, he absolutely detested. Much more than I had realised. At any rate, whatever the truth of his motive, he had not lied about what he had seen. For old times' sake I tried to dig Edith out of the hole she had buried herself in. 'Oh, surely, she was just kissing him goodnight.'
'She was kissing him passionately. His hand was inside her shirt and hers was out of sight beneath the dashboard.' Lady Uckfield spoke with the dead-pan delivery of a policeman giving evidence in the County Court. I stared at her in silence. My first instinct was to apologise for being there at all and run for it. Certainly I could think of nothing more to say. Lady Uckfield continued. 'It is the greatest pity that it should have been Eric who saw them. He is quite incapable of keeping anything to himself and anyway I have a suspicion he is not overly fond of Edith. He has already told Caroline who told me. She will try to keep him quiet but I imagine she will fail.' What interested me most about all this was Lady Uckfield's manner. I had grown used to her passionate, half-whispered intimacy when she shared with you the day's headlines or your place at dinner. Now she really did have a secret to impart and all her girlish urgency was gone. She might have been an officer in the WVS
addressing a group of recruits. 'I suppose we may hope that things have not progressed any further but I'm not sure what difference that makes anyway.'
'Will you tell Charles?'
> She looked up startled. 'Of course not. Do you think I'm mad?' She relaxed again. Her shock at being thought unworldly was past. She dropped the card and strolled over to the window. 'He'll find out, though.'
'How?' I asked, meaning to imply that I too would be silent.
She smiled sadly. 'Probably because Edith will tell him. At any rate, someone will.' There was nothing I could profitably add to this since she was unquestionably right. Edith in her boredom was just ripe for succumbing to that fatal desire to 'bring things to a head' that so many married couples these days seem to indulge in. In sharp contrast to their great-grandparents who expended all their energy in trying to stop things coming to a head at any cost. My silence felt clumsy but I didn't in truth know exactly why Lady Uckfield was telling me any of this. For all her pseudo-intimacy she never usually imparted anything even faintly private, let alone potentially scandalous. She must have caught this question from my manner for she answered it without being asked: 'I want you to do something for me.'
'Of course.'
'I want you to tell the boy Simon to leave her alone.'
'Well…' Woe betide the man who accepts this kind of commission readily. Whatever opinion I might have of Simon's character or morals, I was hardly in a position to act the wise uncle with him.
Lady Uckfield drove full tilt at my hesitation. Her voice resumed more of its normal glib, light tone as the words gushed forth. 'She's bored. That's all there is to it. She's bored and she ought to get up to London more. She ought to see more of her friends. Or have a baby. Or get a job. That's what she needs. As for this boy…' She shrugged. 'He's handsome, he's charming and, above all, he's here. One does these things when one is settling into a new life. They mean nothing. The nuisance is that Eric saw her. He will almost certainly tell and it's our job to make sure no one can corroborate his story.'
I began to see things by her light. Of course, it was all a silly nonsense that was only horrid because it could hurt Charles if he found out. Yes, it was a pity that Eric had seen them. That was the pity. Her charming, even voice beat back the threat of anarchy and storm that had seemed to envelop us for a moment and returned us to the shore. 'I'll do my best,' I said.
'Of course you will, and the film's nearly over anyway. Too sad to be losing you,' she added hastily, remembering herself,
'but all the same…'
I nodded and she started towards the door. Her work was done. She had acted to contain the damage and that had necessitated taking me into her confidence. But I was already her ally. Things might have been worse.
'Lady Uckfield,' I said. She stopped and turned, her hand still resting on the gleaming door knob. 'Don't be too hard on Edith.'
'Of course not,' she laughed. 'You may not believe it but I was young once too, you know.' Then she was gone and I knew beyond a shadow of a doubt that she hated her daughter-in-law as fiercely as she would have hated any woman who had made her only son cry.
FOURTEEN
'What on earth was going on?' said Adela as soon as we drove away from the front of the house.
'What do you mean?'
'Well, first of all you two slope off and everyone looks haunted. Then Eric vanishes. Brief calm and then suddenly we're into farce with people running in and out of doors with stricken faces. I, meanwhile, am sitting there throughout with Lord Uckfield who's trying to explain something about trout farming. What happened to you? I thought I was going to have to ring and ask for a bed.' I told her everything of course and we drove on in silence for a while. Adela broke it. 'What can you possibly say to Simon? Unhand this lady? Won't he hit you on the nose?'
'I shouldn't think so. He doesn't look the type.'
'Well?'
I didn't really have an answer for her as I also could not quite envisage how to play this most embarrassing of scenes. And by what right was I even to open my mouth on the subject?
Adela gave me my motive. 'I suppose you'll just have to do your best for poor old Edith. It'll be a shame if she buggers it up after all that effort. And for such a nothing.'
We arrived at the farmhouse to find Simon sitting at the kitchen table nursing a glass of wine. His mood and the mere fact that he had not gone to bed seemed to suggest the desire for an unburdening talk although he could not have guessed that I already knew what he had to unburden. This was a worrying sign. We had already discovered, Bella and I, that Simon liked to talk of his romances, despite an almost constant stream of doting references to his children and their mother languishing at home. I did not then realise that for him the fame abroad was quite as pleasurable as the deed itself and this is a most dangerous characteristic in a married lover of married women. Adela went straight up to her room and I took Simon's proffered drink with a heavy heart. We sat in silence for a moment or two. At last he could curb his impatience no longer.
'Good evening?' he said.
I nodded in a half-hearted fashion. 'Quite. I thought the dinner was pretty filthy. Poor old Bob. He blenched visibly at the bill.' There was another silence. I suppose neither of us was clear about how to get on to the subject that was uppermost in both our minds. This time I tried the opener. 'You didn't come in.'
Simon shook his head. 'There was a bit of an awkwardness with that frightful brother-in-law when we got back. I thought I'd better just hop it.'
So that was it. No wonder Simon wanted to talk about it. Eric had made his presence known. The chances of his keeping his secret were statistically reduced to zero. Eric had made a scene. This, in my experience, generally happens when people want to make a scene. 'I heard about that,' I said.
Simon looked up. 'Oh? Who from? Not from Edith?'
I shook my head. 'From Charles's mother.'
I could see that this was a bit of a facer — as well it might be — but at the same time, while the flushed embarrassment of discovery was spreading over Simon's features, it brought in its wake, in the shy smile that he threw at me, a certain ominous delight in being the central figure in what I soon perceived he saw as a romantic drama. My heart sank even further at the realisation that with his actor's perverse pleasure in crisis, Simon would soon be all set to enjoy this chance of notoriety. 'Does Charles know?'
'Not when I left. Should he? Is there anything to know?'
Simon was not to be had so easily. He laughed gently and shrugged as he helped himself to another tot. I looked as paternal as I could. 'Don't start making a mess, Simon.' But still he only smiled and winked at me with that infuriating sexual confidence of the never-refused who think moral laws are designed for lesser mortals. My only recourse seemed to be some sort of appeal to his better nature. 'Edith is an old friend of mine.'
'I know.'
'And I don't want to see her made unhappy.'
'She's unhappy now.'
There was some truth in this, though much less than either he or Edith knew. 'She's not half as unhappy as she's going to be if you start making some silly little scandal for no better reason than that she's here and you're bored.' Again he smiled and shrugged. Of course I was on a hiding to nothing as few things could have given Simon more pleasure than to be begged to avert the arc-light of his fatal charm from some tender victim. Here was I, pleading with the Great Lord to have pity on a poor damsel. He was thrilled. I tried a new and faintly dishonourable tack. 'What about your wife?'
'What about her?'
'Won't she be upset?'
This, to my delight, did at last make him slightly uncomfortable — or at least irritated. 'Who's going to tell her? You won't.'
This was obviously true as far as it went and for a moment I did wonder if I wasn't over-reacting when I heard a knock on the glass behind me. I turned and to my complete amazement I saw Edith, in an Hermes scarf loosely knotted on her chin, rapping at the window and begging, like Cathy Earnshaw, to be let in from the night. Simon, however, was no Heathcliff and it was I, not he, who jumped up to open the back door.
'What the hell are you doing here?' I said, but she pushed past m
e and sauntered over to the Aga to warm her hands.
'Don't you scold me as well. I've had enough for one night I can assure you.'
'Does Charles know?'
'Of course. Eric told him.'
'But does he know you're here? And why are you here, for God's sake? Don't make everything worse than it is.'
All this time Simon had neither moved nor spoken. Now, very deliberately he rose from his chair, put down his glass, walked over to Edith and slowly, for my benefit I assume, enfolded her in his arms and bent his head to kiss her with the slow, moist, hungry motion of a modern film star in close-up. He looked as if he were eating her tongue. For a moment I watched their two blond heads rocking against each other and behind them, like the ghosts in Richard Ill's tent, I saw Charles and his mother and the wretched Mrs Lavery whose dreams were being incinerated in a farmhouse kitchen in Sussex as I stood there.
And behind them, the more distant figures of the Cumnors, and old Lady Tenby and her daughters, and all those others who would be enthralled and secretly (or not so secretly) delighted at the ruin that was being encompassed by these two silly people.
'Well?' said Adela, whom I had promised I would report to before turning in. She rolled over in bed, blinking herself into concentration.
'Hopeless,' I said.
'Wouldn't he listen?'
'He's loving it, I'm afraid. Anyway, I didn't say that much. I was just getting started when Edith turned up. She's down there now.'
Adela was quiet for a second. 'Oh,' she said. And then: 'So it is hopeless. Poor Charles.' And she rolled back into her pillow, pulling the covers up around her face.
Some time after this I proposed and was accepted. It was rather a tense period for me, I must confess, as I was inspected by an endless series of my intended's disapproving relations, most of whom were seriously unnerved by the thought of their beloved Adela relying on a stage career in future. 'Well, all I can say is good luck with that artistic temperament,' was the advice she received from a particularly unpleasant aunt. After a couple of months of this sort of thing, I was anxious to end the waiting. We decided to be married in April and, since it is a notoriously unpredictable month, to have a London ceremony.
Snobs: A Novel Page 397
