I nodded and gave what assurances I felt I could, thanked her for my tea and watched her pull herself together before my eyes so that, by the time I turned at the arch taking me towards the Arlington Street entrance, she could wave at me as composed as if she were in the Royal Box at Ascot. All I knew was that I could not have been less clear as to quite what I was going to say to Edith.
'You're right, of course. She doesn't want you to meet.'
'I told you.'
'Even so, I don't really see how she can prevent it'
'She'll send him away again. To America. For horse sales or something. She'll fix it up with her friends. They're everywhere.'
'Sounds like Watergate.'
She gave a harsh little laugh. 'You think you're joking.'
'At any rate,' I said, 'he can't stay in America for ever. You'll just have to keep trying. I don't think he'll avoid you when you do run him to earth. Really I don't. You must just bide your time.'
'I haven't got time,' said Edith.
Something in the tone of her voice prevented my asking for clarification and, indeed, I confess that I deliberately put the remark out of my mind. I did not want to address it, I suppose, and I certainly did not want to share it with Adela, sensing perhaps that it could mean everything or nothing. If everything, why risk the release of that knowledge into the ether? If nothing, why not forget it?
We were silent a moment with Edith perhaps aware that she had said more than she'd intended. She may have been pondering how to contain the remark without referring to it again.
'What do you plan to do then?' I asked.
'I don't know,' she said.
TWENTY-ONE
She didn't know. It seemed crazy but she literally did not know how she could contact her own husband. It may surprise some people but for a time, Edith had assumed that either Sotheby's or Christie's would rescue her from this dilemma. The public is not aware of it but over the last decade the summer parties of those two great auction houses have become in many ways the high points of the London social calendar, a chance for the genuine gratin, as opposed to the ubiquitous Cafe Society, to meet and mingle before they disperse for the summer. Edith knew that Charles would attend both, as would Googie. Even Tigger was prepared to struggle up from the country in order to renew his acquaintance with most of his class.
It was an annual, pleasurable duty cheerfully undertaken by a large proportion of the high aristocracy much as the opening day of the Summer Exhibition used to be. There Charles would be found and there Edith would buttonhole him. The only trouble was that the days went by and every morning the envelopes flopped down onto the mat but the requisite, white, pasteboard cards with their embossed, italic script were not among them. Whether to spare Charles from embarrassment or perhaps to shield Lady Uckfield from discomfort (nobody can have thought that Lord Uckfield would even notice Edith's presence), for whatever reason, the Countess Broughton's name had clearly been excised from the list. She was not invited to either gathering.
At last it became impossible for her not to accept that she had been passed over. It was time for an alternative plan. She sat hunched over her address book, leafing through the neatly pencilled names. This was a habit she had unconsciously adopted from her hated mother-in-law. It meant the entries could be more easily rubbed out when their owners moved or when their use was finished and done with. This morning she stared at page after page, trying to find one who would help. At last, faute de mieux, she dialled Tommy Wainwright's number. Arabella answered and Edith asked for Tommy, a request that was greeted with a cool silence at the other end before Arabella spoke.
'He's at the House, I'm afraid.'
'When will he be back?'
'The thing is, he's most frightfully busy at the moment. Can I help?'
No, thought Edith. You cannot and you would not. 'Not really,' she said lightly. 'I don't want to be a bother. Just say I telephoned.'
'Of course I will.' It was obvious from her flat tone of voice that Arabella intended to say nothing but, in the event, she felt discomfort at the thought of being discovered in a lie so she did pass on the message while predictably urging her husband to ignore it. Edith had already played out this scenario or something like it in her brain so it was quite a surprise that evening when she picked up the receiver to hear Tommy speaking.
'I want to see Charles and everyone's stopping me,' she said after the usual pleasantries.
'Why?'
'Because they're frightened of Googie, because they want to stay in with the family. I don't know why.'
There was a short silence. The request may not have been articulated but it had nevertheless been made. 'I don't want to land him in it.'
'Nor do I,' said Edith firmly. 'I just want to see him.'
Another silence. Then with something like a sigh, Tommy spoke. 'He's coming here for a drink on Wednesday at about seven. You could always drop in then.'
'I will never forget this.' Edith's voice was sonorous with significance and from it Tommy could easily gauge the treatment she had been receiving elsewhere from her erstwhile world.
'Don't get your hopes up too much,' he said. He was after all fully aware of the powers she was ranging herself against.
===OO=OOO=OO===
I was already in the Wainwright drawing room when Edith arrived. It wasn't a large party, roughly twenty or thirty souls who had nothing better to do. They had dutifully assembled in the cramped mews house near Queen Anne Street to start their evening with a few smoked salmon whirls from Marks & Spencer and some bottles of Majestic champagne. The gathering was already past its zenith and the guests had begun to peel away, heeding the call of dinner reservations and theatres and baby-sitters, when Edith came through the door. She was smiling with anticipation but I could see her face shrink with disappointment as she surveyed the room. I went up to her.
'Don't tell me Charles has gone. I got stuck in traffic and I left too late anyway.'
It was easy to see why. She had taken immense trouble with her appearance and I could not remember seeing her in better fettle, her lovely face flawless, her hair shining and an alluring evening outfit encasing her already desirable form.
'Stop worrying,' I murmured reassuringly. 'He hasn't arrived yet.'
'But he is coming?'
'I suppose so. Tommy said he was.'
'That's what he said to me but where is he?'
She bit her lip in annoyance as a couple of her former friends grudgingly decided to acknowledge her presence and draw her into conversation. Adela came up to me.
'What's she doing here?' she said. 'I thought this was the other camp.'
'Not really. I gather Tommy was trying to bring them together.'
'You amaze me. Two days ago, I ran into Arabella at Harvey Nicks and she was saying the break-up was the best thing that could have happened.'
'I don't doubt it but even married couples can on occasion disagree. Or don't you believe such a thing possible?'
'I believe it,' said Adela sourly, 'but I still don't see how Arabella could have allowed the invitation in the first place.'
The answer, of course, which I could not give then but I was able to supply later, was that Arabella had given no such agreement.
The party was on its last legs. A few of us had been invited to stay on for dinner and we were in that uncomfortable, if familiar, period when almost everyone who is not invited to remain has gone but there is always a couple who do not realise that they are delaying the launch of the next stage of the evening. Usually, the hostess weakens and says to the obdurate, 'Do stay for something to eat if you'd like to.' To the trained ear, this translates as, 'Please go. We are hungry and you are not invited.' The old hand on the cocktail party circuit will then look around, blush and scuttle away, muttering about having to be somewhere else. But there is always the risk that the stayer will be uninitiated in these rituals or stubborn or simply stupid — in which case they may accept the unmeant offer of hospitality. In this inst
ance, Arabella Wainwright was clearly not prepared to take a chance on having to entertain Edith for the rest of the evening and so she said nothing. But still Edith would not leave. I strolled over to her.
'I suppose you're having dinner here?' she said.
'We are. And so I imagine is more or less everyone else in the room.'
She looked around. When she spoke her voice had a bleakness that almost brought tears to my eyes. 'I was all geared up.
It didn't occur to me that he wouldn't come. His mother must have got wind of it and put him off somehow.'
'I don't see how. Tommy didn't tell me you were coming and I can't imagine he would have told anyone else.'
She didn't linger all that much longer. When Arabella brought a pile of plates out of the tiny kitchen and plonked them noisily onto the dining room table alongside an arrangement of sporting mats even Edith had to admit defeat.
'I must run,' she said to her detached and unbending hostess. 'Thank you. It's been lovely seeing you again.'
Arabella nodded silently, only too glad to be rid of her but Tommy took her to the door. 'I don't know what happened,' he said. 'I am sorry.'
Edith gave him a sad little smile. 'Oh well. Perhaps it's not meant to be.' Then she kissed him and left. But for all her pretended acceptance of fate, she continued to think someone had wrecked her chances. And she was right.
It was much later in the evening when, in a rare break with my personal tradition, I was helping to clear some plates away, that I overheard a short snatch of conversation coming from behind the kitchen door.
'What do you mean?' said an exasperated Tommy.
'Exactly what I say. I thought it was unfair to spring an ambush on him when we're supposed to be his friends.'
'If that was really what you thought then why didn't you tell Charles and let him make up his own mind?'
'I might ask you the same question.'
Tommy was clearly flustered. 'Because I'm not sure he knows his own mind.'
When Arabella spoke again, it was hard to discern the faintest traces of regret. 'Precisely. And that is why I told his mother.'
'Then you're a bitch.'
'Maybe. You can tell me I was wrong in six months time. Now take in the cream and don't spill it.'
Unable to pretend that I was arranging the dirty plates for much longer, I pushed the kitchen door open to find no sign of dispute within.
'How kind you are,' said Arabella, smoothly relieving me of my burden.
My wife was reluctant to be drawn into a moral position as we drove home. 'Just don't do anything of the sort to me,' she said, and I agreed. Not that I would criticise Tommy. Indeed I thought he had acted the part of a true friend but, rather feebly perhaps, it was not a position I was anxious to find myself in. I did not repeat what Arabella had said about the six-month interval probably because, even at that stage, I did not want to take it on board.
===OO=OOO=OO===
A few days later, Edith awoke to find herself vomiting into the lavatory bowl. She must have fumbled her way there in half-sleep and it was only the act of retching that finally brought her to her senses. When at last it seemed that even the very lining of her stomach must have been discharged into the pan, she stopped, gasped for air and sat back. Simon came to the door, with his hand over the portable telephone. He slept naked and normally the sight of his godly form cheered her into a sense of present good but this morning, his lightly muscled charms were wasted on her.
'Are you all right?' he asked superfluously.
'I think it must have been those prawns,' she said, knowing full well that he had chosen the soup.
'Poor you. Better out than in.' He smiled, holding up the receiver, and mimed, 'It's your mother,' with a comic grimace.
Edith nodded and reached out her hand for the telephone. 'I'll make some coffee,' said Simon, and wandered off to the kitchen.
Edith wiped her mouth and settled her thoughts. 'Mummy? No, I was in the bathroom.'
'Was that you being sick?' said Mrs Lavery at the other end.
'Well, I don't know who else.'
'Are you all right?'
'Of course I'm all right. We went to a ghastly place in Earl's Court last night that's been opened by some failed actor Simon knows. I had shellfish. I must have been mad.'
'Only I thought you were looking rather green around the gills when I saw you.' Edith had accompanied her mother on a fruitless search for a hat the previous week. That was enough in itself to make most people fairly green but she said nothing.
'So you're not ill?'
'Certainly not.'
'You would tell me if there was… something, wouldn't you?'
Edith knew very well that she would hesitate to trust her mother with the time of day but there was no point in going into that now. 'Of course I would,' she said. There was a pause.
'And I suppose there's no news. About… everything…'
'No.'
'Oh, darling.' However irritated, Edith did feel sorry for her mother. She was forced to concede that Mrs Lavery, shallow as her values might be, was experiencing some perfectly genuine emotions. Particularly regret. 'You won't take any… step you might be sorry about, will you?'
'What step?'
'I mean… you won't burn your bridges until you're sure…'
Edith was used to her mother's seemingly limitless supply of clichés so she needed no translator to tell her what they were discussing. Oddly, despite the paucity of her mother's vocabulary, the question had succeeded in centring her thoughts on the matter. As she brought the conversation to an end and cleared the line, she knew the time had come for positive action.
It was a Saturday, a mild, pleasant day for them as a rule, involving newspapers, a lunch out somewhere, perhaps a cinema or possibly a dinner with some friends in a Wandsworth kitchen but as Edith dressed she knew that no such day lay ahead for her. She selected her outfit with considerable care, casual country clothes, well bred, unshowy, exactly the type of skirt and jersey that she had renounced with a religious fervour so short a time ago. Just as when she was choosing her clothes for the dress show, she was once more conscious that her two lives demanded two costumes. A duke's daughter might get away with wearing some streetwalker's outfit from Voyage at a dinner in Shropshire, indeed she would be praised for her aristocratic eccentricity but she, Edith, would never be given the same licence. Had she dared to wear London clothes in the country, to Charles's circle it would only have been a confirmation of her ill-breeding. When she entered the kitchen, Simon looked up in surprise. 'My word. You look as if you're auditioning for Hay Fever.'
'I feel such a fool. I promised to take my mother to a lunch party today and I completely forgot about it. That's why she rang. Can you forgive me?'
'Whose lunch party?'
'Just some country cousins.'
'You don't have any country cousins. Wasn't that the whole point?' In saying this, Simon showed one of his rare flashes of understanding. It was exactly the point.
'I do but I never talk about them. They're too boring to live.'
'Which means you don't want me to come.' Simon hated to be left out of anything. Or at least, if he was, it had to be his choice. He didn't mind being too busy to join in, in fact he quite enjoyed it, but the thought that people were not anxious for his company — even if it was for a journey to the post box — was anathema to him.
Edith smiled a wistful, wouldn't-that-be-nice smile. 'I wish. But she's been begging me for us to have some time on our own. I suppose she wants to talk about everything.' This was accompanied by a half-shrug that brooked no argument.
'Just be nice about me.'
She gave him a warm and supportive smile, knowing that in her heart she was plotting his fall, and set off downstairs to their bedroom to collect her coat. She did not want to tell Simon where she was going as that would have detonated a scene and she was by no means certain of the day's possible outcome. The last thing she wanted was for him to flounce back
to his wife in a pet, leaving her to come home to an empty flat.
The truth was she had determined, in that morning moment of surveying her own floating sick, that she was not going to be put off for one day longer. She would drive that very morning to Broughton and beard the lion — or rather the lioness's cub
— in his den. As she sped out down the A22, she couldn't really understand what had taken her so long to come to this decision. This was her husband and she was going to what was, after all, her marital home. No one could argue with that.
An unpleasant surprise was waiting for her, as she had forgotten that on a Saturday in summer the house would of course be open to the public. Somehow that had slipped through her calculations and she was now in the faintly ludicrous position of having to choose between parking her car in the courtyard and going in through the family's entrance or entering by the public door and travelling up into the body of the house surrounded by tourists and housewives from Brighton. She made the bold decision to go in by the latter route. She thought there would be plenty of time to block her path if she rang the family's doorbell and she was gambling on Charles being in his own study, which was next to the library. It would be the work of a moment to slip through the cordon and open the door and she correctly guessed that none of the guides would stop her.
Indeed, she made a point of pausing to say hello to the pleasant woman in a stout, country suit who stood taking tickets.
'Hello, Mrs Curley, how are you? Can I creep in this way? Would you mind?' Edith had mastered this particular trick of her husband's people, that of asking as a favour something that cannot be refused. 'Oh, Mrs So-and-so, could you bear to wait up until we get home? Would that be a terrible bore for you?' Of course, the wretched woman being instructed in this way (as well as her employer) knows that this really means 'You are forbidden to go to bed until I have returned' but it is of course a more self-congratulatory way to deliver a command. It is all part of the aristocracy's consciously created image. They like to pride themselves on being 'marvellous with servants', which usually means making impossible demands in the friendliest voice imaginable.
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