"This Cantianille, placed in a convent of Mont-Saint-Sulpice, was violated, when she was barely fifteen years old, by a priest who dedicated her to the Devil. This priest himself had been corrupted, in early childhood, by an ecclesiastic belonging to a sect of possessed which was created the very day Louis XVI was guillotined.
"What happened in this convent, where many nuns, evidently mad with hysteria, were associated in erotic devilry and sacrilegious rages with Cantianille, reads for all the world like the procedure in the trials of wizards of long ago, the histories of Gaufrédy and Madeleine Palud, of Urbain Grandier and Madeleine Bavent, or the Jesuit Girard and La Cadière, histories, by the way, in which much might be said about hystero-epilepsy on one hand and about Diabolism on the other. At any rate, Cantianille, after being sent away from the convent, was exorcised by a certain priest of the diocese, abbé Thorey, who seems to have been contaminated by his patient. Soon at Auxerre there were such scandalous scenes, such frenzied outbursts of Diabolism, that the bishop had to intervene. Cantianille was driven out of the country, abbé Thorey was disciplined, and the affair went to Rome.
"The curious thing about it is that the bishop, terrified by what he had seen, requested to be dismissed, and retired to Fontainebleau, where he died, still in terror, two years later."
"My friends," said Carhaix, consulting his watch, "it is a quarter to eight. I must be going up into the tower to sound the angelus. Don't wait for me. Have your coffee. I shall rejoin you in ten minutes."
He put on his Greenland costume, lighted a lantern, and opened the door. A stream of glacial air poured in. White molecules whirled in the blackness.
"The wind is driving the snow in through the loopholes along the stair," said the woman. "I am always afraid that Louis will take cold in his chest this kind of weather. Oh, well, Monsieur des Hermies, here is the coffee. I appoint you to the task of serving it. At this hour of day my poor old limbs won't hold me up any longer. I must go lie down."
"The fact is," sighed Des Hermies, when they had wished her good night, "the fact is that mama Carhaix is rapidly getting old. I have vainly tried to brace her up with tonics. They do no good. She has worn herself out. She has climbed too many stairs in her life, poor woman!"
"All the same, it's very curious, what you have told me," said Durtal. "To sum up, the most important thing about Satanism is the black mass."
"That and the witchcraft and incubacy and succubacy which I will tell you about; or rather, I will get another more expert than I in these matters to tell you about them. Sacrilegious mass, spells, and succubacy. There you have the real quintessence of Satanism."
"And these hosts consecrated in blasphemous offices, what use is made of them when they are not simply destroyed?"
"But I already told you. They are used to consummate infamous acts. Listen," and Des Hermies took from the bell-ringers bookshelf the fifth volume of the Mystik of Görres. "Here is the flower of them all:
"'These priests, in their baseness, often go so far as to celebrate the mass with great hosts which then they cut through the middle and afterwards glue to a parchment, similarly cloven, and use abominably to satisfy their passions.'"
"Holy sodomy, in other words?"
"Exactly."
At this moment the bell, set in motion in the tower, boomed out. The chamber in which Durtal and Des Hermies were sitting trembled and a droning filled the air. It seemed that waves of sound came out of the walls, unrolling in a spiral from the very rock, and that one was transported, in a dream, into the inside of one of these shells which, when held up to the ear, simulate the roar of rolling billows. Des Hermies, accustomed to the mighty resonance of the bells at short range, thought only of the coffee, which he had put on the stove to keep hot.
Then the booming of the bell came more slowly. The humming departed from the air. The window panes, the glass of the bookcase, the tumblers on the table, ceased to rattle and gave off only a tenuous tinkling.
A step was heard on the stair. Carhaix entered, covered with snow.
"Cristi, boys, it blows!" He shook himself, threw his heavy outer garments on a chair, and extinguished his lantern. "There were blinding clouds of snow whirling in between the sounding-shutters. I can hardly see. Dog's weather. The lady has gone to bed? Good. But you haven't drunk your coffee?" he asked as he saw Durtal filling the glasses.
Carhaix went up to the stove and poked the fire, then dried his eyes, which the bitter cold had filled with tears, and drank a great draught of coffee.
"Now. That hits the spot. How far had you got with your lecture, Des Hermies?"
"I finished the rapid expose of Satanism, but I haven't yet spoken of the genuine monster, the only real master that exists at the present time, that defrocked abbé-"
"Oh!" exclaimed Carhaix. "Take care. The mere name of that man brings disaster."
"Bah! Canon Docre-to utter his ineffable name-can do nothing to us. I confess I cannot understand why he should inspire any terror. But never mind. I should like for Durtal, before we hunt up the canon, to see your friend Gévingey, who seems to be best and most intimately acquainted with him. A conversation with Gévingey would considerably amplify my contributions to the study of Satanism, especially as regards venefices and succubacy. Let's see. Would you mind if we invited him here to dine?"
Carhaix scratched his head, then emptied the ashes of his pipe on his thumbnail.
"Well, you see, the fact is, we have had a slight disagreement."
"What about?"
"Oh, nothing very serious. I interrupted his experiments here one day. But pour yourself some liqueur, Monsieur Durtal, and you, Des Hermies, why, you aren't drinking at all," and while, lighting their cigarettes, both sipped a few drops of almost proof cognac, Carhaix resumed, "Gévingey, who, though an astrologer, is a good Christian and an honest man-whom, indeed, I should be glad to see again-wished to consult my bells.
"That surprises you, but it's so. Bells formerly played quite an important part in the forbidden science. The art of predicting the future with their sounds is one of the least known and most disused branches of the occult. Gévingey had dug up some documents, and wished to verify them in the tower."
"Why, what did he do?"
"How do I know? He stood under the bell, at the risk of breaking his bones-a man of his age on the scaffolding there! He was halfway into the bell, the bell like a great hat, you see, coming clear down over his hips. And he soliloquized aloud and listened to the repercussions of his voice making the bronze vibrate.
"He spoke to me also of the interpretation of dreams about bells. According to him, whoever, in his sleep, sees bells swinging, is menaced by an accident; if the bell chimes, it is presage of slander; if it falls, ataxia is certain; if it breaks, it is assurance of afflictions and miseries. Finally he added, I believe, that if the night birds fly around a bell by moonlight one may be sure that sacrilegious robbery will be committed in the church, or that the curate's life is in danger.
"Be all that as it may, this business of touching the bells, getting up into them-and you know they're consecrated-of attributing to them the gift of prophecy, of involving them in the interpretation of dream-an art formally forbidden in Leviticus-displeased me, and I demanded, somewhat rudely, that he desist."
"But you did not quarrel?"
"No, and I confess I regret having been so hasty."
"Well then, I will arrange it. I shall go see him-agreed?" said Des Hermies.
"By all means."
"With that we must run along and give you a chance to get to bed, seeing that you have to be up at dawn."
"Oh, at half-past five for the six o'clock angelus, and then, if I want to, I can go back to bed, for I don't have to ring again till a quarter to eight, and then all I have to do is sound a couple of times for the curate's mass. As you can see, I have a pretty easy thing of it."
"Mmmm!" exclaimed Durtal, "if I had to get up so early!"
"It's all a matter of habit. But before yo
u go won't you have another little drink? No? Really? Well, good night!"
He lighted his lantern, and in single file, shivering, they descended the glacial, pitch-dark, winding stair.
CHAPTER VI
Next morning Durtal woke later than usual. Before he opened his eyes there was a sudden flash of light in his brain, and troops of demon worshippers, like the societies of which Des Hermies had spoken, went defiling past him, dancing a saraband. "A swarm of lady acrobats hanging head downward from trapezes and praying with joined feet!" he said, yawning. He looked at the window. The panes were flowered with crystal fleurs de lys and frost ferns. Then he quickly drew his arms back under the covers and snuggled up luxuriously.
"A fine day to stay at home and work," he said. "I will get up and light a fire. Come now, a little courage-" and-instead of tossing the covers aside he drew them up around his chin.
"Ah, I know that you are not pleased to see me taking a morning off," he said, addressing his cat, which was hunched up on the counterpane at his feet, gazing at him fixedly, its eyes very black.
This beast, though affectionate and fond of being caressed, was crabbed and set in its ways. It would tolerate no whims, no departures from the regular course of things. It understood that there was a fixed hour for rising and for going to bed, and when it was displeased it allowed a shade of annoyance to pass into its eyes, the sense of which its master could not mistake.
If he returned before eleven at night, the cat was waiting for him in the vestibule, scratching the wood of the door, miaouing, even before Durtal was in the hall; then it rolled its languorous green-golden eyes at him, rubbed against his trouser leg, stood up on its hind feet like a tiny rearing horse and affectionately wagged its head at him as he approached. If eleven o'clock had passed it did not run along in front of him, but would only, very grudgingly, rise when he came up, and then it would arch its back and suffer no caresses. When he came later yet, it would not budge, and would complain and groan if he took the liberty of stroking its head or scratching its throat.
This morning it had no patience with Durtal's laziness. It squatted on its hunkers, and swelled up, then it approached stealthily and sat down two steps away from its master's face, staring at him with an atrociously false eye, signifying that the time had come for him to abdicate and leave the warm place for a cold cat.
Amused by its manœuvres, Durtal did not move, but returned its stare. The cat was enormous, common, and yet bizarre with its rusty coat yellowish like old coke ashes and grey as the fuzz on a new broom, with little white tufts like the fleece which flies up from the burnt-out faggot. It was a genuine gutter cat, long-legged, with a wild-beast head. It was regularly striped with waving lines of ebony, its paws were encircled by black bracelets and its eyes lengthened by two great zigzags of ink.
"In spite of your kill-joy character and your single track mind you testy, old bachelor, you are a very nice cat," said Durtal, in an insinuating, wheedling tone. "Then too, for many years now, I have told you what one tells no man. You are the drain pipe of my soul, you inattentive and indulgent confessor. Never shocked, you vaguely approve the mental misdeeds which I confess to you. You let me relieve myself and you don't charge me anything for the service. Frankly, that is what you are here for. I spoil you with care and attentions because you are the spiritual vent of solitude and celibacy, but that doesn't prevent you, with your spiteful way of looking at me, from being insufferable at times, as you are today, for instance!"
The cat continued to stare at him, its ears sticking straight up as if they would catch the sense of his words from the inflections of his voice. It understood, doubtless, that Durtal was not disposed to jump out of bed, for it went back to its old place, but now turned its back full on him.
"Oh come," said Durtal, discouraged, looking at his watch, "I've simply got to get up and go to work on Gilles de Rais," and with a bound he sprang into his trousers. The cat, rising suddenly, galloped across the counterpane and rolled itself up into the warm covers, without waiting an instant longer.
"How cold it is!" and Durtal slipped on a knit jacket and went into the other room to start a fire. "I shall freeze!" he murmured.
Fortunately his apartment was easy to heat. It consisted simply of a hall, a tiny sitting-room, a minute bedroom, and a large enough bathroom. It was on the fifth floor, facing a sufficiently airy court. Rent, eight hundred francs.
It was furnished without luxury. The little sitting-room Durtal had converted into a study, hiding the walls behind black wood bookcases crammed with books. In front of the window were a great table, a leather armchair, and a few straight chairs. He had removed the glass from the mantelpiece, and in the panel, just over the mantelshelf, which was covered with an old fabric, he had nailed an antique painting on wood, representing a hermit kneeling beside a cardinal's hat and purple cloak, beneath a hut of boughs. The colours of the landscape background had faded, the blues to grey, the whites to russet, the greens to black, and time had darkened the shadows to a burnt-onion hue. Along the edges of the picture, almost against the black oak frame, a continuous narrative unfolded in unintelligible episodes, intruding one upon the other, portraying Lilliputian figures, in houses of dwarfs. Here the Saint, whose name Durtal had sought in vain, crossed a curly, wooden sea in a sailboat; there he marched through a village as big as a fingernail; then he disappeared into the shadows of the painting and was discovered higher up in a grotto in the Orient, surrounded by dromedaries and bales of merchandise; again he was lost from sight, and after another game of hide-and-seek he emerged, smaller than ever, quite alone, with a staff in his hand and a knapsack on his back, mounting toward a strange, unfinished cathedral.
It was a picture by an unknown painter, an old Dutchman, who had perhaps visited certain of the Italian masters, for he had appropriated colours and processes peculiar to them.
The bedroom contained a big bed, a chest of drawers waist-high, and some easy chairs. On the mantel were an antique clock and copper candlesticks. On the wall there was a fine photograph of a Botticelli in the Berlin museum, representing a plump and penitent Virgin who was like a housewife in tears. She was surrounded by gentleman-, lady-, and little-boy-angels. The languishing young men held spliced wax tapers that were like bits of rope; the coquettish hoydens had flowers stuck in their long hair; and the mischievous cherub-pages looked rapturously at the infant Jesus, who stood beside the Virgin and held out his hands in benediction.
Then there was a print of Breughel, engraved by Cock, "The wise and the foolish virgins": a little panel, cut in the middle by a corkscrew cloud which was flanked at each side by angels with their sleeves rolled up and their cheeks puffed out, sounding the trumpet, while in the middle of the cloud another angel, bizarre and sacerdotal, with his navel indicated beneath his languorously flowing robe, unrolled a banderole on which was written the verse of the Gospel, "Ecce sponsus venit, exite obviam ei."
Beneath the cloud, at one side, sat the wise virgins, good Flemings, with their lighted lamps, and sang canticles as they turned the spinning wheel. At the other side were the foolish virgins with their empty lamps. Four joyous gossips were holding hands and dancing in a ring on the greensward, while the fifth played the bagpipe and beat time with her foot. Above the cloud the five wise virgins, slender and ethereal now, naked and charming, brandished flaming tapers and mounted toward a Gothic church where Christ stood to welcome them; while on the other side the foolish virgins, imperfectly draped, beat vainly on a closed door with their dead torches.
The blessed naïveté of the Primitives, the homely touches in the scenes of earth and of heaven! Durtal loved this old engraving. He saw in it a union of the art of an Ostade purified and that of a Thierry Bouts.
Waiting for his grate, in which the charcoal was crackling and peeling and running like frying grease, to become red, he sat down in front of his desk and ran over his notes.
"Let's see," he said to himself, rolling a cigarette, "we had come to the time when
that excellent Gilles de Rais begins the quest of the 'great work.' It is easy to figure what knowledge he possessed about the method of transmuting metals into gold.
"Alchemy was already highly developed a century before he was born. The writings of Albertus Magnus, Arnaud de Villeneuve, and Raymond Lully were in the hands of the hermetics. The manuscripts of Nicolas Flamel circulated, and there is no doubt that Gilles had acquired them, for he was an avid collector of the rare. Let us add that at that epoch the edict of Charles interdicting spagyric labours under pain of prison and hanging, and the bull, Spondent pariter quas non exhibent, which Pope John XXII fulminated against the alchemists, were still in vigour. These treatises were, then, forbidden, and in consequence desirable. It is certain that Gilles had long studied them, but from that to understanding them is a far cry.
"For they were written in an impossible jargon of allegories, twisted and obscure metaphors, incoherent symbols, ambiguous parables, enigmas, and ciphers. And here is an example." He took from one of the shelves of the library a manuscript which was none other than the Asch-Mezareph, the book of the Jew Abraham and of Nicolas Flamel, restored, translated, and annotated by Eliphas Levi. This manuscript had been lent him by Des Hermies, who had discovered it one day among some old papers.
"In this is what claims to be the recipe for the philosopher's stone, for the grand quintessential and tinctural essence. The figures are not precisely clear," he said to himself, as he ran his eye over the pen drawings, retouched in colour, representing, under the title of "The chemical coitus" various bottles and flasks each containing a liquid and imprisoning an allegorical creature. A green lion, with a crescent moon over him, hung head downward. Doves were trying to fly out through the neck of the bottle or to peck a way through the bottom. The liquid was black and undulated with waves of carmine and gold, or white and granulated with dots of ink, which sometimes took the shape of a frog or a star. Sometimes the liquid was milky and troubled, sometimes flames rose from it as if there were a film of alcohol over the surface.
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