'I used to know him a bit.'
'Really? I don't know what I thought of him.'
I smiled. 'He's a half-wit. What's she like?'
'Quite difficult, I'd say.'
Isabel nodded. 'Diana Bohun has made a hard bargain and her only compensation is the envy of strangers. I wonder how long she'll bear it. No doubt in five years we'll read that she's run off with the local doctor.'
Adela shook her head. 'No, we won't. I knew her when she came out. She'd stay with Hitler if he brought her a title and a house.'
Isabel raised her eyebrows. 'I think I'd rather have Hitler.'
I was interested in this exchange because, even as they ridiculed the pitiful hypocrisy of Diana Bohun, I was well aware that Adela and David and even Isabel, whatever they might say, fundamentally approved of her pact with the devil. Perhaps none of them would have been prepared to marry someone who actually repulsed them, but nevertheless those girls in their acquaintance who had done so (and I could name at least seven in my own address book) were not despicable figures to them unless they reneged on their bargain. To the members of this world this was Edith's real crime. Not marrying Charles without loving him, but leaving him for love of someone else. To them, her folly was in abandoning the false values she had endorsed with her marriage and in attempting to return to the timeless virtues. Her decision was unworldly, it was not mondaine.
Americans may affect to admire this in their fiction if not in their lives but their British counterparts, at least among the upper-middle and upper classes do not. In the States, the Abdication story, for example, is portrayed as The World Well Lost For Love while the English, of a certain type anyway, see it only as childish, irresponsible and absurd.
And it was by these standards that Edith had been judged and found wanting.
NINETEEN
Here was a hard task. On the one hand I had a commission from Lady Uckfield, which I had sworn to carry out, to ask Edith to allow herself to be divorced at once, on the other, I had been made fully aware during our time at Broughton that Charles was still in love with his wife.
'So what are you going to say?' said Adela on the day when I had arranged to meet Edith for lunch. Naturally I had told my wife all. I don't know that I had been sworn to secrecy but even if I had been I never feel it includes one's spouse except in the most exceptional cases. Nothing can be more irritating than attempting to live intimately with a Keeper of Secrets.
'What Lady Uckfield wants me to say, I suppose.'
'Don't tell me you're going to promote the cause of that wretched Marlowe girl?'
I shook my head. 'No, I'll keep off that. I'll tell her they want it to be over, that's all.'
Adela pondered. 'Tell her Lady Uckfield wants it to be over. That'll be nearer the mark.' Considering her prejudice, I thought this was commendably just.
I had arranged to meet Edith at the Caprice. At lunchtime particularly it seems to combine a sense of clean, business-like lines with a whiff of glamour, which I thought would be an appropriate and undepressing setting for our proposed conversation. I arrived to find that I had been allotted the table at the far end of the restaurant away from the bar. This was by chance but it could not have been more suitable. I ordered a glass of champagne to cheer myself up and waited for my guest.
Edith was glad of my choice of venue. Simon was working a lot these days and earning quite respectable sums but what with his mortgage and his wife and the general financial backlog that any actor has to pay off when things start to roll again, he was not one for much West End entertaining unless it was at someone else's expense. Edith could have managed it as she had been given no real guidelines as to how much she could spend but she was reluctant to use Charles's money for inessentials.
She had been known to interpret this term fairly widely but somehow to take Simon out for treats on her husband's money didn't seem quite cricket. And then the bore was she had no money of her own — something that had come to seem quite strange to her, so far had she travelled from the world of her girlhood. At all events she was always glad to have an excuse to dress up and go out.
We kissed and chatted and ordered, knowing as we did so that there was a conversation of some substance to come, but by mutual consent we waited until our first courses, bang bang chicken for me and some hot hors d'oeuvres for Edith, were on the table. The waiter filled our glasses and retreated and we knew that we had a little while to ourselves.
'We saw David and Isabel last weekend,' I opened. 'We stayed with them in fact.'
'How are they?'
'All right. David's quite busy though I never really know what with.' I paused. 'We all went over to Broughton for a drink.'
Edith took a bite of something in thin batter. 'David must have enjoyed that.'
'He didn't much. He was stuck with Diana Bohun. He kept trying to impress her, which I don't think was very successful.'
'I should say not. She cut me dead the other day in Peter Jones.' She continued to eat and drink with some gusto but she would not give me the slightest help with my task. With an inward sigh I soldiered on.
'Lady Uckfield was there.'
'So I imagined. How is dear old "Googie"?' She was of course being ironic although not uncomfortably bitter. The tiresome nickname had once again gone into inverted commas as it had been in the first weeks of her marriage. And there was the recognition of a barrier there, a deep divide, which now separated the existences of her former mother-in-law and herself.
'Very well. I think. Of course, she wanted to talk about you.'
'There's no "of course" about it. As a matter of fact, I'm rather surprised. Googie is not one for discussing the family troubles. You should feel very flattered.'
'I think she felt that I might be of some use.'
Edith nodded. The penny was dropping and she began to understand that this talk might be leading to deeper waters than she had come prepared for. 'Ah,' she said.
'She told me you were planning to wait the two years.' Edith looked at me in a non-committal way. 'It's not what they want.
They want Charles to divorce you now. Straight away. She needs to know what you would think about that.'
I had said it and there was some relief. The words were out. Edith stopped eating and laid her fork down gently on the plate. Very deliberately she sipped her wine as if she were savouring each separate droplet. I suppose the point was it had come. The End of Her Marriage. I am not sure to what extent she had truly accepted that this was where her romance with Simon had brought her until this moment. Though I must say her voice was quite calm when she spoke. 'You mean they want Charles to divorce me for adultery. Citing Simon.'
I nodded. 'I suppose so. I don't think it really works like that these days but I would guess that's the general idea. We didn't actually talk details. If he were to divorce you now it would have to be for a reason, or has that finished? I'm not too sure.'
'I can't say it seems very gentlemanly.'
'It wasn't very ladylike going off with a married actor.'
She nodded and resumed her eating. 'So what do you want from me? What am I to say?'
'I think they feel they have to know that if the divorce does go ahead now you won't suddenly try to fight it. It won't interest you but it won't make any difference, you know, to the money.'
She looked at me rather sadly. 'I don't want any money. Not much anyway. Less than Charles would give me tomorrow if I asked him.'
'I know,' I said. 'I told Lady Uckfield that.'
'Anyway,' she added after a pause, 'it's not a generous offer. Nowadays there isn't a "guilty party". It never does make any difference financially. Didn't you realise that?' I shook my head. 'Well, I bet "Googie" does.' We continued eating in silence for a while. The waiter returned, took away our plates and came back with salmon fishcakes and a bowl of pommes allumettes. But the subject remained there on the table like a weeping centrepiece. It was Edith who introduced the character we were both thinking of. 'What does C
harles say about all this? I assume he was there. Did you talk to him?'
'Yes, I talked to him.' While theoretically correct, my answer was a lie, for Charles had not been there when Lady Uckfield was sketching out her plans, which is what Edith had meant by her question. I very much doubted he would have allowed his mother to talk as she did had he been. I corrected myself, suddenly oppressed by my implied deception. 'Actually he wasn't there when I was talking to his mother but we went back the next day.'
'And?'
'He says he'll abide by your decision. Whatever you want to do.'
'That sounds more like him. Poor old Charles,' said Edith. 'How was he?'
I had dreaded this. If I could have said that he was looking fine and dandy I would have. I had come to feel, like Lady Uckfield, that it was time to call a halt to this unsuccessful experiment in miscegenation. The problem was he had not looked fine and dandy. 'OK,' I said. 'I don't think all of this has done him much good.'
'No.' She helped herself to some more chips. 'Was Clarissa down there?'
I nodded and Edith was silent. I was about to tell her to discount whatever she had heard, that it was a rumour inspired by Lady Uckfield's ambitions and nothing else, but I was silent. What was the point? She had to let Charles go and where was the good in slowing up her decision? For the rest of lunch we chatted about Simon and acting and Isabel and buying a flat, but as we were leaving Edith reopened the topic.
'Let me think about it.' She smiled slightly. 'Of course, we both know that I'll do what I'm asked but let me think about it.
I'll telephone you.'
===OO=OOO=OO===
Edith Broughton did not go home — or rather she did not return to Ebury Street — at once. It was a crisp, sunny, spring day, when everything seems as clear as a cut-out, cold and bright as a jewel. She was warmly dressed and so, once past the Ritz, she turned left into the Green Park. She strolled down the path, past Wimborne House, past the restored, statue decorated splendour of Spencer House, past the Italianate magnificence of Bridgewater House until she stopped and looked up at Lancaster House, the golden pile, built and occupied for many years by the mighty Dukes of Sutherland. Their duchesses had dominated London Society, one after another, summoning the great and the good of the different eras to ascend the giant, gilded staircase in the grandest of all grand London halls to pay court to each other's wealth and power.
It struck Edith then that she would have enjoyed that older, simpler world when these houses had held sway over the capital. When the Guests and the Spencers and the Egertons and the Leveson-Gowers had lived their ordained lives under these teeming roofs instead of the charitable organisations and government departments and Greek shipping magnates who occupied them now. Forgetting for the moment that she, Edith Lavery, would have had the greatest difficulty in penetrating even the outermost fringe of this golden troupe in any period but our own, she saw herself in her crinoline, never questioning her own happiness and, consequently, being happy. And as she did so, she was struck by how similar her fantasies of the old, pre-Great War world were to those fantasies about her coming life as Lady Broughton, which she had entertained while lying in the bath just before her wedding. How simple things were to be, how the villagers and tenants were going to love her, how the family would bless the day she had come among them! She found herself smiling wistfully as the dream image of herself as the Great Social Force of Twenty-First Century Society receded before her inner gaze, swathed in mist, tearfully waving goodbye.
Pondering this, it seemed at first to her troubled brain that her mother had been wrong and the media had been right all along, that these dreams and ambitions were outmoded, that no one nowadays wants titles and rank and inherited power, that these are the days of the self-made man, of talent, of creativity. But then, looking about at the office workers and sweepers and job interviewees who loitered near her in the park, she was struck by the dishonesty of the media pundits of our time.
Was there one here who would not change places with Charles if they could? Was it not possible that the small screen gurus praised meritocracy because it was the only class system that would accord them the highest rank? Even if unearned riches and position had no moral merit, even if they embodied the Dream That Dare Not Speak Its Name, it was still a dream that figured in plenty of people's fantasies. And she had casually discarded it.
Then she thought again with puzzled wonderment of her own supposed unhappiness with Charles. Why exactly had she been so unhappy? When she tried to think back to their time together, she kept remembering those pretty rooms at Broughton and the servants and the park and her work in the village. The only discomforts she could recall were things like packing the car and standing behind Charles at a shoot in the rain. Were these so terrible? And if she thought of Charles, himself, it was with a rather intimate affection. She remembered him swearing at fellow motorists or farting in his sleep and it provoked in her a kind of nostalgic warmth. There was no trace of relief at his passing. If only there had been. Instead she found herself worrying about his loneliness. It pained her to think he was suffering. And increasingly she asked herself what exactly was this personal fulfilment for which so much disruption had been necessary? Was it sexual? Was she admitting that she had done all this because of Simon's cock? Or was it simply to do with boredom? But if it was, how much less bored was she now, sitting in Ebury Street talking to girlfriends on the telephone or meeting them for lunch than she had been working with her committees in the library at Broughton?
She turned away from Lancaster House and walked slowly towards the Victory Arch with Buckingham Palace on her left.
The Royal Standard announcing the monarch's presence in London hung limply against its staff. Tourists hovered at the railings, peering in with rapt attention, as if they hoped to catch a glimpse of some Royal Highness strolling down a corridor or coming out for a breather. And again, as she walked, Edith considered the mystery of unearned greatness. She thought how Tigger and Googie and Charles would all be invited to the next court ball, an event of unimaginable glamour to these Japanese travellers with their clicking cameras, to these northerners in their hideous anoraks, blobs of bright, synthetic colour against the cold grey, neo-Georgian facade. Any one of these would have made an invitation to the Palace into a life-long story, sodden with repetition and yet she had turned away from her role in this fairy tale in order to be — to be what precisely? Happy?
The fact was that of late Edith had come to wonder just how much she could be fulfilled by 'personal happiness', if that was what Simon was offering her. Perhaps because she had never succeeded in disentangling her ambitions of fulfilment from her mother's values, she had already begun to hanker for that sweet sense of self-importance that her life at Broughton had brought with it. She understood that these feelings did her no credit but her defence was a pragmatic one. How else was she to enjoy the good things in life if she did not marry them? And her faith in Simon's eventual triumph was waning. She knew more about show business now than she had when they met and she sensed that the series he was in, with a couple more to follow, was probably the best he could hope for. Whatever they might pretend together, they would not be holding hands tightly, stiff with anticipation, at the Oscar ceremony. What was her life to be then? A vicarage in the Home Counties and the occasional interview for an evening newspaper? Was she really expected to provide vocal and emotional support through twenty years of semi-failure to prove she was a real person? Some might say it is only personal achievement that should lead on to glory but what of those who have no talent or special gift with which to achieve? Are they so blameworthy to want to live among the blessed? Poor Edith was aware that she could neither weave nor spin but was she therefore forbidden to covet a life of splendour? Was this so shameful? She shook her head in irritation. At the far corner of her brain, these thoughts were beginning to tell her that despite the reckless choice she had made, her own assessment of the world and her place in it had not really changed i
n the least. She felt herself resenting anew the accusations she heard from her parents and friends when she first made her run for it, that she could not settle to her new life because beneath the skin of a rebel beat the heart of Mrs Lavery's little girl. And she resented them because she was beginning to be horribly afraid they might be true.
Walking towards Victory Arch, watching the afternoon light glint against the windows of Apsley House, whither she and Charles had been summoned for a party the previous summer, one of the first engagements she had been obliged to cancel because of the split, she recalled with amazement (and it really had begun to seem almost unbelievably strange) that she had jettisoned a high place in the world of the worldly for the position of partner to an obscure man in a generally despised profession. And not for the first time she sat down to think about the extraordinary events of the last year of her life in more detail.
Simon was at the flat when she got back. He was drinking tea and watching an old film. When he was working he was at peace and so inclined to relax and take it easy. It was only when he was out of a job that he would go haring about London keeping lunch dates with people he disliked and telephoning his agent every four hours.
Edith left her coat in the hall. 'Is there a cup for me?' He waved his mug in the air. 'I just made it with a bag. The water's still hot if you want some.' He had taken his trainers off and they lay, pigeon-toed on the hearth rug. His coat had been thrown across an armchair and books and scripts were littered about the room. Edith stood at the door, taking in the whole scene like a spectator from another country. The Way We Live Now. This was the way she lived now, with sixties sofas covered in stained, oatmeal tweed, with large nondescript flower prints in coloured mounts on the walls, with a Perspex coffee table and a gas-log fire. This was the way she was living now. She was acutely aware that she had no desire to enter the room.
Simon, sensing some strangeness between them, stood and approached her in the doorway. He slid an arm around her waist and squeezed her, pushing his mouth onto hers. They had been in an Indian restaurant the night before and she could still taste the spices on his breath. He pressed himself against her and she could feel that he was already aroused. 'Good lunch?' he said.
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